Tag: fortitude

Standing

Nonfiction by Thomasin LaMay

They stood.  And stood for something.  Just by standing.  

“Lupins” by Seamus Heaney

Last summer, a business planted dozens of tiny saplings in a field near my home, green space in an urban area where I walk my dog. It was an attempt to fix poor choices, but the project went untended. The young trees tried to root through a dry fall, then rare, brutal winter. Now, in spring, they stand.

Proud, bone brittle, brown.

A mirror of world events. So much broken, being torn. I used to think I was in the world to look with goggle eyes, that awe was grace, maybe even faith. Now I am unsure. Feelings fracture. Kindness is scared. I want to feel useful, for things to make sense.

So there’s a certain perspicacity in these fragile and mostly dead trees which I start to embrace. I’ve watched them all spring as everything else turns green and flowers. Cherry limbs with pink blossoms dance against a bright blue sky. New-born fawns wander the creek’s edge. And all across the field, those un-bloomed saplings stand full-flaunt in their plots, stretching their splayed tips to the sky like cheerleaders. As if they were actually alive. Birds sing from their branches. A snapping turtle burrows and leaves her eggs. There’s no judgment, no anger at their neglect. They take what is given, as if to say yes. Yes, and thank you.

Mine are timid hands, but one morning I wrap them, warm and wanting, around each little spindle. You can do it, I say. You can do it. But I’m not sure what I mean by “it.” Perhaps their stand is not static. I wonder if such “standing” is a way of intrinsic belonging, that we’re all doing the “stand” but we just don’t (want to) see it. Because Heaney’s lupins, like these little trees, are also readying their own transformations, the inevitable. Knowing that is hard. Even though we’re doing it, all of us, together.

I’m not sure why that brings me comfort. Maybe because it makes sense.
The saplings remained through much of summer, but today when we go for our walk they are gone. Dug out. Small holes left behind, clumps of black dirt in a freshly cut field. Scraps of bark in the grass. Some were simply mowed over, their bodies intact on the ground. We bring one of them home, stand it in water on the porch.

In my backyard, late summer Obedient plants are starting to bloom. Not lupins, but a good look-alike. Tall, leggy, purple. Called “obedient” because if they fall over, you simply stand them back up. Also like lupins, they come back every year. New flowers, a long-established root system. Something to count on.


Thomasin LaMay is a writer, singer, and teacher in Baltimore, MD. She’s taught music and women/gender studies at Goucher College, and currently teaches high school. Her writing appears in Thimble Literary Journal, Ekphrastic Review, Yellow Arrow Journal, Yellow Arrow Vignette (online August 2025), and Tiny Memoir (January 2026).

The Willow in Winter

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Jennifer L. Gauthier

In the rain the sleet the snow
the willow bends low
and deep
bowing
like a monk in prayer.

She bends but does not
break.

Her strength is in her
supple
limbs stretching.


Jennifer L. Gauthier is a professor of media and culture at Randolph College in Southwestern Virginia. She has poems published in Tiny Seed Literary Journal, South 85, Gyroscope Review, Nightingale & Sparrow, The Bookends Review, little somethings press, HerWords Magazine and Tofu Ink Arts Press.

Dear Anthony

Fiction by Alison Sanders

A week later he was still numb with shock, and as he stood staring at the kitchen floor Anthony searched for signs of her there – a crumb from a bagel she’d toasted, maybe a strand of long, brown hair. He found nothing, and the fridge hummed loudly, and he wondered how long he could go on in this empty house.

He’d stopped crying. He’d turned off his phone, ignored the knocks at the door. He wasn’t hiding, exactly. He’d simply gone silent – bewildered and hurt, like a child slapped by his mother for the first time.

There was movement outside the kitchen window and Anthony saw it was the mail carrier. The young man wore sunglasses and pleated shorts, and he strolled up to the mailbox at the end of the driveway, inserted a tidy handful of envelopes, then continued on to the next house, eyes on the stack of mail in his arms. A car drove past, and the mailman glanced up, gave a small wave. It all seemed so casual, so efficient. So indifferent. Anthony had to look away, back to the kitchen floor. How dare he, he thought. How dare that man deliver mail like it’s any other day? And how dare the person in that car just drive and wave and live their life? How dare the sun shine, how dare the earth spin.

He realized he hadn’t checked the mail since the accident. This was a Thing Which Must Be Done. There were things like that – tasks which took all of his energy, all of his strength, every ounce of willpower he had, but he knew he had to do them. The hardest was walking out of the hospital and leaving her there, knowing that as soon as he left they’d pull a sheet over her face and roll her to the basement. The thought of her alone in the dark made him howl inside. How could he leave her? But he knew he had no choice. He’d stared at his feet, willing them to move, left – right – left – right, down the hall, through the sliding doors, out into the terrifying cruel sunlight. Then there was getting out of bed a few days later. It took hours to convince himself. Hours of staring at the ceiling and willing himself to move. But he did it, eventually. He got up. He rubbed his face, which felt puffy and soft in his hands, and he drank a glass of water. There were just some things, he knew, which still needed to be done.

He stepped out into the soft evening light. In the mailbox he found a small stack of envelopes. He carried them inside and placed them on the kitchen counter, then took a step back for a moment and watched the small pile. What stirred in him was not just exhaustion from having just completed one Thing Which Must Be Done, but also a growing dread. It was the realization that her name might be on some of that mail, and the fear of what would happen in his heart if he had to see that. He couldn’t do it. He stared at the stack and for a moment all he could hear was his own breath, shallow in his throat.

But the envelope on top was addressed only to him. In slanted block letters. After a pause he eased it open. It was a thick card with a watercolor painting of a tree on the front. Inside were handwritten words, in a shaky scrawl which leaned to the right as if blown by a strong wind: “Dear Anthony, We’re so sorry for your loss. May God wrap His loving arms around you. Love, Bill and Connie Matsumoto.” Matsumoto? For a moment his mind was blank. The old folks in the little grey house down the street? He barely knew them, other than casually waving as he drove to and from work. He tried but couldn’t recall the last time he’d said a word to either of the Matsumotos.

But now he pictured them together, wearing their matching sneakers with Velcro tabs, driving to the store, for him. He imagined them shuffling down the card aisle to the SYMPATHY section, choosing a card, for him. He pictured Connie sitting at her kitchen table, with a ballpoint pen gripped in her tiny hand, writing those words. And he pictured Bill – his bald head like a speckled egg – placing the envelope inside their mailbox, raising their little metal flag. For him.

He reread the note, and held that card for a long time, staring at the tree on the front. After a while, emboldened maybe, he flipped through the rest of the envelopes. They were all addressed just to him. And so he opened the next, and the one after that, and in between each he paused, and at some point he found his face wet with tears. He stacked the cards neatly on the counter and placed one hand on top, and in that moment he was overwhelmed with such gratitude he could hardly breathe. This world. It could be so cruel, so vicious, so unfair. And then, suddenly, so kind. So beautiful it could break your heart.


Alison Sanders‘ work has been published in Stanford Magazine and is forthcoming in Seaside Gothic. She lives in Santa Cruz, California and is working on her first novel.

The Basil

Nonfiction by Emily Rankin

He bought it during quarantine, on one of our rare outings. He’d decided spur of the moment to make a new recipe, and we found ourselves wandering the grocery aisles at 8pm. He needed fresh basil, and I suggested we buy a small plant in place of a plastic carton of browning stems.

I padded into the kitchen the next morning and found it, wilted and half dead, on its side on the countertop. He’d used a handful of leaves and left it to rot. I considered abandoning it there, letting it go to show him what he’d done. But it looked so small and hurt and tired. I stood it up, pruned the decay from it, and set it in water on the sunny windowsill. I tended to it, and it was happy. It grew to be nearly two feet tall, and I bought a real pot for it, and soil. He never looked at it, never watered it. I wondered if he felt guilty. I hoped he did.

It came to me in dreams. I’d see myself, in the kitchen in the night, finding it dead. Pulling it from its pot and seeing strange roots all through the soil. Then looking more closely and discovering that it was in fact very much alive, new shoots everywhere, overtaking everything.

When I finally got out of that house and into my own apartment I took it with me, hung a shelf for it high enough that the cats wouldn’t disturb it. Watered it, added new soil.

That summer I was gone most days, no air conditioning in the place. The basil started to wilt and shrivel and no matter what I did it wouldn’t stop, until all that remained were two gnarled sticks with a few inches of new growth at the ends. I thought it was as good as dead, and it made me more sad than I’d like to admit. I gave it water and set it on the porch, in the noontime sliver of sunlight, to live out its final days with the wind against its face.

But it didn’t die. It hung on, struggling and stagnant at first, then finally growing again, slowly, in ever more bizarre twists. New shoots completely sideways, leaves sprouting at odd junctures, those two remaining branches twined like ivy. I was afraid to pull any leaves from it, afraid I might disturb its new health. After a month, I finally began to trust it wouldn’t die. At least, not imminently. I gave it new soil, more water. Set it outside in good weather. What remained of it came back to life.

A year later, it sits, sometimes, on the shelf I hung for it, winding spring-green tendrils around itself. Drooping with the weight of its own strange design, and growing ever more wild.


Emily Rankin was born in Riverside, California and attended Abilene Christian University, where she received a BFA in 2011. Her body of work deals with the tangled threads of human connection and liminal space. She is currently based in New Mexico.

© 2026 The Bluebird Word

Theme by Anders NorenUp ↑