An Online Literary Journal for Poetry and Flash

Tag: Winter Holiday Issue 2022 (Page 2 of 2)

A Rare Snowstorm

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Sarah Bruenning

There was snow in the forecast, for the last day of the year and the last day of our trip. We heard that the town wouldn’t know what to do with it – that snow was rare here, even in December. I worried that the stretched, sloped driveway would be impossible to get back down, and that the table you booked months before would sit empty. The day before, the winter sun convinced us otherwise as we climbed over the orange clay and brown desert rocks to get to the closest vortex that looked out over the valley. The day before, the sun was so warm that you had to take off your jacket halfway through our hike, and the daylight was so bright that it ruined the polaroid I tried to take up top. We ate at the pizza place in town for the second time and drove past the nice restaurant on the way back to note where it was. The day before, we dragged our thin blankets outside to sit and drink under the clear sky. The next day, we woke to the silent kind of snow already dusted over the desert rocks and the driveway and our two lawn chairs in the garden.


Sarah Bruenning recently graduated with an MFA from the University of Missouri in St. Louis. Her poetry has been published in Glassworks, River & South Review, and Stonecrop Magazine. She also works as a reader for Boulevard.

Nourish

Special Selection for the 2022/2023 Winter Holiday Issue

Nonfiction by Becky A. Benson

I still have the tiny baking set my mom bought for me from the Tupperware catalog
in the early eighties. The mixing bowls, various and hideous colors of burnt orange, sungold yellow, and dirt brown, (although today I suppose they would call it espresso) were a 1970s left over influence that looked like the color palette had been borrowed from a bag of Reese’s Pieces. The rolling pin is a free spinning wood tool with red painted handles, and of course, the bake ware is metal. Impossibly small sheet pans, muffin tins, loaf pans and even a pie plate.

My stay-at-home-mother made everything from scratch. Everything. And I would
sidle right up next to her in a chair pushed to the edge of the counter and mime along with the baking. My favorite was when she allotted me the extra pie crust to roll out because the extra would always be baked with cinnamon and sugar. It was one of my favorite treats. It still is.

Baking along with my mom was an act of love, one I still practice today. I loved
spending that time with her. Her mother’s recipe for southern chocolate pudding pie is our family’s all-time favorite dessert, and holiday staple. Propelled by both nostalgia and hope for the future, I had the recipe printed on tea towels as a gift for everyone in the family. My eighteen-year-old daughter is now the fourth generation to make this holiday and family gathering staple. Her first job was as a baker at a local bakery and she came home beaming with pride every time she expertly crafted a new treat.

This last Thanksgiving my brother looked on intently as we began making the pie.
Calculating and reprogramming our movements in his mind, filing them into a folder he could open at a later date, and asked my mom and me to describe, in detail every step of the pie making process as we stood at my mom’s stove and did just that.

“You have to temper the eggs,” I told him. “It’s a very important for creating the
custard in your pie and getting it to set up correctly without having scrambled eggs end up throughout the chocolate pudding. Wisk the eggs in a separate bowl, then add some of the chocolate mixture a little at a time, mixing as you go. Next, return the egg mixture to the pot with the rest of the chocolate mixture and stir until it’s nice and bubbly.”

After returning home he promptly and proudly sent us a picture of his very first
homemade pie. It was perfect.

As I knead the dough that has risen in my kitchen next to the warmth of the oven, I
think of the process of creation. Bread making teaches patience with its often, multiple intervals of rising. A science unto itself, baking relies on the correct proportions, of mixing and combining ingredients to create a new chemical compound. A flavorful chemistry experiment. I smell the yeasty scent wafting up to meet my nose as I pull and shape the ball of dough on my counter. I think of the nourishment it will bring my family, the joy over the comfort of it, and the relishing of the taste it provides.

It’s taken many years to become a skilled bread maker, and it’s a skill I’m proud of.
A fresh loaf of warm bread is always a welcomed offering. Creating these devourable masterpieces feels a lot like offering my love. The process is also an act of self-care for me in many ways. It accomplishes the necessary task of providing food, but it’s also a creative outlet where I can dream up new concoctions and combine them in a way to delight the senses.

In the kitchen I can tune out the world. I can focus on the task at hand because it
requires every ounce of my attention to be successful. Here I can leave the worries of my day behind and add a little goodness back into my immediate world. The meals and memories shared in the kitchen have the power to stick with us throughout our lives.

My confident, self-sufficient, enterprising young woman of a daughter once
famously told me, when I sarcastically quipped that she, “apparently didn’t need me for anything,” that she still needed me to make dinner. Then capped it off with, “I’m just a kid. I can’t use the stove.” She was five at the time and happily reports (often) that she’s able to use the stove these days. Moreover, she prefers to do it all on her own now. Sometimes I’ll come home to the most delightful treats I had nothing to do with. I couldn’t be prouder.

I wish I could have spent all these years baking with both my girls, laughing together and dusting their noses with powdered sugar as they tried to sneak a lick off the spoon. The memories we were never afforded the opportunity to make wash over me in a flood. Who would my youngest daughter be had she not died of Tay-Sachs disease at the age of three years old? Would she love chocolate pie as much as the rest of us? Would she, now at should-be-fourteen, also use the stove all on her own? I’ll never know.

My nine-year-old son stands in my doorway as I type and sheepishly asks if maybe
we can make something together today. As a child who spent the entirety of his short life in an unfortunate, harmful, and unstable placement in the foster care system before coming to us just a week shy of his seventh birthday, he relishes in any time we spend simply doing things with and including him. Finding his voice to speak up for even these small requests has been a big step in learning his own agency, as well as connection, and support.

Of course, we can make something together today. I know just the thing. After all,
who doesn’t love chocolate pie?


Becky A. Benson‘s work has appeared in print, online, and various television and podcast outlets. Becky serves as a public speaker, holds a degree in psychology, and works for the National Tay-Sachs & Allied Diseases Association serving families of terminally ill children as the organization’s Family Services Manager.

The Fourth Gift

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Brant Short

the magi brought three gifts to the child
but they forgot the most important one of all

as purveyors of wisdom they should have known this truth

a book is the most powerful object ever created by human hands

 
books are time machines
          that break the chain of present tense

books are maps

          directing us to wonderous places we never knew existed

books are medicines

          tonics, potions and salves with the power to heal a broken life

books are tools

          hammers, saws, and nails that help us build thoughts, words, and deeds

 
a book offers life changing wisdom but only if we accept the terms of the offer
     be open to all ideas

         share the good, reject the bad

              honor the human labor that crafted the book

                   never take the magic of a good book for granted

Brant Short was raised in rural Idaho and studied history and communication in college. He recently retired from Northern Arizona University after 26 years of teaching and has turned to creative expression. He has published poetry in several journals including Back Channels, The Limberlost Review, and Roanoke Review.

yuletide carol

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by RC deWinter

last christmas eve
it was just us
misfits in a jigsaw world

neither of us believe
so we sent words
backandforthandbackandforth
about ourselves
how we’d lived
who we’d loved
what we hoped for

it was so much better
than being alone on a night
we’ve been conditioned
to expect should be
merry and bright

with song and candles
food and drink
the smiling faces
of the families we never had

so we faked it and it worked

eventually an ocean of regret
washed away the lighthouse
i don’t see you shining out there
in the northern night
and i’m thinking
you’re not even looking for me

this christmas eve
i’ll be sitting in that same chair
holding that same phone

listening to nothing but the wind
singing a frigid dirge
down the chimney
rattling windows
rattling bones
remembering you


RC deWinter’s poetry is widely anthologized, notably in New York City Haiku (NY Times/2017), The Connecticut Shakespeare Festival Anthology (River Bend Bookshop Press, 12/2021) in print: 2River View, the minnesota review, Plainsongs, Prairie Schooner, Southword, Twelve Mile Review, York Literary Review among others and appears in numerous online publications.

Spruce

Special Selection for the 2022/2023 Winter Holiday Issue

Fiction by Austin Gilmore

Do you know who cared where it came from? Absolutely no one.

Most thought, and I admit I was one of them, it was a lightning strike that turned a pile of discarded Christmas trees into one gigantic, murderous Spruce. Others believed a more nuanced story, something about it being born from vengeance, going from being the center of every household’s holiday celebration to being tossed out like a piece of trash. I couldn’t track that one, but now I see my explanation wasn’t much better.

I didn’t know what to believe after that mountain of thrown out Christmas trees mysteriously disappeared, leaving only a trail of needles leading deep into the woods of Franklin Park. But there it stood, a gargantuan Spruce that wasn’t there the day before.

And do you know who cared? Absolutely no one.

The town gave a collective shrug and went on with their lives. But it bothered me. I call it The Detective Nag. Trees don’t just appear out of thin air. But that’s a soap box you can’t stand on for very long. When I heard myself saying wild things like “Trees don’t grow on trees!” I knew I had to stop and just accept the anomaly like everyone else.

Winter turned to Spring and life went on as usual. I avoided driving by Franklin Park whenever I could. The rare times I had to, when I saw the tip of the Spruce high above the other trees gashing clouds and sky, it felt like it was watching me, like it was watching everyone. Like it was biding its time.

Halloween and Thanksgiving came and went. Christmas lights were hung, Santa’s face popped up in the windows of businesses, and Braxton Sifers was found in the bullseye of our Target, his ravaged body held up by jagged sticks and pine needles.

That was December 1st.

Amanda Girouxi was discovered in her parked LeSabre, a tree limb the size of a light pole kabobbed both body and car.

That was December 2nd.

Larry Atchity was found bobbing face down in his jacuzzi, with a wreath of dense pine needles wrapped tightly around his neck, both carotid arteries expertly gashed.

That was December 3rd.

I went to my old station for the first time since I was forced into retirement and laid out my theory. “It’s the Spruce. There’s gonna be twenty-two more bodies if we don’t do something about it!”

And do you know who believed my theory? Absolutely no one. They laughed me out of the bullpen. And as the next few days passed without another body, I began to understand why they had. It was ridiculous theory, a murderous Spruce.

But I was right, there were other bodies. It just took a few days to find them.

It was like living in a macabre Advent calendar. Every new December day we’d wake to find another loved one torn apart by tree limbs, gutted by bark. It wasn’t until we started using the Super Food Barn freezer as a make-shift morgue, packed tight with fifteen mutilated bodies, that people started to believe my absurd theory.

Like modern day townspeople with torches and pitchforks, we all met up at Franklin Park and waited for some brave soul to volunteer to go in and cut down the Spruce. It was Shane Schefter who finally spoke up, wearing his letterman’s jacket, only a month removed from bringing home his second State championship. That damn Shane Schefter, if anyone could do it, it would be him. He tugged the cord of a chainsaw and heroically disappeared into the darkness of the woods.

We cheered at the sound of the chainsaw grinding into fresh wood. We high-fived as limbs crashed to the ground. We dove for cover when Shane shot out of the woods crashing like a meteorite into the side of his F150, his chest stabbed with so many tree shards it looked like the top of a pineapple.

Some packed up and moved that very night. The rest of us stayed, hoping to ride out the rest of the holiday season, hiding in our basements like we were stuck in a permanent Tornado Warning. I spent those ensuing days listening to Christmas carols, wrapping presents, and formulating a plan, only catching its movement a handful of times. The sounds though, you couldn’t miss. The shimmering shuffle of the needles in motion, the crack of limbs making its attack, the screams of its daily kill.

On Christmas Day, I put my plan into action. I went for a walk, hoping by then the
Spruce had claimed its final victim of the holiday season. I stepped over bodies of friends, with thick branches sticking out of their chests and needles in their eyes. Each step emboldened my plan even more.

I was going to burn it down.

I pulled out the engraved lighter the department gave me for thirty years of service, flicked it lit and tossed it into the darkness of Franklin Park. From a park bench I sat alone, watching my town fill with smoke and ash, dramatically humming Santa Claus Is Coming to Town.

As the sun rose on the morning of the 26th, so did the people from their seasonal hiding places, only to find what I had been staring at since the fire died down hours before. The blackened remains of the woods, with the Spruce untouched standing at the charred center.

And do you know who cared? Absolutely no one.

The town gave a collective shrug, and with the holiday season over, they went back to their lives like nothing had happened. “What about the Spruce?” I’d ask anyone who would listen, the Detective Nag taking over.

“Eh, Christmas is a long way off. We’ll figure something out.”

And there it still stands. Watching us. Biding its time for the temperature to drop, for Thanksgiving to pass, and for its reign of terror to begin again.


Austin Gilmore is an Art Director and gallery artist, who co-ran Kevin Costner’s production company for 7 years. He is passionate about donuts.

Birthday Presence

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Mary Kate Bunstine

There is that one day a year that is a little extra special.
It’s the day where a song is played to usher in a brand new start;
Where decorations are hung and heart balloons held.
It’s the day where I am celebrated by family and friends alike.

I blow out burning candles on a cake.
It’s the day where I make a wish or two;
Where all eyes are on me as I do.
It’s the day that is full of surprise.

It flies by.
It’s the day where proud tears trickle from my mother’s eyes;
Where she sees how far her child has come.
It’s the day I wish I could hold onto and never let go.

But when another year arrives and that day returns,
I learn that perhaps it isn’t about how fast it fades.
Nor is it about the amount of presents unwrapped.
It’s about having gratitude each time I get to blow out candles yet again.


Mary Kate Bunstine is an undergraduate student and English major. She enjoys writing pieces of poetry that focus on positivity and living in the present.

The Christmas Tree Shop

Special Selection for the 2022/2023 Winter Holiday Issue

Fiction by Derville Quigley

There is a Christmas Tree Shop where the chemist used to be. I work there. Today an old man and his daughter passed through. The man had a slight American accent and the look of a returned expat. He was dapper, carried a blackthorn stick, wore a long tweed coat and a knitted woollen hat.

“We would like one of your finest trees,” said his daughter.

“At a good price,” he piped up.

She smiled lovingly at him while throwing her eyes to heaven. With that he turned on his heel and walked to the far end, to explore the shop on his own.

“I love the smell. Daddy, don’t you just love the smell?”

He was ignoring her, lifting his stick to poke the trunk of a tree on display. The sign said, Non-shed Trees For Sale and he saw hundreds of pine needles scattered on the ground.

“We normally have an artificial one, but this year I have persuaded Mum and Dad to get a real one,” she told me.

“What do you think of that tree in the corner, Dad?”

“No,” was his adamant reply.

“Tell me about them,” she said.

So I told her how they were all Noble fir grown on the side of a mountain in County Wicklow. Grand, full trees. Sixteen years old. No trimming necessary.

“What do you think Dad?”

“I think you’re wasting your time,” he replied.

Her smile dropped and she walked over to the trees still packed in their netting. Bing Crosby sang of days merry and bright. There was a low fog and the lights glowed red, green and blue on the tree outside the courthouse. Meanwhile the old man was bent over his stick, looking at the pine needles lying everywhere. For a precious moment, the three of us were suspended in silence, in the fog.

“Show me one, which is seven foot and full right up to the top. I don’t want gaps and I want a bushy one,” she said sharply.

“Dad do you want to sit down?” she asked.

“No,” he replied.

“Okay we’ll take this one,” she said pointing to a large tree, wrapped and close at hand.

“Dad I’m going to pay for it and don’t tell Mum how much it cost.”

He took no notice of her. “I’m just going to bring the car back around and go to the bank machine. You stay here.”

She left the shop and he relaxed although looked weary. I faced the chair towards him and he sat down.

“Which one did she pick?” he asked clutching his stomach.

“This one,” I said.

He looked frail and tired and although genuinely interested he seemed to have more energy when despondent.

“I have birds in my chest,” he said. “I can feel them, their beaks pecking through my ribs. Sometimes they sing to me. There are six of them.”

He smiled with a wink.

“I was in hospital, treated for cancer and the damn bastard thing is back. I tell ya, I’m going to drink a lot of whiskey before I go. When a doctor tells a sick man to carry on as normal and don’t change his lifestyle, that’s when he knows he’s had it. Dr. Dutton told me not to listen to my wife…to do whatever I want to do. Not listen to my wife…and now we’re getting a real tree.”

For a moment he looked terribly frightened and then he started to laugh. We both laughed and snorted as tears streamed down our faces. “It’s getting dark now,” he said, sobered by the thought. She came back red-nosed with her purse in hand.

She was muttering to herself, “I’m going to be all right with the tree. I think I’ll be able to manage it in the car.” She handed me twenty euro.

“Did you ask the girl for a discount?”

“No, Dad, I didn’t.”

“I’m sorry,” I said. “‘”I can’t give any discounts. They’re not my trees.” He stood up straight and poked another tree.

“I would have preferred that one myself, anyway I thought our plan was to leave by sunset.”

“Dad, I still have to collect the turkey,” she said, and with that pulled the large, awkward, prickly tree out the door.


Derville Quigley is a writer and poet based in the Netherlands. She is co-founder of Strange Birds, a migratory writing collective and a co-organiser of Writers Flock, an international writers’ festival. Visit www.dervillequigley.net for more info.

My Old Air Conditioner

Special Selection for the 2022/2023 Winter Holiday Issue

Poetry by Briena Sohns

I drove past the house,
Two months after we sold it.

Only glancing up for a second,
I saw they still had my old air conditioner,
Perfectly positioned in the window.

Would they remember to take it out?
When the fall leaves start to christen?

My white curtains still hung,
But I wonder if she shuts the blinds at night.

Glow in the dark stars still glued above the bed,
But I wonder if they sparkle in her eyes.

She would never know the stories behind them.

But maybe it’s better that way.
Simply left behind,

Like my old air conditioner.


Briena Sohns is the author of “Winter Nights” published in The Catskill Review. She attends Palm Beach Atlantic University studying Communication and English. Her most recent accomplishment is being hired as a Resident Assistant in Baxter Hall. Though she now resides in Florida, she was raised in Upstate New York.

In Deep December

Special Selection for the 2022/2023 Winter Holiday Issue

Fiction by Zan Bockes

When Jo got home from the hospital where her husband lay comatose, the house blazed with Christmas decorations he’d put up and connected to a timer just after Thanksgiving. Every evening since, the reindeer and sleigh on the roof lit up automatically. The large plastic Santa loomed above the icy shingles, and a series of inflatable candy canes danced across the snow-covered yard. Cheery elves rocked back and forth and a red-nosed reindeer turned its face slowly side to side. The crèche radiated a soft yellow, the three wise men and animals peacefully gathered in the rough wooden enclosure.

Merrill spent weeks ahead of time positioning ladders and climbing on the roof, hanging looping strands of colored bulbs around the gutters and windows. When it was all done, when the cords connected and electricity surged through every circuit, the three-bedroom split level leaped from darkness like the Big Bang. Neighbors gathered for the event, and their cul-de-sac overflowed with cars driving by in a long line to observe the spectacle.

Jo again resolved to hire the teenaged boy next door to take it all down as soon as possible—the gaiety seemed false and irreverent with Merrill strung with tubes and wires that ironically mirrored the display at their house.

Three days ago, the surgeon removed a blood clot from Merrill’s aorta and replaced it with a stent, a tiny mesh cylinder to keep the artery open and blood flowing. Jo related the details to their son, who would fly in with his wife and three young children the next day. The thought of noise and commotion drained her. She hadn’t had time for baking or shopping for presents, every spare moment taken up by visits with Merrill.

Once inside, Jo took off her coat and hung it in the hall closet. She heated up a cup of milk in the microwave and turned out the hall light, sinking into an easy chair with her head against the lace doily on the back. The lights in the juniper bush outside flashed in random sequences, casting shadows of branches and needles across the ceiling.

This might be Merrill’s last Christmas, she thought. No more festivities and decorations, laughter and singing. No one to lie next to when the night grew deep and sleep descended.

Perhaps she could ask God politely for a reprieve. It seemed important not to be too demanding or greedy. Just one more year to watch the grandchildren grow, to pay off the house…

She tried to picture the vague deity she hesitantly worshipped. She saw an old man, rigid, gray-bearded, and unlikely to bestow favors, especially to those who otherwise rarely consulted Him. From the clouds above, He orchestrated all that happened on Earth and punished those who questioned His power. But she doubted He would answer her request, or that a prayer could make any difference in the outcome.

Through the frost-feathered glass, the scene in the front yard blazed across the deep snow. The plastic baby Jesus in his bed of fresh straw glowed like an oracle.

The wind was picking up. The tinfoil star on top of the crèche shivered. The colored bulbs winked on their frozen wires, ticking against the windows.

Jo stared absently at the doll’s swaddled body. A curious shadow drifted back and forth across its face, and as she tried to identify its source, the scene suddenly went black. Jo blinked against the darkness. Maybe a fuse had blown. She thought of opening the fuse box, but she knew nothing about what was inside. That had always been Merrill’s territory.

Or perhaps a transformer in the neighborhood had lost power. But the Reynolds’ Christmas tree across the way still reflected its colored lights in the ice rutted street.

Maybe the wind was responsible—a power line was down, lying like a snake in the back yard, electrocuting any live animal that ventured near. She thought of stepping out into the electric snow, her charred body sizzling under the bulbous yellow moon.

Next door, the streetlight still shone, snowflakes circling through its illuminated cone. The cuckoo clock on the piano whistled twelve times.

Jo tried to resist the idea that God’s hand descended from the heavens, compelling her to repent or submit. She didn’t believe in omens, really. But she whispered a clumsy prayer nevertheless. “Please, God. Help me…”

Wind buffeted the house, driving snowflakes against the windows. Jo’s hands trembled as she felt for the lamp beside her chair. As she turned the switch, she recalled the timer Merrill had set to extinguish all the Christmas lights at midnight.

Oh, she thought.


Zan Bockes (pronounced “Bacchus”) earned an MFA in Creative Writing from the University of Montana. Her work appears in numerous publications, and she has had four Pushcart Prize nominations. Her first poetry collection, Caught in Passing, was released in 2013. Another collection, Alibi for Stolen Light, appeared in 2018.

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