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Tag: mother/daughter (Page 3 of 3)

My Mother, Feminism, and Barbie

Nonfiction by Anna Stolley Persky

When I was about five or six-years-old, I asked my mother for Barbie dolls. I also wanted the Barbie Dreamhouse, which had an elevator. My friend had several Barbie dolls and a Ken doll, along with the Dreamhouse, and we would spend hours dressing the dolls and sending them up and down the elevator, only to change their outfits again and send them back up and down the elevator. We had to hide the Barbies and Ken if my friend’s brother approached us because he would pop their heads off, but other than that, I found my Barbie time to be tranquil and wanted to replicate the experience at home.

It was the mid-1970’s, and my mother, who was just returning to work after having three children, was dabbling hard with feminism. Barbies, she said, did not represent our values. Barbie was a bad role model. Her body was unrealistic. Barbie, my mother said, was all about materialism. She cared only about her looks and fashion, maybe Ken.

My mother said she didn’t want me to become materialistic. She refused to buy me any Barbie dolls. I cried. My sister, five years older than me, comforted me, but didn’t relate at all. She had no interest in dolls of any kind, and also hated to dress up, which my mother made us do when we visited her side of the family. Sometimes my mother had the three of us wearing matching dresses embroidered with kittens. We even had matching brown tights.

But at Barbie she drew the line.

I kept asking for Barbie dolls. I longed to be handed a gorgeously attired Barbie with tiny high heels, still in her box, waiting for me to free her and undress her, then dress her again.

One afternoon my mother presented me with a garbage bag filled with naked hand-me-down Barbie dolls, their limbs tangled against each other, their hair knotted and matted.

“Here are your Barbie dolls,” my mother said. She then handed me a sewing kit. “If you want to dress them, you’ll have to learn to make their clothes.”

I didn’t touch them. I gave up on asking for Barbie dolls. I moved on to toys my mother wouldn’t find objectionable. But a simmering anger stayed with me. Even at that age, I knew that while my mother had made her point with dramatic flair, she had done so at my expense.

I grew up, went to college, then started applying to law schools. My mother asked me if I was sure I was smart enough to compete with all the young men in law school, and I remember thinking, ah there’s the mother I know, still one foot in and one foot out of the feminist movement.

After my first semester of law school, I flew from California to stay with my parents in their new house in Maryland. My mother led me on a tour around the house that she had decorated. We came to her study, and a giant glass-fronted cabinet filled with her latest hobby – collecting Barbie dolls. There were some traditional Barbies, dressed in pink or evening gowns, then one with roller skates, a cowgirl, a Barbie in a suit. Several of the dolls in her collection were from the 1970’s, some of them still pristine in their boxes. She’d also bought a tongue-in-cheek black market White Trash Barbie.

“You have to be f***ing kidding me, Mom,” I said, shaking, livid. “F***ing Barbies?”

My mother quickly reprimanded me, as she always did, for cursing. Then she asked me why I was so angry.

“You didn’t let me have Barbies, remember? They aren’t feminist.”

“I don’t remember that,” she said. “Or maybe I do. But that was a long time ago. See, they have career ones now.”

“Yeah,” I said. “I hate your dolls.”

My mother’s face crumpled. At that time, I loved to try and make my mother cry. If I succeeded, I felt happy and then overwhelmed with guilt. She started crying. I apologized, but for years, she couldn’t mention her Barbie collection without igniting in me a seething fury. Maybe she mentioned it to see if I would still get angry, and I responded in a sharp, spiteful way to see if she would still get upset. Maybe we needed to know that we were still connected enough to elicit emotion from each other.

My sister was unfazed by the Barbie collection. She told me in private they were ugly, but she didn’t care what our mother collected. She had plenty of leftover anger from our childhood and failing to meet our mother’s conflicted expectations, but none of them involved dolls.

“You were my real live baby doll,” my sister said to me years after our mother passed away. “Why would I want anything else?”

After about ten years, my mother sold off most of her Barbie collection, doll-by-doll. Each time I visited her, there would be a few less of them in the cabinet.

I inwardly celebrated their quiet disappearance. I said nothing to my mother for fear that my response would somehow change her mind, produce a rebellion against me, convince her to start collecting them again. It wasn’t long after that that I had my own babies, twins, to dress in matching outfits, but by then my mother was too weak to hold them.


Anna Stolley Persky, a lawyer and award-winning journalist, lives in Northern Virginia. She’s pursuing an MFA in Creative Writing at George Mason University. Her fiction has been published in Mystery Tribune and The Plentitudes. Her creative nonfiction has been published in Pithead Chapel.

Just a Glimpse

Nonfiction by Pat Hulsebosch

Scratchy stubble on long muscled legs. That memory from my 12-year old self comes unbidden in a lifetime of moments. Powerful for its uncharacteristic intimacy, and for its peek into a mother I seldom saw.

Our new color TV was reason enough to gather, and Sunday night was special. First came the magical fairy dust over Cinderella’s castle alerting us that Disney’s Wonderful World of Color was about to begin. The Ed Sullivan Show at 9 pm was a stretch, since tomorrow was a school day. But tonight, the star was Topo Gigio. I knew Mom hoped this squeaky-voiced charmer would occupy us while she got things done.

My younger sister and brother watched from the couch’s comfort, leaving me, the oldest at 12, to the maple rocker. Disdainful of that option, I sprawled at my mother’s feet as she perched stiffly in her recliner. A whiff of fresh paint mingled with the smoke of Mom’s cigarettes laced with Youth Dew as I leaned against her legs.

My brother’s and sister’s eyes were riveted as the diminutive puppet skipped onstage, pirouetting and bowing. But I had more important things to think about. My fingertips skimmed Mom’s calves as the sound of opera mixed with Topo Gigio’s giggles filled the air. Mom’s legs softened against my spine and I glanced up, knowing that my explorations could continue only as long as they went unnoticed.

We had recently settled into this new brick colonial. Our Texas to Florida move had followed my father’s fishing business. This house had been the lure that drew my mother across the Gulf, marking her success as a wife as my father’s just-built steel-hulled boat marked Dad’s cutting edge reputation in shrimping. With that boat Dad could now trawl farther and farther out into South American waters, staying for eight or more months at a time instead of the usual three. We barely noticed the difference.

Mom was usually on the move, bustling about, finding work where no one else would know to look, famous for trailing behind us, scrubbing floors as friends entered the front door. But tonight seemed different as she tenderly selected deckle-edged photos, one-by-one, from well-worn shoeboxes.  Strange behavior for such an unsentimental woman, a fact attested to by my  baby book, blank after the first page.

I was preoccupied with legs since I’d recently started shaving my own peach fuzz. Rumor had it that the razor magically left you with the smooth sleekness that every woman longed for. So far, I only been able to manage bloody nicks. As my hands ran up and down Mom’s womanly legs, I was startled by coarse prickly hair scattered from ankle to knee. Expecting the silken smoothness promised in Nair ads, I felt betrayed.  

Ugh, is this what I have to look forward to? I wondered.

Mom glanced down.

“Patty, what are you doing? Stop rubbing my legs!” she scolded.

Caught, knowing I’d violated unspoken rules, I steeled myself to be banished. Instead my mother’s voice softened. A faint smile crossed her face, coupled with a faraway look. I was fascinated. Smiles were almost as rare as touch in our house.

“You know, my legs have always been my best feature,” Mom crooned. “When I was young my nickname was ‘Gams’ because I had terrific legs. See, take a look at this.”


Mom held out a snapshot. I recognized the Jersey Shore beach from summer visits to Grandma’s. A young woman stood on the beach on a bright sunny day, staring boldly into the camera, smirk on her face, hand on hip, as if she was in on a joke told just before the shutter clicked.

That’s my mother, I thought, noting the crisply ironed man’s dress shirt trailing over a barely visible two-piece Miss America bathing suit. Her bobbed brunette hair, flipped on either side to frame her face, seemed untouched by the sun and surf. The jaunty angle of her pose made this woman look ready to take on the world.  

Her legs do look pretty good. Lean and strong and very long. Maybe I’ll have Mom’s legs when I’m older.

I was yanked back from the future by Mom’s voice as she continued.

“We were always fooling around, playing ball, hanging out at the beach, wandering around town,” Mom recalled.

“I felt like such a kid with this crowd. I was the baby in the family – really an afterthought,” she added. But I had brothers and sisters who looked out for me, and nieces and nephews who were my age,” she explained.

“How old were you there?” I asked.

“I was 28,” said Mom. “I’d come home from secretarial school in New York City.  No job, no ambitions. Just having a good time, playing ball and going to the shore,” she added with a twinkle in her eye. “Then, two years later, your father proposed and friends said I’d better say yes since I this might be my only chance.”

Topo Gigio bowed and left the stage. I held my breath, longing for more, even as I began to inch away, sensing we were done. My mother stiffened as she stood up and briskly shoved the shoeboxes back on shelves.

“Bedtime you kids,” she commanded. The moment passed as suddenly as it had arisen.

As I drifted to sleep, I reveled in the brief transformation from dutiful, detached Mom, husband perpetually at sea, to another mother. Mom as the baby in the family. Mom as an overgrown kid in her twenties. Mom with the gorgeous gams.

Waking early next day I ran downstairs for another peek at the photos, another glimpse at a young woman with her life ahead of her.

Gone. The shoeboxes had disappeared.

But I’d now had a glimpse of possibilities. Possibilities of playfulness. Possibilities of intimacy. I vowed I would be that kind of woman and that kind of mom. Long muscled legs that went on, maybe even danced, scratchy stubble and all.


Pat Hulsebosch is a queer Pippi Longstocking wanna-be who writes about cultures and identities in a never-boring life of teaching and learning. Her work has appeared in literary journals including Columbia Journal, Lunch Ticket, Furious Gravity, Grace & Gravity, Vol. I, and The Washington Post.

Places I Have Unexpectedly Found Tears

Poetry by Samantha Ashe

a spin class,
the final song
that one collective push
the recognition of each other
in this synchronized struggle

a Macy’s,
after overhearing an adult woman
refer to her mother as “Mama”
the softness of its sound
the summoning of sweetness
the remembering of my own

in traffic,
interstate 5 heading north
the woman by herself
a passionate steering wheel drum solo
head swaying
screaming the words
witnessing a spirit
unleashed

the bathroom,
in the middle of the night
the fifth ungodly night of no sleep
palms cradling my face
pleading to the sleep gods

in my daughter’s room,
watching as she tucks
each of her babies in for bed
the gentle timbre in her voice
the tactile tenderness of her hands
the hope
       that maybe
            she learned this from me


Samantha Ashe lives in the Pacific Northwest with her husband and daughter where she works as a personal trainer and fitness instructor. She spends her free time writing next to an open window or in the woods, chasing summits and sunrises.

A Lifeline

Nonfiction by Gail Purdy

The afternoon was grey with light rain. No different than any other day during the winter months. The world appeared softer through the rain-spattered windshield as I sat motionless in the car outside my mother’s apartment building. I felt the deep heaviness that had made itself at home in my body. What else did I need to do before I went home and cocooned for the night?

My cell phone rang just as I turned the key in the ignition. The woman’s voice sounded harsh coming through my car’s audio system.

“This is the Director of Care at Evergreen Baptist Care Facility. Is this Gail?”

“Yes, it is.”

“We have a bed for your mother. You have until tomorrow to decide if you want it. If you do, you must move your mother into the facility within 72 hours. Normally it is 48 hours, but you have an extra day because of the New Year’s holiday.”

The idea of my mother moving into a long-term care facility was something I didn’t allow myself to think about. I didn’t want to hope. Was it possible that this journey of caring for my mother might soon end? Was someone throwing me a lifeline, and I just needed to grab hold of it? Could I grasp hope and not let it slip through my fingers?

It had only been two weeks since the case manager visited my mother to assess if it was safe for her to continue living independently. The regional health authority would decide if my mother qualified for a ‘subsidized bed’ in a long-term care facility. A decision that was weighted heavily on how many authorized services my mother was currently using. Any assistance I contracted privately to support my mother didn’t count. “I only gather the information and present it to the assessment team,” the case manager told me. “Every care facility in your immediate area has a six to nine-month waitlist. So don’t expect your mother to move soon if she is approved.”

What did live independently really mean? The only reason my mother had been able to live alone in her apartment over the last several years was because of me. She had fallen five times in less than four months, and each time I found her lying on the floor, not knowing how to call for help. When she stopped bathing, I arranged for someone to assist her. When she could no longer make sense of microwave instructions to reheat prepared meals, I hired someone to purchase groceries and prepare meals for her. Afraid of falling again, she had become reluctant to leave her apartment.

Fingers deformed by arthritis made it difficult for her to remove medications from the pharmacy-sealed blister packs. Yellow and red pills were found among the forks and spoons in the kitchen drawer, and a zip-lock sandwich bag containing a handful of pills sat near the toaster. Evidence of what had been lost and retrieved over time.

Each square on my mother’s large calendar contained the names of people who came to help her each day. Confusion set in each time she looked at it or when someone showed up to help her. “Why are you here?” she asked. “I don’t need any help.”

#

As the woman on the phone continued to speak, I heard her voice, but I couldn’t respond.

Frustration and anger had taken their toll. Trying to manage the needs of my aging mother was crushing me. As hours turned into days and days into months, I felt fragile. Feeling myself slowly breaking apart, I wondered if I would be lost in the shattering. Self-preservation was screaming at me. Responding to these needs had become a way of life for me, and I didn’t know how to be any different. And now I was slowly losing myself.

Anger bubbled just beneath the surface of my self-control. With a force and energy of its own, anger surfaced at will. I wanted to live my life, not my mother’s. She no longer knew how to keep herself safe, and I was anxious about what might happen when I couldn’t be with her. I was afraid of losing her, and at the same time, I wanted her gone. Fear and anger wrestled inside of me, each fighting to take control.

#

Only a few seconds had passed as images from the last year flashed through my mind. I slipped back into the present, aware of the rain on the windshield and the woman on the phone.

“Yes, we will take the room,” I heard myself say as numbness spread through my body. Fog descended over the streets as I drove home.


Gail Purdy is an emerging writer and multi-disciplinary visual artist living on the west coast of British Columbia. She is the runner up recipient of the 2021 International Amy MacRae Memorial Award for Memoir. Her story “The Parking Lot” was part of the 2021 Amy Award Anthology.

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