An Online Literary Journal for Poetry and Flash

Tag: nature (Page 2 of 5)

For the Love of Color: Ochre

Poetry by Linda Allison

Ochre is a wanderer
Embarking from deep yellow, it charts its way across the palette,
eventually landing somewhere in the vicinity of terracotta.
Ochre is the paprika in my soup and the cinnamon on my toast.
It is a farm-fresh egg, dark yolk dancing in the skillet,
and a hoo-doo rising from the floor of the Palo Duro Canyon.
It is the west Texas sky moments before the sun drops below the horizon.
My memories of Big Bend are all in ochre.

I am a study in ochre. Lids dusted, cheeks rubbed, warm golds and earthy red-browns,
Maybelline Autumn Copper and Almay Sunkissed Bronze
My hair and my sister’s hair, too, different ends of the spectrum: ginger and auburn
both now faded by the years

Isn’t it interesting that what ancient cave art remains was all drawn in ochre?


After forty years in finance, Linda Allison is enjoying a second life as a writer, photographer, and explorer. Her work has appeared in Bright Flash Literary Review, Pile Press, 2023 Utah’s Best Poetry and Prose Anthology, and others. Find her photography in Persimmon Tree and Burningword Literary Journal.

A Necessary Pause In Transmission

Poetry by Peter Devonald

Solace has a song for you, waiting, waiting, amongst the torrent.
If you don’t choose a day to relax your body will choose one for you.

Noise corrupts and absolute noise corrupts absolutely,
loud whirr of technology never stops, incessantly, ceaseless,

Instead sit in nature, listen, listen, to bird song and insects
reaffirm connections beautiful and obscure.

Take time to read, enjoy and endure your deeper self.
Be someone else, briefly, brilliant and captivating, memory.

Reconnect with friends, remember, remember, the times before
it all changed with vibrant neon, obsequious pleasures, glinting.

Recall the times before you weren’t connected to the miracles,
when simple pleasures were miracles enough to live exquisite.

You know what you really need, you always did, glimpsed
through endless noise and rain, you saw yourself, standing there.

The noise can wait a week without you, trust me, believe in me,
believe in silence, the seas, sagacious shift to embrace serenity.


Peter Devonald is winner of two Heart Of Heatons Awards, Waltham Forest Poetry and joint winner of FofHCS Poetry Award 2023. He has been published extensively and has two Best Of Net nominations. Poet in residence at HAUS-A-REST. Visit www.scriptfirst.com or https://www.facebook.com/pdevonald.

Blue Jay

Nonfiction by Liz deBeer

A blue jay landed in a planter by my window with something in its mouth. Not wanting to frighten it away, I froze, watching the indigo bird dancing around in a circle —tap, tap, tappity, tap —with what? A peanut?

Why the hell is a blue jay flying around with an unshelled peanut? Google knew: Apparently blue jays adore peanuts. Whole peanuts. In the shell, which they peck open, often gluttonously.

But this blue jay who landed in a planter by my window couldn’t crack the peanut shell. His head shook up and down, trying to puncture the peanut against the plastic planter’s edge: Tap, tap, tappity, tap again and again.

Finally, he turned to face me, peanut still intact. Looked me in the eye and spat out the nut before flying off.

I got up to inspect the planter by my window where the blue jay landed. Nestled among the roots of an almost dead pink petunia lay an unbroken cork-colored peanut hull.

Why the hell did the blue jay leave the nut, supposedly its favored treat? Was it merely a lazy blue jay who couldn’t penetrate the shell of a stubborn peanut?

Or was this a sign, this bird who landed in the planter by my window? A symbol of a guardian angel or my ancestors’ spirit with a message about longevity, fertility, or wealth?


Liz deBeer, an English teacher who resides in New Jersey, divides her time among many passions, including reading, beach walking, volunteering, and experimenting with different writing genres. Although Liz has published primarily in newspapers and teaching journals, she is working on writing YA novels and flash. Liz’s website is www.lizdebeerwriter.com.

This April

Poetry by Michael Carrino

Time can be a gentle quiz a dissonant tin drum
          Songbirds are silent

It continues to rain    Every village road is now
          a branch of the river

The past is a vintage red wine
          in some dark cellar

The future might only be
          black grapes

wasting on a vine as another
          ash-stained cloud

creates an illusion    Beyond
          the slate gray lake

every mountain must be burning


Michael Carrino was co-founder and poetry editor of SUNY Plattsburgh’s literary journal, Saranac Review. He has had nine books of poetry published, most recently, In No Hurry (Kelsay Books, 2021) and Natural Light (Kelsay Books, 2023), as well as individual poems in numerous journals and reviews.

Birthplace

Poetry by Alexander Etheridge

for W.S. Merwin

Out under clouds in the broad wheatfield
is a certain breed of silence
where only the perfectly hushed
give voice
Wind through the stalks
A sound of colors blending everywhere
in fine webs of shadow and light

After hours here you can start to sense
God’s breathing
like slow shifts in the clockwork
of ancient life
Then you may leave your body

as you lie in the delicate wheat
to return and find yourself
new once more
as you were long ago

your eyes wide
in the freshly formed world


Alexander Etheridge’s poems have been featured in The Potomac Review, Museum of Americana, Welter Journal, The Cafe Review, Abridged Magazine, Susurrus Magazine, The Journal, and many others. He was the winner of the Struck Match Poetry Prize. He is the author of God Said Fire (2023) and Snowfire and Home (Belle Point Press, 2024).

And Yet This Life

Poetry by Lisa Low

                                  Is still worth living;
even now the rain is falling, making
mud from dirt around the roots and filling
in the ragged spots where grass hardly
ever shows. Tomorrow, too, the sun
will bring its healing mix of heat and light,
and make the flowers grow, more firmly
capable, their fancy floral dresses
stiff, each new eye glazed with thick black stripe
of paint, each marigold more grandly
dressed, more rich with bright silk fabrics hung,
orange vests and epaulets . . .


Lisa Low’s essays, book reviews, and interviews have appeared in The Massachusetts Review, The Boston Review, The Tupelo Quarterly, and The Adroit Journal. Her poetry has appeared in many literary journals, among them Valparaiso Poetry Review, Phoebe, Pennsylvania English, American Journal of Poetry, Delmarva Review, and Tusculum Review.

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

Tanka for the New Year

Poetry by K.L. Johnston

cathedral of pines
capturing
                   light and silence
carpet of needles
shushing our footsteps
                                                 our breath
rising white
                  with songbird wings

 


K.L. Johnston is an award-winning haiku poet and author whose works have appeared in numerous literary journals and magazines. She holds a degree in Literature and Communications from the University of South Carolina and is a retired antiques dealer. You can follow her on Facebook at A Written World.

Artificial Lawn

Fiction by Amy Akiko

He flutters past concrete at the back of houses, knows the slabbed rectangles will not feed him. But look, up ahead, a square of green promise, his own emerald city of grass and worms and slugs and larvae. Swooping down, he prepares to peck into the lifegiving soil, but his beak is rebuffed by an unyielding ground―a manmade sheet of death for the fauna beneath.


Amy Akiko is an educator, journalism graduate and writer from South London. She enjoys creating various forms of fiction including poetry, children’s stories, flash and short stories. Her work is soon to appear in The Tiger Moth Review, and she is currently editing her first novel.

Last October

Poetry by John Surowiecki

The mountain laurel is as green as the
maples are orange. Deer visit as if on cue,
hoovering the seeds we left for doves
and newly arrived juncoes.

Anything to do with spring and summer, with lilacs
and irises and that wistful pneumonic yellow,
is long gone, escaped in the raw humidity of

night. The wigs of dead leaves
are already caught up in scattered whirlwinds.
It’s clear we don’t have much time together.

Rainwater that leaks from the driveway gravel
has pooled in unlikely places,
not the swales that engineering has intended.
The silence between a breath and the breath that

follows it seems to last forever. October
is no longer with us: you’ve taken its place.
It needs a new face, yours, a new voice, yours.

It needs your swallows and mourning gnats
your own phrase on the fiddle which everyone can hear:
you, the season of leaving, have your music too.


John Surowiecki is the author of fourteen books of poetry. His latest, The Place of the Solitaires: Poems from Titles by Wallace Stevens, was recently published by Wolfson Press. John is the recipient of the Poetry Foundation Pegasus Award, the Nimrod Pablo Neruda Prize, the Washington Prize and other awards.

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