Tag: love (Page 3 of 7)

One Out of Ten

Nonfiction by Stephanie Shafran

“No one has feet like mine,” my ninety-three-year-old mother announces to the hovering doctor. 

“Well, let’s see what brought you here today,” the young doctor smiles as she pulls up a stool directly facing her new patient. After removing the sock as if it were a ticking time bomb fastened to my mother’s foot, she examines the flame-red toe yielding to her curious, slender fingers. It is the third toe on her left foot, rubbed raw by my mother’s second toe, which has long ago snaked over the big one—and twisted itself into an awkward, but permanent position. This deformity is a logical consequence of my mother’s lifetime habit of jamming her foot into ill-fitting shoes. 

When I arrived at her apartment yesterday, I found my mother sitting on the bed, cradling her bare foot in her lap. Spotting me in the doorway, she stood up— a grimace spreading across her face as her left foot touched the floor. 

“It’s my damn good-for-nothing toe again,” she’d scolded.

My heart slumped, remembering her excuse for refusing to undergo the surgery years ago to remove it. Three weeks off her feet and out of work! she’d whined. I knew the truth—her fear of misshapen body parts. At the Boston skating rink, there was a girl whose stumped arm had barely developed beyond the shoulder. After three Sundays of spotting her on the ice, my mother made excuses whenever I asked why we weren’t going skating anymore.

“Let me see it, Mom. Sit down.” 

Plunking her body back on the bed, she lifted the foot an inch from the floor and pointed to the swollen, tomato-colored toe. 

“Yikes, that looks infected. We’ll have to see a doctor.” 

“You’ll take care of it, won’t you?” 

“Yes, of course. By tomorrow, I hope.” 

I’d have to take her to urgent care, take time off from work, cancel my afternoon hairdresser appointment most likely.

A day later now, we’re seated side by side on grey metal chairs in the clinic’s examination room. The throbbing in my head has finally quieted. 

The doctor’s slender fingers wander across the bloated flesh.

“Does this hurt? Or this?”

Savoring this caress, my mother lets out a deep sigh. She shakes her head from side to side, yet her brow furrows and her eyes shudder as the doctor probes the toe. 

“I was wondering, Doctor, will you have to amputate this corkscrew toe?”

The doctor lifts her soft brown eyes to my mother’s.

“Heavens no. We’ll just treat the infection on the toe next to it. You’ll be free of pain in no time.”

My eyes moisten. This doctor’s reassurance to my mother—like a mother to a needy child.

Now the doctor swivels her stool to face me.

“I’ll write a prescription for a two-week course of antibiotics. I’d like to check her toe in three weeks.” 

Then she swivels a half-turn, shifting her gaze to my mother. 

“You must be proud to have a daughter who takes such good care of you. I imagine she learned that from you.” 

“Well, I don’t know if she’d agree.” My mother’s eyes ping pong between the doctor’s and mine.  “At least I made sure she had a new pair of shoes every September. For the new school year, of course.”

She offers me a shy nod. I can’t deny it—yearly trips to Stride Rite Shoes in Brookline each August, just before the start of the new school year. Choosing a new pair of shoes with sturdy soles and laces, sized correctly to fit my feet, whether I loved the color and style, or not.

As the consultation wraps up, I lift the sock from my mother’s lap. Like a suppliant, I kneel at her feet and lift the bruised foot into my hands. As I do, my mother’s hand reaches to rest on my shoulder. After a long intake of breath, she announces,

“Nine miscarriages. I almost gave up—your father convinced me to try for ten. And then you, one out of ten, like a miracle.” 

Her foot still in my lap, I give its heel a gentle squeeze.


Stephanie Shafran’s recent writing appears in literary journals such as Emulate, Persimmon Tree, and Silkworm. Her chapbook “Awakening” was released in 2020. A member of both Straw Dog Writers Guild and Florence Poetry Society, Stephanie resides in Northampton, Massachusetts; read more at stephanieshafran.com, including monthly blog posts.

Everything You’ve Ever Loved

Poetry by Robin Greene

Forty years have passed, and this morning you find yourself
alone at sunrise—red and orange overtaking the forested
mountain in front of you, as you sit there, as early light
opens the day, turning it into something mutable.

Most of your life is behind you, but sitting there
on that old wicker chair, you hear a mourning dove’s
coo from a distant tree as a murder of black crows
sweeps the sky. Only then, you remember the midwife

lifting your firstborn from your body—his initial cry marking
the next two decades of your life—a life now almost over.
Then, you’re at a hospital, hearing your mother’s labored
breathing as she lies there, covered in white blankets,

mouth open, eyes closed, and you encourage her release.
Forty years dissolve into weightless memory on this chair,
as you realize that everything you’ve ever loved will leave you,
and that the cooing of the mourning dove is not so premature.


Robin Greene is a former English professor and current part-time yoga and writing instructor, living in NC. She’s published five books: Real Birth: Women Share Their Stories (nonfiction Kindle bestseller); A Shelf Life of Fire (novel); Lateral Drift (poetry); Memories of Light (poetry); and Augustus: Narrative of a Slave Woman (novel).

Churning

Poetry by Robbie Hess

The sun will rise again tomorrow,
but I’m thinking of my dad tonight
churning the butter of my sorrow.

He beamed a peppery amber glow,
and knew words that made broken hearts all right:
The sun will rise again tomorrow.

He taught me about the bayou willow,
and that gravy rests on the onion’s might,
churning the butter of my sorrow.

Now he is gone, and I am hollow
as an egg without a yolk or white.
The sun will rise again tomorrow.

I sprinkle his ashes in shallow
swamp water and begin to write,
churning the butter of my sorrow.

I wish we’d had more time to borrow.
My heart weeps over this forlorn fight.
The sun will rise again tomorrow,
churning the butter of my sorrow.


Robbie Hess is a Southern poet, and a recent graduate of The University of Alabama.

Lucky Girl

Nonfiction by Carol E. Anderson

It’s 1950. I’m three years old, standing in our backyard next to a patch of wildflowers as tall as I am. My tiny right fist peaks out from the sleeve of my oversized double-breasted coat with crisscrossing lapels. Chubby knees extend into sturdy legs that lead to small feet housed in white anklet socks and polished white tennis shoes. Whisps of blonde hair flow back in the wind. My bangs, short and choppy, look like I took the shears to them myself. Atop my head is a tiny woolen cap.

My face is turned up. Eyes squint as I smile at my mom with the camera—my gleeful expression punctuated by a slight suggestion of a dimple in my left cheek. I’m anticipating something wonderful. The zoo? The circus? A birthday party?

I’m unaware that by the end of my fifth year, my father will suffer a visual disability wrought by incompetent doctors. He will never work again. My mother, a secretary, will numb her fingers typing away in a tiny cubicle to support our family, working for a boss half as smart as she. I will wish her to be like all the other moms and stay at home, fix me snacks after school, and teach me how to ride a bike. My brother will withdraw into a world of thoughts and books. We will never be friends.

Standing on the lawn in my miniature peacoat, I don’t realize that by the time I’m fifteen, I’ll be rejected by the Baptist church for loving a woman. I’ll begin to understand the word hypocrite. I’ll believe my parents’ teachings of love, kindness, generosity, and fairness are principles everyone strives to live by—tenets issued by God. I won’t know these tenets have exclusionary clauses invisible to innocent eyes, that I will witness Christian fundamentalism grow in twisted power and gird its flocks to act with naked cruelty on the belief that difference is a sin.

I don’t realize that at the age of twenty-one, I’ll be outed by my college classmates, introducing terror into my daily life. I’ll be astonished that all my efforts to guard this secret are as useless as a sheet of transparent tissue paper.

I am unaware that at age twenty-six, in my attempt to be straight, my boyfriend will dump me on our six-week road trip to be with a woman he met at his brother’s wedding the week before—and he will not repay the $800 he owes me.

Looking up at the camera without knowledge of the need for hope, I don’t know that my father will die one month before my twenty-eighth birthday, and that I’ll survive—that I will remain wrapped in the shimmering cords of his love even decades after he’s gone.

I am unaware that at age thirty-two I’ll start my own business as an organizational consultant and will coach leaders to inspire people rather than control them—that this work will help me understand the complexity of human beings, and their scars.

I don’t know that on my fiftieth birthday I’ll start a non-profit called Rebellious Dreamers to lift up women to reclaim their dreams—that it will last twenty-five years and eventually fund microloans for women in the Democratic Republic of the Congo.

I don’t realize that when I turn fifty-four, I’ll meet my great love, each of us destined for the other, that knowing her will smooth the jagged edges of terror and loss, that we will build a home on nine acres of land surrounded by trees and be rich in our chosen family of friends.

Standing with my beloved, in our own garden now, I’m anticipating something wonderful.


Carol E. Anderson is a life coach whose passions are travel and photography. She holds a doctorate in spiritual studies, and an MFA in creative nonfiction. She is the author of You Can’t Buy Love Like That: Growing Up Gay in the Sixties. Carol lives in Ann Arbor, Michigan.

Target, at Christmas

Poetry by Allison Baldwin

All it takes is the laughter of children,
the screech of shopping carts
to remind me of love.

In the aisle on my left,
red shirts in straight lines
waiting to be purchased
one by one.

Several feet away,
my best friend, walking, in an opposite direction
toward Starbursts, Sweet-Tarts, Goobers.

I know her: a sugar queen,
even as she asks me not to let her be.

I know me: last minute shopper, buying gifts for family
even when the task is far from easy.

In a basket:
Two small notebooks
A Yoshi hat my brother will never wear
A pair of Mario socks he will.
Some dog toys.

Love is not always easy, either.
But it holds its weight.

At the register, my friend gives into temptation,
buys the candy anyway
yet I follow through, tell her not to.

(The secret: I’ve already bought her
the sweets she seeks)

When she wonders why,
I say, “I am just doing my job.”

We laugh,
and the clerk joins in.


Allison Baldwin is a poet who combines authenticity with sass. Her work has been published in print and online, with an essay forthcoming in Folkway Press’s Right to Life anthology. She holds an MFA in Poetry and Poetic Medicine from Dominican University of California.

How Poppi Met Nonni

Nonfiction by Tarah Friend Cantore

I place the delicate ornament into the small box, nestled in the green tissue paper. It is a pink ceramic baby shoe with Baby’s First Christmas on it.

I imagine it is the year 2033. My family is gathered for the holidays at our New Hampshire home.


My youngest granddaughter, Ella, giggles and says, “Poppi, tell us the story about how you and Nonni met!”

From the kitchen, I can see Vinnie sitting in his leather chair in the great room. Bode climbs onto his knee, exclaiming, “Yeah, Poppi!” Ella is occupying the other knee, grinning from ear to ear. The four-year-old inseparable cousins are curly-haired, brown-eyed bookends.

Hazel runs from the kitchen to join her brother and cousin. As the flour from her auburn hair releases, a cloud of white dust trails behind her. At only nine years old, she has entered the Children’s Baking Show, and this afternoon, she is schooling us in the kitchen, baking Linzer cookies with raspberry filling.

My daughters, Brittany and Molly, as well as Molly’s wife, Jordan, are with me in the kitchen. Jordan is sitting at the island, where Molly is standing next to her, caressing her pregnant belly. I bring my favorite blue-glazed mug to my lips, appreciating the warmth in my hands and my heart.

“Bake at 350 degrees!” I shout at my new oven. Apparently, it will sense the temperature of whatever is baking or cooking so as not to overcook or undercook. While I am confident it will be efficient and accurate, there’s something to be said about slightly undercooked, gooey cookies. Besides, perfect baking doesn’t exactly fit with my hope to give my grandchildren the gift of imperfection, something I never had.

Hazel’s younger sister, Lydia, momentarily pops her head up from reading Harry Potter and the Sorcerer’s Stone when Hazel enters the room, then she resumes reading. She is sitting in the “cubby” with her father, Bo. When our daughters were little, they referred to the “cubby” as the spot at the end of the couch where they would sit in the bend of someone’s legs. When our grandchildren come to visit, they fight for the spot, yelling, “I want the cubby.”

Lydia is seven years old and a real bookworm. She will likely complete the first Harry Potter book and bring The Chamber of Secrets home with her. She has wavy, auburn hair and resembles Hermione, one of the characters in her book.

Vinnie begins, “Well, first of all, I had a crush on your Nonni before we even met.”

Ella inquires in her soft little voice, “What is a crush?”

He tilts his head slightly towards Ella. “A crush is when you really like someone and believe you could even love them.”

Ella and Bode nod in sync.

Hazel looks at her father. “Dada, did you have a crush on Mama?”

Bo smiles and says, “I did!”

Without Lydia’s eyes leaving her book, she adds, “On the softball field.”

“That’s right! But that’s another story,” says Bo.

Hazel plops down on the rug in front of the fireplace and focuses on Vinnie.

He says, “I saw her that night at Minerva’s. The closer I got, the more pretty she was-“

Bode interrupts, “What’s Minerva’s?”

“It was a bar in Burlington where Nonni went to college.”

Lydia sits up from the cubby and exclaims, “You and Nonni met at a bar?”

“That’s right.”

He had all of the children’s attention now.

“I asked Nonni if she remembered me, and she did. We talked some. I was about to ask her to dance, but my friend, Mark, was bugging me to leave. I asked her if I came back, would she dance with me? She smiled shyly and said, ‘Yes!’ When I returned later, I found her, and we danced. But then she said she had to leave.”

I recalled the sticky bar floor, the 80s music, and his adorable face.

“When we walked out of the bar, I leaned over and tried to kiss her.”

Bode wrinkled up his face and said, “Gross, Poppi!”

Vinnie refrained from laughing. “Well, she didn’t let me anyway, Bode!”

I was no floozy.

“She gave me her phone number, though.”

“And that is how Nonni and I met!” Vinnie nods and falls silent.

Hazel pops onto all fours on the rug and shouts, “But what happened next?”

Lydia chimes in, “Yeah! What happened next?”

“Well,” Vinnie orchestrates the perfect suspenseful pause and then says, “I didn’t call her.”

Hazel shouts, “How rude, Poppi!”

“Very rude. I imagine she was disappointed. And maybe a little mad.”

Lydia shakes her head with disbelief. “Well, how did you ever fall in love with her?”

Hazel inquires further, “And get married?”

“Well, she called me a couple weeks later when she was home visiting Gigi. I guess I didn’t make a bad first impression after all.”

“Why would you, Poppi?” Hazel asks.

“Because I had a little too much liquid courage.”

Bode reaches up and takes Vin’s face in his little hands. “What’s liquid courage?”

“Well, I drank too many beers. I thought I needed them to be brave enough to talk to her.”

Hazel yells, “But you didn’t! You didn’t at all!”

“Why do you say that, Hazel?”

She replies, “Because Nonni had a crush on you too!”

I walk into the great room, like I’m accepting an Oscar, and say, “I really did!” I give Vinnie a kiss. My family applauds, hoots, and hollers.


I return to the present moment. I wrap the ornament in candy cane-striped paper and tie a red velvet ribbon around it. I feel the smooth velvet between my fingers, inspecting the asymmetry of the loops, and decide to leave them uneven. Vinnie and I used to joke about which version of the story we would tell our grandchildren, when we were old and gray, about how we met in a bar. This one is perfect.


Tarah Friend Cantore has published a non-fiction memoir incorporating her artwork in tough & vulnerable, in addition to her novel, Spiral Bound. Her poetry has been published in The Bluebird Word and in the Telling Our Stories Through Word and Image Anthology.

A Good Night

Poetry by Paul Cummins

Already with thee, tender is the night.

John Keats, “Ode to a Nightingale”

Not fancy, not a dream—truly, Nancy kissed me goodnight,
Her lovely face lifting tenderly to meet mine,
That magical midnight, that innocent June,
Yes, she kissed me on the lips and I knew.

Then, with a strange new lightness to my gait,
I glided down her lawn to my moonlit Chevrolet,
Dizzying home in a popular-song sort of bliss—
Recalling a lifetime later the sweetness of that kiss.

So say to me whatever you may and know,
Say Paul, that day over half a century ago,
And I shall reply with enduring delight,
Beautiful Nancy kissed me that good night.


Paul Cummins is an educator, writer and social entrepreneur. From classroom teaching he went on to the founding and co-founding of six schools—including independent schools and a Public Charter School. From educational outreach programs to groundbreaking ventures, Cummins champions quality education, especially for at-risk, foster and incarcerated youth.

Reminder

Poetry by Travis Stephens

Scattered around town,
bolted to the backs of benches
or bus shelters or appearing
without apology in free magazines
are well composed photos of
a couple, plus the sans serif
“It’s time to talk about Alzheimer’s.”

Yes, you say, while we can.
Before we forget to, I offer,
teaming for another joke.
Or talk about it again, you smile,
Because we don’t remember
we already did.

We are walking to the taco truck
on Pico, the one with the dollar tacos.
Not big, but tasty. Plus cans of Coke
or Sprite or milky horchata.
You order for both of us, the men
at ease with your dark-eyed loveliness
& tolerant of my gray hair.

I’ve always looked older, fooled even you.
But I see that the back of my arm
now looks crepey, the spots on my
hands not freckles or ink. We sometimes
run the numbers to calculate what your
parents were doing at our age, living
in Palm Springs or travelling abroad.
Grandparents many times over & both
retired early—something I am reminded
of in my daily commute. Grandpa Tug,
the little one says, & points at the stencil
on my shirt. His small body
lodged between us on the couch as we read.
The daily arrival of joy, eyes fresh with wonder.
If we stumble over names, what to call
that thing, you know…thing, don’t worry.
We will talk about it later,
vow to remember, try not to forget.


Travis Stephens is a tugboat captain who resides with his family in California. Recent credits include: Gyroscope Review, 2River, Sheila-Na-Gig, Tiny Seed Literary Journal, Raven’s Perch, Crosswinds Poetry Journal, Gravitas and The Dead Mule School of Southern Literature. Read his earlier poems in The Bluebird Word from April 2022 and September 2022.

Ruth and Oscar

Nonfiction by Angela Townsend

Ruth and Oscar have been married forty years, and they have drawn stares for every one.

Oscar, crafted exclusively of knees and elbows, is the word “jaunty” sprung to life. Eighty-six and five-foot-two, he commands eyes bluer than the Earth from space.

Oscar will neither retire from paid work nor stomach being told that he is in any way impressive. What he will do is elbow you, an instant co-conspirator in this majestic business of being awake, and call you “kid” until you wish it was your given name. His polo shirts are sky and indigo, bright enough to spot him across a century.

Statuesque at seventy-eight, Ruth is a cloud of concern, claiming herself unworthy of her white halo. Her mouth is mournful, and if she didn’t love you, she would distrust you when you insist she is one of the kindest people you know.

But Ruth does love you, almost enough to believe the unfathomable things you believe about her. Proficient in ganache and genealogy, she makes cold rooms feel like dens. She feeds strays, only a few of them feline, and lies awake worrying who might be alone this Thanksgiving. Ruth cried when she learned that introversion is an honest, honorable trait, not a shortcoming.

Oscar and Ruth have toilet paper emblazoned with the face of a political figure.

When Oscar sees me, he hugs me so tight I nearly need to have his elbows surgically removed. Ours was one of those instant bonds that makes you wonder if your families touch fingertips above the treeline. Far beyond DNA, Oscar is family now, equal parts scampish brother and Father Abraham.

Ruth learns through cautious eyes but raced through the pages of my affection like one of her Revolutionary War novels. For ten years she has been perplexed by my admiration, telling me I’m kinder than cats and twice as daft. But when Ruth sees Ruth in my mirror, the truth makes her taller, and she shines like God’s angel in her sturdy denim dress.

On my birthday, Ruth carefully lays out cards on her desktop computer, photos of their cats with wry bylines like, “Sage was going to wish you a happy birthday, but she had to eat her third breakfast instead.” I save every one.

Ruth and Oscar are the rare friends with whom I’ve discussed our rare friendship. None of us has any explanation for why we loved each other so quickly and entirely, only that we are very, very fortunate.

I had to downplay the distress of my divorce to Oscar, who shuddered with tears anyway, lip quivering. “This, to the best person we know!”

But Ruth and Oscar found each other after divorces of their own, pasts they don’t discuss, histories that had to happen for us to have Ruth and Oscar.

Oscar and Ruth give me hope.

Oscar and Ruth had better both reach one hundred years.


Angela Townsend is Development Director at Tabby’s Place and has an M.Div. from Princeton Seminary and B.A. from Vassar. Her work has appeared or will be published in upcoming issues of The Amethyst Review, Braided Way, Fathom Magazine, and Young Ravens Literary Review, among others. Angie loves life dearly.

Beauty

Fiction by Paul Hostovsky

The way her hands danced across the braille page, it was a beautiful choreography to behold. Her left hand beginning each line, handing it off to her right hand halfway across the page, the right hand finishing the line as the left moved down to begin reading the next line. Left hand to right hand to left hand to right hand. Expert, fleet, like a concert pianist, or like relay runners in a race, the handoff accomplished seamlessly over and over, line by line down the page, page by page through the book, book by book through his entire childhood.

There was never a time when he didn’t know it. He’d learned it with his ABCs, fingering the raised dots with his tiny hands, sitting in his mother’s lap as she read to him aloud from the print/braille children’s books while he looked at the pictures. B was but, C was can, D was do. M was more. M with a dot five in front was mother. White dots on a white page, but they cast these tiny shadows so he could see them in the light. Like a country of igloos as seen from an airplane on a sunny winter morning.

Having blind parents was as unremarkable as having breakfast in the kitchen, having mail in the mailbox, having rain on rainy days and sun in the summertime. Lending his mother or father his shoulder–his elbow as he grew taller–was like offering his arm to the sleeve of his own jacket, like giving his hand to his other hand. He thought nothing of it, didn’t even have a word for it until he started kindergarten and the word got spat on the ground by some ugly mouths on the playground, older boys snickering and pointing, mimicking his parents as they swept their white canes back and forth, back and forth. Click sweep, click sweep, click sweep.

Those white canes. At home they leaned quietly against the wall like backslashes in the unpunctuated dark. Or else they sat folded underneath a chair or table like bundles of long chalk, a red one in each. K was knowledge. P was people. And the braille dictionary in seventy-two volumes was stacked practically to the ceiling, like a cord of wood.

His mother would stop reading, open her watch then close it, click, reach under her chair for her cane and open it, chick-a-chick, into a white line which she swept across an invisible line which she walked, out the door and down the street to the grocery store. Q was quite, U was us.

Braille was dots in a cell, lots and lots of cells. Each cell was a three-story building at dusk, the lights on in certain windows, not others. Each book was a city, where he and his mother looked through the windows, their fingers pressed to the panes.

Outside it’s beginning to snow. And each snowflake is a different character in the Complete Works of Beauty, which contains no mistakes that he has ever been able to find. And he has looked—he has looked his whole life—but has never found a single mistake.


Paul Hostovsky makes his living in Boston as a sign language interpreter and Braille instructor. His latest book of poems is Pitching for the Apostates (forthcoming 2023, Kelsay Books). Website: paulhostovsky.com

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