An Online Literary Journal for Poetry and Flash

Tag: patience

Words Will Have to Wait

Poetry by Bonnie Demerjian

In summer poet gardeners are led astray by produce.
There will be no ghazals when peppers are plumping in the greenhouse,
no time for tercets when rhubarb is in season, when rhymes are tangled in pea vine.

Weeds fill the notebook, refusing to be shaped into neat couplets. They spread at will, their roots leaving scant space for pantoum.
Haibuns run amok. They choke potatoes with bland adjectives and limp verbs. They must be trimmed, but first, the lanky willows that overshade the onion bed.

Who could pen a sonnet when gilded squash blossoms swell, outshining every leafy green?
What lofty metaphor can equal looking upward into cherries hanging heavy, juiceful, nearly ready?
And, look behind, because the crows are poised for ripeness, too.

There’s no opportunity for poetry. Beans and beets, carrots and garlic are waiting, and not patiently.
Harvest now and glean from them words for tomorrow.


Bonnie Demerjian writes from her island home in Southeast Alaska in the midst the Tongass National Forest on the land of the Lingit Aaní, a place that continually nourishes her writing. Her work has appeared in Alaska Women Speak, Pure Slush, and Blue Heron Review, among others.

One Out of Ten

Nonfiction by Stephanie Shafran

“No one has feet like mine,” my ninety-three-year-old mother announces to the hovering doctor. 

“Well, let’s see what brought you here today,” the young doctor smiles as she pulls up a stool directly facing her new patient. After removing the sock as if it were a ticking time bomb fastened to my mother’s foot, she examines the flame-red toe yielding to her curious, slender fingers. It is the third toe on her left foot, rubbed raw by my mother’s second toe, which has long ago snaked over the big one—and twisted itself into an awkward, but permanent position. This deformity is a logical consequence of my mother’s lifetime habit of jamming her foot into ill-fitting shoes. 

When I arrived at her apartment yesterday, I found my mother sitting on the bed, cradling her bare foot in her lap. Spotting me in the doorway, she stood up— a grimace spreading across her face as her left foot touched the floor. 

“It’s my damn good-for-nothing toe again,” she’d scolded.

My heart slumped, remembering her excuse for refusing to undergo the surgery years ago to remove it. Three weeks off her feet and out of work! she’d whined. I knew the truth—her fear of misshapen body parts. At the Boston skating rink, there was a girl whose stumped arm had barely developed beyond the shoulder. After three Sundays of spotting her on the ice, my mother made excuses whenever I asked why we weren’t going skating anymore.

“Let me see it, Mom. Sit down.” 

Plunking her body back on the bed, she lifted the foot an inch from the floor and pointed to the swollen, tomato-colored toe. 

“Yikes, that looks infected. We’ll have to see a doctor.” 

“You’ll take care of it, won’t you?” 

“Yes, of course. By tomorrow, I hope.” 

I’d have to take her to urgent care, take time off from work, cancel my afternoon hairdresser appointment most likely.

A day later now, we’re seated side by side on grey metal chairs in the clinic’s examination room. The throbbing in my head has finally quieted. 

The doctor’s slender fingers wander across the bloated flesh.

“Does this hurt? Or this?”

Savoring this caress, my mother lets out a deep sigh. She shakes her head from side to side, yet her brow furrows and her eyes shudder as the doctor probes the toe. 

“I was wondering, Doctor, will you have to amputate this corkscrew toe?”

The doctor lifts her soft brown eyes to my mother’s.

“Heavens no. We’ll just treat the infection on the toe next to it. You’ll be free of pain in no time.”

My eyes moisten. This doctor’s reassurance to my mother—like a mother to a needy child.

Now the doctor swivels her stool to face me.

“I’ll write a prescription for a two-week course of antibiotics. I’d like to check her toe in three weeks.” 

Then she swivels a half-turn, shifting her gaze to my mother. 

“You must be proud to have a daughter who takes such good care of you. I imagine she learned that from you.” 

“Well, I don’t know if she’d agree.” My mother’s eyes ping pong between the doctor’s and mine.  “At least I made sure she had a new pair of shoes every September. For the new school year, of course.”

She offers me a shy nod. I can’t deny it—yearly trips to Stride Rite Shoes in Brookline each August, just before the start of the new school year. Choosing a new pair of shoes with sturdy soles and laces, sized correctly to fit my feet, whether I loved the color and style, or not.

As the consultation wraps up, I lift the sock from my mother’s lap. Like a suppliant, I kneel at her feet and lift the bruised foot into my hands. As I do, my mother’s hand reaches to rest on my shoulder. After a long intake of breath, she announces,

“Nine miscarriages. I almost gave up—your father convinced me to try for ten. And then you, one out of ten, like a miracle.” 

Her foot still in my lap, I give its heel a gentle squeeze.


Stephanie Shafran’s recent writing appears in literary journals such as Emulate, Persimmon Tree, and Silkworm. Her chapbook “Awakening” was released in 2020. A member of both Straw Dog Writers Guild and Florence Poetry Society, Stephanie resides in Northampton, Massachusetts; read more at stephanieshafran.com, including monthly blog posts.

Early Spring

Poetry by Sharon Scholl

When everything portends,
clings to the edge of not quite yet,
teeters on perhaps.

Just a hint of green
pokes from wilted stalks,
risking little, wary of reversal.

Nothing signals go ahead!
Nothing gestures all safe now
to a land still hovering.

I sit with my seed catalog
deep in petunia fantasies
despite its warning, sow after frost.


Sharon Scholl is an ancient poet (91) still very active as convener of a poetry critique group and poetry editor of a local women’s journal. Her poems currently published are in Front Range Review and Third Wednesday.

The Garden

Poetry by Thomas Feeny

                         for Lorelei

Somebody has to dig,
someone’s called to plant, you say,
shrugging off all those who
with smart grin place
themselves well beyond
remembering how to
scratch and hoe,
turn the soil, pat it, work it.
Yours ever a warm touch
to growth still unfolding.
Like the sun this long season
you are needed.
Later, edging into
winter, how content
you’ll be when,
left to examine your hands,
you nod, wait, anticipate.


Thomas Feeny teaches Italian and Spanish at North Carolina State University. His poetry has appeared in California Poetry Quarterly, Chiron, and Hiram Poetry Journal. He has also done considerable translation of poems and short stories written in the Romance languages.

Rise

Poetry by Elizabeth Hereford

for Glenn

He took his time to see the stars,
tested the seconds to capture their essence.

Paused.

He devoted time to thought,
taught us by example,
made           space          for you,
and listened like he did to the night,
with eyes and ears wide open.

It took patience to watch the sun and moon rise,
but he waited for them faithfully,
knowing the sight would be worth his time.

He still has faith in you, always.

So rise, and do it thoughtfully,
knowing that when the stars
shine tonight he will
be among them.

Pause for him.

Test how many seconds it
takes to capture him in your heart.
Make          space          for him
and he will keep listening,
faithfully.


Elizabeth Hereford is an emerging writer living in Naperville, IL. She holds a BA in English from Grinnell College and an MFA in Creative Writing from Lindenwood University. She has poetry forthcoming in Literary Mama and is currently writing a novel in verse.

Rain Drop

Poetry by Mary Padgen Michna

The after rain
     waits quietly
          in perfect balance
               with infinite patience
                    poised on a pine needle.

It is the one
     who holds back
          you know
               there is one
                    in every group.

One who saves
     the best for last
          to bring its balm
               to anoint
                    the unsuspecting traveler.


Mary Padgen Michna always wrote poems. When she grew up, she was more comfortable telling someone else’s story and worked as a journalist. After retiring, her poetry has appeared in Bullets into Bells and the University of Pittsburgh’s online publication. She received an honorable mention in the 2022 Passager Poetry Contest.

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