Tag: nature (Page 2 of 7)

Like a Tree Planted by the River

Poetry by Rochelle Shapiro

As if summoned by a dream to this bench
along the Mohawk where cherry trees weep
pink and white blossoms that spill into the river,
I hear a congregation of birds:
                                        an oriole whistles and chatters,
                                        a blue jay performs its whispery song.
                                        Hidden among the reeds, a bittern
                                        thrums its low heartbeat like words
                                        that take shape as if spoken before.

This is my cathedral:
a roof of sky, a river edged with sedge,
the swordlike veined leaves of Sweet
Flag, the white bell-shaped flowers
that dangle from the arcing vines
of King Solomon’s Seal,
and the Fiddlehead Fern
that curls like my granddaughter’s hair.


[Author Note: Poem title from Psalm 1:3]


Rochelle Jewel Shapiro has published in The New York Times (Lives). Nominated twice for a Pushcart Prize and Best of the Net, her short stories and poetry have been published in Prism, The MacGuffin, Euphony, The Iowa Review, The Atlanta Review, and more. Find her at http://rochellejshapiro.com, @rjshapiro, and @rochelle.j.shapiro.

Gold Scattered on Grass

Poetry by Laura Hannett

The toad and crisp leaf are twins on the bricks.
Old milkweed pods flock with the sparrows.

Dandelions and finch, bright gold against green:
One swoops, and dips, and it seems as if
a flower’s been launched, a brash
and brilliant illusion of flight—

the moment winks at the indistinct edge,
catches you short

with the delighted confusion such mix-ups can bring,
living similes playing between wild things.


Laura Hannett is a native of Central New York and a graduate of Hamilton College and the College of William and Mary. Other work can be found in Last Stanza Poetry Journal, Neologism Poetry Journal, Verse-Virtual and Mania Magazine.

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Originally published in The Bluebird Word in February 2024.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

i am learning to be still

Poetry by Stacie Eirich

i am learning to be still,
to pay attention to each breath, its slow rise and fall,
to feel the soft spring breeze on my skin, its gentle rush and play,
to listen to the song sparrows in the air, cooing and calling
in the bright yellow sunshine of morn.

i am learning to be still,
to watch the dance of the butterflies, their colorful frenzy and flight,
to admire the grace of the bald eagle, silent and watchful from his perch,
to gaze upon the splendor of the mountains, their peaks rising against a vast expanse
in the warm orange glow of afternoon.

i am learning to be still,
to savor the taste of a tender strawberry, sweet and tart,
to let the rain wash over me in ripples, cool and refreshing,
to hear the harmonies of the juncos and thrushes, repeating and resonant
in the waning lavender light of evening.

i am learning to be still,
to seek a path of peace and wonder, intention and reflection,
to find the calm within each moment, blithe and smooth,
to experience the echo of the Earth’s heart, beating and thriving
in the endless blue waves of time.


Originally published in The Bluebird Word in April 2022.


Stacie Eirich is a writer, singer & library associate. A former English Instructor, she holds a Masters in English Studies from Illinois State University. Her work has appeared in multiple publications, and her latest book Hope Like Sunlight (Bell Asteri Publishing, December 2024) shares her family’s journey to fight her daughter’s aggressive brain cancer at St. Jude Children’s Hospital. Read more about Stacie and her writing at www.stacieeirich.com.

Found a poem

Poetry by Burt Rashbaum

I walk alone in pre-dawn lantern light
sometimes two golden
eyes stare back
other times a hundred
tiny golden orbs all
different heights on the move
a heard of elk
most times a sky of stars a sliver of moon
as the morning light still sleeps
as the bloodshot horizon teases
dawn from the night
a small circle of silver visibility leads the way
beyond its edges the darkness mute unknowable
like a dream.


Burt Rashbaum’s publications are Of the Carousel and Blue Pedals. His poems have appeared in Storms of the Inland Sea (Shanti Arts Press, 2022), Boats Against the Current, The Ravens Perch, Valiant Scribe, The Bluebird Word, The Seraphic Review, and The Nature of Our Times.

First Light

Poetry by Sam Barbee

Snow surrounds the wide pond.
Squirrels bound edges.
Silence begotten by still water.
Catalyst for green leaves,
and April hymn.

Crystal glaze bursts open in sun–
ice will submit, sepia dispelled
with winter’s consent.
                                                  Trees resemble
black keys against white horizon,
flats and sharps to swoon the rabbit
down the slope.
                                   Chill abides
with brown bear and cub.
Downey woodpeckers tap notations.
Nature’s fresh overture
                                                      spills treble,
underlies with bass notes–
morning song
and dirge alike.
                                  A red fox waltzes
extinction. Toppled trunks and stumps
ossify, and
                        shadows absorb imprecise
light. A lively etude evolves
with the immaculate meadow.

Evergreens sway, fallen cones
freckling drifts. Each impact
an apostrophe
                                 to this frozen canticle.
Dwindling imprints reminding
we dance alone.


Sam Barbee’s newest collection is Apertures of Voluptuous Force (2022, Redhawk Publishing). He has three previous poetry collections, including That Rain We Needed (2016, Press 53), a nominee for the Roanoke-Chowan Award as one of North Carolina’s best poetry collections of 2016; he is a two-time Pushcart nominee.

Above Omena Lake

Poetry by Sarah G. Pouliot

We lounge on the ledge of your grandfather’s dock
with two poles and a punctured cup of crickets,
watching snow geese ascend in an arrow,
black-tipped wings slicing dawn,
bellies blurred in billows.

Saltwater taffy cements to our molars;
toes wiggle in ripples, the whip
of your translucent line cracking
Omena’s mirror—when I tell you,
“I’m afraid of heights but not falling.”

Catapult me in the air—
a diving gannet searching for sardines,
a leaping Devil Ray, the sway of an oak
surrendering to wind like the smoke
from your after-breakfast cigarette.

Falling is familiar:
a scraped knee and sideways bike,
a plugged nose and cannonball plunge,
the plop of your soaring bobber brushing
the water like a sloppy morning kiss.


Sarah G. Pouliot is a poet and editor from Titusville, Florida. She believes that poetry has the power to bring stillness and meditative reflection in the midst of life’s chaos, and she hopes that her writing can do this for you—even if only for a moment.

This morning, I woke early

Poetry by Stacie Eirich

This morning, I woke early, stepped out
when eastern light was rising. A cool breeze
brought goosebumps. Two blue finches
flew fast, diving and calling from tree to tree.
The thick hanging branches of palms swayed,
hiding flashes of feathers beneath green tents.
The rumble of motors began to whir as the hour
turned, the roar of engines breaking through air
as titanium wings soared above, over and over
hulking giants of steel passing in dawn’s light.
The day bright with golden sun, the noise
of so much life, so much commotion.
My heart beats small, silent, my ears unable
to stifle the sounds throbbing around me.
I go back inside, sip my coffee, read a few lines.
Listen to the sounds muted, watch the light creep
over the trees, the rocks, the pool’s edge.
Watch how the water almost stills, its flow
small and constant, a moving blue-green mirror.
Feel how time moves slowly, how in this space
there is only air and light, cool and warmth,
flowing water and rough-hewn rock.
How they live and breathe in the midst
of our human clutter and noise and need
of so much, of more, of everything.
How the only thing they need is the rising
of rays to ascend heavenward— how the branches
reach the light, fingers of fronds dancing
beside a blue jay’s quick winged perch.
How when I step outside once more, my fingers
can’t quite reach, touch, my skin can’t feel
this brightness. My heart moored elsewhere, my soul
seeking peace in a place that can’t be mine. Even with
all this light, all this life— all these things.
What is enough? I wish to be a bird, to fly and call,
fleeing and free, quick and light as dawn, rising
with silver-tipped wings into golden sunlight. Here
then gone — bright, beautiful. A small burst
of feathered joy in golden sunlight, a brush of dawn, a rush
of feathers, a voice ringing loud, blue-silver streak
of a bright, exuberant heart.


Stacie Eirich is a mother of two, caregiver, and poet. Her book, Hope Like Sunlight (Bell Asteri Publishing, 2024), is an illustrated memoir benefitting St. Jude Children’s Research Hospital. Her poems have recently been published in The Amazine, The Bluebird Word, and Synkroniciti Magazine. She lives in Texas. Visit her at www.stacieeirich.com

Memory, a Satellite

Poetry by KB Ballentine

Oh, my grandmother’s hibiscus!
Her begonias were bright and beautiful,
but her hibiscus was magic. Sunbaked
and salt-sprayed, filaments and anthers
waving wild in Florida rain brewed an elixir
that made the hummingbirds chirp.
An instant brightness, that shocking red
(matching my skin one summer),
where bees hummed praises and nuzzled
into the honeyed hearts. Forget the oranges
bulging behind blossoms, hibiscus let me know
I was home—wherever I happened to be.


KB Ballentine’s latest collection All the Way Through was published in November 2024 from Sheila-Na-Gig Inc. Other books are published with Blue Light Press, Iris Press, Middle Creek Publishing, and Celtic Cat Publishing. Additional writing has been published in North Dakota Quarterly, Atlanta Review and Haight-Ashbury Literary Journal. Learn more at www.kbballentine.com.

Tracking the Fox

Poetry by Terra Miller

sticks and stones
encased in ice
shine in the eye
of the hidden sun.
her

pawprints hide beneath
fallen birch tree
and between broken
boulders.
she will not escape me.
but

while snowflakes fall into
the wind
making white mounds
of rubble
out of autumn

a voice creeps into my ear:
rest.
what have i
to lose
or gain?

i stand
ankle deep in snow
on a wet stone,
ready to sharpen my mind
with silence.

i’ll let the vixen tread another trail
for me to find tomorrow.


Terra Miller is a tired senior at Palm Beach Atlantic University in Florida. Her poetry has been published in Living Waters Review and Westmarch Literary Journal. Even though she’s had the opportunity to live in many states, she would call Hawaii her home, leaving half her heart behind after moving.

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