An Online Literary Journal for Poetry and Flash

Tag: nature (Page 3 of 5)

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

Tanka for the New Year

Poetry by K.L. Johnston

cathedral of pines
capturing
                   light and silence
carpet of needles
shushing our footsteps
                                                 our breath
rising white
                  with songbird wings

 


K.L. Johnston is an award-winning haiku poet and author whose works have appeared in numerous literary journals and magazines. She holds a degree in Literature and Communications from the University of South Carolina and is a retired antiques dealer. You can follow her on Facebook at A Written World.

Artificial Lawn

Fiction by Amy Akiko

He flutters past concrete at the back of houses, knows the slabbed rectangles will not feed him. But look, up ahead, a square of green promise, his own emerald city of grass and worms and slugs and larvae. Swooping down, he prepares to peck into the lifegiving soil, but his beak is rebuffed by an unyielding ground―a manmade sheet of death for the fauna beneath.


Amy Akiko is an educator, journalism graduate and writer from South London. She enjoys creating various forms of fiction including poetry, children’s stories, flash and short stories. Her work is soon to appear in The Tiger Moth Review, and she is currently editing her first novel.

Last October

Poetry by John Surowiecki

The mountain laurel is as green as the
maples are orange. Deer visit as if on cue,
hoovering the seeds we left for doves
and newly arrived juncoes.

Anything to do with spring and summer, with lilacs
and irises and that wistful pneumonic yellow,
is long gone, escaped in the raw humidity of

night. The wigs of dead leaves
are already caught up in scattered whirlwinds.
It’s clear we don’t have much time together.

Rainwater that leaks from the driveway gravel
has pooled in unlikely places,
not the swales that engineering has intended.
The silence between a breath and the breath that

follows it seems to last forever. October
is no longer with us: you’ve taken its place.
It needs a new face, yours, a new voice, yours.

It needs your swallows and mourning gnats
your own phrase on the fiddle which everyone can hear:
you, the season of leaving, have your music too.


John Surowiecki is the author of fourteen books of poetry. His latest, The Place of the Solitaires: Poems from Titles by Wallace Stevens, was recently published by Wolfson Press. John is the recipient of the Poetry Foundation Pegasus Award, the Nimrod Pablo Neruda Prize, the Washington Prize and other awards.

After the Blizzard

Poetry by Wally Swist

The fox prints puncturing the surface
of the snow after the blizzard
score its whiteness—
the same four notes pressing themselves
over and over again, in a meandering line
across a page, that is more silence
than music, but is still a melody that
can barely be heard,
shadows filling the tracks beneath
the pine branches shifting in the wind.

But it is the sound of the bells
that not so much startles me
as it offers me solace, ringing
from a distance, this soft chiming of sleigh
bells, until as it gets closer, it is more
of a whistle, the notes becoming distinct—
making me aware of its velocity, now
in flight, the tinkling call of a white-throated
sparrow, streaking close to my ear, melding
its voice with the streaming winter sunlight.


Wally Swist’s books include Huang Po and the Dimensions of Love (Southern Illinois University Press, 2012), selected by Yusef Komunyakaa for the 2011 Crab Orchard Open Poetry Competition, and A Bird Who Seems to Know Me: Poems Regarding Birds and Nature, winner of the 2018 Ex Ophidia Poetry Prize.

Magpie

Fiction by Andy Larter

First of all I hear their harsh clacking. There they are in the cherry tree, two of them, thank goodness, ying-yang, bold and brash. I hold a cup in one hand, towel in the other and, despite their reputation as nest robbers, I love their brilliant whiteness, their dark, glossy tails and wings.

They cackle me back to that time we heard a thud on the window, the one I am looking through now. We turned to see what made the sound and there on the window was the shape of a bird like an old photo negative–vague, ghostly, wings and all. Yvonne locked the cat away as I prowled into the yard. Under the window, stark against the earth lay the bird. I thought it had died but it quickened in my fingers.

Dad said they were evil birds. Yvonne said it’s not all black and white. “Look at that green and blue shimmering in its tail,” she said. He pointed out the cruel dark bill, the way they frighten smaller birds. Mum told us how they often taunted Patches, perching and cackling just out of the cat’s reach. Yvonne thought them clever creatures. She brought a shoebox, some cotton wool and a couple of writhing worms she’d collected from her bed of herbs, placed it on a shelf by the window in the shed.

“I’m going to take care of him,” she beamed. “Make him well again.”

Back indoors I saw the image of the bird remained on the glass and I gazed through it to the yard outside. I took a photo of the pattern, saw that moment through the bird’s eye, tried to focus on what it had seen.

The following morning, when Yvonne went to the shed, the bird had gone. Dad said he had found it on the floor of the shed pecking at crumbs and dust. “I thought it best to let it go,” he said, “and it flew to the aerial. Another one joined it and they went away.”

As I watch the antics of the magpies in the tree today and listen to their bold, aggressive chatter, I shrug and salute them. Then a vision of her magpie reappears in my mind’s eye and, beyond that, some blurred movement in the shed.


Andy Larter is a retired teacher, who, since retiring, has taken writing more seriously. He has had a few pieces published in local magazines and a couple online. He probably doesn’t submit enough but some friends encourage him to do more. He lives quietly in UK with his wife.

Raindrops

Poetry by Diane Webster

From the sculptured
metal of the sunflower head
beads of rain
gather like ripe seeds
dropping to the earth
for next spring’s sprout.


Diane Webster‘s goal is to remain open to poetry ideas in everyday life, nature or an overheard phrase. Diane enjoys the challenge of transforming images into words to fit her poems. Her work has appeared in El Portal, North Dakota Quarterly, New English Review and other literary magazines.

Bellflower

Poetry by Charlene Stegman Moskal

for Barnett

You were a surprise—
planted in early spring

in soil too dry
to hold the essence of you,

but there you were
digging in

like the Bellflower
that has ridden the wind,

dropped gently or tumbled
into a dark, moist, earth-spiced bed

to carry the generations
that shaped its destiny

to grow , bloom, offer itself
to the world as a spark of color,

royal purple heralding the summer
against a background green as hope.

And here you are,
my own unexpected Bellflower

just when I was sure
the field had gone fallow.


Charlene Stegman Moskal is a Teaching Artist for the Las Vegas Poetry Promise Organization. She is published in numerous anthologies, print magazines and online. Her chapbooks are One Bare Foot (Zeitgeist Press), Leavings from My Table (Finishing Line Press) with a third from Kelsay Books in Fall 2023.

Trimester to St. Patrick’s

Poetry by Jeannette Tien-Wei Law


Ice morn, fog cloak, fierce gray snows
Ash trance, tree bones, stone mute crows
Steps swish, crisp blades, sham rocks crunch
Three leaves, talc coats, luck’s charm froze


Jeannette Tien-Wei Law was awarded the 2022 Newman Prize for English Jueju, an international distinction for original poetry in classical Chinese form, written in English. Currently an educator in Milan, Italy, her poetry has won acclaim in academic circles and a growing number of global publications.

Remember Me

Poetry by Lauren Oertel

I grew up near the redwoods.
Cinnamon-barked queens towered over us,
each containing their own majestic ecosystem.
They provided oxygen, a fresh earthy scent,
relief from the heat and noise of the city.
They whispered the soil’s secrets into my ear.
A few had been hollowed by fire,
or reduced to a stump.
Rings chronicled their long lives,
the history of what they had witnessed.

When I die, cut me in half
right across the middle.
See my rings.

Joys and terrors over the years
each reduced to a simple circle
that captures and carries it all.
They will honor the tears shed,
wounds healed.
The fine grain, nicks, and bumps,
all smoothed over with time,
turned into natural beauty.

When my body becomes a stump,
the rings will prove I was here.
Some of them will show when I stood tall,
lush with sprays of needle leaves,
umbrella-scaled cones.
My crown stretched toward the sun,
piercing the sky.
In those times I hope I gave you shelter
from the weight of daily survival.

That’s how I’d like you to remember me.


Lauren Oertel is a community organizer for Texas and New Mexico. Her work has been published in The Ravens Perch, Evening Street Review, and The Sun Magazine. She lives in Austin, Texas, with her partner Orlando and their tuxedo cat Apollonia.

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