An Online Literary Journal for Poetry and Flash

Tag: seasons

On the Deck

Poetry by Theresa Wyatt

in my cushy chair it is the end of summer.
The community noise of lawn mowers moves chipmunks
underground for hours & hummingbirds toward the lake.
Grass outside the gate is yellow from drought.

Parallel thoughts generate questions – will it be cool enough
to sleep with the windows open – will roaming creatures
slow the spices’ heart rates – will the apple crop yield both
sweet & tart, and did the Farmer’s Almanac discern
a mild winter? Dry leaves stand ready to turn.

When winter comes,
I’ll look out at roped chairs without cushions,
the covered air conditioner will be soundless, lawn mowers
will hibernate. Apple pies and sauce will be stacked neatly
in the freezer – pesto will be tightly sealed.

When it comes, I’ll go out on the glistening deck
frosted with crystals – cardinals will bear witness
while Tai Chi arms caress the wind breathing
through the fence – all of us & everything
finding new rhythms in between the white.


Theresa Wyatt is the author of The Beautiful Transport, a Moonstone Press 2022 chapbook finalist, and Hurled Into Gettysburg (BlazeVox Books, 2018). Her work has also appeared in New Flash Fiction Review, Spillway, The Ekphrastic Review, and The Healing Muse. A retired educator, Theresa resides near Buffalo close to Lake Erie.

Annual Report

Poetry by William Swarts

Exaggerate old metaphor, expand it
out of all proportion, over-inflate
the usual occasion: each tulip is
a microphone broadcasting the season,
every daffodil a brash loudspeaker
trumpeting a processional for the sun.
Now a glory of color covers the earth,
stridently smothers the hush of grass
growing green and too abundantly
while spring waxes the way to winter.


William Swarts is the author of “Harmonies Unheard,” “Strickland Plains and Other Poems” and “Treehouse of the Mind.” He won First Prize in the Litchfield Review‘s annual Poetry Contest. He studied with Bolligen Prize-winner David Ignatow at the 92nd Street YM-YWHA Poetry Center in New York City.

Summer’s End

Nonfiction by Vicki Addesso

for Cathy

It’s now, this evening, and like this summer, I have grown older. Yes, summers grow old, and come to an end. On this last day of August, September’s eve, I sense autumn’s approach.

The mammoth sunflower growing all alone by the young maple tree in front of my house bobs its heavy head and sighs it seems to be getting dark earlier and earlier. It has never seen a summer before, does not know summer must end. Or that this is its last, its one and only. The bulbous center is bursting with fresh sunflower seeds, and come early morning I will watch the goldfinches come to pluck them out, and the bees indulge. The golden-yellow petals are many and flutter in the tiniest of breezes yet remain put. That stem, so thick and straight and tall, sways for the wind in storms and refuses to break. Before the flower at its top bloomed, I thought of Jack and his beanstalk. Could I climb the stem and find a giant in the clouds?

The lonely sunflower, from leftover seeds I dropped next to the baby tree after running out of room in the backyard gardens. Only this one of the dozen or so seeds casually tossed into the dirt grew. The backyard has many other sunflowers, autumn beauties and sunspots and Little Beckas that had bloomed a couple of weeks earlier. Some are still vibrant, others wilting. They will not wither in loneliness; they have one another. But that sunflower out in front of the house, it rips at my heart, knows nothing of its fate. Its single solitary life that will fade as this summer ends. Trees, shrubs, other plants and other creatures share a world in our front yard and have more, some many, summers ahead of them. No worries, sweet sunflower, I whisper through the window screen. After the crispness of fall, the cold of winter, the promise of spring, I will plant more seeds. Summer will return. There will be sunflowers again.

What is this evening for me? It’s crickets. Their sounds fill late summer nights. It is leaving the bedroom curtains open as the sky darkens. Sitting in my quiet room with no lamp lit, listening, watching the light leave. It’s letting the emotions of memories set butterflies to flutter in my belly and goosebumps to rise on my skin. Letting my mind wander and visions to appear. Suddenly I am a child again. Chasing fireflies. Air on so much of my skin, warm, the breeze soft. Swatting at the mosquito on my elbow, sweating, and not caring. Looking back at the house I grew up in, I see the porch light come on. Tilting my head back to glance at the sky, I get dizzy with the sensation of falling up instead of down. Then my mother’s voice calling me inside. I am young but I know it must end.

When did I realize, at what age, did I learn of endings? As a baby, did I notice that the cold of March — the month of my birth —began lifting? That the sun stayed longer, warming my face as my mother pushed me in a stroller? Then, the heat of summer. The slow creeping back of early sunsets. A chill in the air. My first winter. Was I two years old, three, or four when I knew things would come to an end?

When did Eve, that second of the first two human beings, realize that everything was changing? For the first time, one season flowed into another, and nothing was sure any longer. Already banished from the paradise of the Garden of Eden, she now witnessed the utter destruction of all that was familiar. Was she frightened? Or was she too busy to notice? Being mother to the entire human race certainly must have kept her busy.

So amusing how I, and others, even after years of watching our star come and go, shift in the sky, making us alter our clocks, still say, Wow, it’s getting dark so early now, as if it’s something new. As if we were children. As if it were the first time. As if we were sunflowers.

And so, it will happen again, just as it has every year, all the years of my life — the end. These edges of the seasons are my favorite time. The end slides into a beginning. For the time being.

Now I sit, at my desk, the open window in front of me. It is dark outside. The screen of my computer bright. The crickets singing their song of summer’s old age, the sound of it so familiar. The sound of longing. Realization and acceptance. It is the song of ending, reverberating through space and time. It is falling upwards and flying away.


Vicki Addesso is co-author of the collaborative memoir Still Here Thinking of You~A Second Chance With Our Mothers (Big Table Publishing, 2013). Publishing credits include: Gravel Magazine, Barren Magazine, The Writer, Sleet Magazine, Dorothy Parker’s Ashes, and more. She was nominated for a 2023 Pushcart Prize.

The Garden

Poetry by Thomas Feeny

                         for Lorelei

Somebody has to dig,
someone’s called to plant, you say,
shrugging off all those who
with smart grin place
themselves well beyond
remembering how to
scratch and hoe,
turn the soil, pat it, work it.
Yours ever a warm touch
to growth still unfolding.
Like the sun this long season
you are needed.
Later, edging into
winter, how content
you’ll be when,
left to examine your hands,
you nod, wait, anticipate.


Thomas Feeny teaches Italian and Spanish at North Carolina State University. His poetry has appeared in California Poetry Quarterly, Chiron, and Hiram Poetry Journal. He has also done considerable translation of poems and short stories written in the Romance languages.

John Greenleaf Whittier to the Root-Bound Marjoram

Poetry by Deborah Doolittle

Little bush, gone are the leaves we
lunched on. Gone, too, your green shrubby
symmetry. So like a tree you
stood in the windowsill to view
your cousins—fennel, basil, dill—
thrive then succumb to winter’s chill.
You alone saw the snow blanket
everything in white. Now to get
to this season of brittle twigs
that snap, not bend, devoid of sprigs
that we can eat. I pull your bottom
out, the dirt and roots all clotted
together in the shape of your
container, and I conjecture
on how we should all do so well
with our allotted spot to dwell.


Deborah H. Doolittle, born in Hartford, Connecticut, now calls North Carolina home. A Pushcart Prize nominee, she is the author of Floribunda and three chapbooks. Some poems have recently appeared in Cloudbank, Comstock Review, Kakalak, and Iconoclast. She shares a home with her husband, four housecats, and a backyard of birds.

Separation Anxiety

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by John Grey

Winter brings me deep snow.
You get the same old kudzu.
If only my frozen air
could fly south
to your steamy fishing shack,
if parka and gloves
knew their way around a line and hook.

Deer tremble through the flakes,
flirt with the ephemeral.
An alligator pokes a head
through brown swamp surface.
Its message is clear.

We live in different worlds
and there’s no shaking the fact.
The weather has cut me off completely.
You feel a little night time chill
but can’t decide if it’s the breeze
or your fourth beer
that’s behind it all.

If only mangrove and coral snake
could float up from the south,
surprise me at my door,
instead of these insolent drifts.

We haven’t just lost touch.
Our winters are different seasons.


John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Red Weather. Latest books “Covert” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. See upcoming work in Washington Square Review and Open Ceilings.

Elegy to Winter

Poetry by Pete Zenz

I love you snow,
But for a while
You’ll have to go,
No more compile
And make way for
A time of glee
Your absence shores
The florist prix

The snowman melts
And leaves his soul
And scarf of felt
And eyes of coal
Upon the ground
And dissipates
Without a sound
He ‘vaporates

The jutting veins
Of naked trees
Free from your chains,
Now budding leaves
Where once your hoar
Gathered like moss
They bear no more
Your cold emboss

The scent of spring
Is in the air
The birds will sing
And flutter there
But you’ll return
My frosty friend
Take your adjourn
‘Til summer’s end


Pete Zenz began writing five years ago after 35 years in food service. He has two self-published poetry volumes and a third manuscript finished; he has written a children’s story and a cookbook. Currently, he is working on a volume of children’s poems and a collection of holiday-based flash fiction.

The Turning

Poetry by Bonnie Demerjian

Sing a song of summer’s end —
crickets in the grass
katydids seesaw away while
locusts buzz of shortened days.
Half moon in the evening sky
veiled with trailing cloud
while the winds shush through the weeds
All restless, so restless.

The cats play ambush in the grass
heedless of the gathering dew.
In the field the dry corn stands
waiting, waiting.

Summer gathers in her skirt
apples, pears and grapes,
fragrant asters plump with bees,
sheaves of scraping insect song, and
waves of birds as they depart.

With a long and backward glance,
step by step she leaves us
soon to sink her body down.
Autumn, it’s autumn.


Bonnie Demerjian writes from Alaska. She has written as journalist and as author of four books about Alaska’s history, human and natural. Her emerging poetry and flash work has appeared in Alaska Women Speak, Tidal Echoes, Bluff and Vine, and Blue Heron Review.

Autumn

Poetry by Corinna Underwood

Through a lonely, stagnant year
I’ve missed the changing seasons,
passing only from silent chill
to stifling porous heat;
tired of banging around in a hollow drum.
Suddenly storming with unexpected tenderness,
my lips become unstitched.
At last I have stories untold.
I am turning with the leaves,
not falling but slow-drifting,
so, catch me in your arms,
I am coming home to stay


Corinna Underwood is a British author currently residing in Rome, Georgia. Along with poetry, she writes short stories and novels in the magical realism, mystery, and horror genres. Visit www.ambiguousmedia.net.

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑