An Online Literary Journal for Poetry and Flash

Tag: loss

Blue June, Slight Breeze

Poetry by Brian Builta

At the Stapleton concert I become
one clap after another, a whooo,
a dervish of hollers and whups,
a disembodied scream. This happens
on occasion. As the fatherless son
and the sonless father, Father’s Day
is a trigger, my poor poor daughter.
Sometimes her father goes missing
right in front of her, missing his chair
and sprawling on the arena floor.
So far, I’ve always come back, so far.
Truth: incarnation is overrated,
yammering emotions running amuck,
saltwater on the cheek, thunderclap
weighing down the chest. My little
private tornado feels so good, so
delightfully destructive and harmless.
Of course, next day I’m a truck-flattened
squirrel. Energy has its consequences.
Stapleton can only get you so far
before the gravity of the empty letter jacket
in the hall returns, reminding your life
is now angry bees rising from bitter honey,
where the best therapies are leaves
murmuring free from any standard-issue tree
as long as there’s a breeze.


Brian Builta lives in Arlington, Texas, and works at Texas Wesleyan University in Fort Worth. His poetry has been published most recently in Freshwater Literary Journal, Meridian, and Red Ogre Review. More of his poetry can be found at brianbuilta.com.

Autumn

Poetry by Susan Zwingli

I can’t afford to miss
the autumn leaves this year;
my hands, so busy with mend and tear,
eyes blurred by loss
I could overlook
the changing tender veins, leafy points igniting
tangerine, vermillion, golden sparks
as they scatter, trembling,
joyful, even in free-fall
I must not miss their fire
because of my own steady burning;
unearthing ash where once
only vibrant color lived
Soon, frosty windows will frame
the turning, returning, to sacred ground
and I will feel the chlorophyl surrendering, oxygen releasing;
taste autumn’s tangy bitter sweetness;
behold the way falling leaves hold the light
even as they die


Susan Zwingli currently lives in Henrico, Virginia. She holds a BA in English, an MA in Spiritual Formation, and writes about nature, relationships, spirituality, and life beyond loss. Susan’s poems have been published by the One Page Poetry Anthology (2023/2024) and The Bluebird Word (2024).

Fallen Hearts

Nonfiction by Angie Sarhan Salvatore

The hearts drifted from the sky that October, cascading much like snowflakes or teardrops do. Though I requested them, their sight still startled me.

I ask for signs the way people order coffee—without thinking, a habit ingrained over time. Is this the right choice? Show me a sign. Do I say yes? Show me a sign.

This was different. You were gone without goodbye. Desperate for a lifeline, instinct kicked in. Show me a heart if you’re with me, I whispered.

Only three hours later, a heart found me. While I thought the heart might come in the form of a bumper sticker or a billboard while I drove to work, that’s not how you showed up. Instead, the sign came while I walked to my office, shoulders slumped, feet slow, head down. My mind caught up to my eyes a few seconds after I took it in. I turned around to look again. I was shocked, but only for a moment.


I knew if you could, you would send me signs.

Years ago, I visited you at your home in London. I could immediately tell that this place was your heart. You could immediately tell I wasn’t visiting, but rather escaping. I was having an upside down moment in life, and hadn’t figured out how to make it right side up again. You offered me a quiet space to settle and sort things out.

When you asked what I wanted to do on my trip, and I replied I wanted to see a psychic, you didn’t seem surprised. Yes, we would sightsee, and yes, I would fall in love with London returning again and again to stay with you, but the first priority was find someone with answers, since I sure as hell didn’t have any.

I wasn’t sure where you stood with psychics or the afterlife, but as my older cousin, you indulged my request, making an appointment at what I would later find out was a world-famous psychic shop. You accompanied me, which made me feel accepted. I opened up. You understood my need to believe in something beyond me. You understood my need to look for signs.


There I stood, eyes fixed on the beige leaf, misshapen and alone—an offering of hope in the darkness. I picked it up from its stem and it was obvious this folded over leaf was a heart. I choked out a breath. I reached for my phone, took a photo, and gently put the leaf back. Thank you, I said to the sky, to you.

For the rest of the day I regretted not keeping it, not saving it somewhere.

Thankfully, this was the first of many signs to come.

Days collapsed into weeks. The leaves found me, over and over again. These unusual gifts became a trail of breadcrumbs propelling me forward each day, giving comfort and reassurance you were with me. Some bore jagged edges. Others looked like a perfectly crafted cutout, but they all had something in common.

Each fallen heart seemed like a symbol of resilience and I saw reflections of me—torn, scattered, and in full surrender. These delicate offerings felt like tiny miracles, nudges from you reassuring me somehow. I took photos and collected them. I told myself I wanted to preserve the memory, but really I wanted to preserve the proof. I saved them like treasures, tucking them away for safekeeping—tokens to be found sometime in the future, when the leaves might stop appearing or when I needed to be reminded of something more.

In those moments, I saw myself as a woman with a beat up heart, desperately hanging onto beat up heart-shaped leaves, but I didn’t care. Though they didn’t take away the sting of your unshakeable loss, they felt like an elixir to my soul, making the grief more manageable, if only for a moment.

I started painting a small, black heart on my fingernail. All of a sudden, we had a thing going. Death didn’t sever our connection. It just took a new shape.


I went back to London three years after your passing. As I packed to leave, I wondered if I would go by your place, if even to pass it from the outside. The idea simultaneously gutted and lifted me, and so, minutes before I left for the airport I tucked something in my purse.

A place can be a container, filled with a mixture of memories, emotions, and past selves. London held so many versions of me. The sad one. The lost one. The hopeful one. The happy one. It had yet to carry this new version, though. The me-without-you one.

Your son was in town and asked me to come by your place. I think he sensed I needed to be there.

It was exactly as I remembered. The staircase that seemed endless. The artwork you painstakingly picked out, hanging in every possible spot. I thought of how happy you would be that we were there together.

When I had a moment alone, I reached into my purse for my hidden treasure. Your son told me that one day he might have to sell this place, my home away from home. It made sense that I did this then.

I hid a tiny heart-shaped amethyst in the unused fireplace. I placed it with a silent prayer, a thank you for all that you gave me: for your grace, generosity and kindness when I was at my lowest; for your friendship and guidance when I was flailing; and for your faith in me. I thanked you for the signs that still arrive when I need them most.

I doubt that amethyst will ever be found. At least, that’s my hope. I want it to remain in the dark depths of this faraway, sacred spot so that a piece of my heart will always be there, nestled in with a piece of yours.


Angie Sarhan Salvatore is a Writing Professor. Her writing has been featured on The Huffington Post, Tiny Buddha, Positively Positive, Mind Body Green, Rebelle Society, Elephant Journal, Having Time, Herself 360 and her blog: universeletters.com. You can find Angie on social media @universeletters.

Snow

Poetry by Charlene Stegman Moskal

She wrote of remembered afternoon skies
dark like tarnished silver,
sleet that dissolved on sidewalks
elusive, slippery as words in the mouths of liars.

Cold wormed its way under sleeves,
collars, through the spaces
between buttons on coats heavy
with the lightness of snowflakes.

Pristine white covered the ground as if to protect it
from the intrusion of tires and footsteps;
wires now unfit roosts for evening starlings
as clouds silently delivered the rest of their bounty.

By afternoon slush piled against curbs;
made men and women hop and leap
like children playing in a puddle,
but without the laughter and joy—

snow an annoyance,
something to be avoided,
something to get over and through,
its wonder short lived, shoveled into the past.

Her memories written in November,
reread months later as something forgotten
from those days before he left her
ice-grieved in the cold of December.


Charlene Stegman Moskal is published in numerous anthologies, print and online magazines including: TAB Journal, Calyx, and Humana Obscura. Her chapbooks are One Bare Foot (Zeitgeist Press), Leavings from My Table (Finishing Line Press), Woman Who Dyes Her Hair (Kelsay Books), and a full poetry collection, Running the Gamut from Zeitgeist Press.

Impossible Love

Nonfiction by Leslie Lisbona

Mom and I were talking. “I know what you mean,” she said. I didn’t have to explain much and somehow she understood. She got me in a way no one else did. She used to say, recalling Oscar Wilde, “Take away all my necessities and give me only luxuries.” But for me, having this mom—my mom—was everything. I didn’t need anything else but her.

I was unmarried and about to turn thirty. My boyfriend lived in Mexico, and if I married him, which everyone wanted, I would have to leave her and live there.
Mom and I sat side by side on the couch. I held Paul Auster’s book, Leviathan, on my lap. We had both just finished reading it. “I want to go to the Strand during the week,” I said.

“I’ll meet you there after work,” she said.

We both sighed simultaneously, and this made her laugh.

With my toe, I pushed the ashtray a few inches over on the coffee table. It sat unused and shiny since she had quit smoking. Still, her asthma came suddenly sometimes, and the furniture had a faint smell of cigarette smoke. She examined her nails and looked disappointed with them.

“Shall we go to a movie together?” she half-whispered.

“Yes!” I said, and I reached for New York Magazine to do research. I found My Fair Lady in the city.

“Let’s go now!” she said.

I ran upstairs to get ready. I felt like I was five and someone had handed me an ice cream cone. Afterwards, on the drive home on Queens Boulevard, we sang “I could have danced all night” as we both looked straight ahead.

It wasn’t long after this that I lost her—with no warning. Her not being with or near me was inconceivable. I married a year later, someone I really loved and who lived nearby. We have two grown sons. But the luxury of having someone who understands me so deeply remains elusive.


Leslie Lisbona has been published, most recently in Wrong Turn Lit, The Bluebird Word, and Dorothy Parker’s Ashes. In March, she was featured in the New York Times Style section. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY.

Churning

Poetry by Robbie Hess

The sun will rise again tomorrow,
but I’m thinking of my dad tonight
churning the butter of my sorrow.

He beamed a peppery amber glow,
and knew words that made broken hearts all right:
The sun will rise again tomorrow.

He taught me about the bayou willow,
and that gravy rests on the onion’s might,
churning the butter of my sorrow.

Now he is gone, and I am hollow
as an egg without a yolk or white.
The sun will rise again tomorrow.

I sprinkle his ashes in shallow
swamp water and begin to write,
churning the butter of my sorrow.

I wish we’d had more time to borrow.
My heart weeps over this forlorn fight.
The sun will rise again tomorrow,
churning the butter of my sorrow.


Robbie Hess is a Southern poet, and a recent graduate of The University of Alabama.

Stage IV

Poetry by Susan Miller

She graced many stages
in her 29-year-old life.
Clumsy, giggly ones
with slick patent leather,
pigtails, snug pink tights.
Sweaty, clingy ones
bent and twisted
under cruel disco lights.
Floating, chiffon ones
with crimson-lined lips,
pointed toes, height.
But in that icy, antiseptic
room with its swabs,
ceiling stickers, scopes
and gauze-filled jars,
the man with joyless eyes
rolled over in his squeaky
chair. And the words sliced
into the air like a scalpel,
shredding her satin heart.


Susan Miller is an editor/reporter for USA TODAY who enjoys writing poetry as a hobby.

The Lost One

Poetry by Lisa Spencer Trecost

I look at the sky and see a cloud
So I talk to you but not out loud

You left me here on the ground
A place at times I cannot stand

I hear the noise as people speak
But for the one I listen I cannot see

I feel you in the vast blue sky
I feel you in the tears I cry

I taste salt air and remember when…
So I reach for you but touch only wind

You’re near but far, a heart without beat
While mine still races as I desperately seek
The one who is missing
Me.


Lisa Spencer Trecost is a heart-centered writer who loves to travel with her husband and dogs.

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