Tag: moments

It’s the Kind of Thing

Poetry by Melanie Faith

if I wrote it you might
not believe me, but I’ll
write it anyway.

For a second, I mistook
riffs of an electric guitar
on the radio
of a passing car

for a stray cat or kitten
and looked up
from my book
for a tail and a lean cat needing care.

The breeze held ice and calm
and September hope in it,
though still plenty of August
in the sun, in the hot pink
of potted deck geraniums. It wasn’t

the velvety electric blue,
nor the soft ebony
of a dress, nor the yellow almost green
said to bring happiness,

but it did: the root-beer brown butterfly
with buff and dun and a patch of white
like a paintbrush smudge
on its one wing, as if made with

too-wide bristles and wrong for the job—
with flowers not a foot away, he landed
on my right kneecap
of my soft green velour pants—even when

I moved just slightly and uncrossed
my crossed legs, he kept his perch
astride my kneecap. Antennae, black
buggy eyes scanning sideways

as I studied him
wings at rest, he stayed at rest on me.
It is no small thing to be chosen
by a child or a gown person as a confidant,
as a particularly close friend, is no small thing.

To breathe out, to breathe in
watching a brown butterfly
with a white smudge like perfectly imperfect
paint and the music floating over and
the morning radio as a song ends,

another song begins. Was it five minutes
or twenty or a touch of eternity
until the butterfly
lifts up and away again?


Melanie Faith is a poet, writer, educator, photographer, and frequent doodler. Learn more at melaniedfaith.com. Her craft books for authors through Vine Leaves Press offer tips on numerous genres. Her latest poetry collection, Does It Look Like Her?, follows Alix, a forty-something artist and the famous painting of her.

This morning

Poetry by Elizabeth L. Merrick

I wake up early for no reason,
sit down to breakfast
just as one moment it’s dark,
the next it’s not.

Orange rays land on the pine table,
catching the round loaf,
lighting up its fresh crust.

A small crockery pot of strawberry jam
is bathed in apricot.

The polished bread knife reflects
celestial sparks.

Silently I give thanks for this light
from unimaginably far away,
this bread provided by unknown hands,
this dawning moment.


Elizabeth L. Merrick’s poems have appeared in journals including Gramercy Review, Stone Poetry Quarterly, Rue Scribe, and Muddy River Poetry Review. She has also authored scientific research publications and a guidebook on Boston’s historic house museums. She lives in Somerville, Massachusetts. Read more at ElizabethLMerrickPoetry.com

Darling Point

Poetry by Nathanael O’Reilly

You took me down to McKell Park on a hot
Monday afternoon, shared your favourite
sanctuary, showed me the harbour views,
the bridge, the opera house, yachts, islands,
harbourside mansions. We sat on a wooden bench
in sunlight, ate a ploughman’s lunch, sipped Solo
while you described your life in the neighbourhood,
the countless hours spent reading, relaxing and meditating
in the park. We climbed down to the water’s edge
where you showed me the locals’ place for a secluded
refreshing dip, safe from sharks and tourists’ eyes.
I watched a ferry dock at the wharf, pausing on its way
from Double Bay to Circular Quay, while you stood
in a yellow sundress facing the water, one hand grasping
the fence while you talked to your brother on the phone.
You showed me the foundations of Canonbury House
while explaining the history of the park, walked
with me along the waterfront to its eastern limits
in the shadows of a mansion. We sat in the shade
on Gadigal country conversing about our past
lives, gazed out over the glistening water, stood
with arms around each other’s shoulders
squinting into the sun attempting to capture
a selfie, preserve a rare moment of union.


Nathanael O’Reilly is the author of fourteen poetry collections, including Terminals, Separation Blues: Poems 1994-2024, Dublin Wandering, Landmarks, Boulevard and Preparations for Departure. He is Associate Professor of Creative Writing at The University of Texas at Arlington.

A Collection of Three

Poetry by Philip Davison

For Instance

Dents in cars
red ivy
enormous trees,
you don’t want to
miss these
when out
buying sausages
or looking for love.


The Living of a Life

There and back
is the sum of it,
though that can’t be confirmed.


Celebration

Planning a play date
with her best friend
over the phone
she says –
‘The first thing we’ll do
is put on our masks and hug.’


Philip Davison lives in Dublin. He has published nine novels. Quiet City is his most recent work. He writes radio drama, has written two television dramas and one stage play. He co-wrote Learning Gravity, a BBC Storyville documentary on poet and undertaker, Thomas Lynch. His poems have appeared in various journals.

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