An Online Literary Journal for Poetry and Flash

Tag: nature (Page 5 of 5)

Two Pages

Poetry by Benjamin Leuty

When they found the alligator in the river,
The kids gathered crabs to feed it
while the elders plotted against it.
And nobody thought to leave it be.

In the days before the gator,
I’d cast myself into the current,
Let my body be a continent
Then a collection of islands
The air between shirt and chest ballooning
And then suddenly,
At the last possible moment,
fleeing in bubbles
Like a flock of birds
I’d sink.
From time to time,
A shoe of mine might bobble
Confused and surfing the ripples on the surface
Like the float that marks your fishing line
And assures you there’s a connection between
hook and line.

I’d climb from the pond,
Sopping wet,
And be a rainstorm
for a second
for just the square foot
beneath my body.

By then it might be dark,
Glass shards making stars of themselves
Under street lamp’s glow
Leafcutter ants still busy
Hauling the trees away
Bit by bit
As if to reconstruct somewhere else
Like Ikea furniture.
Carpenter ants,
Hauling houses away
Chunk by chunk.

In the sand,
A turtle might be dragging itself to sea
Flippers leaving a trail
Like jeep treads.
And I might find that nature
And my town
Are two pages of a book
Stuck together.


Benjamin Leuty is a high school senior at Ruth Asawa School of the Arts in San Francisco. His work has appeared in his school literary journal Umläut. In his spare time, he cycles, reads, plays video games, and hops up and down.

Earth’s Joy

Poetry by Stacie Eirich

Reach out your hand, that you may stroke the silk
of a butterfly’s wings, know the delicate beauty
which grows from the strength nature brings.

Stretch out your fingers, that you may feel the feathers
of a songbird as she sings, sense her delightful dance
where upon the branch her melody rings.

Lift up your voice, that you may join the chorus
of a springtime serenade, perceive her playful passions
when Earth’s Joy is born in colorful promenade.


Stacie Eirich is a writer, singer & library associate. She holds a Masters in English Studies from Illinois State University. Her work has appeared in Ariel Chart International Literary Journal, Auroras & Blossoms Anthologies, Scarlet Leaf Review & Potato Soup Journal. She lives near New Orleans with three cats, two kids and one fish (www.stacieeirich.com).

i am learning to be still

Poetry by Stacie Eirich

i am learning to be still,
to pay attention to each breath, its slow rise and fall,
to feel the soft spring breeze on my skin, its gentle rush and play,
to listen to the song sparrows in the air, cooing and calling
in the bright yellow sunshine of morn.

i am learning to be still,
to watch the dance of the butterflies, their colorful frenzy and flight,
to admire the grace of the bald eagle, silent and watchful from his perch,
to gaze upon the splendor of the mountains, their peaks rising against a vast expanse
in the warm orange glow of afternoon.

i am learning to be still,
to savor the taste of a tender strawberry, sweet and tart,
to let the rain wash over me in ripples, cool and refreshing,
to hear the harmonies of the juncos and thrushes, repeating and resonant
in the waning lavender light of evening.

i am learning to be still,
to seek a path of peace and wonder, intention and reflection,
to find the calm within each moment, blithe and smooth,
to experience the echo of the Earth’s heart, beating and thriving
in the endless blue waves of time.


Stacie Eirich is a writer, singer & library associate. A former English Instructor, she holds a Masters in English Studies from Illinois State University. Her work has appeared in Ariel Chart International Literary Journal, Auroras & Blossoms Anthologies, Scarlet Leaf Review & Potato Soup Journal. She lives near New Orleans with three cats, two kids and one fish (www.stacieeirich.com).

My Eyes Are Small

Poetry by Walter Weinschenk

The portals of my eyes are small
But through them I see the Pleiades,
And when the atmosphere is clear
I see them staring back at me.

My ears are also small:
Narrow halls through which I heard,
One dismal afternoon,
The steady drum of Death,
His footsteps loud upon the stairs;
Steady at first, then tentative,
They slowly faded as Death retreated
For no apparent reason.

In the silence of the morning,
Some trifling sound – a chirping bird,
A broken twig, it doesn’t matter which –
Is loud enough to rouse
The mountain from his sleep;
He lets roll the snow
And it decimates a town
That took a thousand years to build.

And so it is that the enormity of love,
Too immense to understand,
Is born within the gentle press
Of pallid lips together,
And the touch of tiny fingertips
Across the boundless space
That lies between two sets of eyes.


Walter Weinschenk is an attorney, writer and musician. His writing has appeared in a number of literary publications including the Carolina Quarterly, Lunch Ticket, Cathexis Northwest Press, Beyond Words, Griffel, The Raw Art Review with work forthcoming in the Iris Literary Journal and Sand Hills Literary Magazine. Walter lives in a suburb just outside Washington, D.C.

Catch and Release

Nonfiction by James Callan

The tug of a taut, invisible thread. So thin. Unseen, it reflects on the gray water, so I suppose. At the far end a silver barb has found the silver mouth of a silver fish that has seen better moments, by far, again, so I suppose. Static water undergoes a savage transformation of violent thrashing, splashing. Like cheerleader pompoms in a gesture of exaltation for the winning touchdown, only inches below the surface of the lake. Liquid confetti tossed in celebration.

My arms hold on, barely, to the device that has snagged an agitated leviathan, or so it seems in my struggle. It’s probably a muskie. And when I finely pull the slick, scaled thing that weighs as much or more than a toddler into the canoe, onto the aluminum floor, I confirm, yes, a muskie.

I look into a mouth that looks like a perfect way to lose a finger, or a hand. This pink abyss, a downward spiral of open-heart surgery, scalpels and all. So many scalpels, needles waiting for their payback. I remove my wedding ring, just in case, and I go in reckless and brave, the last of which I like to think the more prominent. I had to be more than a little firm. I mean, fingers, hands, these are things I want to keep for myself. But in being firm, on the edge or perhaps over the edge of being rough, I remove the barb. I free the beast. And with one last wild gesture of courage, I shovel out what in that moment seemed to me to be the marriage between porpoise and a good way to get hurt.

The splash was surprisingly subtle. A non-splash, almost. Like a vacuum sucking in only the air around it, but quiet. The dark of the depth took the image of the muskie with it. Gone. Free. I caught a prize fish. And then I let it go.


James Callan grew up in Minneapolis, Minnesota. He lives on the Kapiti Coast, New Zealand on a small farm with his wife, Rachel, and his little boy, Finn. He likes toads and frogs and polliwogs, but he LOVES cats. He believes when he says that When Harry Met Sally is the best Rom-com of all time, he is not offering his opinion, but is merely stating a fact. He has been fully grown for a long while, but still has some growing up to do.

Shine On

Poetry by John Grey

Dawn-light –
the eyes astound the soul
with wakening.

Bedsheets prove no hindrance.
The morning air is inundated
with visions.

A sweeping, a rising,
the deep joy of living –

and a sun that burns
as a mark of respect
for all I will do this day.

To sleep some more
would be unworthy.


John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Hollins Critic. Latest books, “Leaves On Pages,” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in Ellipsis, Blueline and International Poetry Review.

Newer posts »

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑