Tag: gratitude (Page 1 of 5)

Why I Did Not Get Up

Poetry by Cecil Morris

Because I did not want to, because
the pillow top mattress and your warmth
beside me both said stay, because clouds
from yesterday obscured both moon
and sun and sounded gray alarm bells
and tripped the fire doors, because the birds
in feathered wisdom sang lullabies
to duties, granted worms amnesty,
invited them to pass free and slow
from dirt to dirt, because the chorus
of crickets camping in back and hips
refused all requests for hula moves
and air thickened itself against scent
of coffee and bacon and right there
in the best yoga pose, the corpse pose,
I re-ran scenes of our children’s joy,
the slides and swings at the park, the leaps
into the pool, the splashing and screams,
the puddle-jumping and river trips,
the airfoil kites nearly lifting them
from beach sand, their slimy-handed glee
at disemboweling pumpkins, because
I could in those moments feel each child
in his or her turn squeezed close to me
and captured by my reading voice,
giving them a book’s magic, because,
such early morning reveries beat
out every possible to-do list.


Cecil Morris is a retired high school English teacher, sometime photographer, and casual walker. His first collection, At Work in the Garden of Possibilities, came out from Main Street Rag in 2025. He has poems in The 2River View, Common Ground Review, Rust + Moth, Talking River Review, and elsewhere.

When I Revisit the Nature Preserve and am Among the Trees, in Autumn

Poetry by Stacie Eirich

In thanks for the verses poet Mary Oliver gave us, a lifetime of paying attention & being astonished

I am sitting in the same space, on the same bench

       surrounded by trees and branches, leaves and berries

              and patches of sunlight — as I did six months ago in early spring.

 

The hum of cicadas, chirps of birds above, a hawk circling

       overhead, limbs of branches stretching tall, leaves rippling

              in light breeze, air shuffling, still warm yet cool enough not to sweat.

 

The distant rustle of cars on roadways beyond, whirr of air traffic

       infrequent, chirps louder, longer, insistent as the pour of sun

              through blue and green, as the fly who keeps interrupting my sack lunch

 

of potato salad and grapefruit, as the rise and fall of the cicadas’ song

       which lasts the day — crescendoing and decrescendoing

              as the hour lengthens.

 

A leaf floats in ripples to the thatch covered ground, nestling among bits

       of branches, brown and tan and sprouts of green, sticks

              and stumps and pinecones peppering this sanctuary.

 

Stillness and shadows descend, clouds covering the light, coolness ascending.

       I wait for the sun to swallow the shadows, to peek out again and bathe

              the sky, the trees, the ground, me — in warmth, but it does not come.

 

Instead, I’m left sitting with stillness, with my heart

       waiting for light, watching as it creeps out to shine — first, on purple berries

              perched upon so many branches, then on a brown thrush

 

of ground, patches lighting like connected stitches of quilts.

       The golden glow is mottled, flecked in patterns, almost

              reaching me.

 

I lean in, I hear Mary Oliver’s voice saying “Pay attention. Be astonished.”

       I hear her reciting “When I am among the trees” and another voice saying

              “We are all here for a brief time — a moment…” 

 

What is this moment, and why does it matter? I ask myself questions

       I don’t have the answers to. I ask myself why my child lives

              when others do not, have not, will not.

 

I hear a friend and helper saying I carry grief and hope

       together, praising me for it. I wonder how it is I earned such praise, I

              who write poems and sing songs and sit in nature, listening. 

 

The hawk circles slow above, wings spread, a majestic being

       with laser eyes, killer instinct. My worth feels small

              in comparison.

 

Smaller even more so than this earth and sky and these tall, bending

       and connected, old and strong, resilient trees surrounding me.

              Their lives large and infinite, their growth a thing slow, supple — amazing.

 

To feel the swell of the same breeze, a hitch of breath

       in the same air, the same canopy of light (or is this peace?) as they do

              is a moment to embrace, to give thanks, to realize a blessing of tenderness.

 

The blessing of tenderness in just sitting, breathing, listening

       to chirps and chitters and hums — just being. Stillness

              only interrupted by slight motions…the twirl of a leaf, the crawl

 

of an ant, the light of an insect on a branch, the moment

       my pen rises and falls

              across the paper — softly dazzled, quietly alive. 


Stacie Eirich is a mother of two, poet and singer. Hope Like Sunlight (Bell Asteri Publishing, 2024), is her memoir benefitting St. Jude Children’s Research Hospital & Ronald McDonald House. Her poems have recently been published in The Poetry Lighthouse, Soul Poetry, and The Amazine. She lives in Texas.

To Clare, Whose Name Means Light

Poetry by Ed Ruzicka

I

I see moon’s fingerprint in rills
that spread across black water,
to nudge and lift up lily pads.

I know, I know, that you are brave
and like the rest of our family
never one to hug. Nevertheless
I must do something. Anything. Maybe

place two fingertips to my third eye
because I am old and have become
afraid of seeing into the future.
Hold my fingers there so I become calm again
and close to you as moonlight on dark water.

II

When we were wee, sister
whose name means light,
mom would instruct you
to sit down upon our couch.
Then she’d place me, swaddled, in your arms.
You cooed to me, softly sang
fragments of nursery rhymes
and ditties that you’d learned at school.

Tonight I want to give back.
Not that you need it. You are stronger,
so much stronger, than I ever was.
Yet I would like to lift you.
Hold you, sister formed of light,
the way black waters hold the moon.


Ed Ruzicka’s fifth full-length book of poetry, The Invention of Dreaming, published in early 2026. Ed’s poems have appeared in the Atlanta Review, Rattle, Canary, and many others, and been nominated for the Pushcart Prize. He is president of the Poetry Society of Louisiana.

Dear Dad

Nonfiction by Leslie Lisbona

Dear Dad,
I wonder if you are still 85. Although I’m not sure that’s the age you would want to be for eternity.

I have vague and sweet memories of you in your early 40s. I would wait for you to come home from work. It was the last thing I got to do before going to bed. You would squat down, open your arms, and hug me. I was so excited I could barely stand it. And I made you laugh, mixing up my French and English by telling you, “You are piquey.” Your face was too rough, and I should have said, “Ca pique.” But you knew what I meant, and your laugh felt like a rumble in my chest.

You had your own store by then, Ripley’s, right near the Park Avenue entrance to Grand Central. Ripley’s was small, the walls crammed with electronic equipment. It had a stool that you propped me up on while you and Mom shared a cigarette over my head and murmured to each other in French and Arabic.

Or maybe you are 50 years old. I remember your 50th birthday because I was 10. Debi and I went out to get you a card and a Carvel cake in your brand new car. Debi swung her long hair back as she reversed too fast. We hit a pillar in the garage of our building and the car was totaled.

Or you might be 60. That is when you had Spectra on Madison Avenue, still small but bigger than Ripley’s. Sometimes if Mom asked you for money, you would say, “I don’t have a penny.” I remember feeling confused, not knowing if we were on the brink of financial ruin.

A bit later you had the first of your open-heart surgeries. That was when I realized I could lose you.

I wonder if you and Mom are together again? I wonder what ages you are – maybe you are both in your 60s, even though you died 15 years after she did. Mom wouldn’t like that you married Nina. Debi slipped your wedding ring off your finger in the funeral home. She didn’t want Mom to see it, especially because you never wore one in all the years you were married to her.

Do you remember the trouble you gave me when I finally moved out? I loved my first apartment, on Eighth Avenue and 53rd. I had Aaron then but not yet Oliver. I still saw you every Friday night for a movie, and once a week you double-parked on 6th Avenue near my office and I would hop into the elevator, pressing the lobby button over and over because I couldn’t wait to see you. Sometimes I teased you and said, “Aren’t you glad you had me?” and you would laugh and laugh. Once you knocked on my apartment door at 7am with bagels and coffee. I knew you were missing me. I felt like crying, which made it hard to swallow my bite of bagel. After we ate, I got ready to go to work and you went home to Queens, alone.

Do you know that I am 61 years old and that I haven’t set eyes on you in almost two decades?

Now we live in a different house that reminds me of our house in Queens. We have a dog named Rhoda. Val lost his father a few years ago. We have started traveling together, just the two of us, and it is wonderful. Aaron is 28 and engaged to be married; Oliver is 25 with a serious girlfriend. They work virtually, from home.

This is new: You can work from home now.

I wish I had had that option. I ached for Aaron and Oliver while I was in my glass office in midtown.

Here are some things that have happened since you left:

We sold the Queens house a few months after your death.

Nina died a few years after you did.

Debi and Dorian are grandparents. Debi goes by Nonna like your mom, and Dorian goes by Gido like you. The three of us are close, talking to each other all day long.

Congestion Pricing: You have to pay $9 to drive into the city. It turned out to be a good thing – less traffic and fewer pedestrian deaths.

Electric cars: I have one. I can turn on the heat from my phone before I get in the car. I have a charger in my garage. We are not far from self-driving cars. Actually, I think mine can do it, but I’m not sure how.

I miss you iktir, a lot, especially when something really good happens and maybe an inch more when something awful happens.

Here is a good thing: I stopped working in a bank and now I am a dreamer like you.

Here is a bad thing: October 7. The attack nearly destroyed my family life and the whole world turned against us. I needed you so much then, Dad.

Even though parenting wasn’t your thing, you turned out to be a good parent to us when Mom died. I’m glad you and I had the chance to get close, to get to know each other, to enjoy time together: all those Friday night movies, a few Broadway shows, just you and me. Imagine that.

I love you,
Lozay


Aside from The Bluebird Word, Leslie Lisbona‘s work has appeared in numerous journals and magazines such as The Queens Review, Synchronized Chaos, JMWW, Smoky Blue Literary & Arts Magazine, and Welter. She was also featured in the Style section of The New York Times. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. You can find her online at leslielisbona.substack.com

Contentment

Poetry by Nancy Kay Peterson

Late August hint of fall hides in
the pulsing breeze, scented dusty green.
Each time the wind pauses, the sun asserts
its waning summer strength, toasting
the back of my flannel shirt.

We two sisters stand on the foot bridge that
spans the dry creek between our parents’ house
and garden, silently shucking corn.
Soft silk threads tear away easily
from ears stunted by drought.

Cob tips have broken through
their green shells. End kernels
not gnawed away are mahogany colored.
We snap off spoiled ends,
toss them over the bridge rails.

Remaining bright yellow half-cobs
fill bags to be carried inside
and cooked within the hour.
My hands are sticky with milk,
the sweet smell of new corn.

I could do this forever.


Nancy Kay Peterson’s poetry is in The Bluebird Word, Dash Literary Journal, Earth’s Daughters, Last Stanza, RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009). She authored two chapbooks, Belated Remembrance (2010) and Selling the Family (2021). See www.nancykaypeterson.com.

Next Time

Poetry by Brian Christopher Giddens

If I were to be granted reincarnation,
and the powers that be asked my opinion,
I’d choose to return as a Zinnia.

The flower dazzles in late summer,
when the earlier blooms are on life
support, parched and fading. The stem
stands tall and sturdy, not easily swayed
by a late season rainstorm. And the burst
of primary colors, whether orange, purple
or the sunniest of yellows, demand applause
from even the most cynical of gardeners.

Yes, bring me back as a Zinnia. Grace
me with a short, but brilliant life.


Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in The New York Times (Tiny Love Stories), Passager, The Bluebird Word, Rabble Review, Hyacinth Review, Roi Faineant, Amazine, Glimpse, and other publications.

I Want to Be Kinder to Myself

Poetry by Arvilla Fee

less like frozen snow that crunches underfoot
more like tender purple blooms of crocus,
their heady scent perfuming sun-warmed air

less like bare branches scraping windowpanes
more like robins hopping through new grass,
red chests puffed out with sacred song

less like blue lips, shivering in winter’s shadow
more like buds bursting green from apple trees,
a kaleidoscope of tulips reflected in my eyes


Arvilla Fee lives in Ohio, edits poetry for October Hill Magazine, and runs her own online magazine, Soul Poetry, Prose & Arts Magazine. She is a widely published author and has three published poetry books available on Amazon. For more info: https://www.soulpoetry7.com.

Wonder Makes Me More Alive

Poetry by Carolyn Chilton Casas

How is it possible two juvenile
cottontails know how to play leapfrog?
Through the window, spellbound
I watch as they run back and forth
across our lawn jumping over each other.

On the other side of the road, young alpacas
are sporting first haircuts.
Like wet cats, these animals
look so thin without their plush,
camel-colored and chocolate brown fur.
They remind me of the bendable Gumbys
we played with in grade school.

And this morning, after an early rain,
I witness vultures perched
on the tops of telephone poles
and eucalyptus trees in the distance,
wings spread wide to dry their feathers.

I can’t remember a time when my body
didn’t vibrate with curiosity.
As a young girl the woods called to me
and despite being cautioned,
I was lured to explore,
gathering birds’ nests and walnut-sized,
broken blue shells left by their babies,
digging up arrowheads,
discovering flowers I’d never before seen.

My heart holds a tenderness for living things.

To exist on this fascinating Earth
without a full measure
of reverence and wonder
would surely be a life half full.


Carolyn Chilton Casas’ poetry has appeared in journals such as Braided Way, Grateful Living, and One Earth Sangha and in anthologies including The Wonder of Small Things and Thin Spaces & Sacred Spaces. Her website is www.carolynchiltoncasas.com, and her newest book of poetry is Under the Same Sky.

Sudden Picnic

Poetry by James Penha

enjoy life my husband says poolside
as he sets down the sandwiches
and salad he invented to help me
set aside the diagnosis rendered
the day before by a no-nonsense
doctor who prescribed an inhaler
to help me breathe for the rest
of the life my husband wants me
to enjoy as long as we both have it


Expat New Yorker James Penha (he/him🌈) has lived for the past three decades in Indonesia. His story collection Queer As Folk Tales was published by Deep Desires Press. His chapbook of poems American Daguerreotypes is available for Kindle. Penha edits The New Verse News, an online journal of current-events poetry.

Joy

Poetry by Alexandra Newton Rios

As the sun sets red behind river birch, oak and elm
still copper and yellow only across their crowns
and the sky opens its spaces
I thank God for my legs,
for my eyes, for my heart
that still cross distances and open them
still feel sorrow
and have turned to transform
it into joy over and over –
as the day knows how to depart
and return full of possibility
over and over
as love knows how to forgive and rejoice
over and over.


Alexandra Newton Rios was raised in New York City, holds an MFA in English from the Writers’ Workshop and MFA in Translation in Comp. Lit. (University of Iowa). Nueva York Poetry Press recently published Poemas de Georgia/The Georgia Poems, one long poem to Georgia O’Keeffe. Mother of five children, she ran the New York City marathon in November 2025!

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