Tag: family (Page 1 of 6)

The Long and Short of It

Nonfiction by Mary Lewis

It is exhaustion and euphoria. You often think you’ve figured it out only to discover more layers. Plot twists are a recurring theme.

It is tiny fingers grabbing tiny toes. It is the squawk that jolts you from sleep. And the soft sigh you hear as you pat, pat, pat. It is crawling out of the room, holding your breath, don’t make a sound! It is snuggles and belly laughs that are contagious.

It is extensive conversations in an unknown language. Neon rainbow tutus, action figures and playdough with all the colors mixed together. It is elaborate “shows” in the family room. It is walks that are short, but become long because someone needs to be carried. It is peas up the nose and stitches. It is Go Fish and fights about wearing tights. It is the feeling when you lift your face and sun hits your skin.

It is conversations about outer space, why, and what’s for dinner. Longer walks that become even longer because you have to go back for a Band-Aid and the bike has to be carried. Sports and friend dilemmas. Pick-ups and drop offs. It is forgetting about the poster board for the project until Sunday at 9PM. It is equal parts exasperation and admiration.

It is conversations about everything and nothing. Dating and dances and driving. Curfews. It is waiting up, worrying, wondering. The door opening that jolts you from sleep and the soft sigh as you kiss a forehead. It is Uno and fights about emptying the dishwasher. It is planning, choices. It is preaching and lessons learned. The jokes are on you, but you treasure those laughs. It is heart swelling, tears in eyes, so proud. It is pain, and it is joy.

It is so much joy.


Mary Lewis is a Behavior Analyst who stopped analyzing behavior so she could write about her own. Her poetry has been published in Maya’s Micros and Scapegoat Review. She loves French fries, her family, and the feeling she gets when the words fit together just right.

Jules

Nonfiction by Clint Martin

Kerri called. Said she found a kitty. Curled up all cup-sized. Asleep in a flowerpot of all places. No other kitties were around. No mama cat either.

Kerri scooped up the white and ginger calico kitty. She carried her into the nail salon. No one inside knew who the kitty was. No one knew where the kitty came from.

Kerri carried the kitty home. Kerri began making calls and sending texts. She called her sister, my wife. Kerri asked if we were interested in giving the kitty a home. No, my wife replied. But…

Kerry brought the kitty to my wife. My wife took it to her mom, Sheila. Sheila is in her seventies and lives all alone. She has a bad hip and forgets a lot. Maybe a kitty will help, hoped my wife.

Sheila loved the kitty. Named her Gigi. Sheila watched Gigi explore her little apartment. Watched her investigate the bedroom…the kitchen…the living room. Watched her interrogate loose white papers and brown paper bags.

But soon the kitty became a bit too much for Sheila to handle. The litterbox was too low. The food bag too heavy. But most of all the kitten was too energetic. Gigi wanted to play when Sheila tried to nap. Gigi needed food and wanted attention while Sheila was trying to remember.

Two weeks later, my wife carried the kitty out of Sheila’s apartment. My wife brought Gigi to our house. Gigi was going to be our son’s cat. Jack said he would be responsible for the kitty. Said he’d clean out Gigi’s litter box and pick up her toys. Said he’d give her food and water and lots of love. Said the kitty’s name was no longer Gigi. Gigi’s name was Jules.

Jules spent her first two days in Jack’s room. She ate on his floor. She slept in his bed. The first time I met her she was propped between his two pillows. She was sitting up straight and tilted toward the big pillow on her left. She looked like a shy toddler leaning into a parent’s leg. She saw me stand at the doorway. She watched me wave. She noticed when I entered the room. Then she stopped looking at me. Then she stared at the yellow dog by my side. Jules stared hard at Maggie. Stared and stared and arched her fuzzy back. When Maggie’s muzzle got too close, Jules spit a little kitty hiss.

Two days later, Jules was no longer afraid. And no longer spending her days in Jack’s room. Now she was in the living room. And the hallway. And the dining room. And on the stairs. Like furry lightning, she sprinted into Jack’s brother’s room. Then our room. Then the basement, the bathroom, the garage. She explored the underside of all the house’s beds and any closet not completely closed. Little kitty scurried beneath the couch, the dresser, the table. She strutted on top of the desk, the plant stand, the chair. When she did get tired, Jules slept behind my head while I wrote on the couch. Or she stretched beside my wife as she read in the recliner. Back awake, the kitty pawed plants, papers, and pens. She batted the blind’s cords, the shoe’s strings, and the rug’s tassels. Jack’s tiny cat sprang from doorways, dove under laundry, pounced from behind curtains. She rubbed against the legs that walked into the kitchen and sang hungry songs in little mighty mews. And every so often, content kitty counted time in repeated rhythmic purrs.

After a few more days, Jules no longer spent her nights in Jack’s room either. Last night, she fell asleep between my right shoulder and my wife’s bent back. At some point, she moved to snooze atop my wife’s involuntarily shared pillow. Unfortunately though, Dara woke up with a closed throat and puffy eyes. Dara started her day with a stuffed-up nose and itchy skin. Symptoms that have been happening more and more all week.

My wife loves cats. Really loves the kitty. My wife does not love her allergies. She’s been getting allergy shots for years. The shots help with the grass and the dog. But they do not help with cats, she explains. Loud enough for Jules to hear. My wife won’t say it, so I say it for her. Dara deserves to breathe easily in her home. Dara doesn’t deserve to live with a stuffed-up nose. Or watery eyes. Or scratchy skin. The kitty doesn’t know what any of this means.

Kerri called. Her husband’s cousin is on his way over. Tommy doesn’t have allergies. Tommy is taking the kitty. Now our house will be back to normal. Back to a quiet summer of an old dog and two teenagers who stopped sprinting down the hallway and hiding under the bed a long time ago. Now the house will be quiet again. And in that quiet, for a while at least, there will be a great big kitty-sized hole.


Clint Martin lives occasionally in Iowa but mostly in Kentucky. When not writing or teaching, Clint enjoys meditating, identifying the birds in the backyard, and learning about cool things like plants and space. His work has appeared in places like Kenyon Review, Sagebrush Review, The Write Launch, and Motherwell Magazine.

What my wife remembers about the land

Poetry by Peter A. Witt

In Illinois, the land opens wide
as a held breath, cornfields shimmer
in the August heat, soybeans whisper
to the wind’s long sweep.

Her father, born in the front bedroom,
pulls on his boots before the stars are gone,
the day already dawned on the 300 acres.
He walks the fields like a man
reading scripture, hands roughened
by plow handles, hours measured
in sunrises and the ache of his back.

Her mother begins her day before first light,
pies breathing steam on the sill,
cinnamon rolls uncoiling their sugar
like secrets, moves through the chores
of the house, then feeds the chickens
that lay a bounty of daily eggs,
laundry snapping white on the clothesline,
vegetables, warm from the sun
lifted from the garden, still warm from the sun.
Noontime she rocks by the window,
radio murmuring cattle and hog prices,
numbers rising and falling
like the notes of a hymn.

After they were gone, house vanishes,
outbuildings folded into the ground,
the garden buried under road to road corn.

Now only the low rumor of machinery
crosses the fields, and in the hush between passes
you can almost hear the chairs creak,
the screen door close, the sound of voices
calling from the yard.


Peter A. Witt is a Texas poet, twice nominated for Best of the Net. Peter also writes family history, is an avid birder and photographer. His poetry has been published on various poetry sites and appears in several anthologies.

Shoplifting At Whole Foods

Nonfiction by Randi Schalet

I slip a container of Fage yogurt into my canvas bag and wait, braced for the self-checkout machine to protest. It doesn’t. The silence feels like permission.

I ring up a few more groceries—a head of broccoli, oat milk—then drop in an unscanned item. Still nothing. A single clerk oversees eight registers. I’m short, white-haired, someone no one looks at twice. I call him over with a pointless question. When he steps away to help someone download their Prime code, I tuck in a bag of pancake mix. My heart doesn’t speed up. I’ve had too much practice.

The prepared foods are so overpriced, I’d never buy them without my own buy-one-get-one “discount.” I weigh one hot bar box, then stack it beneath a second heavier one—mac and cheese, rosemary potatoes, all butter and salt.

I leave with two overstuffed bags and a small receipt. Outside, I hand ten dollars to a man in red sneakers sitting in the parking lot. I unpack the food and eat at a shaded picnic table.

Money was the language of my family. It wasn’t only about having more, it was about getting it the clever way. Don’t work too hard. Don’t ask for approval. Smart people had money because they knew how to take it.

Before they divorced, my parents owned several discount clothing stores that eventually went under when the neighborhood changed.

In the first years, the Brooklyn store was crowded—people waiting in line for the makeshift dressing room, layaway tickets stacked at the counter. My father hated shoplifters and was obsessed with catching them. Once, from behind the jewelry case, he spotted a man slip something into his pocket. He jumped onto the case, shattered the glass beneath him, and chased the man down the block, blood streaming down his calf.

The register was set to charge ten percent tax, even though New York’s rate was seven. It bothered me. When he left me alone up front, I charged seven, running the seven-times table in my head. At night, the numbers kept repeating—7, 14, 21.

The clothes my father sold as new were actually “seconds”—ripped seams, crooked stitching. He bought them in bulk from Hasidic wholesalers in the garment district, their corkscrew peyos swinging as they argued. His yellow yarmulke, printed with another boy’s bar mitzvah, kept slipping off. The men would laugh, and I didn’t know if it was at the price or him. I sat on the concrete floor and watched.

He trucked the boxes to a small, wiry woman in a dark railroad flat who replaced broken zippers and missing buttons on her machine. She was paid by the piece. When we returned, she told him how much he owed, pointing at some numbers she’d scrawled on an envelope. He said it was too high, already pulling out his wallet. She shrugged and said that was the number. I leaned against the buzzing fridge.

I only got caught shoplifting once. I was in high school, meeting friends at a parking lot flea market. I walked past tables of things nobody needed—a segmented snake with a painted head, a two-foot sword with plastic rubies—and shoved both under my coat. I just wanted to take them. The sword was practically sticking out. When a security guard with a beer gut tapped my shoulder, I jumped.

“Unbutton your coat, young lady,” he said. The sword clattered to the ground. He shook his head and led me to a tiny office with a metal desk. “You need to call your mother. I’m not letting you go without a parent.”

I called a lesbian aunt who I hoped wouldn’t tell. She didn’t answer.

He shoved a yellow pad at me. “Write down your name and phone number.” I wrote our home number, assuming no one would pick up. It was Saturday—my father was at the store.

Fifteen minutes later, he burst in, shouting, an unlit cigar clamped in his mouth. He wasn’t mad at me; he was yelling at the guard. “How do you know she didn’t buy this stuff?”

Then he turned to me. “Did you pay for it?”

“Yes,” I lied instantly.

“Give it back to her,” he told the guard.

“Pick it up,” he said to me.

I clutched the things to my chest and walked beside him to the car. In the back seat, I waited for the explosion. Nothing. He dropped me at home like the errand was finished. I ran up to my room, shoved the loot behind my bed, and never looked at it again. I didn’t grow out of stealing; I just got better at it.

I’d always known my mother took small things, switching a belt from one coat to another, rearranging a top and bottom on a hanger so they went together. After the divorce, she bought things on sale in Macy’s, changed the tags at home, then returned them for more. We still had a price gun and tagger from the store. When she had Parkinson’s and was in a wheelchair, I took them home. In department store dressing rooms, I switched tags, the gun clicking once. I folded the old tags into tiny squares and dropped them behind the bench.

I think my father hated shoplifters because he saw himself in them. He just preferred to steal on the business side—no income tax, extra sales tax, and “new” clothes stitched together in a stranger’s kitchen.

In my childhood, taking was a skill, and I learned it. I get a bit of a buzz from my weekly Whole Foods runs. Bezos won’t notice, and I stay alert enough not to get caught. Breaking the rules is where I come from.


Randi Schalet is a retired psychologist living in Berkeley, California. Her non-fiction memoir pieces have appeared in Chicago Story South, Peauxdunque Review, The Manifest-Station, Under the Sun Magazine, Belmont Story Review, The Write Launch, and Rumen. Her poetry chapbook, The Last Things I’ll Remember, is forthcoming on August 21, 2026, from Finishing Line Press.

Burying the Watchman

Poetry by Allan Scherlen

My foot sinks
and snow crunches softly
before Charlie’s tombstone.

Beneath snow far below,
the deceased night-watchman
lies buried.

My boots filled with snow
as I read the headstone
of the watchman;

the stone was short, thin
and almost
submerged in snow.

His sister, poorer than Charlie,
charged the cost of his tombstone,
too expensive for her cleaning wage;

the etching was delayed,
written too shallow to read,
devoted to Charlie’s night work.


Allan Scherlen is a poet and librarian at Appalachian State in NC for twenty years. The mountains have inspired him. Poems have appeared in many journals including The Bluebird Word, Azahares, Appalachian Journal, As the Crow Flies, Progenitor, The Hong Kong Review, and Galway Review. Read more at https://scherlen.squarespace.com/.

What the Dog Knows

Nonfiction by Pippa Storey

It’s a sunny midsummer’s day in New Rochelle, on the edge of Long Island Sound. A couple stroll into Hudson Park just ahead of me, their lanky white mutt prancing excitedly around them. They climb the flank of a promontory overlooking the bay, then separate and stand a ball’s throw apart.

Slowly, teasingly, the man draws back his arm, watching the dog quiver with anticipation. He pitches toward the woman, and the dog catapults in her direction. She catches his shot neatly with both hands, barely a pawbeat before the dog reaches her. Then, grinning down fondly, she returns an underarm lob, and the dog bolts off again.

Back and forth they throw, the dog racing eagerly between them. But there’s no ball! It’s all a charade. Nevertheless, the dog is completely enthralled, ears flapping in the wind as he gallops across the grass.

Just a conditioned response, my mother will later surmise. But I can see—from the adoration in the dog’s upturned face, the frenzied wagging of his tail, his rapturous joy in their laughter—that he understands: the game was never about the ball.


Pippa Storey grew up in New Zealand, studied in France, and now lives near Hudson Park in New Rochelle, New York, where this interaction occurred. For more of her writing, digital artwork and videos, please visit pippastorey.com.

Speak to Me of Spring

Poetry by Rochelle Jewel Shapiro

When I was little, my middle sister’s face
grew milky. Her thin body swayed, then wafted
to the linoleum like mimosa silk.

I thought she was dead.
I didn’t know you could mime death with held breath.

Today I want to write about daffodils, their yellow funnels,
bell-shaped coronas, and frills, how they trumpet sunlight.
But the breadth of war expands each day to bring more death.

I think of my husband’s staticky call, sirens blaring,
the day the Twin Towers fell, and how he came home
to me as he cannot now.

Today, I want to write about daffodils,
how after flowering, they die back into underground bulbs,
and in season, return to life.


Rochelle Jewel Shapiro has published essays in the NYT (Lives) and many anthologies. Nominated twice for a Pushcart Prize and twice for Best of the Net, her poetry has appeared in Prism, Westview, Poet Lore, Rogue Agent, The Virginia Normal, Rougarou, Evening Street Review, and more. Connect with her at rochellejshapiro.com, @rjshapiro, @rochelle.j.shapiro, or @RochelleJShapiro.

We Sat You at the Water’s Edge

Nonfiction by Aldo Giovannitti

Bruno does his business by the bench by the parish, then he pulls. This is station two of our morning circuit. The road climbs and then levels, and you trudge along, as we crawl arm in arm, the leash in my other hand. Going back, you murmur, I would try not to escape all the time from myself. Then you disengage, and let your eyes be carried by the asphalt flowing below us.


You sit on the couch, hands on your knees, your robes hung on whatever is left of you. I notice your hump for the first time, then I look at my watch. Still one hour to the next round of pills; after that there’s lunch. She bends to lay a towel on your chest, so we won’t need to clean your shirt when you’ll wake up. She knows that in the wait you’ll let your eyelids go, bring your lips apart, and abandon your head to its weight.

Your attention span has contracted to a handful of seconds, and we need to pull words out of you quick before they are gone, before they drag with them your blurred intentions. Have I run away from here searching for what was closest to you? You made it, you said seventeen years ago standing on this very rug, holding my visa in both hands, staring at my portrait superimposed on the filigreed page.

Now you can speak only a tenth of what you used to, but each word is made of rock; the unessential has fled you. I’ve never paid as much attention to what you say as I do now—mumble, in truth—and the more I listen, the more I see you too had an entire life of your own. You too have wandered the lands, swum the seas, spun through the clouds I believed were mine alone. Your world, infinite as mine; I have finally surrendered not to comprehend it.


After dinner comes the fourth and last round. You lay the pills on the tablecloth, lining them up as you did with most things in your life. This is a ritual, and we follow its steps with devotion. You unscrew the plastic bottle, tilt it together with your chest, and pour the water onto the tablecloth, beside the glass, for the time it would have taken to fill it. We let you do that without intervening, watching the water spread on the double-folded cotton, because that is the least respect we can pay. And when you set the bottle aside you find out the glass is empty. You jerk back. Fooled again. Then we fill the glass for you.

We’ve spent the last day of this rare visit, before I fly away, at the beach house you both returned to for the past fifty-two years. A silent drive got us here. And by now an entire day has passed, and Bruno has run along the water’s edge to exhaustion. We sat you on a chair in the sand, but you didn’t like the wind and turned your gaze away from the sea.

The sun has set, and I walk past your bedroom heading to mine. I see you sleep in a fetal position, hiding into the wall, holding onto the orthopedic pillow she has bought to you both. I didn’t know you slept this way now, and that she let your bedside lamp burn through the night.

The lamp is recycled from my childhood; it diffuses a dim red light. And the light fills your heart more than it fills the room, while you dream of a decades old, Italian summer.


Aldo Giovannitti writes about shifting perception, moral ambiguity, and transformation. His work has appeared or is forthcoming in Open Journal of Arts & Letters, The Bookends Review, and Corvus Review, alongside essays in The Diplomat and South China Morning Post. He is a member of The Poetry Society and PEN America and is based in London.

Ghost crew

Poetry by Christopher Laird Dornin

My late father and brother
watch me sail alone
with my eyes closed in light

wind on a burning afternoon.
Ephemeral zephyrs
and ghostly shifts of air

fall and come and rise.
I feel their pulse in the tug
of the tiller, the angle of heel,

the pull of the mainsheet and the gurgle
of my bow and stern waves.
My father’s cemetery is missing

its ancient gates and stones.
He kept its address a secret
the time we sailed the Chesapeake

among the traveling molecules
of my brother, lost at sea
a long way from there.


Christopher Laird Dornin has won a NH Arts Council fellowship and placed runner-up in the Swan Scythe Press chapbook contest, semi-finalist in the Finishing Line Press book contest and semi-finalist in the Wolfson Press chapbook contest. His verse has appeared in The Lake, Oberon, Blue Unicorn, Nimrod and others.

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

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