An Online Literary Journal for Poetry and Flash

Tag: survival

City Sounds

Nonfiction by Ginny Bartolone

March. Manhattan tumbles into silence. I hover by the window, inhale a wave of city air, and listen to the door of the 1 train close. Descending major third. Helicopters, sirens, stand clear of the closing doors, DING-dong, and then nothing.

I loop the Natural History Museum. Frigid humidity slips through my coat. It’s colder than it should be. St. Patrick’s Day decorations slip off their windows as condensation separates the tape from the glass. I cross Columbus without looking both ways. No one’s coming.

White poster board taped to a window on the corner reads “Stay the f* home.” A singer warms up his voice. For what? Juilliard-perfected arpeggios now reserved for his neighbors.

I seek hints of progress—stores reopening, bodegas with toilet paper, someone sitting in the park. I spot a family of raccoons. One hangs on a branch with its paws flopping over the icy bark.

The pub on the corner—the one where John the bartender welcomed us the night we moved to the neighborhood—sits dark. A sign on the door reads, “We are sad to announce the passing of…” A picture of a line cook in his apron.

I head home. Cuomo talks at 11:30.


Ben barges in with a sighting. There was a man sitting at the bar of the pub. Inside. Drinking a beer. But the restaurants aren’t open. It’s only May. He was alone, Ben explained. No bartender. Just a man sitting alone drinking a beer.

“I yelled through the open window,” he goes on, “I asked ‘Are you reopening?’ And he answered, ‘I hope so!’” The man raised his glass in celebration.

“He must be the owner,” I add.

“I thought John was the owner, but maybe not? They’re still closed. So how else would he be inside?”

I sit on the roof for most of May. Nails, puddles, pigeons. Almost warm enough for the cockroaches. At 7 p.m., we cheer and bang on pots and pans. Cheering, helicopters, sirens, stand clear of the closing doors, silence.


The pub reopens in September, and we hurry through the hot autumn air toward to outdoor seating area still under construction. John appears.

“You’re here!”

“We are. Somehow,” he answers. I can’t think of what else to say.

“May we never go through something like this again,” comes out of my mouth. John pats me on the back while looking across the street toward nothing in particular.

Ben asks about the man sitting at the bar in May.

“Oh, I’m the owner,” John confirms, “That’s Mark. He’s usually here. When they locked down the city, he stopped leaving his apartment. Lost all muscle mass in his legs. Bunch of us started carrying him down the steps every few days for fresh air and a pint.”


They’re closing the restaurants again. One more night before the silence. Ben and I march up Amsterdam but an early blast of icy air has the city more on edge than usual.

A bundled man shuffles in jagged patterns behind us, and then next to us, and then in front of us. He turns his head—once, twice, again.

Ben whispers, “Let’s go into the pub, just to get off the street a minute.”

John stands behind the bar. Caution tape wraps up the stools.

“Still open for a drink?” We ask, “And food of course.” It’s illegal to get a drink without food.

“Or you know,” John says out of the side of his mouth, “You get a drink or two, you look at the menu, and oops, you can’t decide, and then you pay your bill and storm out without eating.” He shrugs with a laugh and a wink and we take a spot in the loft above the main floor.

It’s the first night of Hanukkah. The only other group sits in the far corner and sings songs and exchanges gifts. We order Manhattans.

“Cheers,” we toast with a clink.

We order another. We toast.

John carries a platter of shots around the room. We toast in the air and all drink.

We climb—stumble—down from the balcony, and line up at the cordoned-off caution-taped bar with shot glasses beside strangers. When was the last I talked to a stranger? Toast. Drink. My memory blurs.


“They just announced vaccines for under 40. Tomorrow,” I yell to Ben across the apartment. It’s March again.

We’ve been training for this. Open the NYC vaccine website. Hit refresh, hit back, hit refresh again. Don’t wait for the circle to stop spinning, just keep clicking. Grab any appointment that isn’t at the Aqueduct Racetrack. That’s too far. Two hours on a train full of a virus. We justify other neighborhoods an hour away. Are we taking slots from other people?

I holler, “I got one! Police station off the F at 7a.m.” Ben gets one for 2p.m. at the same police station.

My alarm chimes at 4:30. We’re told to get there an hour before our appointment. I leave at 5; the sun hasn’t risen. Clouds of roasting bread fill Broadway. My 1 train doors ding open—DING-dong. Descending major third. Sleeping essential workers rest with their heads against the metal poles. They lived a different pandemic. I change at Columbus Circle.

The sun rises as I crest the steps. The line around the station reaches an overgrown parking lot. It inches forward. A handwritten sign on the door comes into sight. “J&J.” I show my ID to a couple of cops at a folding table and wait. Sing a song in your head when you get a shot, that’s what I always learned. I sing “Start spreading the news,” and the shot is done.

The volume knob twists. Someone laughs. A car honks. The bass of a song thumps. As I leave the station, even the sun melting the soot-covered snowbanks makes a sound. I listen with my eyes closed and breathe in the city air.


Ginny Bartolone is a writer who lives on the Upper West Side of Manhattan. She’s been writing about travel and the creative process on her blog since 2011. Her fiction and nonfiction are published in literary journals such as The Closed Eye Open and Flumes.

Some Days

Poetry by Carole Greenfield

Some days it feels like I will never be free from dread,
never escape the darkness, always be lugging those bushels
of rocks, the weight I drag behind me.

Some days it feels like I will never have time to say thank you,
never have heart to share love, never know grace to let go.

Some days it feels like I am trudging through a swamp
filled with skunk cabbage and quacking of frogs
and when I stop to listen I know their voices
are pure silver, a chorus of answers and questions.

Some days I remember all I need is to stand still
and let the quiet rain of their chirps, squeaks and creaks,
the half-notes of their small hearts fall into and over and through me.


Carole Greenfield grew up in Colombia and lives in New England. Her work has appeared in such places as Amethyst Review, Humana Obscura and The Plenitudes. Read her poem “Trace Fossils” published in The Bluebird Word in October 2022.

Robins

Poetry by Margaret D. Stetz

Headlong into glass
two collisions
in rapid succession
after the crashes
wreckage outside the door
small bodies sprawl motionless
on a cold morning.
What compels me to push
beyond the door
to sit down on grass
in nightgown, slippers
to gather their corpses?
Cradling both in flannel-sheathed hollows
staring at membranes closed over eyes
at beaks gaping emptily
ignoring the chill through my legs
I see—movement.
Then pouring my heat and will
into the moment
watching as one
then the other
slowly
looks back.
(Is this how a surgeon feels
holding a heart as it beats?)
They owe me nothing—
the same miracle likely
to happen without me
their crimson breasts already skyward
harder to follow.
But if only they could
raise me too
high higher
never again
to enter that house
to stand hopeless
unrescued
from crashes collisions
behind the door


Margaret D. Stetz is the Mae and Robert Carter Professor of Women’s Studies and Professor of Humanities at the University of Delaware. She began writing poetry again after several decades away from it. Her new work has appeared in “Azure,” “Existere,” “Review Americana,” Kerning, and many other journals.

Call Me Mary

Fiction by Ali Mckenzie-Murdoch

My feet prickle and the orange fish in the water dart and glint, flocking to gorge on my dead skin, crisscrossing tracer bullets in the illuminated tank. The nibbling tickles like the bubbles in the glass of cava in my right hand. I lean back into the petrol blue cushion and stroke the white piping covering the seams. There’s a lighter band of skin around my ring finger. I slide my hand under my thigh where I can’t see it and look into the fish tank below my chair. Red frangipani flowers float on the surface of the water, fleshy lips parted in a sigh.

I wandered into the Aqua Bliss Fish Spa after walking from my hotel to Passeig de Gracia. I never do this kind of thing and I thought all those years of pounding the beat had made me tough, but police issue footwear is more comfortable than sandals. 

An assistant helps me lift my legs out of the water and leaves me to relax in a dark leather club chair after drying me off. This is the ‘Extravagance Treatment’ highlight, a thirty-minute foot massage washed down with a second glass of cava. After the fish pedicure, I can’t eat another tapas of anchovies, but I’m always game for a foot rub and some bubbly. My eyes close, the swish and splash of water and bubbles lull me, a whisper of pear drops wafts past, warm hands cup my feet.

Hola. Soy Maria, says a voice, an English twang to the vowels.

Forgive me if I don’t open my eyes, I mumble to the girl sitting at my feet. She anoints them with oil, pressing her fingers deep into the soles, pulling and spreading my bones, pinching and kneading my sore muscles. Argh, I let out a moan, half-human, half pussycat. This is the most relaxed I’ve been since the divorce. A week in Barcelona seems a good way to start spending my share of the settlement.

There’s a smell in the oil I can’t quite place. It carries me to gilded altars, the chill of a darkened pew, a priest swinging a thurible suspended from chains. The swirling smoke of incense rises in the air. Is it myrrh or frankincense? I’ll have to ask the girl. When I open my eyes, all I see is the crown of her head. Her thick strawberry blond hair cascades over her shoulders, hiding her face but I make out a snub nose sprinkled with freckles. There’s something familiar about her complexion, her accent, and then I remember. 

The thick locks of hair, more reddish in the daylight of the spa, appeared dull blonde under the strip lights in the police station. As if she hears the click of my memories falling into place, she looks up and recognises me too. After she witnessed the man murdered, we had to help her reinvent herself elsewhere, but not before she told the world what she had seen. Unlike the men who scattered and ran, who lost faith, who betrayed him, she stayed and spoke up. I remember throwing a rough woollen blanket over her head before we ran from the squad car and snuck her through a side door of the courthouse. An armoured vehicle as big as a snowplough thundered past, flanked by a full police escort, sirens blaring. Our decoy worked. Then we wrenched her from her life and erased all the traces. 

So this is where she ended up, but I know better than to say a word. Her eyes are the colour of the Aqua Bliss Fish Spa. As we stare at each other, they fill with tears.

I want to ask her about her new life, how she can make friends without a past she can share, her life in danger if anyone identifies her. Her eyes quiver and a silver droplet falls on my foot. I want to reassure her she’s safe, but the threads knotted in this tapestry of lies keep me quiet. Bowing her head, she wipes away the tears from my feet with her hair.


Ali Mckenzie-Murdoch is a UK dancer who lives in Zürich, Switzerland with her husband and son. Her work has been published in El Pais. In between running her dance studio and writing, she enjoys lifting heavy weights and wild swimming.

Succulent

by Heather Bartos

Jade plants will never win beauty contests.
Snub-nosed, squat, solid-thighed,
Pudgy limbs and squinty little blossoms.
But deep roots and thick flesh
Gather what guarantees survival,
What grants longevity.
Absorb every drop of hope,
Each ray of encouragement,
All words of praise.
Slice a leaf, snap a branch
And it will heal itself whole again,
Scar and stump the only sign.
Its own replenishment, resource, retreat,
A deep, wide wealth of well,
A barn full of grain for swallows in the snow.
Current life from yesterday’s rain,
From last summer’s sun,
Dense from receiving and holding of the giving.
How amazing to hold within and inside
Memories of kindness
To shade and shield from the heat
To insulate and inoculate against the cold
Until without and outside
Become a friend once more.


Heather Bartos lives near Portland, Oregon, and writes fiction, nonfiction, and poetry.  Her writing has been published in Miniskirt MagazineFatal Flaw Literary MagazineStoneboat Literary JournalPorcupine LiteraryYou Might Need To Hear This, and The Dillydoun Review, and upcoming in Scapegoat Review and The Closed Eye Open.

© 2024 The Bluebird Word

Theme by Anders NorenUp ↑