Tag: love (Page 1 of 7)

Post-Opus

Poetry by Guadalupe Palos

It’s 3:42 AM when I finally get to sit down,
Does the rain reach your roof too?
Our used-to-be shared roof watches me
pretend you are alive sometime, somewhere
else. Why won’t God let me know the you before
I was born? I saw your toddler smile weeks
after your passing for the first time, your
self showing in sepia tones. I think
heaven is a space where we can see each
other in all years. I could isolate all that is
your continuation inside of me and give it
back to you as a gift, where my toddler smile
and your toddler smile can be under one
roof again.


G.L. Palos is a poet who has lived in desert cities for over half of her life. She has a Bachelor’s in Religious Studies and has since entered and exited various service-based fields. Love, consciousness, nature, her current nonfiction read, and beauty inspire the majority of her writing.

What I Don’t Tell You

Poetry by Marianne Lonsdale

I don’t tell you
That I think about the logistics
More than I think about missing you
Instead I bring home
the rustic sourdough bread
and red wine you love

I don’t tell you
that I’m picking the music
I cry in the car, listening to In My Life

I don’t tell you
I want the gift of time
To say our good-byes
Nothing sudden please

I don’t tell you
To put your arms around me
So I can breathe in your spiciness
My eyes moist with dew

I don’t tell you
I’ll sell the house
And move to something small
That does not require your care

Don’t go


Marianne Lonsdale’s Marianne Lonsdale’s debut novel, When The Road Curves, was published by Sibylline Press in 2026. She writes fiction, personal essays, and poetry. Her work has been published in several print anthologies and various online journals including The New York Times, The Bluebird Word, Literary Mama, and Pulse. She’s committed to youth literacy efforts and volunteers with 826 Valencia and the Oakland Literacy Coalition. She lives in Oakland with her husband and their dog, Ricky Ricardo.

Can Love Be a Sofa with a Sprung Spring?

Poetry by Lana Hechtman Ayers

Today there has been so much talk of romance,
so much so, that I want to run into the frozen
streets and join myself to the icicle hung
streetlamps with my tongue, Valentine
kissing the Hallmark holiday into hypothermia.

But isn’t love something else, a dog that drops
her bone at your feet as tears plop down your cheeks,
a man on the subway who offers his seat to the young
woman who looks a hundred months pregnant
ready to pop like a 4th of July firework?

Or maybe its my ex whose been a friend all these years,
calls once a decade or so to say, I remember
how agile you are
, though he has no idea how I argue
with my aching body now about what it puts me through
like a typewriter whose keys only go halfway to the page?

And then there’s my husband,
who hauls out the blender that groans
like a lawn mower to make me fresh hemp milk
three times a week, though I could do it myself
and the jar has to be washed by hand

and he has a million other more important things
on his agenda, but there he is, scooping
and measuring and whirring
like a maestro on a Steinway, creating what I need
out of the raw materials of clean water and seeds.

That’s how love grows best, I think, how it proceeds
almost unseen in the everyday like mighty Atlantic
roaring away, always there, salt spray and spume
akin to the drooling kisses of a dear grandmother who
is always happy to see you, arms open wider than sky.


Lana Hechtman Ayers shepherded over 150 poetry collections into print as managing editor for three small presses. She lives in Oregon on unceded lands of the Yaqo’n people with her beloved husband and fur babies. On clear, quiet nights she can hear the Pacific ocean whispering to the moon.

The Farm, Three Months After Dad’s Death

Poetry by Claudia Kessel

Paint chips off the deck
Bare feet smear sun across wood
A melting of hours

Orange, nameless barn cat
slinks between blue hydrangeas
Day drifts to evening

Something splinter-sharp
slices August’s humid breath:
Cicada vibration

Trucks speed the backroads
Launching from lily to lily
bees zip across faces

Black walnut fingers
release twittering sparrows
Limbs curtsy in wind

My son collects eggs
from the white-rimmed chicken coop
His life has not changed

Abandoned silo
Mourning dove’s alto lament
Swallow’s coloratura

Mulberries scatter
Stain the gravel indigo
Wasps inspect new jewels

My fingers trace keys
of his Baldwin piano
Ivory absent of his broad thumbs

Only when I sing
alone by his piano
do I un-trap myself from myself

Sunset’s greasy smudge
Not necessarily happiness
Neither unhappiness

Green dappled stillness
No one in particular
loves me today

In his gray armchair
at dawn, with coffee and cat
Scent lingers in cloth

Slippers empty of feet
A cane leans against the chair
How much of him in me

My body breathes here
in the home of pine and glass
he dreamed, built, and died in


Claudia Kessel works as a grant writer and musician in Williamsburg, Virginia. Her poetry has been published in Richmond Magazine as a finalist in the 2021 Shann Palmer Poetry Contest, awarded by James River Writers, in the 2024 Poetry Society of Virginia anthology, and in various literary journals.

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

Squirrel Ladder

Nonfiction by Kelly Kolodny

Cat hair piled up on the old shaggy carpet. The sturdy pine coffee table, built by my younger brother when he took woodworking in high school, was topped with several years of Better Homes and Gardens. A persistent stale odor wafted around furniture and throw pillows worn thin. As I sat with my parents in the den of their small ranch-styled home, week after week, I felt fatigued and overwhelmed. We had reached a point when important decisions needed to be made regarding their care, resulting in changes for them and how they would spend their remaining years. Sensing my worries and stress, their long-haired rescue dog, Caleb, often put his head in my hand. Their five cats gathered around me, bidding for my affection. Noises from outdoor feeders reminded me of my parents’ sense of protection and care for the natural world. Changes in my parents’ lives also would result in adjustments for the outdoor wildlife they supported.

Mom’s stroke occurred a few years before dad’s heart attack. Not physically visible, the stroke was a fog that rolled in and changed her interactions with others signaling something was not right. A cancer diagnosis and dementia followed. When dad had his heart attack, the doctors were unsure they would perform surgery since he was in his mid-nineties. He told them he had a family who cared for him, a garden that needed tending, and a will to live. An orchestra of voices from dad’s extended family persuaded the doctors to move forward with the surgery.

Like many seniors, my parents’ social security covered less and less of their living needs. When they became ill, I began to sift through their finances and started to understand the full extent of their fragile economic circumstances. To help, I brought groceries each week—canned tuna, bread, apples, bananas, crackers, and pre-made meals they could heat up in the microwave.

Weekly visits followed a similar routine. Unload food. Try to complete some household chores. Talk. If I was less stressed, I might have understood more clearly what my parents shared during those moments. Personal memories and life lessons were offered that later became cherished gifts.

During one visit, I remember Mom walked into the kitchen to get a drink.

“Do you want something to eat, Kelly?”

“I’m fine,” I replied.

“Oh, come look who’s in the bird feeder. It’s Timothy.”

I pulled myself up from their tattered brown couch to look at the feeder and set my eyes on Timothy, a good-sized squirrel with a fluffy tail curved into a half-circle. He filled his cheeks with seed as he rested on the edge of the feeder. Soon Timothy was joined by another squirrel. Traveling up a narrow wooden ladder my dad built, the squirrels easily reached the rectangular feeder at the window level. Enchanted with birds, my parents equally were taken with squirrels.

Feeling bold, I questioned mom about their care for squirrels.

“Some people try to keep the squirrels out of their bird feeders. They want the birds to have the seed.”

I had an idea of the response I would receive and was not surprised by it. Dressed in her Sears sweater and loose blue jeans, mom cast me an indignant look.

“Not us. We love squirrels. As a matter of fact, several of them live in our attic.”

I was not taken aback by this statement. When I was at their house, I heard noises coming from the attic which none of us had entered in years. Aware that squirrels were not helpful for the upkeep of the house, I nonetheless appreciated my parents’ care for them. They had formed a relationship with squirrels. They watched them through the kitchen window and noticed their expressions as they ate. They talked with them. The ladder was a bridge connecting my parents’ lives, filled with family, pets, and regular medical appointments, to the natural world.

“Mom, how do you know the squirrel in the bird feeder is Timothy? Can you tell them apart?”

“Not really. We name all of the squirrels Timothy. We want them to have names. Naming is important. But it would be hard to remember all of their names, especially at our age.”

Naming, similar to building a ladder, brought them closer.

After gazing out the window for several minutes, I watched mom as she sat down beside dad on the couch. Lucy, one of her feisty orange cats, burrowed into her lap and mom instinctively kissed her. Caleb slept at my parents’ feet. My parents were not ready to let go of their independence. They still had some things to share with each other and their family. We needed to continue caretaking in this manner for a while longer.


Following his heart surgery, dad stayed home for two years before he died. Mom’s dementia progressed to a point where she no longer remembered her husband died. She couldn’t recall her grandchildren’s names. When we moved her into a nursing home, we divided the pets so they were kept safe and in the family. Caleb became my dog, sitting beside me in the evenings while I planned lessons and graded college papers.

My brothers, their wives, my husband, and I spent months cleaning out and painting my parents’ home in preparation of selling it. During one of my last visits, I walked through every room. It was old, clean, and empty. There was nothing left, except the feeder and the ladder which I eyed when I looked out the kitchen window. Since the feeder no longer contained seed, Timothy did not visit. This bridge was broken—though the lessons connected to the ladder carried forward.


Kelly Kolodny is a professor of education at Framingham State University in Massachusetts. She has written a variety of academic articles and books. She also has composed book reviews for the Southern Literary Review.

a whatever-hair day

Poetry by Miguel Rodríguez Otero

i love to do my daughter’s hair before school,
give it a little brush, loosen the knots
that form during the night, then maybe braid it
so it looks neat and brand-new.

she’s too young to know,
so i explain to her that braiding is not a tie,
it’s more like a bond that can easily be undone
but is meant to hold the hair together,
like us holding hands to the bus,
untangled and brand-new.

as if together was something permanent
or even desirable.

she complains her hair is too frizzy,
but i’d love her to feel that such a bond exists,
that the connection is real and permanent,
desirable, even if one misses the bus
and is late to class.

the bus pulls up and the door swings open.
my daughter grabs my hand, then tugs me along.
i wave good-bye and await the moment
she comes home for dinner,
clothes dirty and hair all messed up.


Miguel Rodríguez Otero’s poems appear in Red Fern Review, Wilderness House Literary Review, Scapegoat Review, Last Leaves Magazine, The Bluebird Word, DarkWinter Literary Magazine, The RavensPerch and Feminine Collective. He likes walking country roads and is friends with a heron that lives in the marsh near his home.

The Weight of Christmas Past

Poetry by Mitch Simmons

I remember the winters when the lights were few,
When Mama stretched a dollar till the silver shone through.
My sister and I would laugh by the tree so small,
Paper stars and dreams were our gifts, that was all.

We had no feast, no glittering store-bought cheer,
But love filled the cracks of each passing year.
Mama’s hands were weary, yet her smile never waned,
And my sister’s laughter was the song that remained.

Now the table is full, and the candles gleam bright,
But silence has settled where joy took flight.
The house is warm, the cupboards abound,
Yet echoes of yesteryear are the sweetest sound.

I’d trade all the gold, all the gifts, all the means,
For one more Christmas where love filled the seams.
For Mama’s soft humming, her voice pure and kind,
And my sister’s embrace, forever entwined.

The holidays come now with comfort and pain,
A blessing of plenty, a shadow of rain.
I stand in the glow of all I have earned,
But ache for the hearts that will not return.

Still, I light a candle for each of their names,
For the lessons they taught me through struggle and flame.
Love was our treasure when times were lean,
And even in loss, their spirits are seen.

Through every twinkle, each carol and prayer,
I feel them beside me, they’re still there.


Mitch Simmons is a writer who lives in Virginia.

In a Mirror Clearly Now

Poetry by Judith Yarrow

for my sister

Sometimes, looking in a mirror,
I turn my head just so and
I’m brushing my sister’s hair.
Her same movement.

Conversations that started
when she was born keep on and on.
Antiphonal chorus. Me. Her.
Mine. Hers. I can sing all the parts.

We circled each other until at last
who chased, who fled, who followed,
who led, I don’t even know.
The mirror says, see how alike you are.

That long ago push her pull me?
Just the place we started—no more
separate than fingers on a hand.
connected at the source.


Judith Yarrow been published in two chapbooks and various literary journals, most recently in Hedgerow, RavensPerch, and Medusa’s Kitchen. She was the featured poet in Edge: An International Journal, and her poems have been included in the Washington State Poet Laureates’ collections. Find more of her work at jyarrow.com.

Planting Wildflowers by Lake Champlain

Poetry by Christine Andersen

My daughter and her husband
renovated a house on Lake Champlain.
She sent pictures of the expansive view
from their living room,
how the magenta sunset tinged the water,
the way grass was filling in on the slope leading down to the dock.

A few doors down, her mother-in-law is disappearing.
She can’t remember where the silverware drawer is
or how the pocket door slides open.
She tells the same stories over and over
as if delivering new news.
Stares at the lake trying to recall its name.

My son-in-law bought several packages of wildflower
seeds and tilled the ground close to the shore.
He had visions of daisies and Queen Anne’s lace
and an assortment of yellow, purple, and red blossoms
leaning on green stems with bees and butterflies feeding,
the ground firmly set against heavy rain by the tangle of roots.

Wildflowers can bring the outside indoors.
Would perhaps help his mother remember
daisies were always her favorite flower.
How she would set them on the breakfast table
when he picked them for her as a young boy.
They would pluck the petals one by one,
say, “I love you, I love you not,”
always magically ending on “I love you.”

When the daisies grew in clumps,
he carried a bouquet of memory to her doorstep
and handed her a flower.
She haltingly plucked the white petals one by one,
placed them in his outstretched hand.
Whispered in a child’s voice, “I love you.”


Christine Andersen is a retired dyslexia specialist who lives in Connecticut with five hounds. She has published over 100 poems. Her poetry book “To Maggie Wherever You’ve Gone” won the 2025 Jonathan Holden Poetry Chapbook Contest sponsored by Choeofpleirn Press.

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