An Online Literary Journal for Poetry and Flash

Tag: grace

Some Kinder Resolutions for a Better Year

Poetry by Cecil Morris

Learn from the cat. Settle in sunny spot and stretch
oblivious to obligation or cascading shoulds
or judgmental stares. Let the bones go loose,
all muscles relaxed and negligent.
Turn off notifications and ringers,
all beeps and trills and buzzing vibrations
that call the mind from its rightful work
of undirected cogitation.
Commit to silence for one hour
each morning and each night and, maybe,
each noon, too. Take those quiet hours
to notice the world at its business—
the pale shoot splitting the sunflower seed
to seek the sun, the unhurried humming
of a bee progressing from blossom
to blossom, the tulip’s reverent pose,
the way a bit of dust can levitate
in a slice of light. Do not make haste.
Every moment does not need to yield
a product or an accomplishment.
Laziness is a healthy pleasure
so make of its indulgence an art.
Make of indolence a new hobby.
Linger over a favorite song.
Let it play twice.
Enjoy.


Cecil Morris retired after 37 years of teaching high school English, and now he tries writing himself what he spent so many years teaching others to understand and (he hopes) to enjoy. Poems appear or are forthcoming in Ekphrastic Review, Hole in the Head Review, Rust + Moth, Sugar House Review, Willawaw Journal, and other literary magazines.

62

Poetry by Corinne Walsh-Williams

my age feels like a vapor
sinking into my skin
seeping inward
to the warm
watery places where
my dreams are swimming
in the lukewarm juices
of my soul –
and everything
all that is left at least
is simmering to a broth


Corinne Walsh-Williams currently resides in Providence, Rhode Island where she earned her Master’s degree in Creative Writing. Covid gave her the poetry bug and she considers herself an emerging poet.

The Gift

Special Selection for the 2022/2023 Winter Holiday Issue

Nonfiction by Cindy Jones

The brunch dishes lingered on the dining table. Clothes half-out of overnight bags and pillows lined the walls. Someone had cleared away last night’s wine glasses from the coffee table. Aaron Neville quietly sang “Please Come Home for Christmas.” I nudged two friends from their private patio conversation that it was time to come in.

He sat crossed-legged on the floor next to the tree, wavy hair the color of sunlit wheat and strawberries, locks falling into his eyes, wearing a too-small Santa hat and the softest red shirt, not bright enough to be crimson, not brown enough to be burgundy, it was carmine I think. I loved him in that shirt. He made jokes, called out names and passed gifts across the room to our daughter and friends, our hearts filled with laughter and the warmth of belonging.

That might have been our 15th Christmas or our 25th, they are a jumble in my head.


My hands moved the yarn over with the hook, and under and then pulled up a loop. I worked quickly through the simple repetitive motions, counting stitches as I sat alone in the radiation waiting room or rested in bed for months at home. The evidence of my obsession was a pile of crocheted scarves and wraps that threatened to collapse when I tossed on the latest one.

My daughter laid the old camping blanket down and slid the Douglas fir across the back seat. Through my rearview, its tip leaned out the open window, bending in the wind. I dreaded dragging up the ornaments from the garage and recounting the stories that went with each one. Christmas had abandoned me in a new house in a new town. What remained were gamma rays cooking me from the inside, my daughter leaving for her father’s house and me wandering the deserted hallways of my past, tripping over the shattered dreams and broken trust.

I walked down my dark hallway, pulled a new skein of yarn randomly from my basket and got back in bed.

“I made it safely Mom,” she texted, “I’ll miss you for Christmas.”

I pulled the covers higher and reached for my hook and yarn. Long lengths of gray drifted from light shades to dark, morphing into sections of carmine, and pops of yellow, warm as Christmas lights. I began to work, quickly and mindlessly at first and then the movements became slower and slower, and more deliberate.

The sensation wafted stealthily through my bedroom window, open even in December, settling in the middle of my chest before I could stop it, blanketing me like a newly fallen snow over the rage and devastation that festered inside.

I stilled my hands from the over-under, closed my eyes to the colors, quieted my mind from the counting, inhaled the sweet belonging that lived in me, and tasted the unexpected gift of grace.

Dear Louis, Today I am filled with the spirit of Christmas. I thought of you when I saw these colors.  

After I wrapped the scarf in tissue paper and placed it in a small shipping box, I imagined his hand reaching in to lift it out, my note falling to the floor. I saw him raise his arms and slide it around his neck, brushing across his stubble to the small fine hairs on the back, as my lips used to do. 


Cindy Jones is currently living her best life in Mazatlán, Mexico while navigating Stage IV cancer. She spends her days walking on the beach, enjoying live music, writing creative nonfiction and photographing the external world in ways that reveal our inner landscapes.

Choreography

Poetry by David Curry

First there’s that exhilarating “Haste thee, nymph” segment
of Mark Morris’s l’Allegro, il Penseroso ed il Moderato, a dance
seen live some years ago and, gratefully, again tonight
in a camera-smart clip posted on Facebook.

And then, this afternoon, there’s this bent woman leaning on a walker
with a broad smile for — what? — the uncommonly fair December day?
She’s by herself, oh so slow, takes two changes of the lights
to cross the street. At least one driver is impatient
and thoughtless enough to hit the horn. When
the woman gets to the other side of the street, she pauses
and looks back over her shoulder and then moves on
with her serviceable old blue coat and her intention.


David Curry‘s second collection of poetry, Contending to be the Dream, received “Special Distinction” in the Elliston Book Awards. He has been a writing fellow of the National Endowment for the Arts. For 10 years, he edited and published the poetry magazine Apple.

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