An Online Literary Journal for Poetry and Flash

Tag: letting go

Hold and Release

Nonfiction by Tracey Ciccone Edelist

I am floating on top of a smooth blue sky with dappled clouds that break apart with each dip of the paddle. When the wind picks up, the sky in the lake becomes partially obstructed by privacy glass ripples, obscuring both sky above and underwater life below. Gliding further south, the ripples swell, and now I’m riding dark molten silver waves, the paddleboard gently rocking across the undulating liquid metal. I expect the paddle to drip silver-plated out of the water, but the splashes on my feet are clear and wet. Entering a small bay where the sun peeks through tree canopies, the water becomes like an oil spill, smooth and slick iridescence. I listen to the rustle of the trees as blue jays flit from branch to branch just above the water, breathing in the earthy smell of the damp bank and the leaves lying in varying layers of decomposition on the forest floor. As I drift away from the shoreline, the faint hint of a bonfire wafts through the air and I see a wispy plume of white smoke rising from a cottage clearing across the lake.

Sitting on the silver waves ahead, I see the young loon I’ve watched grow all summer, enjoying an independent swim. The sun reflects brightly off her long beak, not yet having turned black. She startles when she sees me and dives underwater. When she pops back up seconds later, she’s still close. She is almost fully grown, but her feathers haven’t changed from baby gray to the signature black and white adult markings, and she hasn’t yet earned her white necklace. She disappears again and I wait for her to surface. One minute, then two minutes.

Just as I’m wondering where mama loon could be, she swiftly swims to the place from which her loonlet has disappeared. Mama dunks her head below the water’s surface, searching the dark depths for her chick. She raises her head back up to scan across the lake, calls out loudly, and dunks again. I too continue scanning the lake. At last, the chick appears a few feet away and mama and baby swim quickly toward one another, baby bumping up against mama’s breast. The loonlet makes herself as small as she can on top of the water, scrunching her body down close to the surface near mama, hoping I can’t see her, but I can.

I remember how our youngest daughter took a few weeks after birth to unfurl her body from the position she held in my uterus. Born a couple weeks early, I imagined she’d rather be back in her confined amniotic home, riding the waves of my body, than out here in the open where air hit her skin and filled her lungs, and where she had to learn to feed herself from my breast. She wailed to be held at all times, heart to heart, eyes pinched shut, in protest against the vastness of this outside world. Holding her tiny compact body with curved back, arms and legs folded and tucked in tightly toward her center, was like holding a roly-poly hedgehog curled in on itself. We called her Scrunchie, until she began to relax her legs and straighten out her backbone.

Now she stands taller than me, straight-spined, long arms and legs swinging freely in the world she explores on her own. I find solace on the lake, and call her to me when she strays too far for too long.


Tracey Ciccone Edelist has a PhD in social justice education and is a critical disability studies researcher and educator. She had a previous career as a speech-language pathologist, and then as a fine chocolate entrepreneur. Now, she’s making sense of life through creative nonfiction.

Night’s Turning

Poetry by Robert Okaji

If I am the leaking valve, you are the whisper
tugging me back, the hummingbird’s nectar.

When you speak, the thunder listens.
When you brush your hair, stars erupt in the mesosphere.

Your gravity transcends all others, tethers me to life.
In this frame, on this bed, at this instant, I melt.

I relinquish the green beetles, the rodents of destiny and all the little
trees. I relinquish my sorrows, my secrets, their bluest songs.

You are the storm’s respite, the eye of the world at the night’s
last turning, the bridge between hands and the healing stone.


Robert Okaji lives in Indiana. His work has been published or is forthcoming in The Night Heron Barks, Vox Populi, Exilé Sans Frontières, Salamander Ink Magazine and elsewhere.

Catch and Release

Nonfiction by James Callan

The tug of a taut, invisible thread. So thin. Unseen, it reflects on the gray water, so I suppose. At the far end a silver barb has found the silver mouth of a silver fish that has seen better moments, by far, again, so I suppose. Static water undergoes a savage transformation of violent thrashing, splashing. Like cheerleader pompoms in a gesture of exaltation for the winning touchdown, only inches below the surface of the lake. Liquid confetti tossed in celebration.

My arms hold on, barely, to the device that has snagged an agitated leviathan, or so it seems in my struggle. It’s probably a muskie. And when I finely pull the slick, scaled thing that weighs as much or more than a toddler into the canoe, onto the aluminum floor, I confirm, yes, a muskie.

I look into a mouth that looks like a perfect way to lose a finger, or a hand. This pink abyss, a downward spiral of open-heart surgery, scalpels and all. So many scalpels, needles waiting for their payback. I remove my wedding ring, just in case, and I go in reckless and brave, the last of which I like to think the more prominent. I had to be more than a little firm. I mean, fingers, hands, these are things I want to keep for myself. But in being firm, on the edge or perhaps over the edge of being rough, I remove the barb. I free the beast. And with one last wild gesture of courage, I shovel out what in that moment seemed to me to be the marriage between porpoise and a good way to get hurt.

The splash was surprisingly subtle. A non-splash, almost. Like a vacuum sucking in only the air around it, but quiet. The dark of the depth took the image of the muskie with it. Gone. Free. I caught a prize fish. And then I let it go.


James Callan grew up in Minneapolis, Minnesota. He lives on the Kapiti Coast, New Zealand on a small farm with his wife, Rachel, and his little boy, Finn. He likes toads and frogs and polliwogs, but he LOVES cats. He believes when he says that When Harry Met Sally is the best Rom-com of all time, he is not offering his opinion, but is merely stating a fact. He has been fully grown for a long while, but still has some growing up to do.

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