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Tag: life (Page 1 of 7)

A Half-Decent Guy

Poetry by Brian C. Billings

He always went off half-cocked—

left every party halfway through
because he only half knew anybody,

half convinced himself he was a genius
(but half forgot how to prove it),

took the better half of a day to go anywhere
and the worse half of a night to leave,

drank his morning coffee half ready
and his evening drinks half mixed,

never took more than half a chance
when acting on his own behalf,

bought about half of the small lies
while halfheartedly believing the big truth,

tossed away his relationships half done
whenever his love had half begun,

acted like a halfwit more than he should
(while maybe half understanding why),

stayed half on track when the job mattered
and went half astray whenever it didn’t,

ran over half the world to find himself
and half killed himself when he couldn’t,

gave the people who tried half a chance
about half the time he worked with them . . .

They say he was a decent guy,
but they don’t know the half of it.


Brian C. Billings is a professor of drama and English at Texas A&M University-Texarkana. His work has appeared in such journals as Ancient Paths, The Bluebird Word, Confrontation, Evening Street Review, Glacial Hills Review, and Poems and Plays. Publishers for his scripts include Eldridge Publishing and Heuer Publishing.

Succulent

by Heather Bartos

Jade plants will never win beauty contests.
Snub-nosed, squat, solid-thighed,
Pudgy limbs and squinty little blossoms.
But deep roots and thick flesh
Gather what guarantees survival,
What grants longevity.
Absorb every drop of hope,
Each ray of encouragement,
All words of praise.
Slice a leaf, snap a branch
And it will heal itself whole again,
Scar and stump the only sign.
Its own replenishment, resource, retreat,
A deep, wide wealth of well,
A barn full of grain for swallows in the snow.
Current life from yesterday’s rain,
From last summer’s sun,
Dense from receiving and holding of the giving.
How amazing to hold within and inside
Memories of kindness
To shade and shield from the heat
To insulate and inoculate against the cold
Until without and outside
Become a friend once more.

Originally published in The Bluebird Word in February 2022.


Heather Bartos writes both fiction and nonfiction. Her essays have appeared in Fatal Flaw, McNeese Review, HerStry, LitroUSA, and elsewhere. Her flash fiction and short stories have appeared in Baltimore Review, Ponder Review, Rappahannock Review, Relief: A Journal of Art and Faith, and other publications.

Life and Love as Seen Through My Plum Tree

Nonfiction by Michele Tjin

The delicate popcorn balls of flowers have appeared again, the herald of a new season. The arrival seems earlier each year. 

The plum tree was already a mature specimen when we moved into this house. That first July, one of the first things we did was to pick up the rotting fruit off the ground. I whispered to the tree and my pregnant belly that in a year or two, there would be small hands to help harvest the fruit.

How does this tree of the family Prunus salicina know when to emerge from winter and make slivers of leaves and dainty blooms?

How do I know when to kick off this curtain of chaos and confront hard issues, difficile confligit?

Other signs of life and hope in my backyard: tiny sparrows and hummingbirds dancing around the flowers of the plum tree; songbirds trilling. The harshness of winter is behind us.

Despite not watering and pruning this tree, not giving it any real love or attention, it continues to be dependable and prolific.

I look forward to the perfume of plums ripening in my kitchen. Nothing is as wonderful as biting into the amber flesh and allowing the clear juice to run down my chin.

After a few weeks of non-stop eating, I’m satiated. Yet others tell me they can’t get enough of this fruit.

Don’t you forget about me this year, a friend says.

If you want to come over and climb a ladder, help yourself, I answer.

If I climb a ladder to bridge the chasms, will it be worth it, or will I fall?

In the summer, this tree is weighed down so much by its fruit that it needs to be propped up with a stick, a visible reminder of how much goodness this tree gives.

I imagine the tree’s complex network of roots searching deep underground to find a source of life-giving water to nourish itself.

How do I nourish my spirit when it’s dry and withered?

Things this plum tree has witnessed: birthday cakes and birthday parties. A kiddie pool that lasted just an afternoon one summer. A bounce house that winter. Another bounce house the following winter. That time we dyed socks. My efforts at being a backyard gardener. Dinners outside. Ants. The neighbor’s cat. That stray rabbit. People who once came over frequently but no longer visit because of quarantine, new seasons of life, or small conflicts that festered and coalesced into something bigger, something that doesn’t have a name or shape anymore. 

Or maybe it’s just a lost connection. I’m not sure anymore. 

These blossoms are fleeting: in just a few weeks, they will be torn apart by the wind. Their fragile nature and impermanence have always struck me, like they’re a metaphor for something.

My hands and a pair of smaller ones will collect the plums in four months when the green small marbles deepen into crimson globes, and we’ll give much of our harvest away.

After the summer, after a period of cold and reset, this tree will bloom once more the following spring and offer me hope again. Where will I be in a year?

[Originally published in The Bluebird Word in March 2022.]


Michele Tjin is an emerging writer who writes others’ stories by day and her own by night. When she is not writing, she aspires to be a better backyard gardener.

summer season

Poetry by Erin Lorandos

you
pulled the folded
pocket knife from even
older denim
as you looked towards
the horizon of this life –
saying nothing

and now you open
the knife with one hand
deftly pushing the blade
out and away –
one thumb resting
against that sharp edge

for just a moment
my eyes are pulled to
your left hand –
that’s palming the red,
delicious apple

so fresh
the tree limb
still sways in protest

[Originally published in The Bluebird Word in March 2022.]


Originally from Wisconsin, Erin Lorandos is a librarian and writer living in Phoenix. Some of her recent poetry can be found in Drifting Sands, The Avocet, the 2021 Poetry Marathon Anthology, and in The Purposeful Mayonnaise.

Making Beds

Poetry by Alexandra Newton Rios

I throw the clean sheet up into the air
that my mother bought us
from the United States
to stretch it across the wide algarrobo bed
and as I center the white-and-light gray striped top sheet,
tuck each side along the bed
with the tips of my fingers
because the top sheet has not held bodies,
cradled them across the years
unlike the bottom fitted sheet grown threadbare
and sewed back into life several times,
I think of my mother before she is gone.
I have been doing this a lot lately
and wonder if the memory of her
will remain in the sheet
when I fly it into the air
and let it down on my bed.
Will memory cover me and warm me
when I need to be warmed?
How do we suddenly stretch memories
so that out of the old the new may come?
My mother taught me to fold
hospital bed corners at the end of the bed
holding sheets and blanket together.
I gained a Housekeeping badge
as a Junior Girl Scout.
We are so different.
Throughout my years in another land
where she was born I have only needed
to know she is still living.


Alexandra Newton Rios is the mother of five children and a marathon runner. Nueva York Poetry Press published Poemas de Georgia/The Georgia Poems, one long poem in 34 parts as a dialogue with American artist Georgia O’Keeffe in November 2024.

While Walking Down the Twilit Road

Poetry by Brian C. Billings

While walking down the twilit road
that flows along my neighborhood,
I cast aside my daily load
and thought of comfort as I could
until a limping insect crossed
upon my way. So small. So lost.

It labored toward a leeward hedge
along an inconsistent line
that ended in the rounded edge
where bricking holds a crossing sign.
Six legs marched forth to meet the goal,
their push propelled by sturdy soul.

A line of molt had split the shell.
Two claws were badly worn and bent.
The bulbous head bobbed in a spell
while on the creature weakly went.
I felt a stir of comradeship
as I beheld this forlorn trip.

Too often have I dwelled these days
on thorny word and bitter thought
and given reign to black malaise
convinced depression was my lot.
Cicada nymph, your simple drive
reminds me how to be alive.


Brian C. Billings is a professor of drama and English at Texas A&M University-Texarkana. His work has appeared in such journals as Ancient Paths, Antietam Review, Confrontation, Evening Street Review, Glacial Hills Review, and Poems and Plays. Publishers for his scripts include Eldridge Publishing and Heuer Publishing.

In a far field

Poetry by Mark Clemens

for Charles Everett Clemens, 1922-1992

The ground
where my father lies
by now has settled some.

The clods
that tumbled moist
from a digger’s spade three decades past
by now have crumbled
as he crumbled some
between his fingers in the garden
so long ago.

The sod
that flourished green upon his grave
by now has withered at the fringe
and a few hard brown blades
bristle in the wind.

The flowers
though faded pale
and clasped dry against the coffin lid
are yet the flowers his loving flesh
laid white and fresh
within his final grasp.

And in a ruffling breeze beneath sun-shot clouds
where sparrows harry dumb black crows
birds feel free to light upon his plot
to hop and, pausing, bend eyes sidewise
for some grub from his piece of earth
one place like any other
down the mounded rows.

Good ground
the ground where my father lies.
lovely ground
by now.


Born in Missouri and raised in Iowa, Mark Clemens earned an M.F.A. from the University of Montana. Through the following years, he wrote part-time while working at newspapers, state agencies, and colleges. Now he writes full-time where he lives on the Quimper Peninsula by the Salish Sea in Washington State.

When the Column Blooms

Poetry by Jackie McClure

There are green things
we’ve planted here.
There are things that grew
which we never planted.

Had I weeded more
while my mother was dying
I would have never
discovered the poppies,
dormant in their seed-encased husks,
under the matting of grass,
masking an old garden spot.

So you see,
we did some good here:
ripping up squares
of thickly rooted sod
to unwittingly scatter
millions of seeds,
and, unknowingly,
we fed them.

When first they rose
above the weeds
in the new-broken soil
I was spending daylight
hours by my mother’s side,
urging her to eat,
helping her to move.

When I noticed they
were to be flowers,
she had gone home,
lonely, broken, and frightened.
It took longer to reach her.

When they burst
into scarlet bloom,
dwarfing the hearty weeds

I knew they were for her:
tall, lipstick-red poppies
garish, erect, unexpected,
floating
on the thin stems
upon which everything rests.


Jackie McClure writes poetry and fiction aiming to illuminate commonplace segments of our shared landscapes. She has an MFA from Goddard College and has published most recently in Humana Obscura and Hellbender. She lives near the Salish Sea in Northwest Washington State. Her preferred state of being is swimming.

Skipping

Poetry by Carolyn Jabs

The woman with the stethoscope
asks matter-of-factly,
“Has anyone mentioned
the pause in your heartbeat?”
I’m not one to worry,
but that night, in bed, I hold
my own hand and find the pulse.
No question, my heart
has taken up skipping.

All night I have uneasy dreams.
My heart pursues its syncopated ways,
as if to say don’t count on me,
things are not as certain as they seem.
At dawn I follow my heart’s direction—
skip over what was written
on the day’s agenda,
pause to listen to birds,
gossiping as the day breaks.

All morning my heart and I
are in cahoots. It sprints for a minute,
then hesitates like a toddler
seeing a dandelion for the first time.
I follow its lead. After a lifetime
of inattention, I want to know why
my heart hesitates, want to register
the moment it shakes off doubt
and decides we’ll live a little longer.


In her professional life, Carolyn Jabs contributed essays and articles to many publications including The New York Times, Newsweek, Working Mother, Self and Family PC. She is author of The Heirloom Gardener and co-author of Cooperative Wisdom, an award-winning book about an innovative approach to conflict resolution.

A Life Lived in Common

Poetry by Robert Harlow

They don’t think much about it,
I suspect, the horses, the snow.
Probably wonderstruck the first time
they stand in it, as it falls on and around them.
As long as they have something to eat,
mostly hay, unbaled, strewn, disheveled,
they are fine, it seems. Nonchalant.
At least that’s what they look like. Their pose.
And there’s always one, isn’t there,
who is off by himself, looking
to the distance he can’t get to.
Even though he’s never been there,
he wonders if there’s a way he can.
Somehow, he’ll have to convince the others,
nodding into the feed, to cover for him
by creating one of their famous diversions
as he tries to figure out how to open the gate,
because he has to live with the mistake he made
of not learning how to be a jumper
as I tried to teach him to be.
And he can’t secretly disassemble the rails
without me seeing him, catch him in the act,
putting on the “What? I wasn’t doing nothing” face.
Even though he is dark-gray, intermittently rain-smooth
when he needs to be, snow won’t help hide him,
as he thinks it will, or fill in his hoof prints
on the other side if he somehow remembers
what I tried to teach him about going over obstacles
one might encounter in this often-puzzling world.
So, he’ll have to be content,
or at least pretend to be, with his lot in life.
We have so much in common, he and I, don’t we?
He staring off into his distance.
Me staring off into mine.


Robert Harlow resides in upstate NY. He is the author of Places Near and Far (Louisiana Literature, 2018). His poems appear in Poetry Northwest, RHINO, Slipstream Magazine, and elsewhere.

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