An Online Literary Journal for Poetry and Flash

Tag: love (Page 1 of 7)

In a Mirror Clearly Now

Poetry by Judith Yarrow

for my sister

Sometimes, looking in a mirror,
I turn my head just so and
I’m brushing my sister’s hair.
Her same movement.

Conversations that started
when she was born keep on and on.
Antiphonal chorus. Me. Her.
Mine. Hers. I can sing all the parts.

We circled each other until at last
who chased, who fled, who followed,
who led, I don’t even know.
The mirror says, see how alike you are.

That long ago push her pull me?
Just the place we started—no more
separate than fingers on a hand.
connected at the source.


Judith Yarrow been published in two chapbooks and various literary journals, most recently in Hedgerow, RavensPerch, and Medusa’s Kitchen. She was the featured poet in Edge: An International Journal, and her poems have been included in the Washington State Poet Laureates’ collections. Find more of her work at jyarrow.com.

Planting Wildflowers by Lake Champlain

Poetry by Christine Andersen

My daughter and her husband
renovated a house on Lake Champlain.
She sent pictures of the expansive view
from their living room,
how the magenta sunset tinged the water,
the way grass was filling in on the slope leading down to the dock.

A few doors down, her mother-in-law is disappearing.
She can’t remember where the silverware drawer is
or how the pocket door slides open.
She tells the same stories over and over
as if delivering new news.
Stares at the lake trying to recall its name.

My son-in-law bought several packages of wildflower
seeds and tilled the ground close to the shore.
He had visions of daisies and Queen Anne’s lace
and an assortment of yellow, purple, and red blossoms
leaning on green stems with bees and butterflies feeding,
the ground firmly set against heavy rain by the tangle of roots.

Wildflowers can bring the outside indoors.
Would perhaps help his mother remember
daisies were always her favorite flower.
How she would set them on the breakfast table
when he picked them for her as a young boy.
They would pluck the petals one by one,
say, “I love you, I love you not,”
always magically ending on “I love you.”

When the daisies grew in clumps,
he carried a bouquet of memory to her doorstep
and handed her a flower.
She haltingly plucked the white petals one by one,
placed them in his outstretched hand.
Whispered in a child’s voice, “I love you.”


Christine Andersen is a retired dyslexia specialist who lives in Connecticut with five hounds. She has published over 100 poems. Her poetry book “To Maggie Wherever You’ve Gone” won the 2025 Jonathan Holden Poetry Chapbook Contest sponsored by Choeofpleirn Press.

Life and Love as Seen Through My Plum Tree

Nonfiction by Michele Tjin

The delicate popcorn balls of flowers have appeared again, the herald of a new season. The arrival seems earlier each year. 

The plum tree was already a mature specimen when we moved into this house. That first July, one of the first things we did was to pick up the rotting fruit off the ground. I whispered to the tree and my pregnant belly that in a year or two, there would be small hands to help harvest the fruit.

How does this tree of the family Prunus salicina know when to emerge from winter and make slivers of leaves and dainty blooms?

How do I know when to kick off this curtain of chaos and confront hard issues, difficile confligit?

Other signs of life and hope in my backyard: tiny sparrows and hummingbirds dancing around the flowers of the plum tree; songbirds trilling. The harshness of winter is behind us.

Despite not watering and pruning this tree, not giving it any real love or attention, it continues to be dependable and prolific.

I look forward to the perfume of plums ripening in my kitchen. Nothing is as wonderful as biting into the amber flesh and allowing the clear juice to run down my chin.

After a few weeks of non-stop eating, I’m satiated. Yet others tell me they can’t get enough of this fruit.

Don’t you forget about me this year, a friend says.

If you want to come over and climb a ladder, help yourself, I answer.

If I climb a ladder to bridge the chasms, will it be worth it, or will I fall?

In the summer, this tree is weighed down so much by its fruit that it needs to be propped up with a stick, a visible reminder of how much goodness this tree gives.

I imagine the tree’s complex network of roots searching deep underground to find a source of life-giving water to nourish itself.

How do I nourish my spirit when it’s dry and withered?

Things this plum tree has witnessed: birthday cakes and birthday parties. A kiddie pool that lasted just an afternoon one summer. A bounce house that winter. Another bounce house the following winter. That time we dyed socks. My efforts at being a backyard gardener. Dinners outside. Ants. The neighbor’s cat. That stray rabbit. People who once came over frequently but no longer visit because of quarantine, new seasons of life, or small conflicts that festered and coalesced into something bigger, something that doesn’t have a name or shape anymore. 

Or maybe it’s just a lost connection. I’m not sure anymore. 

These blossoms are fleeting: in just a few weeks, they will be torn apart by the wind. Their fragile nature and impermanence have always struck me, like they’re a metaphor for something.

My hands and a pair of smaller ones will collect the plums in four months when the green small marbles deepen into crimson globes, and we’ll give much of our harvest away.

After the summer, after a period of cold and reset, this tree will bloom once more the following spring and offer me hope again. Where will I be in a year?

[Originally published in The Bluebird Word in March 2022.]


Michele Tjin is an emerging writer who writes others’ stories by day and her own by night. When she is not writing, she aspires to be a better backyard gardener.

Good Night, Jasper

Poetry by Brian Christopher Giddens

At the end of the day, I go downstairs to where Jasper lays sprawled across the cushions of the couch he claimed ten years ago when he first arrived, shaking with fear, pressing himself into a corner against the armrest. But now he knows the nighttime ritual: he stretches his legs, rolling to the side to expose his white-fur chest. I perch on the edge of the couch, rubbing his belly, his eyes open, still not fully trusting, my touch gentle, slow, as Jasper doesn’t like surprises. One final rub and I move to the kitchen, the treat jar. With the clang of the pottery lid, he rouses from his bed for three small biscuits, gently taken one by one from my fingers. I walk to the stairs, stop on the landing, turning back to see him standing near his bed, watching me. “Good night, Jasper, be a good boy,” I say. His deep brown eyes stare back, as if he’s saying the same thing to me, making sure I’m on my way, before returning to his couch and an undisturbed slumber.


Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in Sequestrum, Litro, Roi Faineant, Raven’s Perch, Hyacinth Review, Rue Scribe, Glimpse and Evening Street Review. His work can be found on https://www.brianchristophergiddens.com/

Hold and Release

Nonfiction by Tracey Ciccone Edelist

I am floating on top of a smooth blue sky with dappled clouds that break apart with each dip of the paddle. When the wind picks up, the sky in the lake becomes partially obstructed by privacy glass ripples, obscuring both sky above and underwater life below. Gliding further south, the ripples swell, and now I’m riding dark molten silver waves, the paddleboard gently rocking across the undulating liquid metal. I expect the paddle to drip silver-plated out of the water, but the splashes on my feet are clear and wet. Entering a small bay where the sun peeks through tree canopies, the water becomes like an oil spill, smooth and slick iridescence. I listen to the rustle of the trees as blue jays flit from branch to branch just above the water, breathing in the earthy smell of the damp bank and the leaves lying in varying layers of decomposition on the forest floor. As I drift away from the shoreline, the faint hint of a bonfire wafts through the air and I see a wispy plume of white smoke rising from a cottage clearing across the lake.

Sitting on the silver waves ahead, I see the young loon I’ve watched grow all summer, enjoying an independent swim. The sun reflects brightly off her long beak, not yet having turned black. She startles when she sees me and dives underwater. When she pops back up seconds later, she’s still close. She is almost fully grown, but her feathers haven’t changed from baby gray to the signature black and white adult markings, and she hasn’t yet earned her white necklace. She disappears again and I wait for her to surface. One minute, then two minutes.

Just as I’m wondering where mama loon could be, she swiftly swims to the place from which her loonlet has disappeared. Mama dunks her head below the water’s surface, searching the dark depths for her chick. She raises her head back up to scan across the lake, calls out loudly, and dunks again. I too continue scanning the lake. At last, the chick appears a few feet away and mama and baby swim quickly toward one another, baby bumping up against mama’s breast. The loonlet makes herself as small as she can on top of the water, scrunching her body down close to the surface near mama, hoping I can’t see her, but I can.

I remember how our youngest daughter took a few weeks after birth to unfurl her body from the position she held in my uterus. Born a couple weeks early, I imagined she’d rather be back in her confined amniotic home, riding the waves of my body, than out here in the open where air hit her skin and filled her lungs, and where she had to learn to feed herself from my breast. She wailed to be held at all times, heart to heart, eyes pinched shut, in protest against the vastness of this outside world. Holding her tiny compact body with curved back, arms and legs folded and tucked in tightly toward her center, was like holding a roly-poly hedgehog curled in on itself. We called her Scrunchie, until she began to relax her legs and straighten out her backbone.

Now she stands taller than me, straight-spined, long arms and legs swinging freely in the world she explores on her own. I find solace on the lake, and call her to me when she strays too far for too long.


Tracey Ciccone Edelist has a PhD in social justice education and is a critical disability studies researcher and educator. She had a previous career as a speech-language pathologist, and then as a fine chocolate entrepreneur. Now, she’s making sense of life through creative nonfiction.

September 29

Poetry by Lorelei Feeny

for Dad

Today might be your last full day on earth
but know that I’ll think of you
every time I go to the Dollar Tree.

And whenever John Grisham writes a new book
I’ll put your name on the waiting list
even though you said he always tells the same story.

I still have your pocket avocados growing in my apartment,
windowsills lined with trinkets
given to me when I was a little girl.

and after
all these months
i can release
my grief
held hostage

From endings, new beginnings.


Lorelei Feeny was born and raised in Raleigh, North Carolina. She loves words and learning foreign languages. Her dad inspired her to write poetry. Read his poem The Garden published in The Bluebird Word in July 2023.

Landscapes

Poetry by Miguel Rodríguez Otero

we hear trains rumbling away
from homes we’ve known
neither of us yet fully awake
vaguely wondering where
they may be bound for
a coastal town
some place across the border
we are not yet aware
that we’ve fallen in love

but we don’t stir
we pray the clatter on the tracks never ends
each clack a word we haven’t uttered yet
a stitch that sews the wounds
we’ve come here to soothe

our bodies travel
they explore sentences and certainties
in this room that has taken us in
we throw away the passports
disregard seat numbers

we speak of books and oranges and wine
in foreign languages
often leave questions unfinished
conversation crumbles into shorter words

our talk travels too
and the keys on the bedside table
jingle as the train rolls along
our senses suddenly sharpen

one day we will cross that border
hop that freight and look at landscapes


Miguel Rodríguez Otero’s poems appear in The Lake, Book of Matches, The Red Fern Review, Wilderness House Literary Review and Scapegoat Review, and are forthcoming in Last Leaves Magazine and DarkWinter Literary Magazine. He likes to walk country roads and is friends with a heron that lives near his home.

Lazy Man’s Pie

Nonfiction by Marilyn Paolino

What was Lazy Man’s Pie?

Just the other day, I was skimming the Beechwell cookbook, whose thirty-eight yellowed pages easily fit in my palm, when I spotted this pie with a friendly name. Lazy Man’s Pie shared the page with the French cherry and old-fashioned lemon pies.

The recipe looked familiar—except for the name and the stick of oleo. Oleo margarine was popular in the 1950s when Cooking Favorites of the Beechwell Community was probably published. The cookbook came from Aunt Judy’s attic. Before moving, she sent me several boxes packed with family photos, records, and journals dating back to the early 1900s.  

Of course! Lazy Man’s Pie was our family’s famous fruit cobbler, I thought.  


Dessert first. (Then back to my family project.)

I had a habit of reading cookbooks from back to front, starting with basic bars, cakes, and cookies. Eager to experiment in the kitchen, I began baking when I was nine or ten years old. Dad and I baked together on Sunday afternoons. Nothing fancy. I chose a cake box mix from lemon, white, and orange flavors that Dad liked best.

But we made cobbler from scratch. The recipe was forgiving, unlike pies that required practice to produce crusts with a delectable duo of texture and taste.


My parents were forgiving, loving people. During lunch celebrating their 50th wedding anniversary, my brother and I asked them what the secret was to a happy marriage.

 “There is no secret. It’s hard work,” Mom said, without hesitation.

Her answer left us to reflect on our own relationships. My brother married his high-school sweetheart, and I wed my soul mate decades later. My parents were strong role models who during their sixty-two years together treated one another with respect. They made married life look easy.   

Yet, family relationships were often fraught. I heard the hurt in Mom’s voice, some thirty years ago, when she told me my aunt and uncle opposed their marriage. They did so under a loving guise because they served as my father’s guardian, raising him as a son after both his parents died.  

Dad’s childhood lacked sweetness because he was orphaned at eight years old. Maybe that’s why as an adult, he craved sweets like fudge, pudding, cakes, and ice cream.

During the holidays, we made a rich chocolate fudge. We relied on the Fannie Farmer recipe, which called for a can of sweetened condensed milk (large) and four and a half cups of sugar.

However, ice cream was an every day treat for Dad. He heaped a generous glob of vanilla ice cream in his oatmeal and a tablespoon in his morning coffee. Usually, he ate a healthy diet, but kept a tub of “cheap” ice cream in the freezer. He lived for 89 years.

Mom grew up during World War II, an era of waste not, want not. She abided by the rule, making sure she ate food before it spoiled. In our house the running after-supper joke was, “Can this leftover be saved?” Yes, and the dish returned to the fridge. Anyone who raised doubts took a spoon and ate the last bites. Either way, we saved the food.


Before the family cookbook arrived, Mom and I had made cobbler after receiving more peaches than we could eat. Mom recited the recipe with ease: one stick of butter, one cup each of flour and sugar, a tablespoon of baking powder, a pinch of salt, and one cup of milk. We preheated the oven to 350 degrees Fahrenheit and melted the butter in the 9 x 13 glass baking dish.  

Eager to get baking, we lined up the blemished to bruised fruit on the counter. We washed the fruit and removed the pits. I sucked off the flesh from the pits and thought, waste not, want not. We didn’t bother to blanch and peel the soft peaches whose sticky ripeness covered the counter and dripped from our hands.

In a large bowl, I measured and mixed the ingredients, and poured the cake-like batter over the butter. I plopped the cinnamon-sprinkled peaches in the middle of the pan. Do not stir, that was the secret. I confess, I’m tempted to swirl the fruit around, but learned to trust what I’ve lovingly prepared. Cobbler always tasted better when I used fresh fruit from the farmer’s market. But I have used store-bought canned fruit to satisfy my craving.   


In my kitchen, I chose the modest cobbler over pie because it’s welcome at every meal and won’t let me down.

People who claim it’s “as easy as pie” probably haven’t made one. In my hands, crust turned tough and chewy or soggy as if the fruit itself sobbed into the dough. My lattice came out lopsided. And my fruit slicing, layering, and arranging skills lacked pie-filling appeal.   

As we cleaned the kitchen, I tried to recall the last time dad and I made cobbler. We used canned cherries swimming in thick syrup.   

I checked on the cobbler in the oven as the scent of cinnamon filled the house. About forty minutes later, we had a bubbling, burbling celebration of fresh fruit. I cut a fresh-from-the-oven-corner chunk for each of us and added vanilla ice cream. The Lazy Man’s Pie, with its golden brown, bumpy crust and juicy peach filling, was easy to make, true to its name. We saved the jammy middle for the next day.

Warm cobbler topped with a dollop of ice cream takes me back to my childhood baking days those Sunday afternoons, savoring unmeasured lazy time—simple, sweet, and easy. Dad couldn’t have any cobbler with us that day, but he passed down his recipe for a joyful life: work hard, share love, and forgive all.


Marilyn Paolino is a writer who collects family stories and cookbooks. She had a career in public relations before leaving to write full time. Early in her career, she was a newspaper reporter who accepted all the leftover assignments. She lives in the Philadelphia area.

My Wife Explains How My New Book is One Long Love Poem

Poetry by Steve Cushman

They’re all love poems,
Julie says, holding up my new book,
and I say, I don’t know about that.
What about the sad dog poems?
Love poem, she says,
The broken bones of childhood poems?
Love poem, she says,
The difficult relationship with my father poems?
She bites her lower lip. Definitely love poems.
And the ones about you,
which are sort of true, but also
an idealized version of our life?
Those, she says, are the loveliest of all.


Steve Cushman has published four poetry collections.

At the Heart of It

Nonfiction by Sandra Marilyn

Lying in the bed next to you, the summer breeze softly poofing the curtains, the night is so quiet I can hear time moving by without us. My head on your chest. My ear to your heart that beats with the consistency of waves stroking the sand. I want to see inside you. I want to understand how it feels to live inside your body, to see how you manage the life that was fashioned by the uniqueness of your experiences, as different from my own as another language.

Another night voices with edges so sharp they could slice soft belly skin. All my fears, losses, demands, unfilled chasms, unjustified expectations, thicken the air that is already crowded with the sounds of every woman who ever cried before us in the rooms of this antique house. Women in long skirts moaned their sorrow faintly to harmonize with my own. My longing collapses me. Your heart is as closed as your rigid face. Your body backs away from my touch.

Another day you walk through the door after entertaining the neighbor’s blind cat and voluntarily washing the pots and pans they left behind when they rushed out to catch a plane. You sing a high-pitched nonsense song to the silly wag-tail dog, who listens with tall ears. You are gathering your tools to work in the sidewalk gardens you have created just for the joy of passers-by. Your heart is so big I wonder if it will burst through and float away, too huge to be contained. A surreal orb valiantly competing with the sun.

And today I sit in the darkened to gray room in the cardio wing of the hospital listening to the forever buzzing and clicking of the machines that will assess the competency of your heart, the viability of your life. The technician sits at a slight angle between you, reclining on the table, and the monitor where the graphs are changing every second, a festive march of flashing neon colors. Your heart is beating a percussive background in sync with the lightshow on the screen. I shift my chair to see the images over the shoulder of the technician, the images that have no meaning to me beside the riveting spectacle of their color and movement.

And then she finds exactly the right position on your chest and there it is. There is your heart, magnified and magnificent, pulsing on the screen. A splendid red-brown muscle. Squeezing, opening, squeezing, opening, squeezing, opening with a sensuous loyalty.

I was presented with the most precious thing, the most personal thing you could offer me. The very essence of your being, of your spirit, exposing itself to me. I remember the years of needing to see you better, to grasp your true meaning, to see inside your heart. And here in this room hidden away from the street noise and the sunshine, and the people forever grasping for happiness and meaning, I could see inside your heart.

As you lay almost sleeping, hypnotized by the sounds, soothed by the darkened room, unable to see what I saw on the screen, unaware of my emotional journey into your heart. My hand on my own heart, tears gathering, I had never felt closer to you, never loved you more.


In a world of isolated people, Sandra Marilyn cherishes the love that has sustained her. This love has been sending its roots deeper and deeper for decades and yet there is still more to learn, more to feel.


Read more of Sandra’s flash nonfiction essays on The Bluebird Word from October 2022 and June 2024.

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