Tag: New Year

Putting Christmas Away

Poetry by Lorraine Jeffery

When we’re on the end of the bell curve,
we’re slower to take the wreath off the door.
Reluctant to welcome the uncharted year,
without solving and mourning the past one.

We’re slower to take the wreath off the door,
remove the twinkling lights, number the
ornaments and put away the tree.

Reluctant to welcome the new uncharted year.
We’re hoping for a high standard deviation,
and we don’t want to move on

without solving and mourning the last one.
Knowing statistically, that more years
have been subtracted than will be added.


Lorraine Jeffery has won numerous prizes and published many poems in journals including Westward Quarterly, Clockhouse, Orchard Press, Halcyone and Tahoma. Her first book is titled When the Universe Brings Us Back (2022). Her two chapbooks titled Tethers and Saltwater Soul were published in 2023 and 2024 by Kelsay Books.

Ushering in the New Year

Poetry by Karen Carter

Do ocean waves just appear
or enjoy being seen?

I want to see them.
I need their balm
like a baptism drenching dry bones.

I sit outdoors,
writing on the deck,
so near the coastal sea
I see the waves’ breaking tops,
the splash of sea water
on the shore, a spray,
foaming bubbles,
like new energy
bursts on the scene,
in my head.
I soak in their wash.

But something else is going on.
I strain to see.
In front of the waves,
a pyramid-shape point,
shiny dorsal fins appear.

A dolphin leaps
out of the water,
turns a flip
in the air.

A chain forms,
these Bottlenose Dolphins,
this group of marine mammals,
sharing social skills.

They swim so fast
I dare not blink.

Now they are gone
but not from memory.

They will come back.
But I must leave
tomorrow.

What do I carry?
Perhaps
a New Year’s resolution,
a dolphin’s greeting.
Is this propelling creature
a sign, symbol—good
luck, harmony—dare
I say, joy?


Karen Carter is a poet, writer, and educator. She presently teaches high school English and Creative Writing. Many poems in her debut collection, Deep Dive, (Querencia Press, 2024), have appeared previously in anthologies and literary journals. She lives in Winston-Salem, North Carolina. For more information, visit www.KarenCarterPoetry.com

New Year’s Eve, New Year’s Day

Poetry by Cecil Morris

Last day, first day, side by side. Please, no.
I’d like a break, a pause, a little intermission,
like school with that last day in early June
and the first day held off until late August
or early September, one a sunny swell
of promise and satisfaction at having done,
the other a sunny swell of promise, too,
another chance to do things right.
Please, don’t give me a sandwich of now and then
with filling to airy thinness beat, the merest hint
of butter, jam. Please don’t give me a restless
interval too brief for number, a wink,
a blink between who I was and who I want
to be—really just another slice
of white bread from the same old loaf.
Give me a chance to change.


Cecil Morris is a retired high school English teacher, sometime photographer, and casual walker. His first collection of poems, At Work in the Garden of Possibilities, came out from Main Street Rag in 2025. He has poems in The 2River View, Common Ground Review, Rust + Moth, Talking River Review, and elsewhere. He and his wife, mother of their children, divide their year between the cool Oregon coast and the hot Central Valley of California.

Infinity

Poetry by Jeanine Stevens

Here at the beginning of the year,
dinner of broiled scallops,
     Sonoma Valley wine.

In twilight, Venus forever shy, wavering.
I sit in the redwood gazebo
     goblet in hand

In my worn Uggs and infinity scarf
not allowed to go in just yet.
Faint starlight, orange slit of sun—
     my hands folded.

A heavy presence, maybe a spirit,
even more than one, muscular
and brown, apart from the living.
Perhaps a thing unfinished,
     still wanting.

And with intention
just this night, in the quiet
of late commuters I stay long
     in the retreating hour.

Wind chimes hold zinnia’s dust,
each day alike, not exactly the same.


Jeanine Stevens has a number of poetry collections and award winning chapbooks. Poems have appeared in Rosebud, Poet Lore, Evansville Review, The McGuffin, Comstock Review, North Dakota Quarterly, Chiron Review, and Two Thirds North (Sweden), among many other publications. She is Professor Emerita at American River College.

Rita and The Thin Man Welcome 1940

Fiction by Lois Anne DeLong

Rita’s feet hurt. She had been patrolling the aisles since the theatre opened at ten that morning. Outside, New York City had begun celebrating the end of 1939 hours ago. But here, in this dark hall, there was no sense of anything new coming into being. And, by the time Rita re-entered the real world, the big moment would be over. 1940 would already be in motion.

Meanwhile, here in the Roxy Theatre, where the walls weep paint from its glory days before the Great Depression, the only meaning time had was how much more of the film was left to unspool. Rita guessed it had perhaps another 15 minutes to go. A different film might have helped the time pass quicker. Down the street, they were showing “Raffles,” starring David Niven as a charming jewel thief. Here it was the day’s sixth showing of “Another Thin Man,” the third installment of a film series that, in Rita’s mind at least, was wearing thin. Really, she thought, how many times can you watch Myrna Loy and William Powell make elegant chit chat?

“Hey, William, I could use a martini about now,” she said under her breath, as Powell, in the guise of detective Nick Charles, was prepping yet another drink on the screen. “Come on,” the fictional conversation continued, “It’s New Year’s Eve, for Pete’s sake. Why does everyone get to lift a glass but me?”

As she braced herself against the wall to take some stress off her aching legs, Rita found herself beginning to doze off. At one point, she barely caught herself from pitching forward onto the threadbare carpet. Like other elements of the once beautiful Roxy, the rug had seen better days. The city may have recovered from the Depression, but the Roxy reaped no such benefits. She brushed a hand across the wall of the small alcove, near the exit sign and the shedding paint fell like leaden rain. Rita was grateful for the job—shift work like this made it possible for her to continue her studies— but it certainly wasn’t the most pleasant place to spend one’s days.

As she lightly stomped her feet to reduce the tingles, she found herself questioning every decision in her young life. She let out a sigh as she acknowledged how much easier it would have been if she had accepted Allen’s earnest proposal and become a New Jersey housewife. Instead, she had chosen to continue her slog toward a degree that did not even guarantee her a job, and a life in one room of a boarding house so small she knew all the intimate details of her neighbors’ sex lives.

The back door of the theatre opened quietly and Charley, the manager, stepped in. Rita moved into the aisle to be sure she was seen. Charley hated it when the staff sat during their shifts. He must have seen her at her post, because he waved vaguely in her direction and then shut the door behind him. A lifelong bachelor, with no family to speak of, the Roxy seemed to be Charley’s whole world, and it was a world he guarded with surprising ferocity. Rita didn’t like him much, but she had to admit he was fair, and everything he asked of his staff was designed to keep the marquee lit. For all this, he had earned her grudging respect in recent days.

Rita walked back a few aisles and as she did, each step reminded how long she had kept her vigil by the exit. She contemplated heading up to the balcony now to get a head start on clean-up. But, there were dangers in the dark up there, from tripping on the stairs to being groped by the drifters who used the balcony as their own personal flophouse. Instead, she decided to sit out the last few frames of the film. Charley be damned, she thought. As she sat down, the rush of blood through her weary legs was as refreshing as one of the ice-cold bottles of Coca-Cola chilling by the snack bar.

A quick check of her watch revealed that 1940 was only seconds away. What would that year hold? And, would she still be celebrating the start of 1941 within these walls? She was too tired to contemplate the answers to such questions. Instead, she watched William, Myrna, and their surprisingly intelligent dog solve yet another mystery. As the credits began to roll, she wondered if Charley might want to have a drink when they finished closing up. There was a New Year to welcome and neither of them had anywhere else to go.


Lois Anne DeLong is a freelance writer living in Queens, New York, and an active member of the Woodside Writers literary forum. Her work has appeared in Dear Booze, Short Beasts, Bright Flash Literary Journal, The Bluebird Word, and DarkWinter Literary Journal.

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