An Online Literary Journal for Poetry and Flash

Tag: New York City

City Sounds

Nonfiction by Ginny Bartolone

March. Manhattan tumbles into silence. I hover by the window, inhale a wave of city air, and listen to the door of the 1 train close. Descending major third. Helicopters, sirens, stand clear of the closing doors, DING-dong, and then nothing.

I loop the Natural History Museum. Frigid humidity slips through my coat. It’s colder than it should be. St. Patrick’s Day decorations slip off their windows as condensation separates the tape from the glass. I cross Columbus without looking both ways. No one’s coming.

White poster board taped to a window on the corner reads “Stay the f* home.” A singer warms up his voice. For what? Juilliard-perfected arpeggios now reserved for his neighbors.

I seek hints of progress—stores reopening, bodegas with toilet paper, someone sitting in the park. I spot a family of raccoons. One hangs on a branch with its paws flopping over the icy bark.

The pub on the corner—the one where John the bartender welcomed us the night we moved to the neighborhood—sits dark. A sign on the door reads, “We are sad to announce the passing of…” A picture of a line cook in his apron.

I head home. Cuomo talks at 11:30.


Ben barges in with a sighting. There was a man sitting at the bar of the pub. Inside. Drinking a beer. But the restaurants aren’t open. It’s only May. He was alone, Ben explained. No bartender. Just a man sitting alone drinking a beer.

“I yelled through the open window,” he goes on, “I asked ‘Are you reopening?’ And he answered, ‘I hope so!’” The man raised his glass in celebration.

“He must be the owner,” I add.

“I thought John was the owner, but maybe not? They’re still closed. So how else would he be inside?”

I sit on the roof for most of May. Nails, puddles, pigeons. Almost warm enough for the cockroaches. At 7 p.m., we cheer and bang on pots and pans. Cheering, helicopters, sirens, stand clear of the closing doors, silence.


The pub reopens in September, and we hurry through the hot autumn air toward to outdoor seating area still under construction. John appears.

“You’re here!”

“We are. Somehow,” he answers. I can’t think of what else to say.

“May we never go through something like this again,” comes out of my mouth. John pats me on the back while looking across the street toward nothing in particular.

Ben asks about the man sitting at the bar in May.

“Oh, I’m the owner,” John confirms, “That’s Mark. He’s usually here. When they locked down the city, he stopped leaving his apartment. Lost all muscle mass in his legs. Bunch of us started carrying him down the steps every few days for fresh air and a pint.”


They’re closing the restaurants again. One more night before the silence. Ben and I march up Amsterdam but an early blast of icy air has the city more on edge than usual.

A bundled man shuffles in jagged patterns behind us, and then next to us, and then in front of us. He turns his head—once, twice, again.

Ben whispers, “Let’s go into the pub, just to get off the street a minute.”

John stands behind the bar. Caution tape wraps up the stools.

“Still open for a drink?” We ask, “And food of course.” It’s illegal to get a drink without food.

“Or you know,” John says out of the side of his mouth, “You get a drink or two, you look at the menu, and oops, you can’t decide, and then you pay your bill and storm out without eating.” He shrugs with a laugh and a wink and we take a spot in the loft above the main floor.

It’s the first night of Hanukkah. The only other group sits in the far corner and sings songs and exchanges gifts. We order Manhattans.

“Cheers,” we toast with a clink.

We order another. We toast.

John carries a platter of shots around the room. We toast in the air and all drink.

We climb—stumble—down from the balcony, and line up at the cordoned-off caution-taped bar with shot glasses beside strangers. When was the last I talked to a stranger? Toast. Drink. My memory blurs.


“They just announced vaccines for under 40. Tomorrow,” I yell to Ben across the apartment. It’s March again.

We’ve been training for this. Open the NYC vaccine website. Hit refresh, hit back, hit refresh again. Don’t wait for the circle to stop spinning, just keep clicking. Grab any appointment that isn’t at the Aqueduct Racetrack. That’s too far. Two hours on a train full of a virus. We justify other neighborhoods an hour away. Are we taking slots from other people?

I holler, “I got one! Police station off the F at 7a.m.” Ben gets one for 2p.m. at the same police station.

My alarm chimes at 4:30. We’re told to get there an hour before our appointment. I leave at 5; the sun hasn’t risen. Clouds of roasting bread fill Broadway. My 1 train doors ding open—DING-dong. Descending major third. Sleeping essential workers rest with their heads against the metal poles. They lived a different pandemic. I change at Columbus Circle.

The sun rises as I crest the steps. The line around the station reaches an overgrown parking lot. It inches forward. A handwritten sign on the door comes into sight. “J&J.” I show my ID to a couple of cops at a folding table and wait. Sing a song in your head when you get a shot, that’s what I always learned. I sing “Start spreading the news,” and the shot is done.

The volume knob twists. Someone laughs. A car honks. The bass of a song thumps. As I leave the station, even the sun melting the soot-covered snowbanks makes a sound. I listen with my eyes closed and breathe in the city air.


Ginny Bartolone is a writer who lives on the Upper West Side of Manhattan. She’s been writing about travel and the creative process on her blog since 2011. Her fiction and nonfiction are published in literary journals such as The Closed Eye Open and Flumes.

Hell’s Kitchen

Nonfiction by Leslie Lisbona

We were in my father’s car on Sixth Avenue driving uptown towards Central Park, or maybe we were on Third Avenue approaching the 59th Street Bridge, when my father said, “Don’t marry him.  I’ll take care of you.” After a long silence I said, “But Dad, I love him.”

My mother had died a few months before, and it was just my father and I in the house in Queens where I had grown up. I worried about him. I knew it was too soon to leave him alone. Val was living in New Jersey at the time. My father put his arm around Val’s shoulder and convinced him to move in with us. “After the wedding, you can look for an apartment together,” he said. 

Val moved in three months before our wedding. We slept in separate rooms. He called my dad Mr. Lisbona.

We got married on a beautiful day in April. I invited my mom’s friend Beatrice to attend.

On my wedding day, my father said, “Can you stay with me a little longer?” When Val agreed, I thought he was so understanding; he was so nice about it.  But then I noticed how well he got along with my father. They sat in the living room watching TV together and laughing at the same jokes. Val walked around on Sunday mornings in pajamas while my dad made coffee for them both, and on Sunday afternoons the two of them went food shopping on 108th Street. If something needed fixing, Val was eager to do it.  He started calling my father Leon. When I suggested a neighborhood that might be good for us to live in, Val didn’t show any interest. My father said, “Stay here and save some money,” and Val smiled conspiratorially.

We lived eight months as newlyweds in my father’s house. 

Toward the end of that stretch, Beatrice came for an overnight visit. I noticed how happy my dad was, and then I spied them. It was just a moment, through a slice of door: She was on the bed, he was in his bathrobe; he leaned over her. I caught my breath and recoiled. I slinked down the stairs and hurried out of the house. I walked to the subway and felt the urge to squeeze my eyes shut, trying to unsee the image of my father and Beatrice that kept fluttering to my mind. By the time I got to the train platform, I realized that this was my chance to leave. The moment had presented itself like a gift.

Without telling Val, I found us an apartment on my lunchbreak. The one-bedroom was walking distance from my office building on Sixth Avenue. That evening, after kicking off my boots, I gathered Val and my father at the round table in the kitchen and announced that Val and I were moving. Val said, “We can never afford it,” and my father said, “A two-year lease?” and I said to Val, “We have five days to pack.” My father lit up a cigarette and inhaled deeply. 

A week later we took a few boxes of clothes and two rolled-up Persian rugs to the twentieth floor of 301 West 53rd Street in Hell’s Kitchen. I liked the name of my new neighborhood. That first night, Val was working across the river in New Jersey. I was alone.

The apartment was bare. Our wedding presents, still in their unopened boxes, were scattered in our empty living room. Our only piece of furniture was our too-hard bed, which we had bought that day without thinking it through.   

I lay in the bed and looked out the large plate-glass window to see the time and temperature flash atop a taller building. I listened to a bouncer arguing loudly with a patron at the back entrance of the Roseland Ballroom. I heard the trucks rumbling up 8th Avenue and the horse and carriages ambling towards the stables. I wished Val were there on my first night away from home. Somehow, despite all the city sounds, I fell asleep.

One hour before I needed to wake up the next morning, my dad called, a pattern he took years to break. We chatted until I was sufficiently awake. 

I put my feet on the Persian rug. I pulled out from a box something to wear to work. I walked two short blocks to my office and never wanted to set foot on the subway again. 

In the evening, Val and I went to Central Park, walked to 9th Avenue, and ate in a little restaurant. On the way home we stopped at Tower Records, our fingers interlocked. Val loved the spartan apartment and declared that we didn’t need any furniture. “Where will we eat?” I said.  “In our hard bed,” he said, and we both laughed. 

I loved him so much, and I was so happy.

A year later I was pregnant with Aaron, and my father remarried a woman who wasn’t Beatrice.


Leslie Lisbona recently had several pieces published in Synchronized Chaos, Dorothy Parker’s Ashes, The Bluebird Word, The Jewish Literary Journal, miniskirt magazine, Yalobusha Review, Tangled Locks, Koukash Review, Metonym Journal, and Smoky Blue Literary. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. Read Leslie’s earlier essay Taboule in The Bluebird Word.

Next Stop

Poetry by Alexis Pearson

I drop down into the
underneath of New York
City
where stairs wear toil
like magic tricks –

where devotion is absolved
of its commitment
to disaster
to us
to everything –

the men in suits,
women in long jackets
that tempt stained concrete
with their reaching
and the homeless man
hunched over
as if he must bear the
troubles of each passenger –

what do these skyscrapers know about
clouds
and salvation,

the dirt of the ground
and dimly lit newspaper
stands, the
quiet blue of stoplight
dwellings and crosswalks

the contemplativeness
manifested on strangers’ faces
as if there is too
much going on in city
windows to ever fully
understand what unfolds
along walls and
inside doorways,

but still we try –

the subway lurches,
people move
quickly on the concrete,
I forget that my feet,
too,
can take me places,
as I wonder
where they are all
going
and why.


Alexis Pearson lives in Minnesota where it’s cold most of the year – perfect writing weather. She enjoys a good cup of coffee and will read just about anything. She has been published in Upper Mississippi Harvest and Sonder Midwest, among others.

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