Tag: gratitude (Page 1 of 4)

Joy

Poetry by Alexandra Newton Rios

As the sun sets red behind river birch, oak and elm
still copper and yellow only across their crowns
and the sky opens its spaces
I thank God for my legs,
for my eyes, for my heart
that still cross distances and open them
still feel sorrow
and have turned to transform
it into joy over and over –
as the day knows how to depart
and return full of possibility
over and over
as love knows how to forgive and rejoice
over and over.


Alexandra Newton Rios was raised in New York City, holds an MFA in English from the Writers’ Workshop and MFA in Translation in Comp. Lit. (University of Iowa). Nueva York Poetry Press recently published Poemas de Georgia/The Georgia Poems, one long poem to Georgia O’Keeffe. Mother of five children, she ran the New York City marathon in November 2025!

Sudden Picnic

Poetry by James Penha

enjoy life my husband says poolside
as he sets down the sandwiches
and salad he invented to help me
set aside the diagnosis rendered
the day before by a no-nonsense
doctor who prescribed an inhaler
to help me breathe for the rest
of the life my husband wants me
to enjoy as long as we both have it


Expat New Yorker James Penha (he/him🌈) has lived for the past three decades in Indonesia. His story collection Queer As Folk Tales was published by Deep Desires Press. His chapbook of poems American Daguerreotypes is available for Kindle. Penha edits The New Verse News, an online journal of current-events poetry.

This morning

Poetry by Elizabeth L. Merrick

I wake up early for no reason,
sit down to breakfast
just as one moment it’s dark,
the next it’s not.

Orange rays land on the pine table,
catching the round loaf,
lighting up its fresh crust.

A small crockery pot of strawberry jam
is bathed in apricot.

The polished bread knife reflects
celestial sparks.

Silently I give thanks for this light
from unimaginably far away,
this bread provided by unknown hands,
this dawning moment.


Elizabeth L. Merrick’s poems have appeared in journals including Gramercy Review, Stone Poetry Quarterly, Rue Scribe, and Muddy River Poetry Review. She has also authored scientific research publications and a guidebook on Boston’s historic house museums. She lives in Somerville, Massachusetts. Read more at ElizabethLMerrickPoetry.com

On the Cusp of Spring

Poetry by Stacie Eirich

She walks the river slow, savors
the soft touch of air and glow
of sunlight on her skin. Listens
to the rush and ripple of water,
watches squirrels climb trees and ducks
forage grass for worms. Feels the gentleness
of the coming spring, a space
in her mind, heart, lungs, womb
opening for it, welcoming it.

She leans into
this brightness, inhales—time blooming
into bursts of birdsong and promises
of what the world can still mend
and create anew. This season
of beaming gold, of riotous laughter,
of gentleness, of tenderness. Care-born
from love, love for windswept wings,
branches bright in April’s light.

Winter’s shadow trailing behind
the cusp of spring, gathering
to carry her—into buoyant light, into a song
brilliant with hope, burgeoning with wonder
promising this time
will be softer, this time
will be easier.

She begins to believe this might be true
as she walks: listening, letting what we feel come
then releasing it, letting the glow
of sunlit cyan waters, the slow burn
of gold and blue and green settle
into her, allowing space
for spring to crack open
like a robin’s egg, breaking open
joy, beginning anew.


Stacie Eirich is a mother of two, poet and singer. Hope Like Sunlight (Bell Asteri Publishing, 2024), is her memoir benefitting St. Jude Children’s Research Hospital & Ronald McDonald House. Her poems have recently been published in The Poetry Lighthouse, Soul Poetry, and The Amazine. She lives in Texas. Read more at www.stacieeirich.com

Bunny in Brown Bear’s Coat

Poetry by Stephan Hermann

I own a coat
A big brown thing
Bought it off an old guy
In August
A few years back
When I lived in rain city.
Smelled like cigarettes
Cigarettes and dust
Dust and wear
Wear and tear.

That three dollar coat
Only one I brought with me
Back in August
When I first came here
Across the mountains.
Gets me through rain
Rain and wind
Wind and snow
Snow and snow and snow.


Stephan Hermann is a poet, creative, and student from the Pacific Northwest. Their poetry is inspired by their day to day happenings as a young, queer person navigating today’s world. When not writing, Hermann studies economics and music at Whitman College and plays desktop solitaire (rather poorly).

Poinsettias

Poetry by Kathy Pon

You wait three days on a pallet
for our return. I panic
about frost and your need
for a drink of water.
But when we open each box
red bracts burst and blaze
our home with your magic,
elegance draping each corner festive.
Our holiday breathes before us.

Years past, we drowned in excess,
gold garland and strings of blinking lights
crammed our Christmas house.
Sensory overload from rooms littered
with glittery noise that seemed
to muffle our seasonal joy.

When we found greenhouses bearing
your stalks, you brought us delight
in fields of matted crimson, candy cane
pinks and whipped-cream whites.
Your yellow-button flowers
seemed to smile at us.

Now, no need to shine up
these simple lives. Surrounded by quiet,
our orchard stitched in winter stillness,
we drink black coffee in the dark
of our winter bedroom, dogs dug in
blankets beside us — and you dance
in the hallway, poinsettia-children
lifting our spirits like a secret promise.
Each potted star radiates enough,
all the holiday we need.


Kathy Pon lives with her husband, a third-generation farmer, on an almond orchard in Central California. Her work has been featured in Passengers Journal, Canary, RockPaperPoem, The Closed Eye Open, and other places. Her chapbook, Orchard Language (Finishing Line Press) was published in October 2025.

Alma’s Baked ‘Possum: A Thanksgiving Tradition

Nonfiction by Mark Hall

Times were often lean, growing up in rural South Georgia, where a Thanksgiving turkey was a luxury many families could not afford. But a holiday feast could still be had with “Alma’s Baked ‘Possum.”

Fresh out of college, I left my Southern home for a job on the West Coast. In California, I missed the simple country food of my upbringing. At the time, I helped out occasionally in the kitchen of my friend Shoen, a personal chef recently returned from a stint cooking on Cher’s latest tour. While I zested Meyer lemons for flambéed peaches with cognac and Cointreau, I chronicled my hunger for the ordinary. Instead of the nourishing goodness of Hoppin’ John, collards, and cornbread, in California even the humble burger seemed to be tricked up into something needlessly complicated. Draped with sheep’s cheese and wilted radicchio bathed in balsamic vinegar, meatless patties were delivered to the table not with fries, but with a thimble full of chilled carrot, orange, and cardamom soup, with a delicate tower of sourdough crostini perched on top.

The Southern palate, I explained to Shoen as I stirred toasted cumin seeds, is fundamentally different from those of other regions. According to Mrs. S. R. Dull’s 1928 Southern Cooking, the Bible in my grandmother’s kitchen, Southerners don’t even have the same food groups as other folks. Instead of Grains, Fruits and Vegetables, Dairy, and Meat, Mrs. Dull taught us that there are not four but five food groups:

  1. Cereals, wheat, flour, cornmeal, rice, bread, and macaroni
  2. Milk, eggs, cheese, meat, fish, peas, beans, nuts, and game
  3. Fats, butter, butter substitutes, drippings, cottonseed oil, olive oil, and bacon
  4. Sugar, syrups, honey, jelly, and preserves
  5. Vegetables and fruits

If Shoen’s menus of iced black bean soup with chipotle cream and chargrilled Belgian endive with Fontina and yellow pear tomatoes were any indication, however, Californians eschew the humble staples of Southern cooking. Folks from San Diego to San Francisco apparently live their entire lives without the “drippings” necessary to nourish the body.

When a ‘possum set up housekeeping in my basement just before Thanksgiving, I saw this as a perfect opportunity to demonstrate my point about the simplicity and goodness of Southern food. A neighbor loaned me what he termed a “humane” trap to capture my visitor. Three nights and as many pounds of Purina Dog Chow later, I found a dazed but sated ‘possum squeezed into a too-small cage intended for an errant squirrel.

In the meantime, I consulted Mrs. Dull for advice about its preparation. No haute cuisine Mrs. Dull’s cooking. Of ‘possum she directs: “Put 1⁄2 lime in about 1 gallon of boiling water and scald quickly, and pull off hair while hot. Scrape well—remove feet, tail and entrails—like you would a pig.”

I photocopied the recipe, affixed it to the ‘possum-stuffed squirrel trap, then left them together on Shoen’s doorstep. Her apartment was one of those in which all the entrances open onto a common hallway. As a result, mouths watering, neighbors sniffed the air and leaned in each day as they passed her door, wondering what delicacy simmered within. Shoen would not be home for some time, and to me, this was ideal. Neighbors would have ample opportunity to walk by and see the live caged ’possum waiting at her door. Hearing its faint scratch-scratch, they would move in for closer inspection, only to find those bulbous pink eyes staring up at them, along with Mrs. Dull’s recipe for “Alma’s Baked ‘Possum.” I imagined Shoen’s own walk down the hallway, arms piled high with Bosc pears, watercress, and lamb shanks. Slowly the cage would come into focus, then the ‘possum itself.

I returned home to wait by the phone. Shoen, herself a vegetarian, would free the ‘possum in the park across the street, and later, when I’d let down my guard, she would get even. Shoen can give as good as she can take, and so I set myself to imagining her revenge. But no phone call came. Had Shoen stayed out all day? I worried that the ‘possum might suffer in the cage, dehydrate, or worse, die. Should I return to check? I waited. Late that evening, my doorbell rang. On my doorstep I found several covered dishes. Atop the largest was an artfully calligraphed menu:

Bacon, Arugula & Leek Salad
Petits Pois & Prosciutto Soup
Lemon Mint Tagliatelle with Truffle Butter
Alma’s Baked ’Possum

    As expected, Shoen gave as good as she took. The next morning, she phoned to ask how I had liked my supper. Only then did she reveal that “Alma’s Baked ‘Possum,” was, in fact, organic free-range turkey.


    Mark Hall lives in North Carolina. His creative nonfiction has appeared in The Timberline Review, Lunch Ticket, Passengers Journal, Sand Hills Literary Magazine, Hippocampus, The Fourth River, Tahoma Literary Review, and elsewhere.

    Perfect Day

    Poetry by Susan Wolbarst

    The day unfolds
    in its own sweet way:
    sunny, highs
    in the mid-seventies,
    light breeze. Zero
    chance of rain.

    Its slow perfection
    savored
    by coastal retirees
    breathing deeply
    exhaling thanks.

    The most ambitious
    get some steps in,
    or re-pot baby
    tomato plants from
    the greenhouse.
    The rest of us

    sip coffee on
    the deck and,
    due to bad habits
    we cannot shake,
    read newspapers
    on our phones.


    Susan Wolbarst is a newspaper reporter in rural Gualala, California. Her poetry has been published in Plainsongs, pioneertown (pioneertownlit.com), Naugatuck River Review, and other journals, as well as in the anthology Alchemy and Miracles: Nature Woven Into Words. A chapbook of her poems, It’s Over, published in August 2025 (Finishing Line Press).

    Lessons Woven in Time

    Nonfiction by Ron Theel

    We learn by doing, and experiences can be great teachers.

    Don’t get too comfortable as your life can change quickly.

    One winter, we had an unusually warm early March. Everyone hoped for an early spring. A bitter cold front suddenly swooped in, bringing with it sleet and freezing rain. While walking my dog, I came across two robins, their backs frozen to the sidewalk, feet sticking up in the air. The promise of early spring vanished overnight.

    Follow your heart and your passion.

    One of my college roommates, Ben, was a gifted viola player. Ben wanted to pursue a career in music, but his father insisted that he enroll as a pre-med student. He became disinterested in his coursework and dropped out at the end of his sophomore year. Several years passed until one day I received a letter from Ben. He graduated from the Royal College of Music in London and was making plans to audition for the London Symphony. Always remember that your life is your journey.

    Travel as much as you can. It will change the way you view the world.

    I’ve been to China five times. Billions of people don’t live the same way we do and don’t share the same beliefs, values, and way of life that we do. You will realize what a tiny speck we occupy in the world and be grateful for the things we do have in America.

    I do have some regrets. I wish I had been more of a “free spirit” earlier in life. On a beautiful morning, it’s okay to hit your “pause button.” Grab today. Spend a day at the beach. Hike in the forest. Claim your day. It belongs to you and to no one else. It took a progressive, incurable disease for me to realize this. No one is guaranteed tomorrow.

    Don’t get trapped in the past. Be a forward-thinking, lifelong learner. I wish I had kept more current with our ever-changing technology and made more of an effort to adapt to an ever-changing world. Changes come so fast. Moving forward in life is about adaptation.

    Remember that your life is your journey. Be sure to make the most of it!


    Ron Theel is a freelance writer, photographer, and mixed media artist living in Syracuse, NY. His writing has appeared in The Bluebird Word, The RavensPerch, Beyond Words, and elsewhere.

    Early Harvest

    Nonfiction by Margaret Morth

    The print date on the black-and-white’s border says “Aug 60,” and that might well be spot on. Film processing was an extra cost in a household that afforded no extras, and our family photos were taken with deliberation, usually by my father. A roll of film could sit in the camera for quite some time. But here the corn is far enough along that I’m checking it for ripeness, so I’ll call it: late July-early August 1960. At that time in northern plains summer when everyone’s taste buds hum in anticipation of the first steaming platter of yellow-gold corn on the cob.

    I hadn’t considered before who took the photo. But now it seems obvious that it was my brother, two years my senior, using the little “Brownie” camera that had mostly replaced the bulky, fussy flash cameras of our 1950s photos, birthdays and Christmas. Dad didn’t want us handling anything that could break or get mussed up, but the Brownie—casual, inexpensive, ubiquitous in its time—was of another, easier-going state of being. And my brother, longer-schooled in how not to upset our father, had access to this companionable camera, and took it out into our little world.

    My father and I, together on a summer day. That sounds simple, ordinary enough. Though for us this is a singular moment, and that it was caught out of time is extraordinary too.

    I am a month shy of my seventh birthday. My long French braids are pinned up in the warmth of summer. Already evident are the long arms and large hands, mark of the big-boned paternal line that bred me. It’s hard to see, but my father is smiling slightly, maybe talking about the ear of corn I’ve singled out. My face is hidden but the set of my head and my hands about to enfold the chosen ear show an intentness, a seriousness about something important to get right. Dad looks relaxed, pleased even. That in itself makes this a moment apart.

    It must have been a Sunday, otherwise he wouldn’t have been with us in the middle of the day and not in work clothes. Still, it seems notable that he’d spend his brief time of leisure with us like that, just hanging out. Maybe that’s why my brother snapped the shutter. Aware of rarity, he documented it.

    Throughout my childhood and beyond, “relaxed” was not a word often connected with my father. Later in life I realized that he, like his siblings and parents, struggled with what people didn’t have words for back then. Moody, they’d say, nervous. He’s such a nervous one. That tribe are all moody, you know. The hounds of anxiety and depression stalked them throughout their lives and passed into generations.

    But not on this summer day in 1960. I can almost hear him, his voice low and easy: That’s a nice one, peel a little from the top, just a peek. No wonder I was so intent, almost reverent.

    Dad is wearing his American Legion T-shirt, white with dark blue accents. Years later I found the shirt in a drawer, long packed away. I asked Dad if I could have it. He seemed surprised but said sure, take it. It was worn pretty thin by then but still up for the beer runs, impromptu volleyball games, and happy hour bars of college life. It had a good second run. I wish I had it now, even the remaining tatters of it.


    Since retiring from a career in the nonprofit sector, Margaret Morth is immersed in a long-held passion for writing. Her work has appeared in Under the Sun, The RavensPerch, and TulipTree Review. Originally from North Dakota, she resides in Brooklyn NY, her adopted home of many years.

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