An Online Literary Journal for Poetry and Flash

Tag: music

Songs in the Subway

Nonfiction by Colleen W.

(Identifying names and characteristics have been changed.)

I was watering beebalm in my scraggly, but well-intentioned garden when a call came from a nurse. “Jason has had a difficult evening. He overturned a heavy table in the day room and tried to wrap a nurse up in a bedsheet.” I set the watering can down.

“He was put in five-point restraints,” she said.

Silence rang in my ears.

“I didn’t know they still did that,” I said, choking back tears.

I’ve been put in arm restraints before, but never also, leg restraints. My son and I both live with bipolar disorder and have required psychiatric hospitalizations.

A few days passed and he was what they termed as “clearer” and could have visitors. That evening on the way to the hospital I stopped at Subway. I hadn’t eaten lunch yet. When my son is in crisis, I often forget to eat.

I sat in a back booth with my tuna sandwich. I was taking a bite when a young man with long, curly hair and sheepish eyes wearing a green Subway polo, came up to me and said he liked my shirt. I looked down to see what I had on. It was a Grateful Dead t-shirt, the one where the skeletons are playing golf. I thanked him.

“I’ve never been to a show, but my dad went to a lot of them in college. He’s probably around your age,” he said.

“I’ve been to around 65 shows,” I admitted.

Talking about a time in my life I was fond of, lulled me, and I felt a sense of melancholy. The young man might have sensed my mood. “I have something for you,” he said, then turned and went through a door behind me.

I stared at a wilted browning piece of lettuce across the table. The familiar opening chords of “China-cat Sunflower” started to play. I listened to the music, in awe that a stranger would think to play a song for me.

My eyes welled up, but I focused on the beige table, my sandwich wrapper, the tip of my straw and willed myself not to cry.

When I was sure I had composed myself, I made my way to the counter. The kid who had disappeared to the back to change the music was mopping up by the register. He stopped to ring me up for a bag of Doritos I selected for Jason. I asked him for two chocolate-chip cookies.

“I want to get them for my son, but I’m not sure he can have them in an open bag. He’s in the hospital and there’s a lot of rules where he is,” I said.

He nodded and silently sealed the opening of the bag with a sticker.

I thanked him. The song had morphed into “I Know You Rider.” I pushed open the door, blinking at the blaze of the summer evening’s sun.


Colleen W. writes poetry and nonfiction. Her work has appeared in the Gyroscope Review, Ravensperch, and The Potomac Review, among other publications. She works in mental health, and is also a consumer of mental health services.

Birds at Dawn

Poetry by Sarah Das Gupta

A blackbird sings at break of day,
the notes cascading, trickling,
over sunlit tiles.
On the old flint wall
a sparrow chirps, cheekily
to an awakening garden.
A pair of thieving magpies,
black patches over each eye,
chatter like pirates
from the dark yew,
planning a surprise attack
on the treasures of the bird table;
while ring doves coo softly
from an avenue of ancient limes.


Sarah Das Gupta is a retired English teacher from Cambridge, UK. She has had work published in many magazines/journals including Bar Bar, The Bluebird Word, Cosmic Daffodil, Green Ink, Waywords, Shallot, Pure Haiku, Rural Fiction, American Readers Review, Paddle, and others.

Mysteries

Poetry by Rebecca Ward

Mysteries of bewilderment
trace night into darkness,
light casts reflection on keys
melody mirrors our souls:
entangled notes in creative freedom.

Rain kisses the window,
stories echo in musician’s fingers.
Sorrow-filled notes exude love, joy
full interludes escape into night.

Mirror captures moment, memories.
Wilderness of creativity
spins in random caution,
as unknowns shadow our thoughts,
our beautiful music.


Rebecca Ward is an adventurous, free-spirited woman. She is a full time member of the Mississippi Air National Guard. Writing poetry while immersed in music has once again found a home in her free time. This is her first published poem.

Jukebox

Poetry by C.T. Holte

Most nights, I am a jukebox.
Tunes play from the stash in my head—
               doo-wop to Debussy,
               Bach to Beach Boys—
chosen by a mysterious mechanism
and repeated as many times
as the system specifies:
               no Next button,
               no Mute switch,
               no Off to let me sleep.

The selection varies:
last night, the top hit
was Mozart’s Ave Verum Corpus,
               reprise of a piece I had sung recently
               at a choral workshop;
tonight, perhaps a favorite or two
               from American Bandstand
               or Casey Casem’s top forty countdown.

Music and memory are amazing gifts,
even at the price of sleep interrupted
by random hours of Deck the Halls
at any time of the year.


C. T. Holte grew up without color TV and played along creeks and in cornfields. He has been a teacher and editor, and now migrates between New Mexico and a tiny New Hampshire cabin. His poetry is found in Words, California Quarterly, Months to Years, Pensive, and elsewhere.

Jeffrey died healthy

Fiction by Mike Paterson-Jones

Jeffrey was a fifty looking, thirty-year-old man who was not good looking. He was overweight, with lank unkempt dark hair. He rarely smiled, mainly to hide his teeth which were crooked and stained. Jeffrey worked as a shipping clerk and his employer had him out of public view in a corner office. Jeffrey lived in rooms above the shipping business in a dingy street near the docks.

Jeffrey had no friends except the cat that came to his door every night for food. He did not have any family. He was an orphan. After work he always went to the diner down the road for a sausage, an egg and a large pile of fries liberally covered in ketchup. Having eaten, he would walk slowly back to his rooms where he lay on his bed and listened to the radio. He loved to listen to jazz guitarists such as Jimi Hendrix and Eric Clapton. He longed to be like them.

One evening he had an ice-cream as well. Afterwards he felt bloated and decided that he should go for a walk. Without noticing, he found himself away from the docks in a strange area. He was about to go home when he noticed that he was outside a pawn shop. In the window was a solid body guitar and amplifier for sale for a hundred dollars. It took him two days to pluck up the courage to go and buy the guitar, but once he had bought it, he only put it down to work, eat and sleep.

Jeffrey discovered that he had a talent for the guitar. Within months he was playing many of the pieces he heard played by his favourite musicians. As he played more confidently, he played his music more loudly. He didn’t need to worry about disturbing his neighbours as he didn’t have any after dark.

On the day that marked Jeffrey’s tenth year with the firm, his boss planned a party for him after work at the office. It was a Friday. Jeffrey had never had an alcoholic drink but was persuaded by his colleagues to have a beer and then another. He liked the feeling the alcohol gave him and became more talkative. He told his colleagues about his guitar. One of them suggested that Jeffrey get his guitar and they all went to McGinty’s along the road. Friday was ‘Talent Night’ at McGinty’s.

Well-oiled by five beers, Jeffrey stepped confidently up to the microphone and played and how he played. He was a virtuoso on his pawnshop guitar. The crowd in the bar stopped drinking and talking and just listened. Jeffrey played until he was exhausted and very drunk, a condition that seemed to have little effect on his guitar playing ability.

Jeffrey woke the next day with a massive hangover. As he gradually surfaced, he discovered several things. Firstly, he didn’t really like alcohol. Secondly, he had left his guitar at McGinty’s and finally discovered that he had an agent. According to what was written on a folded McGinty napkin, his agent was a Sue-Beth Combrink. He did vaguely remember her. By that evening he felt somewhat better and made his way to McGinty’s where he was greeted fondly by the bar’s patrons.

Jeffrey asked for Sue-Beth. The barman explained that Sue-Beth was a ‘lady of the night’ and wouldn’t be in for another hour. When Sue-Beth arrived, she went straight up to Jeffrey and greeted him with a kiss. She was a blousy blonde nearing her ‘sell-by-date’ in her profession. Sue-Beth sat a bewildered Jeffrey down in a booth and explained that as his agent she was going to put him on the map on the local music scene. Jeffrey just said nothing and listened. She told him that one of her clients was a music promoter who had a loving wife who would not like to know about her, Sue-Beth.

The next few months passed in a busy blur for Jeffrey. Sue-Beth paid for new clothes for Jeffrey, who now did three gigs a week at McGinty’s and had stopped being a shipping clerk. She enrolled him at a gym and personally cooked all his meals, healthy meals. Sue-Beth took him to a dentist who removed all his front teeth and replaced them with implants. The new Jeffrey was trim and good looking, and his fans loved him. She also applied pressure on the music producer and in less than a year Jeffrey had two albums in the US Top 40.

Jeffrey was making a lot of money, closely controlled by Sue-Beth. She did however allow him to buy himself a 1968 Ford Mustang. It was black with white upholstery and its chrome gleamed. Jeffrey loved to drive it fast. One night he took the Mustang onto the freeway. He was going along the straight at well over the ton and approaching a curve. He took his foot off the accelerator, but it remained depressed. The accelerator cable was stuck.

The police found a dead Jeffrey in the mangled remains of the Mustang. It had missed the curve and hit a large tree on the road verge. Sue-Beth was momentarily upset but quickly consoled with a hefty insurance payout. She continued to live, wealthy, but at least Jeffrey died healthy!


Mike Paterson-Jones is a retired chemistry professor living in the UK.

Salsa y Reggaeton Went Silent

Poetry by Gigi Guizado

Salsa y reggaeton went silent
No soundtrack to my dreams

Don’t know what it means…
My soul was lonely

I surfed
and thought moonlight becomes you

drawing me closer
as if I were the tide

You have trouble sleeping too
Don’t know why…

Sometimes you make my heart sing anew
like light sparkles on the water

Or hips, feet, arms entwine
keeping time on the dance floor

Don’t see you much anymore
in and out like the radio

on a country road

Your rhythm stays with me
like the shore recalls the sea

Moonbeams shine on all things
solid, liquid, no matter the distance

More faithful than sound
face in the sky sings his silent lullaby

Sandy-eyed memories rock me to sleep
Dreams are the drumbeat of motivation


Gigi Guizado is an actor, writer, and theatre translator based in Las Vegas. Her micro-plays have had productions or staged readings in San Francisco, Las Vegas, and London, UK. Her poetry and translations have been published by Adelaide Literary Magazine, Another Chicago Magazine, and Asymptote Journal.

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