Tag: nature (Page 1 of 7)

bird dreams

Poetry by Jon Raimon

Waking to bird talk,
I wonder.

Did they wing into
my dreams?

Gather twigs and spring fluff to nest in
my wishes?

I stumble up, feel the fool,
yet sense they are on my side

               with hoots and jests
               coos and kindness.

They gossip and advise,
each note thrilled with care.

Thank you for swooping
into my hopes.

Know I will, clumsy and earthbound
as I am, try to always listen to

your love calls and unexpected tittering,
your joyous racket and grand laments.

Listen skywards, as you warble your way
into daymares and night longings

               a feather touch so light we don’t even know how it heals
               our wounds, soothes our grief

a clarion caw, warnings to feel, to
protect these skylands we breathe in

together,
a revelry we must heed and celebrate.


Jon Raimon teaches writing in Ithaca, New York. He writes along with his students, focusing on poetry and short fiction. His inspirations include his children and students, everything within, and all kinds of rocks.

Squirrel Ladder

Nonfiction by Kelly Kolodny

Cat hair piled up on the old shaggy carpet. The sturdy pine coffee table, built by my younger brother when he took woodworking in high school, was topped with several years of Better Homes and Gardens. A persistent stale odor wafted around furniture and throw pillows worn thin. As I sat with my parents in the den of their small ranch-styled home, week after week, I felt fatigued and overwhelmed. We had reached a point when important decisions needed to be made regarding their care, resulting in changes for them and how they would spend their remaining years. Sensing my worries and stress, their long-haired rescue dog, Caleb, often put his head in my hand. Their five cats gathered around me, bidding for my affection. Noises from outdoor feeders reminded me of my parents’ sense of protection and care for the natural world. Changes in my parents’ lives also would result in adjustments for the outdoor wildlife they supported.

Mom’s stroke occurred a few years before dad’s heart attack. Not physically visible, the stroke was a fog that rolled in and changed her interactions with others signaling something was not right. A cancer diagnosis and dementia followed. When dad had his heart attack, the doctors were unsure they would perform surgery since he was in his mid-nineties. He told them he had a family who cared for him, a garden that needed tending, and a will to live. An orchestra of voices from dad’s extended family persuaded the doctors to move forward with the surgery.

Like many seniors, my parents’ social security covered less and less of their living needs. When they became ill, I began to sift through their finances and started to understand the full extent of their fragile economic circumstances. To help, I brought groceries each week—canned tuna, bread, apples, bananas, crackers, and pre-made meals they could heat up in the microwave.

Weekly visits followed a similar routine. Unload food. Try to complete some household chores. Talk. If I was less stressed, I might have understood more clearly what my parents shared during those moments. Personal memories and life lessons were offered that later became cherished gifts.

During one visit, I remember Mom walked into the kitchen to get a drink.

“Do you want something to eat, Kelly?”

“I’m fine,” I replied.

“Oh, come look who’s in the bird feeder. It’s Timothy.”

I pulled myself up from their tattered brown couch to look at the feeder and set my eyes on Timothy, a good-sized squirrel with a fluffy tail curved into a half-circle. He filled his cheeks with seed as he rested on the edge of the feeder. Soon Timothy was joined by another squirrel. Traveling up a narrow wooden ladder my dad built, the squirrels easily reached the rectangular feeder at the window level. Enchanted with birds, my parents equally were taken with squirrels.

Feeling bold, I questioned mom about their care for squirrels.

“Some people try to keep the squirrels out of their bird feeders. They want the birds to have the seed.”

I had an idea of the response I would receive and was not surprised by it. Dressed in her Sears sweater and loose blue jeans, mom cast me an indignant look.

“Not us. We love squirrels. As a matter of fact, several of them live in our attic.”

I was not taken aback by this statement. When I was at their house, I heard noises coming from the attic which none of us had entered in years. Aware that squirrels were not helpful for the upkeep of the house, I nonetheless appreciated my parents’ care for them. They had formed a relationship with squirrels. They watched them through the kitchen window and noticed their expressions as they ate. They talked with them. The ladder was a bridge connecting my parents’ lives, filled with family, pets, and regular medical appointments, to the natural world.

“Mom, how do you know the squirrel in the bird feeder is Timothy? Can you tell them apart?”

“Not really. We name all of the squirrels Timothy. We want them to have names. Naming is important. But it would be hard to remember all of their names, especially at our age.”

Naming, similar to building a ladder, brought them closer.

After gazing out the window for several minutes, I watched mom as she sat down beside dad on the couch. Lucy, one of her feisty orange cats, burrowed into her lap and mom instinctively kissed her. Caleb slept at my parents’ feet. My parents were not ready to let go of their independence. They still had some things to share with each other and their family. We needed to continue caretaking in this manner for a while longer.


Following his heart surgery, dad stayed home for two years before he died. Mom’s dementia progressed to a point where she no longer remembered her husband died. She couldn’t recall her grandchildren’s names. When we moved her into a nursing home, we divided the pets so they were kept safe and in the family. Caleb became my dog, sitting beside me in the evenings while I planned lessons and graded college papers.

My brothers, their wives, my husband, and I spent months cleaning out and painting my parents’ home in preparation of selling it. During one of my last visits, I walked through every room. It was old, clean, and empty. There was nothing left, except the feeder and the ladder which I eyed when I looked out the kitchen window. Since the feeder no longer contained seed, Timothy did not visit. This bridge was broken—though the lessons connected to the ladder carried forward.


Kelly Kolodny is a professor of education at Framingham State University in Massachusetts. She has written a variety of academic articles and books. She also has composed book reviews for the Southern Literary Review.

Answering the Owl

Poetry by Russell Rowland

Young campers, school resumes!
A photo online shows you roasting hotdogs
on sticks over a campfire.

You’re only ten years old in this world once.

You may never roast hotdogs
over an open fire again—but will remember
that sizzle and first bite many times,

as when faced with a surprise quiz on fractions.

You’re blossoming now,
like asters, mums, and ubiquitous goldenrod.

In a way, you’re annuals, in a way perennials.
In a way, you’re springtime
in autumn. We who love you are just autumn.

Say there was an owl overnight
at the campground, asking who cooks for you,
who cooks for you-all.

If you were awake, you could have answered
the owl: We roast hotdogs now—

we’re learning to cook for ourselves, thank you.


Russell Rowland’s work appears in Except for Love: New England Poets Inspired by Donald Hall (Encircle Publications), and Covid Spring, Vol. 2 (Hobblebush Books). His own poetry books, Wooden Nutmegs and Magnificat, are available from Encircle Publications. He is a trail maintainer for the Lakes Region (NH) Conservation Trust.

Enjambment

Poetry by Clarence Allan Ebert

True Japanese Maple saplings
sprout from innocent seeds of love
wine-red leaves that whisper their purpose
to the wind each new day
when passers-by on a stroll
in sunshine or shade all the same
delight themselves to wander
through a neighborhood unlike yesterday’s.

My poems as well derive a lyric or two
from the whisper of yesterday’s Delight
or Sarcasm all the same on a stroll
gathering one brief then longer verse
undisturbed until voices blow clearer
my purpose in a wind against my brow,
each new thought chooses not to wander,
the stanza’s wing is no longer innocent
breaks off in a twist, unlike Shakespeare’s pentameter.


Clarence Allan Ebert first published a poem in 1977. He writes what falls on his head and revises and revises and hopes one day he might be as good at this craft. He resumed his chair in the parlor to write poetry again during COVID.

The Blizzard

Poetry by Sheryl Slocum

hurls itself
at the storm door
bodies
of snowflakes
shatter

my shuddering porchlight
illuminates
a cacophony
of chipped sparks
glints of rainbow
that whirl back
into seething dark

I sense
a being that waits
just outside
the feeble light

too lovely
and terrible
for flesh
to bear


Sheryl Slocum, a retired English language teacher, lives in West Allis, Wisconsin. Her poetry appears in numerous literary publications, and her book, Leaving Lumberton, was published by Wipf and Stock in 2022. Sheryl is a member of the Hartford Avenue Poets and the Wisconsin Fellowship of Poets.

Shutters

Poetry by Michael David Roberts

All but children and birds care
to live their lives with an end game.

We adults prefer to walk narrow paths
usually leading to destinations.

But something always happens—
a major distraction in which

the locks are changed or the knobs
don’t turn, even just a little bit, all

unexpectedly, nothing predictable,
as it should be. And you don’t even know

if you are locked in or out. Sometimes
it is hard to truly be adult about this.

Often in the mornings, when
the dew has soaked the grass

and all the houses have their windows
shuttered, I can hear birds, all in synch,

like a room full of children who
have just discovered a small surprise.


Michael David Roberts is a retired community college professor who currently lives in Tumwater, Washington and spends much of his time walking through nearby forests. He has been published in The Comstock Review, Chelsea, Slipstream, Versedaily.com, and others. His book, The Particulars of Being, was published in 2004.

The Poet and the Pebble-Raker

Poetry by Stephen Cribari

White clouds, shredded
Like wool from sheep combed through thorn and gorse

I will sit here, under an endless sky
Until I am covered with falling in springtime snow
Of haw-blossom blown by the wind, until I am
White like the Cornwall hedgerow landscape, white
Like the beginning of time is white with first sunlight
Tumbling on the lilac and the rose

Then I will rise
And like the tide rake pebbles along the shore


Stephen Cribari resides in Minneapolis. His recent poetry appears in Writings from the Tyrrhenian Coast of Calabria (Rubbettino; English and Italian by Editors Margherita Ganeri and Maria Mazziotti Gillan); Voices Unbound; Freshwater Literary Journal; the Paterson Literary Review.  The Grammar Lesson was featured in the January 14, 2025, edition of Passager’s podcast Burning Bright.

How the Poems Land

Poetry by Kersten Christianson

We share the wind in this early morning hour,
the new leaves of the Japanese Maple, crimson,
skin-soft, fibrillate in genial breeze, fluctuate
in tandem with fish kite, murmuring wind chime,

and to the south, a poet friend meanders her rocky
shore, her dogs advance and retreat, loop to follow
each new scent revealed by tide and temperature,
while she gathers words among popweed, shell

debris. Poetry exists in breath, without formula.
Its thoughts gather like sea foam, words emerge
with the surface and bob of harbor seal’s head,
its eyes scanning shoreline, until poetic lines

land in a whisper-whoosh of baby waves shuffling
into the space between. The spring has been a dark
October, rain repeated by rain, yet the leaves green,
red-breasted robins frolic, the poems need writing.


Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in fall 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

The River God’s Daughter

Poetry by Angela Patten

Here I am on the river again
gliding my kayak past a row of turtles

their shells gleaming in the sun
like freshly washed dinner plates.

I turn to see a muskrat’s muzzle
parting the water like a butterknife.

Around a bend a heron stands
knee-deep in weeds and water

like my father in black rubber
boots fishing on the River Boyne.

Although he loved rivers and streams,
he hated the sea with equal fervor

distrusting its relentless waves
its monotonous unremitting motion.

But back to the heron and the mystery
of that bony beak, that frozen pose

that alien cranium with its opaque eye
the shriek and fluster of its wings

as it takes off creaking into the air
like an early flying machine.

Unlike my father, I loved the sea
and the cold consecration of salt water.

But now I am a convert to the river
that flows through marsh and mudflat

town and village, state and country
the wayward weather its only god.


Angela Patten is an award-winning Irish poet, author of five poetry collections and a prose memoir. Her work has appeared in literary journals and magazines in the U.S. and abroad. A native of Dublin, Ireland, she is a Senior Lecturer Emerita in English at the University of Vermont. Read more at www.carraigbinn.com.

May We Still Sing?

Poetry by Anne Makeever

Winter blows in late, its inevitability until now unsure. What relief
to watch a pristine obliteration of snow nearly bury the summer chairs
and limn the bare oaks that frame the cold cove.

I want to sigh over the softness, the muffling depth that quiets the day,
to feast on the fineness of black and white that turns O so heartbreakingly,
lavishly purple at dusk. Look, my eyes say, here’s beauty. I want to forget

that life is erasing. Bees, darkness, glaciers, monarchs can’t carry our weight.
The seasons shift, from white to green to orange, each a gift undeserved,
a psalm to savor.

Yes, my mother’s face was beautiful when she died, but the rupture remains.
Consolation comes in what will continue, in the scab that forms at the edge
of the tear then gives over to eventual scar.


Anne Makeever’s work appears in the Eliot Review, Plant Human Quarterly, RavensPerch, and River Styx. She holds an MFA from Washington University in St. Louis, where she also taught poetry and essay writing. She lives in Brunswick, Maine, with her partner and exuberant dog.

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