An Online Literary Journal for Poetry and Flash

Tag: healing

Keeping Diana Alive

Nonfiction by Jennifer Pinto

The plant I carried was so bulky and cumbersome that when I hugged it against my chest and carried it to my car, I could barely see where I was going. I had to peek through the small spaces between glossy, dark green, oval shaped leaves that seemed to emerge directly from the soil. The brown stucco pot was heavy and I struggled not to drop it while slipping and sliding across the icy funeral home parking lot. I was desperate for a reminder of my dad, something that might bring me peace after his sisyphean battle with liver cancer and my increasingly contentious relationship with my step mother.

At my dad’s funeral, this solitary plant was displayed atop a pedestal next to his casket. A peace lily in all her glory, standing sentry. There were also a few flower arrangements, but most people, at the request of my step mother, slipped cash in the donation box next to the entrance to help pay for the funeral costs instead. At the end of the service when everyone was lining up to head over to the cemetery, I snuck back into the funeral home and stole that plant. I knew it was the only possession I would ever have of my dad’s and, in my twisted logic, that plant belonged to him.

Back home, I looked for the perfect spot for the plant. I googled Peace Lilies and found that they adore bright sunlight. In fact the article said, “the more light your plant gets, the happier it will be, the faster it will grow and the more it will bloom.” It was obvious that sunlight was the key to keeping this plant alive. In the years leading up to my dad’s death, between calls with the oncologist and trips to the Cleveland Clinic, I hadn’t felt like enjoying the sun. My blinds remained shut most days. But for the sake of the plant, I let the light in. I placed the pot directly in front of the patio door and named her Diana.

If my dad were a plant he would have been a succulent, the kind you could leave in the corner windowsill for weeks at a time without a thought or a drop of water. He wouldn’t have minded. That’s how he was, easy to please and uncomplicated. Despite being neglected, he would continue to grow, his roots digging deep for water and his stem quietly reaching for the sun. He was kind to a fault and expected as little from others as possible, a people pleaser who stayed out of the limelight. I was the one who insisted that dad get the liver transplant, encouraged him to get radiation and then chemotherapy. I fought with my step mother over hospice placement, stubbornly refusing to give up.

It only took me a few days to realize Diana was dramatic if nothing else. She demanded water by collapsing in on herself. Her broad emerald leaves wilting down and falling over like a diva fake- fainting on a velvet settee. After her thirst had been slaked she popped back up, white spaths held high as if nothing had happened at all. Only to repeat her theatrical performance a few days later. Unlike my dad, she wasn’t afraid to demand what she needed. She wasn’t polite or demure; she had no qualms about turning her leaves brown to show her disapproval.

Following my dad’s death, I was paralyzed by grief. But as the weeks went by, I found myself distracted by Diana. I watched her carefully, moved her from window to window to get the correct amount of sunlight, stuck my finger deep into her soil to make sure it was moist and wiped the dust off her leaves with a damp cloth. I talked to her and laughed at her melodramatic ways. She may not have brought me peace in the way I had imagined but at least I know what it takes to keep her alive.


Jennifer Pinto writes creative nonfiction. She lives in Cincinnati with her husband and a Goldendoodle pup named Josie. She enjoys making pottery, cooking Indian food and drinking coffee at all hours of the day. Her work has been published in Sundog Lit, Halfway Down the Stairs and The Bookends Review.

Songs in the Subway

Nonfiction by Colleen W.

(Identifying names and characteristics have been changed.)

I was watering beebalm in my scraggly, but well-intentioned garden when a call came from a nurse. “Jason has had a difficult evening. He overturned a heavy table in the day room and tried to wrap a nurse up in a bedsheet.” I set the watering can down.

“He was put in five-point restraints,” she said.

Silence rang in my ears.

“I didn’t know they still did that,” I said, choking back tears.

I’ve been put in arm restraints before, but never also, leg restraints. My son and I both live with bipolar disorder and have required psychiatric hospitalizations.

A few days passed and he was what they termed as “clearer” and could have visitors. That evening on the way to the hospital I stopped at Subway. I hadn’t eaten lunch yet. When my son is in crisis, I often forget to eat.

I sat in a back booth with my tuna sandwich. I was taking a bite when a young man with long, curly hair and sheepish eyes wearing a green Subway polo, came up to me and said he liked my shirt. I looked down to see what I had on. It was a Grateful Dead t-shirt, the one where the skeletons are playing golf. I thanked him.

“I’ve never been to a show, but my dad went to a lot of them in college. He’s probably around your age,” he said.

“I’ve been to around 65 shows,” I admitted.

Talking about a time in my life I was fond of, lulled me, and I felt a sense of melancholy. The young man might have sensed my mood. “I have something for you,” he said, then turned and went through a door behind me.

I stared at a wilted browning piece of lettuce across the table. The familiar opening chords of “China-cat Sunflower” started to play. I listened to the music, in awe that a stranger would think to play a song for me.

My eyes welled up, but I focused on the beige table, my sandwich wrapper, the tip of my straw and willed myself not to cry.

When I was sure I had composed myself, I made my way to the counter. The kid who had disappeared to the back to change the music was mopping up by the register. He stopped to ring me up for a bag of Doritos I selected for Jason. I asked him for two chocolate-chip cookies.

“I want to get them for my son, but I’m not sure he can have them in an open bag. He’s in the hospital and there’s a lot of rules where he is,” I said.

He nodded and silently sealed the opening of the bag with a sticker.

I thanked him. The song had morphed into “I Know You Rider.” I pushed open the door, blinking at the blaze of the summer evening’s sun.


Colleen W. writes poetry and nonfiction. Her work has appeared in the Gyroscope Review, Ravensperch, and The Potomac Review, among other publications. She works in mental health, and is also a consumer of mental health services.

For Every October

Nonfiction by Stacie Eirich

The leaves have begun to turn from green to yellow to brown, falling from branches to land in the lawn beside me. The grass is littered with them, the hard cusps of acorns rolling beneath my toes. A cooler wind wisps against my cheek and darkness falls earlier each evening; summer heaves her last breaths as October’s notes become the steady hymn of autumn.

Before last October, autumn would have been my answer to the question: What is your favorite season? Like so many artists, my muse is found in a cool darkness stitched with stars, in nights fragrant with the scent of smoke and glow of firelight, in walks through forests thick with trees that shiver in the breeze, their leaves shimmering green-gold-rust in sunlight as they fall to hard ground.

Before last October, I would have told you that October was a beautiful month, one where nature glistens wide with colors, the one in which my son was born. The month of pumpkin spice, sweater weather, homemade chili and Halloween. I would have told you that October felt lovely and comfortable, a relief from the stifling heat of summer.

I’m not sure how I feel about October now. How I feel about that fateful day: October 12th — Diagnosis Day. The day an MRI revealed that my fourteen-year-old daughter had a brain tumor.

The day was blissful with sunlight and a soft breeze that welcomed in the beginning of my favorite season. In the early afternoon, while she and her brother were still at school and before we knew anything of scans or tumors — I took a journal out on a nature walk. I gathered leaves and wrote verses, pressed them in. That journal sits in my bedside drawer, untouched now since then, almost a year later.

Like autumn, I’m nervous to revisit it, to open it and find whatever beauty is left there. Beauty that is evidence to how October gives life and changes it, evidence to how different the world felt last October from this October.

But as we approach October 12th this year, I find myself drawn to the journal, drawn to touch and examine the leaves I pressed into its pages, to read the words I wrote before I knew anything of brain tumors or intracranial pressure or hydrocephalus or medulloblastoma, of MRIs or lumbar punctures or biopsies or surgical resections. Of shunts or ports or proton beams or absolute neutrophil counts. Before I knew what it means to have a child with cancer.

Yesterday we decorated the house with balloons, celebrated my daughter’s NED status: No Evidence of Disease. She has completed her treatments, completed a year’s worth of life-altering experiences that have both saved her and changed her. She has shown us her resilience and breaking point, her incredible strength and heartbreaking fragility.

I watch the balloons bounce lightly in the breeze on our mailbox, their colors and confetti bright in October’s sunshine. I walk through the lawn, unraveling ribbons to watch them travel higher into a clear blue sky, listen to the chirps of blue jays in the branches.

I hear the sounds of my daughter waking; she comes to sit beside me as I write. We watch the squirrels chitter and chase each other through the lawn, gather acorns and bury them. I tell her about the journal, and she fetches it from my drawer, anxious to see the memories left in its pages.

We touch the dried, spiny pressed leaves and read my words together, October’s light vivid with sun in a clear sky. I feel something loosen, something lighten inside me, and a warmth despite the cool breeze that brushes my skin.

Before last October, I didn’t know light would still be possible through darkness, that survival meant looking for it in each hour. I didn’t know joy would find its way to us through grief.

I look up into the sunlight of this October and see the beauty that remains, glimpse how nature and life are colorful and changing and resilient. I accept that this October will never be the same as the last, that life and experiences have ways of changing you that cannot be undone. And I breathe.

My daughter hands me a clutch of pink, purple and blue ribbons and we walk across the grass together. Slowly, we release strands of ribbon upward, watching the balloons confetti swirl into a cloud of rainbow in blue. We twine our fingers together and look up, up — up.

We breathe in the scents and sounds of October and tell each other we are glad to be home. We talk about her brother’s birthday; how much taller and bigger and stubborner and smarter he is now that he’s almost fourteen.

I think of how amazing it is to be awake together to watch the wings that fly between the trees, the squirrels rush through the grass, the green-gold leaves shimmer in autumn’s light. Present, familiar, yet ever-changing, and wondrous — this month with a heart for so many things, this October and the way it unravels me, the way it breaks me apart and stitches me back together again.


Stacie Eirich is a mother of two, poet & singer from Louisiana. Her poems have recently appeared in The Healing Muse, Inlandia Journal and Susurrus Magazine. During 2023, she lived in Tennessee, where she wrote while caring for her daughter through cancer treatments at St. Jude Children’s Research Hospital. www.stacieeirich.com

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