An Online Literary Journal for Poetry and Flash

Tag: life (Page 3 of 6)

Suspension

Fiction by Michele Annable

She’s so cold that her teeth smash together, and the wind creeps up her sleeves and pant legs like little ice imps. When she looks down, she sees the pink rosettes of her slippers. It’s a winter’s day. December, she thinks.

Who dressed her this morning? It was one of those women, always pushing her: “Here, take your pills, Joan. Brush your teeth.” That’s what started it, the constant hurrying when she didn’t want to. How simple it was, after all. Just push open the big glass entrance doors and walk right through. No one yelled. No one followed.

It’s very bright in the world outside. She has to hold up her hands to her eyes. The sun hits the salt on the road, shatters into rays of light. On both sides of the street, people are dressed in puffy winter clothes, like big colourful balloons. Everyone looks happy. The trees crackle as their remaining leaves turn in the wind. She wants to keep walking forever, as long as her legs will carry her, but she knows she should get off the road somewhere, to be safe. They will come after her.

A bright red hand floating in mid-air tells her to wait, wait, wait. She sees her small self in the window of a passing car. Face all scrunched up. Her eyes meeting eyes behind the dark glass. Frightened, she crosses the street against the traffic. Cars blare their horns, and she freezes in the middle. She scuttles across the busy road, her slippers sliding, and reaches the other side. The dark park looms ahead. There, only the treetops are brushed with light.

She knows this park. Knows that on the path ahead there is a suspension bridge she has been visiting all her life. As a teenager, shrieking with excitement as her boyfriend shook the cables at one end. He made her bounce and wobble as she tried to balance in the middle. As a young woman, she came with her kids, always so anxious about them. Later, she came with her seniors’ hiking group. 

Inside the park and out of breath, she sits at the base of a huge evergreen, her back against the solid trunk. The tree whispers to her. “Where to? Where to now?”

Small knots of people move past her, stare and look away. No wonder. Look at the way she is dressed! They probably think she is a…what’s the word? There’s a word. She can’t get it. It slips away into the darkness of her thoughts like an arrow.

Her mind deserts her now, and she is like the tree, breathing in, breathing out. She has a sharp pain somewhere. Is it her stomach? Or her legs?  A crow toes its way across the path, looking at her with one eye and then the other. He’s big and shiny and frightening. Her heart thuds. 

“What are you doing here?” he asks in a hoarse voice. Terrified, she stumbles forward onto her hands and knees, then scrambles down the stairs onto the suspension bridge. This is the only way to cross the ravine.  

She starts out, heel, toe, heel, toe, hands like claws clutching the cold steel railing. The swaying begins. She can’t catch the rhythm, her steps too slow, too heavy. She grabs the mesh with her frozen hands and gasps. Down below is the river. The rocks. The rushing torrent of water. Should she let go and let herself fall over the edge? Falling through the air, one last moment in the world. Air, water, rocks, body.

Halfway across, she looks back. Then ahead. She is suspended above the cold green river. Her mouth opens to call for help, then clamps shut. They would put her back in that place and she would never get out again. She takes one small step, then another, and she is across. Tears slide down her frozen cheeks.

Under a cluster of trees, she finds a patch of leaves and needles untouched by ice or snow, like a blanket. She sits and stretches her legs. Sees that she has lost her slippers, and that her feet are now purple lumps. She digs them deep into the soft needles, pulls her jacket tighter around her, closes her swollen eyes.

Slowly and almost imperceptibly, she feels vibrations passing into her from the tree, as if it were nurturing her. Bit by bit, her body ceases to matter. She remembers the things of her life that she has forgotten for so long, recalls them fondly as if saying goodbye. Husband, kids, love, sleep, sex, skin, ocean, sand, mountains.

She lies back and gives in to the enfolding warmth.


Michele Annable is a writer and teacher living in West Vancouver. She is an emerging writer with two short stories published in Room and Prairie Journal Online.

Consider the Dawn

Poetry by Jayne Martin

For Ellie

A raspberry wave splashing
Onto a blank canvas of possibility
Sunflowers turn their faces to the east
Eager to sip from the rising sun
Knowing nothing of the indigo of sorrow
That weighs upon my heart
Taken much too soon
Your loss still a fresh wound festering
regret for all I could have done
better
I drown in the silence
Force myself to rise and step into the day
It is a gift, this life
Each moment
As fleeting as the flight of fireflies
I will be like the sunflowers
My face to sun following its journey
across a serene sky
One breath in, one out. Repeat
Trusting in the passage of time to heal
Bowing my face to the west where
The sun drops into tomorrow
As I await
The dawn of another day to come


Jayne Martin is the author of “Tender Cuts,” a collection of microfiction and “The Daddy Chronicles-Memoir of a Fatherless Daughter.” She lives in California, but dreams of living in Paris. Visit her at www.jaynemartin-writer.com, Twitter: @Jayne_Martin, Instagram: jayne.martin.writer, TikTok: jaynemartin05

What the Old Want

Poetry by Steven Deutsch

Not much—
friends
and family
I suppose—
for short visits
involving meals
at restaurants
with tablecloths,
or something sumptuous
simmered for hours
over a low flame.

How about a week
without a visit
to a doctor
or a single
medical test.
No MRI or EKG
or CAT scan,
or even
a tube of blood
with my name
in magic marker.

Time
is in free fall.
Like riding
an elevator
held by a single
strand of steel
down from
the 93rd floor.
Bring kindness.

And, when all
else fails,
a recliner—
well worn
in all the right
spots.
A coffee
straight up
and the book
I loved best when
I was young.


Steve Deutsch has been widely published both on line and in print. Steve is a three time Pushcart Prize nominee. He is poetry editor for Centered Magazine. His poetry books; Perhaps You Can (2019), Persistence of Memory (2020), and Going, Going, Gone (2021), were all published by Kelsay Press.

Trace Fossils

Poetry by Carole Greenfield

Small children do not wait for pain
to make a lasting mark. They give fair warning;
we have time to wipe off tears, mop up trouble,
kiss a bruise, pronounce it healed.

But love leaves an impression that won’t be kissed
away. An imprint left in something soft hardens
and congeals. What passed through fire once
is tempered, then annealed.

Children trace their fingers over fossils, guess
at what’s revealed: evidence of ridges, indentations,
life long over, heart’s rush sealed.

Trace fossils: fossils in which evidence of organisms, rather than the organisms themselves, are preserved.


Carole Greenfield grew up in Colombia and lives in Massachusetts, where she teaches at a public elementary school. In the last century, her work appeared in Red Dancefloor, Gulfstream and The Sow’s Ear.

Cradling

Poetry by Andy Oram

I stand in a room without walls. Strips of hung paper from the
Past seventy years quiver from the joists.
In the center, a rough oak table is pressed by grinning friends and relations.
The table is scattered with treats
Carried from a scarred porcelain stove.

I feel the bundle’s warmth gradually intertwine with mine,
My forearm greets the churning of small legs,
And I accept them as my own.

Through the streaked pane of a solid double-hung window,
Recently bared of its weary paint,
I envision the eleven paces one year ago from the car to the house,
and my urgent grip on the papers embossed by a lawyer.
I race against the downpour with bent head and sole-squeals.

More precious than my grizzly head were these papers,
More worthy of a legacy than the leather shoes I dredged from the closing.
Arrived finally in my new home, raindrops from my coat still pommeling the pine floor,
I uncradled the packet to make sure nothing was smudged.

One is drawn to gaze at what one cradles.
I retrieve the child from some well-wisher,
Slip a palm beneath his head and become the whole universe of this unfamiliar creature,
Become a presence to the wide pupils that sweep me into their field of vision.

Now we share points on a simple harmonic scale,
The overtones traveling through my chest and arms and lips.
And the baby responds to my resonance.


Andy Oram is a writer and editor in the computer field. Print publications where his writings have appeared include The Economist, the Journal of Information Technology & Politics, and Vanguardia Dossier. He has lived in the Boston, Massachusetts area for almost 50 years.

The Heart Unfurled

Poetry by Karen Luke Jackson

                           for Juniper

Her skirt billows as she skips the graveled lane,
        chases a squirrel across the lawn

               and up a flaming maple, tumbles
into a hammock which swallows her curls,

        swaddles her legs, this fawn-eyed child
               with a page-boy cut who bubbles song.

                                   Somehow her heart knows
        that she, too, belongs         here

               with the redwing blackbird
                                 whose call she returns,

               with the wooly worm
                                 she cheers across the road.


Karen Luke Jackson draws inspiration for her writing from oral history, nature, and clowning. Her poems have appeared in Ruminate, Broad River Review (Ron Rash Poetry Award), Ruminate, One, Atlanta Review, and Channel Magazine. The author of two poetry collections, Karen resides in the Blue Ridge Mountains. www.karenlukejackson.com

First & Last

Poetry by Travis Stephens

I am the first brother,
the worst brother,
first to go to college
a little college, Tier 3, maybe.
The first to think it possible
to work with my brain
instead of my hands &
almost do it.
I am the worst at
staying in touch,
moving west,
then north,
then south & staying
west until the salt tasted fine.
I am brother divorced with no children.
Last to mortgage. Broke.
I was the first to go gray & to
write poems about our family.
Brother drunk.
I stood by the graveside of
one brother,
standing with the others.
Somebody cried.
Somebody said say something.
Say something.


Travis Stephens is a writer and tugboat skipper who lives in California with a muse and her extended family. His book of poetry, “skeeter bit & still drunk” is available on Amazon or at Finishing Line Press.

Life at Large

Poetry by Judith Yarrow

I sail the little boat
of my consciousness
on the great sea
of the universe

tossed about
by waves invisible
to me and toward
a faint horizon

maybe a harbor
or maybe just a cloud
receding. Still I sail.


Judith Yarrow lives in Seattle, Washington. She’s been published in Women’s Words, Cicada, Bellowing Ark, Backbone, Aji, and others. She was the featured poet in Edge: An International Journal, and her poems have been included in the Washington State Poet Laureates’ 2014 and 2017 collections.

The Train

Fiction by Beth Ford

Macy would always remember the day she became a train. It was the tail end of winter, and she had had enough.

The kiddie train in the city park had shuttered what felt like ages ago now. A flood of rainwater had barreled through the park, upending earth, sidewalk, and tracks. And, of course, covid now made the tiny train cars too close for comfort so they remained locked away.

Which meant here they were, with Brendan melting down alongside the mini train tracks because there was still no train. She had walked them past the loop of track on the way back to the car, not thinking it would be a problem. But after telling him twice the train was not running, he had started crying. She wasn’t even sure how he remembered the train. He couldn’t have been more than three the last time he rode it.

She tried to be understanding. Everyone had reached their boiling point by this stage of the pandemic, adults included, so who could blame a child for acting out? Though the fact remained hers was the only one making a scene in the park this morning. The tantrum reached a new level of shrillness. She had to do something.

She knelt in front of her son. “Why don’t we be the train?” she asked.

He paused his screaming long enough to look up at her. He was interested, at least.

“Here. Get on my back.” She turned so he could get piggyback, then she stood and walked alongside the tracks. She felt a tug on her shirt at the shoulder and heard a loud sniffle, which probably meant the fabric had become a tissue. She ignored it and forged ahead. “Where is the train headed today?” she asked.

“Mexico!” he shouted.

Mexico? Where did he get this stuff? “All right, the 3:10 to Mexico it is.”

“Make the train whistle, mommy!”

She had to try a few times before a convincing whistle emanated from her lips, but eventually he was satisfied.

They began to attract attention. An older couple laughed and walked by with a wave. A woman and her son watched for a moment before approaching. The boy was a bit younger than Brendan, dressed in a blue t-shirt with a robot on it.

“Want to join our train?” Brendan asked from his perch. “We’re going to Mexico.”

The boy looked up at his mother. She shrugged. “Do you mind?” she asked Macy before taking position behind. The boys shouted as they went along, lots of chuga-chugas and choo-choos, and the occasional, Faster! The group had almost returned to their starting point when a little girl fell in at the rear of their train, parent unidentified.

“We’re reaching the station,” Macy said. “You boys better put on the brakes.”

Brendan made a whooshing sound she assumed was meant to be the sound of the train slowing. Behind her, the other boy simply shouted “Stop!”

She pulled up to the same tree they had begun under and let Brendan down. A mother ran from the direction of the duck pond to claim the little girl. “Sorry!” she said. “She got away from me for a moment.”

“No worries,” Macy said. They all introduced themselves. The kids grinned, thoughts of tantrums temporarily dissipated. For a brief moment, normalcy seemed restored. The sun peeked through the leaves above them, brightening the last winter chill out of the air.

“So,” she asked, “Same time next week? Different destination perhaps?”


Beth Ford lives in the beautiful Shenandoah Valley of Virginia. Her short fiction, poetry, and a novel excerpt have appeared in Embark Literary Journal, The Scores, Sangam Literary Journal, fresh.ink, and The Journal of Undiscovered Poets. For more information, visit http://bethfordauthor.com.

Paperboy

Poetry by Cosmo Goldsmith

From my bedroom window, overlooking
this tableau stillness of sheds and fields,
there is movement below
among the avenue of chestnut trees.

A paperboy ghosting through stippled shade,
luminous orange postbag strapped tightly
across his thin shoulders, first job perhaps,
so young he seems, restless and impatient,
eager to complete his round on schedule,
and keep in check the heavy tread of time,
those allotted hours and binding routines.

This is the crossover point he has reached
where suburbs give way and the fields begin;
a whole future unfolding before him
in misted prospects of treetops and hills.

And all I can do is watch and observe
from the opposite end of the telescope,
from the shrinking lenses of my vision,
for all my outlooks are gently receding.

The world out there belongs to him.


Cosmo Goldsmith is a ‘semi-retired’ English teacher with a passion for all forms of creative writing. He has taught in both the UK and Greece and still divides his time between these two countries.

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