An Online Literary Journal for Poetry and Flash

Tag: foreign land

Why the Rabbits Run

Nonfiction by Lindsay Dudbridge

When I first visited Madrid, just three months before moving there, my Spanish partner and I crossed the central part of the city, erratically dodging and weaving our way through people like bats catching flies. Panicked, I said, “It’s like we’re in New York City. This is too big. I don’t know if I can live here.”

I grew up in the Adirondack Park—with six million acres to explore. I trained for my high-school cross-country team in the footsteps of deer, bear, and coyote and recovered in rocky streams or still lakes set to the soundtrack of loon calls. Born into a life of “forever wild,” I wondered how I could ever replace soft pine and mud with concrete and stone, forests with buildings, and rugged with landscaped?

By the time I was wandering the streets of Spain, I was no stranger to cities. I had been living in the Washington, DC area for nearly 20 years. Though I always sought the wildish spaces, no matter how tiny—running thin strips of trails between backyards and strip malls. The last several years, I lived in the city itself, next to the large, forested Rock Creek Park. I mentally mapped the Park’s trails in ways beyond their intersections and where they led. If I ran up a specific hill at dusk in the spring, I could see nesting owls. If I kept running a little further along the ridge just before dark, I would meet volunteers setting up nets to capture and study bats. I knew where to see the woodpeckers, which rocks to avoid stepping on after a heavy rain, and which trees had fallen with the last heavy storm.

Madrid feels so different—like chaos. It’s an introvert’s nightmare: people are everywhere and everywhere is loud. So I run at the quiet time—the cusp of sunrise—when it’s light enough to not need a headlamp but early enough that it’s not yet considered morning by many here. I start out along the paved, well-lit river trail and head into Casa de Campo, which was once the King’s hunting grounds. There are few people, just a spattering of other runners and dog walkers at the lake near the entrance.

The damp days are my favorite, as a light fog nestles in among the tall pinyon pines. These days, I crunch along the dirt roads because the trails are covered in a heavy mud that cakes the shoes. As I jog along, some of the many rabbits freeze and others bolt, zigzagging to safety. At first, I wondered why they ran. The park seemed so tame. But one morning, I stopped in my tracks as a rabbit came tearing toward me. The fox chasing it slowed to a trot when it saw me, reluctantly turning and heading back into the field in search of more prey. How lucky to see such a thing. I felt guilty for interrupting its hunt and relieved for the rabbit. I continued my run, holding those conflicting emotions and watching the carboneros, so similar to the chickadees of home, flit from branch to branch.

I often feel like I will never fit into this new culture—the late dinners, the lack of personal space, the constant conversation. But these mornings, I can at least immerse myself in this land and understand why the rabbits run and where the foxes hunt. So I run, I learn, and I listen to my footsteps patting a rhythm into the earth. I can almost follow it, like a thread across the Atlantic to the forest where I’m from.


Lindsay Dudbridge is a professional editor from the US who has been living in Madrid, Spain since 2019. When not manipulating the written word, she is outside running, mountaineering, caving, and climbing.

The lawsuit

by DS Maolalai 

they’re worried again, in the office
over forthcoming lawsuits.
a cleaner on a site
fell off cleaning second
floor windows. now
he’s in a hospital
with a leg tied or something
and a head with a crack
and he can’t play piano
or won’t climb a ladder a while.
in the conference office
there are quiet, urgent meetings –

management flocks about trouble
with the wordless choreography
of songbirds on phone-lines
by motorways. clustering knuckles
in the afternoon’s fabric,
drawing and bursting
apart. in passing, the rest of us
make up conversation,
folding our gossip
like origami sheets; cheap gifts
made with unsteady fingers –

you know, says nicola,
he’s an engineer really, by trade,
back over where-ever
he comes from. here though
they’ve struck off
his college or something. it’s two
different countries. there was
something – was it maybe a war?
that’s why he’s just wiping off
windows in building sites,
in places like that
near the motorway.

jesus I tell her.
yeah, she says, jesus –
it’s something that happens
though, sometimes.


DS Maolalai has been nominated nine times for Best of the Net and seven times for the Pushcart Prize. He has released two collections: “Love is Breaking Plates in the Garden” (Encircle Press, 2016) and “Sad Havoc Among the Birds” (Turas Press, 2019). His third collection “Noble Rot” is scheduled for release in April 2022.

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑