An Online Literary Journal for Poetry and Flash

Tag: food

Sikwate

Poetry by Nicole Hirt

a steaming cup
rests in my mother’s hands
water and cacao mixed
into a comfortingly bitter brew
while rain thuds on Philippine palms
water knocking at the door

twenty years later
her feet have found American soil,
and her hands now rest on mine
helping me crush saltines
to plop in the cocoa

now
I am alone in my apartment
raindrops slamming on the windows
a cup of sikwate
warming my hands

I have exchanged water for milk
and added a spoonful of sugar
but the crackers are getting soggy

so I take a sip and a bite


Nicole Hirt is a freelance writer based in South Florida. She is an editor at Living Waters Review, where several of her poems and prose have appeared in past issues. In her free time, she enjoys wandering through cemeteries, much to the confusion of the general public.

Ginger Cake

Poetry by Jane Perry

a fellow chorus member tells me she tripled her recipe for ginger cake the middle did not cook even though she kept the cake in the oven longer than recommended and tested it several times with toothpicks until it came out clean I eat an outer piece which helps me sing with verve the next day she brings me a “gift” in a small baggie two oily-moist molasses-brown squares from the center I can see the uncooked goo through the plastic I eat one beginning with the cooked part and then the pasty part my headache goes away after a minute I save the second for just the right occasion


Jane Perry, guest on unceded Ohlone Territory, member of 1000 Grandmothers, author of the cross-genre White Snake Diary, published in McSweeney’s Quarterly Concern, The Oaklandside, The Gloucester Times, Paper Dragon, Alluvian, and The Ravens Perch. Jane’s sound poem “Echo Bridge” was a poetry finalist in The Missouri Review in 2021.

Nourish

Special Selection for the 2022/2023 Winter Holiday Issue

Nonfiction by Becky A. Benson

I still have the tiny baking set my mom bought for me from the Tupperware catalog
in the early eighties. The mixing bowls, various and hideous colors of burnt orange, sungold yellow, and dirt brown, (although today I suppose they would call it espresso) were a 1970s left over influence that looked like the color palette had been borrowed from a bag of Reese’s Pieces. The rolling pin is a free spinning wood tool with red painted handles, and of course, the bake ware is metal. Impossibly small sheet pans, muffin tins, loaf pans and even a pie plate.

My stay-at-home-mother made everything from scratch. Everything. And I would
sidle right up next to her in a chair pushed to the edge of the counter and mime along with the baking. My favorite was when she allotted me the extra pie crust to roll out because the extra would always be baked with cinnamon and sugar. It was one of my favorite treats. It still is.

Baking along with my mom was an act of love, one I still practice today. I loved
spending that time with her. Her mother’s recipe for southern chocolate pudding pie is our family’s all-time favorite dessert, and holiday staple. Propelled by both nostalgia and hope for the future, I had the recipe printed on tea towels as a gift for everyone in the family. My eighteen-year-old daughter is now the fourth generation to make this holiday and family gathering staple. Her first job was as a baker at a local bakery and she came home beaming with pride every time she expertly crafted a new treat.

This last Thanksgiving my brother looked on intently as we began making the pie.
Calculating and reprogramming our movements in his mind, filing them into a folder he could open at a later date, and asked my mom and me to describe, in detail every step of the pie making process as we stood at my mom’s stove and did just that.

“You have to temper the eggs,” I told him. “It’s a very important for creating the
custard in your pie and getting it to set up correctly without having scrambled eggs end up throughout the chocolate pudding. Wisk the eggs in a separate bowl, then add some of the chocolate mixture a little at a time, mixing as you go. Next, return the egg mixture to the pot with the rest of the chocolate mixture and stir until it’s nice and bubbly.”

After returning home he promptly and proudly sent us a picture of his very first
homemade pie. It was perfect.

As I knead the dough that has risen in my kitchen next to the warmth of the oven, I
think of the process of creation. Bread making teaches patience with its often, multiple intervals of rising. A science unto itself, baking relies on the correct proportions, of mixing and combining ingredients to create a new chemical compound. A flavorful chemistry experiment. I smell the yeasty scent wafting up to meet my nose as I pull and shape the ball of dough on my counter. I think of the nourishment it will bring my family, the joy over the comfort of it, and the relishing of the taste it provides.

It’s taken many years to become a skilled bread maker, and it’s a skill I’m proud of.
A fresh loaf of warm bread is always a welcomed offering. Creating these devourable masterpieces feels a lot like offering my love. The process is also an act of self-care for me in many ways. It accomplishes the necessary task of providing food, but it’s also a creative outlet where I can dream up new concoctions and combine them in a way to delight the senses.

In the kitchen I can tune out the world. I can focus on the task at hand because it
requires every ounce of my attention to be successful. Here I can leave the worries of my day behind and add a little goodness back into my immediate world. The meals and memories shared in the kitchen have the power to stick with us throughout our lives.

My confident, self-sufficient, enterprising young woman of a daughter once
famously told me, when I sarcastically quipped that she, “apparently didn’t need me for anything,” that she still needed me to make dinner. Then capped it off with, “I’m just a kid. I can’t use the stove.” She was five at the time and happily reports (often) that she’s able to use the stove these days. Moreover, she prefers to do it all on her own now. Sometimes I’ll come home to the most delightful treats I had nothing to do with. I couldn’t be prouder.

I wish I could have spent all these years baking with both my girls, laughing together and dusting their noses with powdered sugar as they tried to sneak a lick off the spoon. The memories we were never afforded the opportunity to make wash over me in a flood. Who would my youngest daughter be had she not died of Tay-Sachs disease at the age of three years old? Would she love chocolate pie as much as the rest of us? Would she, now at should-be-fourteen, also use the stove all on her own? I’ll never know.

My nine-year-old son stands in my doorway as I type and sheepishly asks if maybe
we can make something together today. As a child who spent the entirety of his short life in an unfortunate, harmful, and unstable placement in the foster care system before coming to us just a week shy of his seventh birthday, he relishes in any time we spend simply doing things with and including him. Finding his voice to speak up for even these small requests has been a big step in learning his own agency, as well as connection, and support.

Of course, we can make something together today. I know just the thing. After all,
who doesn’t love chocolate pie?


Becky A. Benson‘s work has appeared in print, online, and various television and podcast outlets. Becky serves as a public speaker, holds a degree in psychology, and works for the National Tay-Sachs & Allied Diseases Association serving families of terminally ill children as the organization’s Family Services Manager.

Mardi Gras Season

Poetry by Sarah Henry

1.
Clowns prance down streets.
Giants with stilts jerk past.
Trumpets sound. Men throw
beads from floats to topless
women like me. Flashing is
condoned. Good times roll.

2.
I decide to wear a loud boa
to be noticed in a restaurant.
My own is made of purple,
green and gold feathers. All
patrons recognize the classic
Mardi Gras colors displayed.

3.
The King Cake is my favored
dessert choice. Not baking, I
buy one from a nearby store.
I love the way the cinnamon
and icing taste. Digging out a
plastic baby doll brings luck.

4.
In New Orleans, locals dance
together at the King Rex Ball.
It’s their chance to celebrate
with formality. I’m a guest,
awestruck by the big event’s
glamor and great traditions.

5.
Mardi Gras season’s the best
stretch of life in the Big Easy.
I open the door to the whole
neighborhood. People wearing
masks sit at a table. They dine
on rich gumbo. Good times roll.


Sarah Henry is retired from a newspaper. Her poems recently appeared in Trouvaille Review, Founders Favourites, The Journal of Expressive Writing and Jalmurra. She lives and writes in a small Pennsylvania town.

Maybe Death Smells Like Onions

Fiction by Pamela McCarthy

Presentation is important. Set the table with good dishware, with the silver placed just so, with the napkins folded. Maybe light a candle or two.

Who am I talking to? I guess I’m talking to you, ghosts.

Make something that won’t tax your resources and that will be delicious. What I mean is, use what you have on hand. Cut things evenly, add salt—always add some salt—add the spices and flavorings you want. Maybe cook with a little of the wine you were going to drink in the hopes it would lead you to where everyone is, where you can at least visit with them for a while.

This is why it’s important to buy the ingredients before things go to shit. Before you can’t get to the Indian grocery store and can’t get your hands on asafoetida. Well, I got the asafoetida a while ago, it’s been in my cupboard. Its stench is legendary, like death according to one vlogger, so when I sniffed it, I was disappointed. It smelled like onions to me. It still does. Old onions, I suppose, but …onions.

Where was I?

Make something that can accommodate the remaining chicken in your freezer. Something that will tie the past and present together. Something you would proudly serve to your family or friends, if they were here to eat it.

We won’t think about that.

Pour yourself a glass of wine while the chicken roasts in the marinade you prepared. The power could go out any minute. Pour yourself another glass of wine when it goes out just after you take it out of the oven. Toast the grid. The grid is dead, long live the grid.

After raising your glass, remember why you’re doing this. Why am I doing this? Well, we all do things like this for a reason, I’m sure you have your own. Maybe it’s to remember eating with your loved ones.

Look at the photographs of your family, your friends, the ones who can’t be here because there’s no safe passage any longer, the ones who can be here because they are ghosts. Remember that you have to eat what you’ve prepared. You are on your third glass of wine, you lush! Haha, I am hammered. Alone. Drinking alone was never on my bucket list, and it wasn’t anything I did before all…all this.

The chicken is good with the asafoetida. Resolve to use more of it in your cooking, then realize that the grid is sputtering in its death throes like everything else. You’re in a condo, one that’s been awfully quiet. Did everyone die? Wouldn’t there be a smell? Would it smell like the asafoetida?

I know I’m drunk. Here I am, giving instructions and advice on cooking to ghosts. If you pay attention, you can see them from the corner of your eye in the shadows thrown by the candles you lit for ambiance, but which are now for light.


Pamela McCarthy spends her days working in healthcare fundraising and her nights writing short fiction. When she is not working or writing, she is buying seeds for her garden, creating more garden space because she bought so many seeds, or reading.

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