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Tag: nature (Page 1 of 7)

The River God’s Daughter

Poetry by Angela Patten

Here I am on the river again
gliding my kayak past a row of turtles

their shells gleaming in the sun
like freshly washed dinner plates.

I turn to see a muskrat’s muzzle
parting the water like a butterknife.

Around a bend a heron stands
knee-deep in weeds and water

like my father in black rubber
boots fishing on the River Boyne.

Although he loved rivers and streams,
he hated the sea with equal fervor

distrusting its relentless waves
its monotonous unremitting motion.

But back to the heron and the mystery
of that bony beak, that frozen pose

that alien cranium with its opaque eye
the shriek and fluster of its wings

as it takes off creaking into the air
like an early flying machine.

Unlike my father, I loved the sea
and the cold consecration of salt water.

But now I am a convert to the river
that flows through marsh and mudflat

town and village, state and country
the wayward weather its only god.


Angela Patten is an award-winning Irish poet, author of five poetry collections and a prose memoir. Her work has appeared in literary journals and magazines in the U.S. and abroad. A native of Dublin, Ireland, she is a Senior Lecturer Emerita in English at the University of Vermont. Read more at www.carraigbinn.com.

How the Poems Land

Poetry by Kersten Christianson

We share the wind in this early morning hour,
the new leaves of the Japanese Maple, crimson,
skin-soft, fibrillate in genial breeze, fluctuate
in tandem with fish kite, murmuring wind chime,

and to the south, a poet friend meanders her rocky
shore, her dogs advance and retreat, loop to follow
each new scent revealed by tide and temperature,
while she gathers words among popweed, shell

debris. Poetry exists in breath, without formula.
Its thoughts gather like sea foam, words emerge
with the surface and bob of harbor seal’s head,
its eyes scanning shoreline, until poetic lines

land in a whisper-whoosh of baby waves shuffling
into the space between. The spring has been a dark
October, rain repeated by rain, yet the leaves green,
red-breasted robins frolic, the poems need writing.


Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in fall 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

May We Still Sing?

Poetry by Anne Makeever

Winter blows in late, its inevitability until now unsure. What relief
to watch a pristine obliteration of snow nearly bury the summer chairs
and limn the bare oaks that frame the cold cove.

I want to sigh over the softness, the muffling depth that quiets the day,
to feast on the fineness of black and white that turns O so heartbreakingly,
lavishly purple at dusk. Look, my eyes say, here’s beauty. I want to forget

that life is erasing. Bees, darkness, glaciers, monarchs can’t carry our weight.
The seasons shift, from white to green to orange, each a gift undeserved,
a psalm to savor.

Yes, my mother’s face was beautiful when she died, but the rupture remains.
Consolation comes in what will continue, in the scab that forms at the edge
of the tear then gives over to eventual scar.


Anne Makeever’s work appears in the Eliot Review, Plant Human Quarterly, RavensPerch, and River Styx. She holds an MFA from Washington University in St. Louis, where she also taught poetry and essay writing. She lives in Brunswick, Maine, with her partner and exuberant dog.

Pulse

Poetry by Richard Levine

One morning alone, light came
and I understood everything
in the world belonged to itself.

The sky surrounded a heron,
and from a green curve in the creek
it rose on the broad majesty

of its loneliness and wings.
The noiseless blue paddling
of my pulse, timed it out of sight.

Above me, wind stirred trees
… is it any wonder stringed
instruments sing so sweetly?


Richard Levine, an Advisory Editor of BigCityLit.com, is author of the forthcoming Taming of the Hour: An Almanac with Marginalia from Fernwood Press.

Voices

Poetry by Marsha Howland

A solo artist sings in the
woods close by. Four notes,
a pause, then two and six
(three times). For several
minutes this bird loudly
performs. Then comes a
soft echo from deeper in
the woods. They sing a
duet, back and forth, his
voice growing more faint
each time he flies further
into the thickening trees.
By stages, song and
response move closer and
closer, until it almost seems
there is one voice, one song,
one small triumph in the
eternal progressions of
life. The nature of things:
You find your voice and, if
blessed, find another.


Marsha Howland‘s poems have been published in The Moon issue of The Black and White series, the American Journal of Nursing, and Waves (AROHO). As a senior at Wellesley, Marsha won the college’s Academy of American Poets prize. She had the privilege of studying with poets David Ferry and Frank Bidart.

Tree Song: Redwood

Poetry by Joanne Harris Allred

This giant has held its yogi-gaze
for over three-thousand years.
A spiral gash scores the two-foot thick

bark where lightning blazed
through the feathered tiers.
One would need five yard-sticks

to measure its memory’s ring-span,
its top too tall to be seen
from the base where one must stand

humbled. This monolith of deep green
silence began as a dark pinhead, coded
magnificence in profound concentration.

Then, like a black hole, the seed exploded
into a galaxy. For centuries its attention
has stayed one-pointed, each bough

and twig focused right here, right now.


Joanne Harris Allred has three full length poetry collections: Particulate (Bear Star Press, 2002), The Evolutionary Purpose of Heartbreak (Turning Point, 2013), and Outside Paradise (Word Poetry, 2024). She taught at California State University, Chico for many years and lives in northern California.

Like a Tree Planted by the River

Poetry by Rochelle Shapiro

As if summoned by a dream to this bench
along the Mohawk where cherry trees weep
pink and white blossoms that spill into the river,
I hear a congregation of birds:
                                        an oriole whistles and chatters,
                                        a blue jay performs its whispery song.
                                        Hidden among the reeds, a bittern
                                        thrums its low heartbeat like words
                                        that take shape as if spoken before.

This is my cathedral:
a roof of sky, a river edged with sedge,
the swordlike veined leaves of Sweet
Flag, the white bell-shaped flowers
that dangle from the arcing vines
of King Solomon’s Seal,
and the Fiddlehead Fern
that curls like my granddaughter’s hair.


[Author Note: Poem title from Psalm 1:3]


Rochelle Jewel Shapiro has published in The New York Times (Lives). Nominated twice for a Pushcart Prize and Best of the Net, her short stories and poetry have been published in Prism, The MacGuffin, Euphony, The Iowa Review, The Atlanta Review, and more. Find her at http://rochellejshapiro.com, @rjshapiro, and @rochelle.j.shapiro.

Gold Scattered on Grass

Poetry by Laura Hannett

The toad and crisp leaf are twins on the bricks.
Old milkweed pods flock with the sparrows.

Dandelions and finch, bright gold against green:
One swoops, and dips, and it seems as if
a flower’s been launched, a brash
and brilliant illusion of flight—

the moment winks at the indistinct edge,
catches you short

with the delighted confusion such mix-ups can bring,
living similes playing between wild things.


Laura Hannett is a native of Central New York and a graduate of Hamilton College and the College of William and Mary. Other work can be found in Last Stanza Poetry Journal, Neologism Poetry Journal, Verse-Virtual and Mania Magazine.

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Originally published in The Bluebird Word in February 2024.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

i am learning to be still

Poetry by Stacie Eirich

i am learning to be still,
to pay attention to each breath, its slow rise and fall,
to feel the soft spring breeze on my skin, its gentle rush and play,
to listen to the song sparrows in the air, cooing and calling
in the bright yellow sunshine of morn.

i am learning to be still,
to watch the dance of the butterflies, their colorful frenzy and flight,
to admire the grace of the bald eagle, silent and watchful from his perch,
to gaze upon the splendor of the mountains, their peaks rising against a vast expanse
in the warm orange glow of afternoon.

i am learning to be still,
to savor the taste of a tender strawberry, sweet and tart,
to let the rain wash over me in ripples, cool and refreshing,
to hear the harmonies of the juncos and thrushes, repeating and resonant
in the waning lavender light of evening.

i am learning to be still,
to seek a path of peace and wonder, intention and reflection,
to find the calm within each moment, blithe and smooth,
to experience the echo of the Earth’s heart, beating and thriving
in the endless blue waves of time.


Originally published in The Bluebird Word in April 2022.


Stacie Eirich is a writer, singer & library associate. A former English Instructor, she holds a Masters in English Studies from Illinois State University. Her work has appeared in multiple publications, and her latest book Hope Like Sunlight (Bell Asteri Publishing, December 2024) shares her family’s journey to fight her daughter’s aggressive brain cancer at St. Jude Children’s Hospital. Read more about Stacie and her writing at www.stacieeirich.com.

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