An Online Literary Journal for Poetry and Flash

Tag: resilience

Marie’s Wings

Nonfiction by Kandi Maxwell

“I want to fly,” my four-year-old granddaughter, Marie, says. “Me too,” I say. We’re watching a My Little Pony video. Some of the ponies fly. Her favorite is Rainbow Dash, a blue Pegasus with a rainbow-colored mane and tail. The pony’s wings are small, but Rainbow Dash can fly fast. Marie loves fast.

She also loves other real or imagined creatures with wings: birds, butterflies, and fairies. Marie is mesmerized by red-breasted robins or blue-bodied stellar’s jays as they flutter from tree to tree in my forest home. I watch as Marie runs beneath them clapping her hands, saying, “fly, fly.” Marie is also fascinated by the butterflies that hover over our lilac and rosemary bushes. She has a little green butterfly net, and occasionally she will capture one. Because of her autism, she’s speech delayed, but she makes happy sounds in her own language. She gently brushes her finger across one of the wings. I notice how the light catches the wings, creating a sparkling shimmer. After inspecting the butterfly, we find a place to re-home it in the large half-barrel filled with lavender, lemon balm, and thyme.


Later, on a trip to Mount Shasta, I find a little store that sells children’s red monarch butterfly wings made of a soft, light fabric. The winged cape has straps around the shoulders and loops around the wrists, allowing Marie to open and close the wings, her movements mimicking a butterfly. Back at my home, she dashes through the yard flapping her arms. “I’m flying, I’m flying,” she says. For a while, those wings are her favorite accessory. She wears her bright red cape everywhere we go.

Less than a year after I buy the wings, they are destroyed in the 2018 Paradise Camp Fire, along with her other cherished toys. In the years that follow the fire, Marie brings three grocery bags filled with her new special toys anytime she leaves home. She fears losing the things she loves, the purple dragon she had saved from the fire, her new little ponies, her fox, and kitten plushies.


Marie just turned twelve. She now has a good vocabulary with her own unique communication style, but talking about emotions is difficult. We don’t talk about the fire or the loss of her former home. But I know she’s had some healing. She no longer needs to bring three bags of toys when she visits, but the purple dragon always travels with her. And she still has the butterfly net.

On her latest visit, she captures a tiny, lustrous green frog. Marie tenderly holds it in her hand, while we walk it over to the half-barrel of herbs where she sets it free. Afterwards, she runs off with her net searching for butterflies through the soft spring grasses and up in the branches of the flowering apple trees. As I watch her run, I think about the traumas she’s faced at such a young age—the fire, numerous moves, COVID, and missed school years. The losses have been difficult, but like the butterflies, Marie soars. “Fly, Fly,” I say.


Kandi Maxwell is a creative nonfiction writer who lives in Northern California. Her stories have been published in Hippocampus Magazine, Bright Flash Literary Review, The Meadow, The Raven’s Perch, and many other literary journals and print anthologies. Learn more about Kandi’s writing at kandimaxwell.com.

Lessons from Fire and Water

Poetry by Diane Melby

Fish jump in the canal behind the trailer park where I rest
my feet on a plastic bin, let the sun warm my neck.

This is not a park on the outskirts of a declining town but a haven
for those fleeing winter winds, returning each year to this community

where friendships grow as days melt over cocktails
and the sun sets over western lands.

I visit my sister whom I haven’t seen since fire stole her home in Lahaina
and she seems ok, enjoying activities with neighbors

and in quiet times, knitting hats to sell in her daughter’s shop, except
for a certain lassitude that has settled in the depths of her eyes.

They used to sparkle with the same blue green of the ocean
but now have darkened, reflecting the change in tides.

We launch paddleboards in a quiet cove of the Indian River. Accustomed
to the feel of shifting waters, she leads us through mangrove forests

into a tranquil lagoon. Later, I lose my bearing as mercurial winds
threaten to sweep me into turbulent waters. Every muscle tightens,

fear drives my breath away. I dig my paddle frantically into the water
as if I can dig myself a tunnel out of trouble. She comes to my rescue,

reminds me to stay calm when navigating rough waters. With a gentle push,
she returns me to the safety of the cove.


Diane Melby’s poetry has appeared in Gyroscope Review, Quartet, and Thimble, as well as in other print and online publications. She was recognized for literary excellence in 2024 by the Poetry Society of Virginia. She is the founder of the Salon for Creative Expression @ www.dianemelby.com, an intimate online arts community.

Ser Mujer 2023

Poetry by Alexandra Newton Rios

This is how a woman
grows into her own.
She takes the moon that for too long
she only saw in another hemisphere
hang full and white in the night sky
turning into day.
She takes the sun rises with which she runs
and the sun sets behind the Statue of Liberty
with which she ends her day.
She takes the students who suddenly smile
as she works each day
the fields of their hearts
as she once walked the moist earth rows
of her five children’s dreams.
She takes the man she is going to meet
who has been waiting and waiting
and waiting for her to free herself from her past,
from her present overflowing with possibility
to become finally open fully to him.
It is a busy life.
It is a woman’s life.
She takes the sudden focusing,
this giving herself a season
to learn more
to focus more
to do more
to reach a new plane
of being alive.
Change is real.
Real the ways of being in the world.
They should not be menospreciado,
belittled, thought any less of
while it snows the softest of flakes
across the day.


Alexandra Newton Rios, a bi-hemispherical mother of five, lives with her mother in New York City teaching Spanish, and English in San Miguel de Tucumán. She ran eight full Argentine marathons and the New York City Marathon for the joy of having her Argentine mother, a cancer survivor, at the finish line.


Author’s Note: Ser mujer in Spanish means to be a woman in English. The Ser Mujer poems are written once a year on March 8, International Women’s Day, written since 1996, and gather in a poem a definition that changes across time.

Roller Coaster

Nonfiction by Mary Zelinka

It’s 1973 and I’m working at the Federal Reserve Bank in downtown Denver. I’m twenty-five and at the tail end of my marriage. Only one of our two cars runs at a time and my husband uses it. After we drop our four-year-old Bobby off at the sitter’s at 6:00 AM, he drives me to work. I’m always an hour early. I spend this hour in the bank cafeteria’s kitchen tagging after Velma and her twelve-inch beehive hairdo as she fixes me breakfast and spouts raunchy jokes. This is the best part of my day.

After work, I take the bus home. This is the worst part of my day. Crowds of people jostle for position – if you don’t make the first bus, which I rarely do – you have to wait twenty minutes for the next. Then I’m late picking Bobby up and we have to walk the mile home in the dark.

On this particular summer afternoon as I’m being shouldered about on the sidewalk, I hear a loud voice, thick with accent, “Vitch bus the Elitch Garden?  I must to ride famous roller coaster!” 

It’s sweltering hot, in the way heat beats down on a city. My thin cotton dress feels damp as my opponents for the first bus press close. But the louder the Voice grows, the wider the space between me and the crowd becomes. Finally, the Voice is right next to me, and, since I haven’t learned (will never learn, actually) not to make eye contact with anyone in the city, he is looking at me right in the eyes.

“Vitch bus the Elitch?  I must to ride roller coaster!” I look around at the other bus riders, but everyone keeps their gaze firmly fixed at some point far away.  I shake my head and shrug my shoulders at the man. 

Deep lines cut through his big square face, his smile wide. He laughs, a great booming laugh. And then, to my increasing anxiety, unbuttons the left cuff of his heavy long-sleeved shirt (how could he wear such a shirt on this hot day?) and begins rolling up his sleeve in an alarming manner. 

He flexes his bicep at me and laughs. “Russian!  Ninety years!  Strong!” Not sure of the proper behavior in this situation, I nod at him and smile. 

“I like you!” He’s no taller than I am, but he wraps his arms around me and lifts me off the sidewalk. He tosses me upwards a bit, the way you would a child, and then sets me down. My legs wobble. 

“I find the Elitch Garden! Ride roller coaster!” And he marches on down the street just as the first bus sighs to a stop. The crowd shoves past and I’m vaguely aware of the bus leaving without me as I stare after him.    

My husband and I divorce not long afterwards. He leaves me the car with the payments and my bus riding days come to an end.    

Six months later, I am downtown at night on a date. It’s late and has been snowing. The sidewalks are slick and Jack has his arm around me as we leave the restaurant. 

Suddenly a short square man marches up to us, stops, and peers into my face. “You!”  He laughs his booming laugh. “I find Elitch! Roller coaster fast!” I laugh with him, but I notice Jack takes his arm from around me and moves a half step away.

“Still strong!” The Russian flexes his bicep at me, thankfully leaving all his clothing securely buttoned. He wraps his arms around me and tosses me upwards. This time my legs do not wobble when he sets me down. He laughs and then marches off into the night.

I look up at Jack, thrilled that he witnessed this event. He had accused me of making the Russian up. 

His face has gone dark. 

Later I will realize Jack’s reaction accurately foretold my next four years. And by the time I escape him, this dark look has become normal.    

But in that moment, watching the Russian materialize through the snow, giant flakes clinging to his hair, his wide smile upon recognizing me, I am so taken with the magicalness of his existence I am filled with joy.


Mary Zelinka lives in Oregon’s Willamette Valley and has worked at the Center Against Rape and Domestic Violence for almost 35 years. Her writing has appeared in The Sun Magazine, Brevity, and Multiplicity.

© 2025 The Bluebird Word

Theme by Anders NorenUp ↑