Tag: family (Page 1 of 6)

What my wife remembers about the land

Poetry by Peter A. Witt

In Illinois, the land opens wide
as a held breath, cornfields shimmer
in the August heat, soybeans whisper
to the wind’s long sweep.

Her father, born in the front bedroom,
pulls on his boots before the stars are gone,
the day already dawned on the 300 acres.
He walks the fields like a man
reading scripture, hands roughened
by plow handles, hours measured
in sunrises and the ache of his back.

Her mother begins her day before first light,
pies breathing steam on the sill,
cinnamon rolls uncoiling their sugar
like secrets, moves through the chores
of the house, then feeds the chickens
that lay a bounty of daily eggs,
laundry snapping white on the clothesline,
vegetables, warm from the sun
lifted from the garden, still warm from the sun.
Noontime she rocks by the window,
radio murmuring cattle and hog prices,
numbers rising and falling
like the notes of a hymn.

After they were gone, house vanishes,
outbuildings folded into the ground,
the garden buried under road to road corn.

Now only the low rumor of machinery
crosses the fields, and in the hush between passes
you can almost hear the chairs creak,
the screen door close, the sound of voices
calling from the yard.


Peter A. Witt is a Texas poet, twice nominated for Best of the Net. Peter also writes family history, is an avid birder and photographer. His poetry has been published on various poetry sites and appears in several anthologies.

Shoplifting At Whole Foods

Nonfiction by Randi Schalet

I slip a container of Fage yogurt into my canvas bag and wait, braced for the self-checkout machine to protest. It doesn’t. The silence feels like permission.

I ring up a few more groceries—a head of broccoli, oat milk—then drop in an unscanned item. Still nothing. A single clerk oversees eight registers. I’m short, white-haired, someone no one looks at twice. I call him over with a pointless question. When he steps away to help someone download their Prime code, I tuck in a bag of pancake mix. My heart doesn’t speed up. I’ve had too much practice.

The prepared foods are so overpriced, I’d never buy them without my own buy-one-get-one “discount.” I weigh one hot bar box, then stack it beneath a second heavier one—mac and cheese, rosemary potatoes, all butter and salt.

I leave with two overstuffed bags and a small receipt. Outside, I hand ten dollars to a man in red sneakers sitting in the parking lot. I unpack the food and eat at a shaded picnic table.

Money was the language of my family. It wasn’t only about having more, it was about getting it the clever way. Don’t work too hard. Don’t ask for approval. Smart people had money because they knew how to take it.

Before they divorced, my parents owned several discount clothing stores that eventually went under when the neighborhood changed.

In the first years, the Brooklyn store was crowded—people waiting in line for the makeshift dressing room, layaway tickets stacked at the counter. My father hated shoplifters and was obsessed with catching them. Once, from behind the jewelry case, he spotted a man slip something into his pocket. He jumped onto the case, shattered the glass beneath him, and chased the man down the block, blood streaming down his calf.

The register was set to charge ten percent tax, even though New York’s rate was seven. It bothered me. When he left me alone up front, I charged seven, running the seven-times table in my head. At night, the numbers kept repeating—7, 14, 21.

The clothes my father sold as new were actually “seconds”—ripped seams, crooked stitching. He bought them in bulk from Hasidic wholesalers in the garment district, their corkscrew peyos swinging as they argued. His yellow yarmulke, printed with another boy’s bar mitzvah, kept slipping off. The men would laugh, and I didn’t know if it was at the price or him. I sat on the concrete floor and watched.

He trucked the boxes to a small, wiry woman in a dark railroad flat who replaced broken zippers and missing buttons on her machine. She was paid by the piece. When we returned, she told him how much he owed, pointing at some numbers she’d scrawled on an envelope. He said it was too high, already pulling out his wallet. She shrugged and said that was the number. I leaned against the buzzing fridge.

I only got caught shoplifting once. I was in high school, meeting friends at a parking lot flea market. I walked past tables of things nobody needed—a segmented snake with a painted head, a two-foot sword with plastic rubies—and shoved both under my coat. I just wanted to take them. The sword was practically sticking out. When a security guard with a beer gut tapped my shoulder, I jumped.

“Unbutton your coat, young lady,” he said. The sword clattered to the ground. He shook his head and led me to a tiny office with a metal desk. “You need to call your mother. I’m not letting you go without a parent.”

I called a lesbian aunt who I hoped wouldn’t tell. She didn’t answer.

He shoved a yellow pad at me. “Write down your name and phone number.” I wrote our home number, assuming no one would pick up. It was Saturday—my father was at the store.

Fifteen minutes later, he burst in, shouting, an unlit cigar clamped in his mouth. He wasn’t mad at me; he was yelling at the guard. “How do you know she didn’t buy this stuff?”

Then he turned to me. “Did you pay for it?”

“Yes,” I lied instantly.

“Give it back to her,” he told the guard.

“Pick it up,” he said to me.

I clutched the things to my chest and walked beside him to the car. In the back seat, I waited for the explosion. Nothing. He dropped me at home like the errand was finished. I ran up to my room, shoved the loot behind my bed, and never looked at it again. I didn’t grow out of stealing; I just got better at it.

I’d always known my mother took small things, switching a belt from one coat to another, rearranging a top and bottom on a hanger so they went together. After the divorce, she bought things on sale in Macy’s, changed the tags at home, then returned them for more. We still had a price gun and tagger from the store. When she had Parkinson’s and was in a wheelchair, I took them home. In department store dressing rooms, I switched tags, the gun clicking once. I folded the old tags into tiny squares and dropped them behind the bench.

I think my father hated shoplifters because he saw himself in them. He just preferred to steal on the business side—no income tax, extra sales tax, and “new” clothes stitched together in a stranger’s kitchen.

In my childhood, taking was a skill, and I learned it. I get a bit of a buzz from my weekly Whole Foods runs. Bezos won’t notice, and I stay alert enough not to get caught. Breaking the rules is where I come from.


Randi Schalet is a retired psychologist living in Berkeley, California. Her non-fiction memoir pieces have appeared in Chicago Story South, Peauxdunque Review, The Manifest-Station, Under the Sun Magazine, Belmont Story Review, The Write Launch, and Rumen. Her poetry chapbook, The Last Things I’ll Remember, is forthcoming on August 21, 2026, from Finishing Line Press.

Burying the Watchman

Poetry by Allan Scherlen

My foot sinks
and snow crunches softly
before Charlie’s tombstone.

Beneath snow far below,
the deceased night-watchman
lies buried.

My boots filled with snow
as I read the headstone
of the watchman;

the stone was short, thin
and almost
submerged in snow.

His sister, poorer than Charlie,
charged the cost of his tombstone,
too expensive for her cleaning wage;

the etching was delayed,
written too shallow to read,
devoted to Charlie’s night work.


Allan Scherlen is a poet and librarian at Appalachian State in NC for twenty years. The mountains have inspired him. Poems have appeared in many journals including The Bluebird Word, Azahares, Appalachian Journal, As the Crow Flies, Progenitor, The Hong Kong Review, and Galway Review. Read more at https://scherlen.squarespace.com/.

What the Dog Knows

Nonfiction by Pippa Storey

It’s a sunny midsummer’s day in New Rochelle, on the edge of Long Island Sound. A couple stroll into Hudson Park just ahead of me, their lanky white mutt prancing excitedly around them. They climb the flank of a promontory overlooking the bay, then separate and stand a ball’s throw apart.

Slowly, teasingly, the man draws back his arm, watching the dog quiver with anticipation. He pitches toward the woman, and the dog catapults in her direction. She catches his shot neatly with both hands, barely a pawbeat before the dog reaches her. Then, grinning down fondly, she returns an underarm lob, and the dog bolts off again.

Back and forth they throw, the dog racing eagerly between them. But there’s no ball! It’s all a charade. Nevertheless, the dog is completely enthralled, ears flapping in the wind as he gallops across the grass.

Just a conditioned response, my mother will later surmise. But I can see—from the adoration in the dog’s upturned face, the frenzied wagging of his tail, his rapturous joy in their laughter—that he understands: the game was never about the ball.


Pippa Storey grew up in New Zealand, studied in France, and now lives near Hudson Park in New Rochelle, New York, where this interaction occurred. For more of her writing, digital artwork and videos, please visit pippastorey.com.

Speak to Me of Spring

Poetry by Rochelle Jewel Shapiro

When I was little, my middle sister’s face
grew milky. Her thin body swayed, then wafted
to the linoleum like mimosa silk.

I thought she was dead.
I didn’t know you could mime death with held breath.

Today I want to write about daffodils, their yellow funnels,
bell-shaped coronas, and frills, how they trumpet sunlight.
But the breadth of war expands each day to bring more death.

I think of my husband’s staticky call, sirens blaring,
the day the Twin Towers fell, and how he came home
to me as he cannot now.

Today, I want to write about daffodils,
how after flowering, they die back into underground bulbs,
and in season, return to life.


Rochelle Jewel Shapiro has published essays in the NYT (Lives) and many anthologies. Nominated twice for a Pushcart Prize and twice for Best of the Net, her poetry has appeared in Prism, Westview, Poet Lore, Rogue Agent, The Virginia Normal, Rougarou, Evening Street Review, and more. Connect with her at rochellejshapiro.com, @rjshapiro, @rochelle.j.shapiro, or @RochelleJShapiro.

We Sat You at the Water’s Edge

Nonfiction by Aldo Giovannitti

Bruno does his business by the bench by the parish, then he pulls. This is station two of our morning circuit. The road climbs and then levels, and you trudge along, as we crawl arm in arm, the leash in my other hand. Going back, you murmur, I would try not to escape all the time from myself. Then you disengage, and let your eyes be carried by the asphalt flowing below us.


You sit on the couch, hands on your knees, your robes hung on whatever is left of you. I notice your hump for the first time, then I look at my watch. Still one hour to the next round of pills; after that there’s lunch. She bends to lay a towel on your chest, so we won’t need to clean your shirt when you’ll wake up. She knows that in the wait you’ll let your eyelids go, bring your lips apart, and abandon your head to its weight.

Your attention span has contracted to a handful of seconds, and we need to pull words out of you quick before they are gone, before they drag with them your blurred intentions. Have I run away from here searching for what was closest to you? You made it, you said seventeen years ago standing on this very rug, holding my visa in both hands, staring at my portrait superimposed on the filigreed page.

Now you can speak only a tenth of what you used to, but each word is made of rock; the unessential has fled you. I’ve never paid as much attention to what you say as I do now—mumble, in truth—and the more I listen, the more I see you too had an entire life of your own. You too have wandered the lands, swum the seas, spun through the clouds I believed were mine alone. Your world, infinite as mine; I have finally surrendered not to comprehend it.


After dinner comes the fourth and last round. You lay the pills on the tablecloth, lining them up as you did with most things in your life. This is a ritual, and we follow its steps with devotion. You unscrew the plastic bottle, tilt it together with your chest, and pour the water onto the tablecloth, beside the glass, for the time it would have taken to fill it. We let you do that without intervening, watching the water spread on the double-folded cotton, because that is the least respect we can pay. And when you set the bottle aside you find out the glass is empty. You jerk back. Fooled again. Then we fill the glass for you.

We’ve spent the last day of this rare visit, before I fly away, at the beach house you both returned to for the past fifty-two years. A silent drive got us here. And by now an entire day has passed, and Bruno has run along the water’s edge to exhaustion. We sat you on a chair in the sand, but you didn’t like the wind and turned your gaze away from the sea.

The sun has set, and I walk past your bedroom heading to mine. I see you sleep in a fetal position, hiding into the wall, holding onto the orthopedic pillow she has bought to you both. I didn’t know you slept this way now, and that she let your bedside lamp burn through the night.

The lamp is recycled from my childhood; it diffuses a dim red light. And the light fills your heart more than it fills the room, while you dream of a decades old, Italian summer.


Aldo Giovannitti writes about shifting perception, moral ambiguity, and transformation. His work has appeared or is forthcoming in Open Journal of Arts & Letters, The Bookends Review, and Corvus Review, alongside essays in The Diplomat and South China Morning Post. He is a member of The Poetry Society and PEN America and is based in London.

Ghost crew

Poetry by Christopher Laird Dornin

My late father and brother
watch me sail alone
with my eyes closed in light

wind on a burning afternoon.
Ephemeral zephyrs
and ghostly shifts of air

fall and come and rise.
I feel their pulse in the tug
of the tiller, the angle of heel,

the pull of the mainsheet and the gurgle
of my bow and stern waves.
My father’s cemetery is missing

its ancient gates and stones.
He kept its address a secret
the time we sailed the Chesapeake

among the traveling molecules
of my brother, lost at sea
a long way from there.


Christopher Laird Dornin has won a NH Arts Council fellowship and placed runner-up in the Swan Scythe Press chapbook contest, semi-finalist in the Finishing Line Press book contest and semi-finalist in the Wolfson Press chapbook contest. His verse has appeared in The Lake, Oberon, Blue Unicorn, Nimrod and others.

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

Squirrel Ladder

Nonfiction by Kelly Kolodny

Cat hair piled up on the old shaggy carpet. The sturdy pine coffee table, built by my younger brother when he took woodworking in high school, was topped with several years of Better Homes and Gardens. A persistent stale odor wafted around furniture and throw pillows worn thin. As I sat with my parents in the den of their small ranch-styled home, week after week, I felt fatigued and overwhelmed. We had reached a point when important decisions needed to be made regarding their care, resulting in changes for them and how they would spend their remaining years. Sensing my worries and stress, their long-haired rescue dog, Caleb, often put his head in my hand. Their five cats gathered around me, bidding for my affection. Noises from outdoor feeders reminded me of my parents’ sense of protection and care for the natural world. Changes in my parents’ lives also would result in adjustments for the outdoor wildlife they supported.

Mom’s stroke occurred a few years before dad’s heart attack. Not physically visible, the stroke was a fog that rolled in and changed her interactions with others signaling something was not right. A cancer diagnosis and dementia followed. When dad had his heart attack, the doctors were unsure they would perform surgery since he was in his mid-nineties. He told them he had a family who cared for him, a garden that needed tending, and a will to live. An orchestra of voices from dad’s extended family persuaded the doctors to move forward with the surgery.

Like many seniors, my parents’ social security covered less and less of their living needs. When they became ill, I began to sift through their finances and started to understand the full extent of their fragile economic circumstances. To help, I brought groceries each week—canned tuna, bread, apples, bananas, crackers, and pre-made meals they could heat up in the microwave.

Weekly visits followed a similar routine. Unload food. Try to complete some household chores. Talk. If I was less stressed, I might have understood more clearly what my parents shared during those moments. Personal memories and life lessons were offered that later became cherished gifts.

During one visit, I remember Mom walked into the kitchen to get a drink.

“Do you want something to eat, Kelly?”

“I’m fine,” I replied.

“Oh, come look who’s in the bird feeder. It’s Timothy.”

I pulled myself up from their tattered brown couch to look at the feeder and set my eyes on Timothy, a good-sized squirrel with a fluffy tail curved into a half-circle. He filled his cheeks with seed as he rested on the edge of the feeder. Soon Timothy was joined by another squirrel. Traveling up a narrow wooden ladder my dad built, the squirrels easily reached the rectangular feeder at the window level. Enchanted with birds, my parents equally were taken with squirrels.

Feeling bold, I questioned mom about their care for squirrels.

“Some people try to keep the squirrels out of their bird feeders. They want the birds to have the seed.”

I had an idea of the response I would receive and was not surprised by it. Dressed in her Sears sweater and loose blue jeans, mom cast me an indignant look.

“Not us. We love squirrels. As a matter of fact, several of them live in our attic.”

I was not taken aback by this statement. When I was at their house, I heard noises coming from the attic which none of us had entered in years. Aware that squirrels were not helpful for the upkeep of the house, I nonetheless appreciated my parents’ care for them. They had formed a relationship with squirrels. They watched them through the kitchen window and noticed their expressions as they ate. They talked with them. The ladder was a bridge connecting my parents’ lives, filled with family, pets, and regular medical appointments, to the natural world.

“Mom, how do you know the squirrel in the bird feeder is Timothy? Can you tell them apart?”

“Not really. We name all of the squirrels Timothy. We want them to have names. Naming is important. But it would be hard to remember all of their names, especially at our age.”

Naming, similar to building a ladder, brought them closer.

After gazing out the window for several minutes, I watched mom as she sat down beside dad on the couch. Lucy, one of her feisty orange cats, burrowed into her lap and mom instinctively kissed her. Caleb slept at my parents’ feet. My parents were not ready to let go of their independence. They still had some things to share with each other and their family. We needed to continue caretaking in this manner for a while longer.


Following his heart surgery, dad stayed home for two years before he died. Mom’s dementia progressed to a point where she no longer remembered her husband died. She couldn’t recall her grandchildren’s names. When we moved her into a nursing home, we divided the pets so they were kept safe and in the family. Caleb became my dog, sitting beside me in the evenings while I planned lessons and graded college papers.

My brothers, their wives, my husband, and I spent months cleaning out and painting my parents’ home in preparation of selling it. During one of my last visits, I walked through every room. It was old, clean, and empty. There was nothing left, except the feeder and the ladder which I eyed when I looked out the kitchen window. Since the feeder no longer contained seed, Timothy did not visit. This bridge was broken—though the lessons connected to the ladder carried forward.


Kelly Kolodny is a professor of education at Framingham State University in Massachusetts. She has written a variety of academic articles and books. She also has composed book reviews for the Southern Literary Review.

The First Monarch

Poetry by Katy Z. Allen

I caught a glimpse today of hope—
the first monarch of the summer
flitted past the window,
catching my eye with its bright orange wings.

A striking orange is on display as well in the wood lilies,
whose blooming each year reminds me of my Aunt Lorraine,
a crusty New England Yankee
who always knew what was what,
accepted me without question
no matter what was changing in my life,
and who so many years ago gave me bulbs from her garden.

Today, I stumbled on a picture of her that I didn’t remember,
sitting in her New Hampshire summer garden,
and another of her with my two sons,
smiling and laughing,
when they were much younger.

My Aunt Lorraine never gave up,
never gave in
and always kept her chin up,
and thoughts of her
remind me of the butterfly
and hope.


Katy Z. Allen is a lover of the more-than-human world. She founded and led an outdoor congregation and a Jewish climate organization. Her poetry has appeared in online publications and her poetic book, A Tree of Life: A Story in Word, Image, and Text was published by Strong Voices Publishing.

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