Tag: ghosts

Bad Land

Fiction by A.S. Gordon

She called me this morning because the planks have begun falling. There are red wasps nesting in the eaves. I can hear them buzz low in the wet air.

Dad brought me with him when you first began hauling the lumber out. You showed him where you aimed to build it. “Bad land,” he told you. You said there was no such thing. That to say so was an oxymoron. I stared eye level at the bull pressed into your belt buckle.

Within months the thing rose and shrunk, went up and came down again. You damned the lowland mud and the murky mirror the rain made it hold to the plans behind your eyes. The wind brought down the doorway I watched you spend an afternoon setting.

She leads me through the living room where the March breeze creeps through the window to rustle the plastic Christmas tree. Neither of you can take it down anymore. Her hands are like pincers. When I see you sitting out back her fingers bite my wrist. That it’d be best not to. That you’ve been having a rough morning.

You told me once that you weren’t woodworking if you didn’t walk out of the shop with a splinter when all was said and done. I wonder now if I could’ve taken yours and mine once, bit my lip and held out my palm to squirrel away a painless day for you.

I can see us again past the scarce wisps on your head, standing out against the whites and yellows on the honeysuckle vines. Before I knew what this state was called you told me they came from Japan. Years later I asked you about them again, some other soggy spring, after I’d read the species was invasive. You said that nothing belonged to anyone. It was here because something wanted it here, nothing more, and it would stay no longer than anyone wanted it to.

“Just like us,” you said. You were the commie Hoover saw in Guthrie.

She leads me around the side of the house, says there’ll be Kool-Aid for when I get hot. Even with the rainstorm I can’t believe it didn’t burn. I watched you carve nativity scene crosses inside the walls of that little shed, fashion violas and birdhouses and haggle with the summer sweatbees for your workbench. It’s all black as tar now. The lightning wanted it here no longer.

I turn again and there you are, sitting on the patio, rocking, rocking. You’ve muttered to me before that people come in the night. They track mud on the ceiling, they leave your truck door open. They cut your driver’s license in two. They know each twist of your safe, each disc in your spine, each dogeared page on your bookshelf. You find the crumbs they leave on your plate after she has filled your belly with pills. But now, here, you only raise your hand.

Where are you, man? Where have you gone to?


A.S. Gordon is an emerging writer from Murray, KY.

Ghost crew

Poetry by Christopher Laird Dornin

My late father and brother
watch me sail alone
with my eyes closed in light

wind on a burning afternoon.
Ephemeral zephyrs
and ghostly shifts of air

fall and come and rise.
I feel their pulse in the tug
of the tiller, the angle of heel,

the pull of the mainsheet and the gurgle
of my bow and stern waves.
My father’s cemetery is missing

its ancient gates and stones.
He kept its address a secret
the time we sailed the Chesapeake

among the traveling molecules
of my brother, lost at sea
a long way from there.


Christopher Laird Dornin has won a NH Arts Council fellowship and placed runner-up in the Swan Scythe Press chapbook contest, semi-finalist in the Finishing Line Press book contest and semi-finalist in the Wolfson Press chapbook contest. His verse has appeared in The Lake, Oberon, Blue Unicorn, Nimrod and others.

Maybe Death Smells Like Onions

Fiction by Pamela McCarthy

Presentation is important. Set the table with good dishware, with the silver placed just so, with the napkins folded. Maybe light a candle or two.

Who am I talking to? I guess I’m talking to you, ghosts.

Make something that won’t tax your resources and that will be delicious. What I mean is, use what you have on hand. Cut things evenly, add salt—always add some salt—add the spices and flavorings you want. Maybe cook with a little of the wine you were going to drink in the hopes it would lead you to where everyone is, where you can at least visit with them for a while.

This is why it’s important to buy the ingredients before things go to shit. Before you can’t get to the Indian grocery store and can’t get your hands on asafoetida. Well, I got the asafoetida a while ago, it’s been in my cupboard. Its stench is legendary, like death according to one vlogger, so when I sniffed it, I was disappointed. It smelled like onions to me. It still does. Old onions, I suppose, but …onions.

Where was I?

Make something that can accommodate the remaining chicken in your freezer. Something that will tie the past and present together. Something you would proudly serve to your family or friends, if they were here to eat it.

We won’t think about that.

Pour yourself a glass of wine while the chicken roasts in the marinade you prepared. The power could go out any minute. Pour yourself another glass of wine when it goes out just after you take it out of the oven. Toast the grid. The grid is dead, long live the grid.

After raising your glass, remember why you’re doing this. Why am I doing this? Well, we all do things like this for a reason, I’m sure you have your own. Maybe it’s to remember eating with your loved ones.

Look at the photographs of your family, your friends, the ones who can’t be here because there’s no safe passage any longer, the ones who can be here because they are ghosts. Remember that you have to eat what you’ve prepared. You are on your third glass of wine, you lush! Haha, I am hammered. Alone. Drinking alone was never on my bucket list, and it wasn’t anything I did before all…all this.

The chicken is good with the asafoetida. Resolve to use more of it in your cooking, then realize that the grid is sputtering in its death throes like everything else. You’re in a condo, one that’s been awfully quiet. Did everyone die? Wouldn’t there be a smell? Would it smell like the asafoetida?

I know I’m drunk. Here I am, giving instructions and advice on cooking to ghosts. If you pay attention, you can see them from the corner of your eye in the shadows thrown by the candles you lit for ambiance, but which are now for light.


Pamela McCarthy spends her days working in healthcare fundraising and her nights writing short fiction. When she is not working or writing, she is buying seeds for her garden, creating more garden space because she bought so many seeds, or reading.

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