An Online Literary Journal for Poetry and Flash

Tag: life (Page 3 of 6)

Stage IV

Poetry by Susan Miller

She graced many stages
in her 29-year-old life.
Clumsy, giggly ones
with slick patent leather,
pigtails, snug pink tights.
Sweaty, clingy ones
bent and twisted
under cruel disco lights.
Floating, chiffon ones
with crimson-lined lips,
pointed toes, height.
But in that icy, antiseptic
room with its swabs,
ceiling stickers, scopes
and gauze-filled jars,
the man with joyless eyes
rolled over in his squeaky
chair. And the words sliced
into the air like a scalpel,
shredding her satin heart.


Susan Miller is an editor/reporter for USA TODAY who enjoys writing poetry as a hobby.

A Windy Day on Sans Souci Drive

Poetry by Gordon W. Mennenga

There go the garbage cans
And my neighbor’s loose-lipped lover
Duck! here comes the Public Library snowing pages
And oh those unwilling Clydesdales galloping sideways
Next the organ from St. John’s Church humming a flirty mystery hymn
A police car celebrating being quick and blue
Some little things: a wig without a woman, a man without a damn
Uncle Frank’s rabbit hutch then Uncle Frank

Did I see truth chasing gossip?
A cart and then a horse?
A shoal of minnows swimming the wind to big water
A flock of hallowed words
A herd of No Trespassing signs free at last
Six senators chasing their reputations
Then naked notes of happiness, regret and ecstasy
A rapturous tillerless sailboat
Bubbles of existentialism staying low to the ground

Algorithms and syllogisms galore
Smokey riffs from Nina, from Chet, Dinah and Billie
Boredom blown to ashes
Sid, the cardiologist, wearing a nice pair of loafers
Herds, coveys, caravans, gaggles, packs and pods
Me, I’m lifting off, not clinging but joining.


Gordon W. Mennenga has had work featured on NPR and published in the Bellingham Review, Epoch, Citron Review and other literary journals. He earned an MFA from the Iowa Writers’ Workshop and lives in Iowa City, Iowa.

Later

Poetry by Robert Nisbet

By now he was washing his feet
with difficulty, ached a lot
most mornings, but always he walked,
first with the dog, then, when she’d gone,
striding alone round his domain.

It was a tour of inspection, decades
of shift and character and happening,
remembered and re-created.
Most treasured of all, the Common,
its cricket pitches and its trees.

His initials and Moira’s were carved,
fading, blurred but readable still,
in the mighty oak beside the seconds’ pitch.
His sons, the crowds, the matches,
once, the breathless pleasure
of his granddaughter’s single game.

Walking back, through unexceptional streets,
he would trawl his shoal of recollections,
alliances and families, time’s dole,
how Moira married the aircraftsman,
but that didn’t in the end gainsay
the good of all that happened otherwise.


Robert Nisbet is a Welsh poet, a now-retired English teacher and college lecturer, who wrote short stories for forty years (with seven collections) and has now turned to poetry, being published widely in both Britain and the USA, where he is a four-time Pushcart Prize nominee.

Farewell Season

Poetry by Sharon Whitehill

Poinciana, Your branches speak to me of love.

Buddy Bernier

The mellow close of a Florida day,
seats reserved on the wraparound porch
of a renovated Victorian manse:
a celebrative meal with my sister and Rick
before they head north for the season.

Alone on my side of the table,
I mirror their mutual delight
at the flamboyant tree across the road.
All of us awed by its scarlet-orange blossoms
ablaze in the pre-sunset light.

Snapping a series of photos,
I yield to the impulse
to sling my arm over Rick’s shoulder—
this brother-in-law, for so long a vexation,
gentled now as the soft evening air.

I lift my wine in a toast to the evening,
the bright-burning tree,
and our season together.

Now here comes Linda, our friend,
flashing a ring: I got married!
Though her exuberance fades
on hearing my news.

I was afraid of that, she sighs,
when I only saw three of you here.

A comment that crystallizes our mood.
The Portuguese call it saudade:
the sweet wistfulness of reluctant goodbyes,
honed to an edge by our silent awareness
of one empty chair at the table.


Sharon Whitehill is a retired English professor from West Michigan now living in Port Charlotte, Florida. In addition to poems published in various literary magazines, her publications include two biographies, two memoirs, two poetry chapbooks, and a full collection of poems.

Suspension

Fiction by Michele Annable

She’s so cold that her teeth smash together, and the wind creeps up her sleeves and pant legs like little ice imps. When she looks down, she sees the pink rosettes of her slippers. It’s a winter’s day. December, she thinks.

Who dressed her this morning? It was one of those women, always pushing her: “Here, take your pills, Joan. Brush your teeth.” That’s what started it, the constant hurrying when she didn’t want to. How simple it was, after all. Just push open the big glass entrance doors and walk right through. No one yelled. No one followed.

It’s very bright in the world outside. She has to hold up her hands to her eyes. The sun hits the salt on the road, shatters into rays of light. On both sides of the street, people are dressed in puffy winter clothes, like big colourful balloons. Everyone looks happy. The trees crackle as their remaining leaves turn in the wind. She wants to keep walking forever, as long as her legs will carry her, but she knows she should get off the road somewhere, to be safe. They will come after her.

A bright red hand floating in mid-air tells her to wait, wait, wait. She sees her small self in the window of a passing car. Face all scrunched up. Her eyes meeting eyes behind the dark glass. Frightened, she crosses the street against the traffic. Cars blare their horns, and she freezes in the middle. She scuttles across the busy road, her slippers sliding, and reaches the other side. The dark park looms ahead. There, only the treetops are brushed with light.

She knows this park. Knows that on the path ahead there is a suspension bridge she has been visiting all her life. As a teenager, shrieking with excitement as her boyfriend shook the cables at one end. He made her bounce and wobble as she tried to balance in the middle. As a young woman, she came with her kids, always so anxious about them. Later, she came with her seniors’ hiking group. 

Inside the park and out of breath, she sits at the base of a huge evergreen, her back against the solid trunk. The tree whispers to her. “Where to? Where to now?”

Small knots of people move past her, stare and look away. No wonder. Look at the way she is dressed! They probably think she is a…what’s the word? There’s a word. She can’t get it. It slips away into the darkness of her thoughts like an arrow.

Her mind deserts her now, and she is like the tree, breathing in, breathing out. She has a sharp pain somewhere. Is it her stomach? Or her legs?  A crow toes its way across the path, looking at her with one eye and then the other. He’s big and shiny and frightening. Her heart thuds. 

“What are you doing here?” he asks in a hoarse voice. Terrified, she stumbles forward onto her hands and knees, then scrambles down the stairs onto the suspension bridge. This is the only way to cross the ravine.  

She starts out, heel, toe, heel, toe, hands like claws clutching the cold steel railing. The swaying begins. She can’t catch the rhythm, her steps too slow, too heavy. She grabs the mesh with her frozen hands and gasps. Down below is the river. The rocks. The rushing torrent of water. Should she let go and let herself fall over the edge? Falling through the air, one last moment in the world. Air, water, rocks, body.

Halfway across, she looks back. Then ahead. She is suspended above the cold green river. Her mouth opens to call for help, then clamps shut. They would put her back in that place and she would never get out again. She takes one small step, then another, and she is across. Tears slide down her frozen cheeks.

Under a cluster of trees, she finds a patch of leaves and needles untouched by ice or snow, like a blanket. She sits and stretches her legs. Sees that she has lost her slippers, and that her feet are now purple lumps. She digs them deep into the soft needles, pulls her jacket tighter around her, closes her swollen eyes.

Slowly and almost imperceptibly, she feels vibrations passing into her from the tree, as if it were nurturing her. Bit by bit, her body ceases to matter. She remembers the things of her life that she has forgotten for so long, recalls them fondly as if saying goodbye. Husband, kids, love, sleep, sex, skin, ocean, sand, mountains.

She lies back and gives in to the enfolding warmth.


Michele Annable is a writer and teacher living in West Vancouver. She is an emerging writer with two short stories published in Room and Prairie Journal Online.

Consider the Dawn

Poetry by Jayne Martin

For Ellie

A raspberry wave splashing
Onto a blank canvas of possibility
Sunflowers turn their faces to the east
Eager to sip from the rising sun
Knowing nothing of the indigo of sorrow
That weighs upon my heart
Taken much too soon
Your loss still a fresh wound festering
regret for all I could have done
better
I drown in the silence
Force myself to rise and step into the day
It is a gift, this life
Each moment
As fleeting as the flight of fireflies
I will be like the sunflowers
My face to sun following its journey
across a serene sky
One breath in, one out. Repeat
Trusting in the passage of time to heal
Bowing my face to the west where
The sun drops into tomorrow
As I await
The dawn of another day to come


Jayne Martin is the author of “Tender Cuts,” a collection of microfiction and “The Daddy Chronicles-Memoir of a Fatherless Daughter.” She lives in California, but dreams of living in Paris. Visit her at www.jaynemartin-writer.com, Twitter: @Jayne_Martin, Instagram: jayne.martin.writer, TikTok: jaynemartin05

What the Old Want

Poetry by Steven Deutsch

Not much—
friends
and family
I suppose—
for short visits
involving meals
at restaurants
with tablecloths,
or something sumptuous
simmered for hours
over a low flame.

How about a week
without a visit
to a doctor
or a single
medical test.
No MRI or EKG
or CAT scan,
or even
a tube of blood
with my name
in magic marker.

Time
is in free fall.
Like riding
an elevator
held by a single
strand of steel
down from
the 93rd floor.
Bring kindness.

And, when all
else fails,
a recliner—
well worn
in all the right
spots.
A coffee
straight up
and the book
I loved best when
I was young.


Steve Deutsch has been widely published both on line and in print. Steve is a three time Pushcart Prize nominee. He is poetry editor for Centered Magazine. His poetry books; Perhaps You Can (2019), Persistence of Memory (2020), and Going, Going, Gone (2021), were all published by Kelsay Press.

Trace Fossils

Poetry by Carole Greenfield

Small children do not wait for pain
to make a lasting mark. They give fair warning;
we have time to wipe off tears, mop up trouble,
kiss a bruise, pronounce it healed.

But love leaves an impression that won’t be kissed
away. An imprint left in something soft hardens
and congeals. What passed through fire once
is tempered, then annealed.

Children trace their fingers over fossils, guess
at what’s revealed: evidence of ridges, indentations,
life long over, heart’s rush sealed.

Trace fossils: fossils in which evidence of organisms, rather than the organisms themselves, are preserved.


Carole Greenfield grew up in Colombia and lives in Massachusetts, where she teaches at a public elementary school. In the last century, her work appeared in Red Dancefloor, Gulfstream and The Sow’s Ear.

Cradling

Poetry by Andy Oram

I stand in a room without walls. Strips of hung paper from the
Past seventy years quiver from the joists.
In the center, a rough oak table is pressed by grinning friends and relations.
The table is scattered with treats
Carried from a scarred porcelain stove.

I feel the bundle’s warmth gradually intertwine with mine,
My forearm greets the churning of small legs,
And I accept them as my own.

Through the streaked pane of a solid double-hung window,
Recently bared of its weary paint,
I envision the eleven paces one year ago from the car to the house,
and my urgent grip on the papers embossed by a lawyer.
I race against the downpour with bent head and sole-squeals.

More precious than my grizzly head were these papers,
More worthy of a legacy than the leather shoes I dredged from the closing.
Arrived finally in my new home, raindrops from my coat still pommeling the pine floor,
I uncradled the packet to make sure nothing was smudged.

One is drawn to gaze at what one cradles.
I retrieve the child from some well-wisher,
Slip a palm beneath his head and become the whole universe of this unfamiliar creature,
Become a presence to the wide pupils that sweep me into their field of vision.

Now we share points on a simple harmonic scale,
The overtones traveling through my chest and arms and lips.
And the baby responds to my resonance.


Andy Oram is a writer and editor in the computer field. Print publications where his writings have appeared include The Economist, the Journal of Information Technology & Politics, and Vanguardia Dossier. He has lived in the Boston, Massachusetts area for almost 50 years.

The Heart Unfurled

Poetry by Karen Luke Jackson

                           for Juniper

Her skirt billows as she skips the graveled lane,
        chases a squirrel across the lawn

               and up a flaming maple, tumbles
into a hammock which swallows her curls,

        swaddles her legs, this fawn-eyed child
               with a page-boy cut who bubbles song.

                                   Somehow her heart knows
        that she, too, belongs         here

               with the redwing blackbird
                                 whose call she returns,

               with the wooly worm
                                 she cheers across the road.


Karen Luke Jackson draws inspiration for her writing from oral history, nature, and clowning. Her poems have appeared in Ruminate, Broad River Review (Ron Rash Poetry Award), Ruminate, One, Atlanta Review, and Channel Magazine. The author of two poetry collections, Karen resides in the Blue Ridge Mountains. www.karenlukejackson.com

« Older posts Newer posts »

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑