Tag: family (Page 1 of 5)

What the Dog Knows

Nonfiction by Pippa Storey

It’s a sunny midsummer’s day in New Rochelle, on the edge of Long Island Sound. A couple stroll into Hudson Park just ahead of me, their lanky white mutt prancing excitedly around them. They climb the flank of a promontory overlooking the bay, then separate and stand a ball’s throw apart.

Slowly, teasingly, the man draws back his arm, watching the dog quiver with anticipation. He pitches toward the woman, and the dog catapults in her direction. She catches his shot neatly with both hands, barely a pawbeat before the dog reaches her. Then, grinning down fondly, she returns an underarm lob, and the dog bolts off again.

Back and forth they throw, the dog racing eagerly between them. But there’s no ball! It’s all a charade. Nevertheless, the dog is completely enthralled, ears flapping in the wind as he gallops across the grass.

Just a conditioned response, my mother will later surmise. But I can see—from the adoration in the dog’s upturned face, the frenzied wagging of his tail, his rapturous joy in their laughter—that he understands: the game was never about the ball.


Pippa Storey grew up in New Zealand, studied in France, and now lives near Hudson Park in New Rochelle, New York, where this interaction occurred. For more of her writing, digital artwork and videos, please visit pippastorey.com.

Burying the Watchman

Poetry by Allan Scherlen

My foot sinks
and snow crunches softly
before Charlie’s tombstone.

Beneath snow far below,
the deceased night-watchman
lies buried.

My boots filled with snow
as I read the headstone
of the watchman;

the stone was short, thin
and almost
submerged in snow.

His sister, poorer than Charlie,
charged the cost of his tombstone,
too expensive for her cleaning wage;

the etching was delayed,
written too shallow to read,
devoted to Charlie’s night work.


Allan Scherlen is a poet and librarian at Appalachian State in NC for twenty years. The mountains have inspired him. Poems have appeared in many journals including The Bluebird Word, Azahares, Appalachian Journal, As the Crow Flies, Progenitor, The Hong Kong Review, and Galway Review. Read more at https://scherlen.squarespace.com/.

Speak to Me of Spring

Poetry by Rochelle Jewel Shapiro

When I was little, my middle sister’s face
grew milky. Her thin body swayed, then wafted
to the linoleum like mimosa silk.

I thought she was dead.
I didn’t know you could mime death with held breath.

Today I want to write about daffodils, their yellow funnels,
bell-shaped coronas, and frills, how they trumpet sunlight.
But the breadth of war expands each day to bring more death.

I think of my husband’s staticky call, sirens blaring,
the day the Twin Towers fell, and how he came home
to me as he cannot now.

Today, I want to write about daffodils,
how after flowering, they die back into underground bulbs,
and in season, return to life.


Rochelle Jewel Shapiro has published essays in the NYT (Lives) and many anthologies. Nominated twice for a Pushcart Prize and twice for Best of the Net, her poetry has appeared in Prism, Westview, Poet Lore, Rogue Agent, The Virginia Normal, Rougarou, Evening Street Review, and more. Connect with her at rochellejshapiro.com, @rjshapiro, @rochelle.j.shapiro, or @RochelleJShapiro.

We Sat You at the Water’s Edge

Nonfiction by Aldo Giovannitti

Bruno does his business by the bench by the parish, then he pulls. This is station two of our morning circuit. The road climbs and then levels, and you trudge along, as we crawl arm in arm, the leash in my other hand. Going back, you murmur, I would try not to escape all the time from myself. Then you disengage, and let your eyes be carried by the asphalt flowing below us.


You sit on the couch, hands on your knees, your robes hung on whatever is left of you. I notice your hump for the first time, then I look at my watch. Still one hour to the next round of pills; after that there’s lunch. She bends to lay a towel on your chest, so we won’t need to clean your shirt when you’ll wake up. She knows that in the wait you’ll let your eyelids go, bring your lips apart, and abandon your head to its weight.

Your attention span has contracted to a handful of seconds, and we need to pull words out of you quick before they are gone, before they drag with them your blurred intentions. Have I run away from here searching for what was closest to you? You made it, you said seventeen years ago standing on this very rug, holding my visa in both hands, staring at my portrait superimposed on the filigreed page.

Now you can speak only a tenth of what you used to, but each word is made of rock; the unessential has fled you. I’ve never paid as much attention to what you say as I do now—mumble, in truth—and the more I listen, the more I see you too had an entire life of your own. You too have wandered the lands, swum the seas, spun through the clouds I believed were mine alone. Your world, infinite as mine; I have finally surrendered not to comprehend it.


After dinner comes the fourth and last round. You lay the pills on the tablecloth, lining them up as you did with most things in your life. This is a ritual, and we follow its steps with devotion. You unscrew the plastic bottle, tilt it together with your chest, and pour the water onto the tablecloth, beside the glass, for the time it would have taken to fill it. We let you do that without intervening, watching the water spread on the double-folded cotton, because that is the least respect we can pay. And when you set the bottle aside you find out the glass is empty. You jerk back. Fooled again. Then we fill the glass for you.

We’ve spent the last day of this rare visit, before I fly away, at the beach house you both returned to for the past fifty-two years. A silent drive got us here. And by now an entire day has passed, and Bruno has run along the water’s edge to exhaustion. We sat you on a chair in the sand, but you didn’t like the wind and turned your gaze away from the sea.

The sun has set, and I walk past your bedroom heading to mine. I see you sleep in a fetal position, hiding into the wall, holding onto the orthopedic pillow she has bought to you both. I didn’t know you slept this way now, and that she let your bedside lamp burn through the night.

The lamp is recycled from my childhood; it diffuses a dim red light. And the light fills your heart more than it fills the room, while you dream of a decades old, Italian summer.


Aldo Giovannitti writes about shifting perception, moral ambiguity, and transformation. His work has appeared or is forthcoming in Open Journal of Arts & Letters, The Bookends Review, and Corvus Review, alongside essays in The Diplomat and South China Morning Post. He is a member of The Poetry Society and PEN America and is based in London.

Ghost crew

Poetry by Christopher Laird Dornin

My late father and brother
watch me sail alone
with my eyes closed in light

wind on a burning afternoon.
Ephemeral zephyrs
and ghostly shifts of air

fall and come and rise.
I feel their pulse in the tug
of the tiller, the angle of heel,

the pull of the mainsheet and the gurgle
of my bow and stern waves.
My father’s cemetery is missing

its ancient gates and stones.
He kept its address a secret
the time we sailed the Chesapeake

among the traveling molecules
of my brother, lost at sea
a long way from there.


Christopher Laird Dornin has won a NH Arts Council fellowship and placed runner-up in the Swan Scythe Press chapbook contest, semi-finalist in the Finishing Line Press book contest and semi-finalist in the Wolfson Press chapbook contest. His verse has appeared in The Lake, Oberon, Blue Unicorn, Nimrod and others.

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

Squirrel Ladder

Nonfiction by Kelly Kolodny

Cat hair piled up on the old shaggy carpet. The sturdy pine coffee table, built by my younger brother when he took woodworking in high school, was topped with several years of Better Homes and Gardens. A persistent stale odor wafted around furniture and throw pillows worn thin. As I sat with my parents in the den of their small ranch-styled home, week after week, I felt fatigued and overwhelmed. We had reached a point when important decisions needed to be made regarding their care, resulting in changes for them and how they would spend their remaining years. Sensing my worries and stress, their long-haired rescue dog, Caleb, often put his head in my hand. Their five cats gathered around me, bidding for my affection. Noises from outdoor feeders reminded me of my parents’ sense of protection and care for the natural world. Changes in my parents’ lives also would result in adjustments for the outdoor wildlife they supported.

Mom’s stroke occurred a few years before dad’s heart attack. Not physically visible, the stroke was a fog that rolled in and changed her interactions with others signaling something was not right. A cancer diagnosis and dementia followed. When dad had his heart attack, the doctors were unsure they would perform surgery since he was in his mid-nineties. He told them he had a family who cared for him, a garden that needed tending, and a will to live. An orchestra of voices from dad’s extended family persuaded the doctors to move forward with the surgery.

Like many seniors, my parents’ social security covered less and less of their living needs. When they became ill, I began to sift through their finances and started to understand the full extent of their fragile economic circumstances. To help, I brought groceries each week—canned tuna, bread, apples, bananas, crackers, and pre-made meals they could heat up in the microwave.

Weekly visits followed a similar routine. Unload food. Try to complete some household chores. Talk. If I was less stressed, I might have understood more clearly what my parents shared during those moments. Personal memories and life lessons were offered that later became cherished gifts.

During one visit, I remember Mom walked into the kitchen to get a drink.

“Do you want something to eat, Kelly?”

“I’m fine,” I replied.

“Oh, come look who’s in the bird feeder. It’s Timothy.”

I pulled myself up from their tattered brown couch to look at the feeder and set my eyes on Timothy, a good-sized squirrel with a fluffy tail curved into a half-circle. He filled his cheeks with seed as he rested on the edge of the feeder. Soon Timothy was joined by another squirrel. Traveling up a narrow wooden ladder my dad built, the squirrels easily reached the rectangular feeder at the window level. Enchanted with birds, my parents equally were taken with squirrels.

Feeling bold, I questioned mom about their care for squirrels.

“Some people try to keep the squirrels out of their bird feeders. They want the birds to have the seed.”

I had an idea of the response I would receive and was not surprised by it. Dressed in her Sears sweater and loose blue jeans, mom cast me an indignant look.

“Not us. We love squirrels. As a matter of fact, several of them live in our attic.”

I was not taken aback by this statement. When I was at their house, I heard noises coming from the attic which none of us had entered in years. Aware that squirrels were not helpful for the upkeep of the house, I nonetheless appreciated my parents’ care for them. They had formed a relationship with squirrels. They watched them through the kitchen window and noticed their expressions as they ate. They talked with them. The ladder was a bridge connecting my parents’ lives, filled with family, pets, and regular medical appointments, to the natural world.

“Mom, how do you know the squirrel in the bird feeder is Timothy? Can you tell them apart?”

“Not really. We name all of the squirrels Timothy. We want them to have names. Naming is important. But it would be hard to remember all of their names, especially at our age.”

Naming, similar to building a ladder, brought them closer.

After gazing out the window for several minutes, I watched mom as she sat down beside dad on the couch. Lucy, one of her feisty orange cats, burrowed into her lap and mom instinctively kissed her. Caleb slept at my parents’ feet. My parents were not ready to let go of their independence. They still had some things to share with each other and their family. We needed to continue caretaking in this manner for a while longer.


Following his heart surgery, dad stayed home for two years before he died. Mom’s dementia progressed to a point where she no longer remembered her husband died. She couldn’t recall her grandchildren’s names. When we moved her into a nursing home, we divided the pets so they were kept safe and in the family. Caleb became my dog, sitting beside me in the evenings while I planned lessons and graded college papers.

My brothers, their wives, my husband, and I spent months cleaning out and painting my parents’ home in preparation of selling it. During one of my last visits, I walked through every room. It was old, clean, and empty. There was nothing left, except the feeder and the ladder which I eyed when I looked out the kitchen window. Since the feeder no longer contained seed, Timothy did not visit. This bridge was broken—though the lessons connected to the ladder carried forward.


Kelly Kolodny is a professor of education at Framingham State University in Massachusetts. She has written a variety of academic articles and books. She also has composed book reviews for the Southern Literary Review.

The First Monarch

Poetry by Katy Z. Allen

I caught a glimpse today of hope—
the first monarch of the summer
flitted past the window,
catching my eye with its bright orange wings.

A striking orange is on display as well in the wood lilies,
whose blooming each year reminds me of my Aunt Lorraine,
a crusty New England Yankee
who always knew what was what,
accepted me without question
no matter what was changing in my life,
and who so many years ago gave me bulbs from her garden.

Today, I stumbled on a picture of her that I didn’t remember,
sitting in her New Hampshire summer garden,
and another of her with my two sons,
smiling and laughing,
when they were much younger.

My Aunt Lorraine never gave up,
never gave in
and always kept her chin up,
and thoughts of her
remind me of the butterfly
and hope.


Katy Z. Allen is a lover of the more-than-human world. She founded and led an outdoor congregation and a Jewish climate organization. Her poetry has appeared in online publications and her poetic book, A Tree of Life: A Story in Word, Image, and Text was published by Strong Voices Publishing.

Papa’s Garage

Poetry by Sarah Pouliot

I stood in your garage, inhaling sawdust
like incense as you unveiled the new altar:
a dove and an olive branch etched into peeling
cedar, curled shavings scattered on cement
like split ends at a barber shop.

“There’s a sculpture inside every sapling;
my job is to set it free,” you told me—
voice as rusty as the metal bench I leaned on.
I didn’t know you were quoting Michelangelo
until “Taps” resounded from a bugle

and two men folded an American flag
into a perfect triangle—the day New
Hampshire’s bleached sky became
an ocean of arctic terns, white wings
coalescing behind their captain.

Now, I stand in your garage.
It’s cleaner than ever.
No shavings stick to my soles
as I glimpse the sallow glow of Christmas lights
Dad hangs with your hammer.


Sarah Pouliot is a poet from Titusville, Florida. She believes that poetry holds the power to bring stillness and meditative reflection amid life’s chaos, and she hopes that her writing can do this for you—even if only for a moment.

Snowball Fight

Poetry by Beate Sigriddaughter

He, twenty, blond, blue-eyed, on a walking tour through Germany, earning some money helping out at a farming estate early winter.

She, eighteen, dark-haired, with hazel eyes and with a mischievous smile, visiting her older sister who is resident housekeeper at the estate.

She is being pelted with snowballs by several young men after the day’s work is done.

He saunters to her side. “May I help you?”

I imagine her smiling her familiar smile of mischief.

They are long gone now. Though first there came a war and also my brothers and I.


Beate Sigriddaughter, www.sigriddaughter.net, grew up in Nürnberg, Germany, and now lives and writes in Silver City, New Mexico (Land of Enchantment), USA, where she has served as poet laureate. Recent book publications include a poetry collection, Circus Dancer (2025), and a short story collection, Dona Nobis Pacem (2021).

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