An Online Literary Journal for Poetry and Flash

Month: June 2022 (Page 1 of 2)

The Swinger

Poetry by Carl Hubrick

Although traditions have we many
and technical skills beyond compare,
despite our thoughts and ideas aplenty
stored in computers everywhere,
’tis best at times to just remember,
and to ourselves gently remind,
that following us close in evolution
swings the chimpanzee with his
bare behind.


Carl Hubrick has a Bachelor’s in History and English and post-graduate diplomas in teaching, including teaching the Deaf. He first worked in the television industry as a director and later in teaching. His teenage novel Target for Terror (2008) is still in use in many New Zealand schools today.

Crumbs

Poetry by t.m. thomson

Maybe the woods are on fire with green.
Maybe wild violets pepper the ground
in the March-cool air. Maybe leaves hang
from rain-drenched branches slick

with October or maybe snow’s audacity
coats ground & breath. Maybe regardless
I choose to sit in a broad-seated swing
pump my legs & sweep back & forth

scraping soil & coming face-to-face
with sky. Maybe I slow-kiss dawn & savor
afternoon & trust twilight, staying out
as long as moon & wearing a red dress.

It would be lovely if women would dance
below me. They could wear red as well
& shout encouragement at me & Glee
would rule the day & night.

Laughter & off-color conversation
would raise temples from mushroom
& moss. Surely the gods of the forest
would hear & come slithering/hopping/

soaring with heads raised & noses
twitching their curiosity at our offerings
of stirred leaves & shuffled snow
revealing black seed & apple rind

shards. We are but crumbs of cosmos
ourselves—why not blaze woods
with the green of our voices, shower them
with ahhh, shiver them with Yes?

(inspired by Niels Corfitzen – “Swimming Between Clouds,” 2021)


Three of t.m. thomson’s poems have been nominated for Pushcart Awards. She is co-author of Frame and Mount the Sky (2017), author of Strum and Lull (2019), which placed in Golden Walkman’s 2017 chapbook competition, and The Profusion (2019). Her first full-length collection, Plunge, will be published next year.

October Baseball in Mississippi

Fiction by Mathieu Cailler

The pitcher for the hometown Jackson Prairie High School has just given up a two-run shot into deep right. A curveball that got away from him. He knew immediately from the sound of wood on leather, a perfect pop. The scoreboard tiles flip, heavy, like a vintage alarm clock, and he studies the cocky toss of the bat from number 22, end-over-end, till it settles onto manicured grass; then watches the stride of the batter as he turns first and second, causing soft puffs of dirt to rise from his cleats then settle. The pitcher allows himself rage, doubt, pity for the entirety of the batter’s lap around the bases. But, as soon as 22’s left heel scrapes the rubber of home, the pitcher treats himself to a heavy pour of amnesia. He takes a breath with his whole body, feels the tissue of his lungs fully deflate and rise again. The next batter—Langston McFee, a lefty, a powerhouse with scouts in the stands—strolls into the box, rubs his toe in the dirt, spits accurately. The pitcher collects a new ball from the catcher. High on the mound, sixty feet and six inches away from terror, he reads the signal from his teammate. He nods. He licks his fingers. He fires up his knee, juts his shoulder—every fastball a new beginning.


Mathieu Cailler writes poetry, fiction, essays, and children’s books. His work has appeared in publications including The Saturday Evening Post and the Los Angeles Times. Author of six books, his most recent–Heaven and Other Zip Codes (Open Books)–was winner of the 2021 Los Angeles Book Festival Prize.

Heartfelt: A Bilinguacultural Poem

Poetry by Yuan Changming

感:/gan/ perception takes place 

        when an ax breaks something on the heart

闷:  /men/ depressed whenever your heart is

        shut behind a door

忌:/ji/ jealousy implies 

         there being one’s self only in the heart

悲:/bei/ sorrow comes 

         from the negation of the heart

惑:/huo/ confusion occurs 

       when there are too many an ‘or’ over the heart

忠:/zhong/ loyalty remains 

       as long as the heart is kept right at the center

恥:/chi/ shame is the feel 

       you get when your ear conflicts with your heart 

怒: /nu/ anger influxes when slavery 

      rises from above the heart

愁: /chou/ worry thickens as autumn 

     sits high on your heart

忍:/ren/ to tolerate is to bear a knife

      straightly above your heart

忘: /wang/ forgetting happens 

      when there’s death on heart

意: /yi/ meaning is defined as

      a sound over the heart

思: /si/ thought takes place 

      within the field of heart

恩: /en/ kindness is 

      a reliance on the heart


Yuan Changming hails with Allen Yuan from poetrypacific.blogspot.ca. Credits include 12 Pushcart nominations & chapbooks (most recently LIMERENCE) besides appearances in Best of the Best Canadian Poetry (2008-17), Poetry Daily & BestNewPoemsOnline, among 1929 others. Yuan served on the jury and was nominated for Canada’s National Magazine (poetry category).

Who Knew

Poetry by Barry H. Gordon

Someone wrote tenderly,
knowingly,
of the death of a classmate,
as we casually prepared
for the reunion
of the living
next summer.

Who knew, Durbin,
that your oddness,
your awkward efforts
to connect,
were linked to years,
fourteen we are told,
in a foster home.
And who knew
of the heartache
you carried at graduation
because your father
hadn’t survived to see you
walk across the stage
of life.

And who knew
really much of anything
about the true you,
or the true me
for that matter.
We just walked across
that stage
and most of us
kept on walking.

Still, I am jolted
to hear
you have dropped out of line
and I have missed
my chance to know you.


Barry H. Gordon is a retired psychologist and a published author of Your Father, Your Self and two co-authored books. He is an emerging poet who has been writing poetry throughout his career.

Sparrows I Have Known

Poetry by Catherine Coundjeris

My first memory is of song–
song in sunlight rapturous and bright.
Elusive bodies hopping in branches
and on rooftops, lining wires
and chattering back and forth.

In Boston to my delight,
by old Ironsides, they
came to rest on my table.
Perching on the backs of chairs,
begging for morsels.

With my brother in Oxford,
we noticed their variety
marveled at their language
photographed them on walks.

Now in Frederick, outside Walmart,
they sit on baskets, flit
between cars, and angle
for scraps still curling along
the macadam.

It is April and I remember
our trek through back roads,
looking for hawks and eagles
with sparrows for company.

I have seen them
beat each other up
at bird feeders.
We have my brother’s old
feeder but we need
to buy a post for it.

They come anyway and
taste the seeds
on our fruit trees,
alighting on the wildflowers
on the hill behind our house.
My brother would have enjoyed it here.


A former elementary school teacher, Catherine Coundjeris has taught writing at Emerson College and ESL writing at Urban College in Boston. Her poetry is published in The Dawntreader, Visions with Voices, Nine Cloud Journal, Academy of the Heart and Mind, Bombfire, Paper Dragons and many more.

Jeffrey died healthy

Fiction by Mike Paterson-Jones

Jeffrey was a fifty looking, thirty-year-old man who was not good looking. He was overweight, with lank unkempt dark hair. He rarely smiled, mainly to hide his teeth which were crooked and stained. Jeffrey worked as a shipping clerk and his employer had him out of public view in a corner office. Jeffrey lived in rooms above the shipping business in a dingy street near the docks.

Jeffrey had no friends except the cat that came to his door every night for food. He did not have any family. He was an orphan. After work he always went to the diner down the road for a sausage, an egg and a large pile of fries liberally covered in ketchup. Having eaten, he would walk slowly back to his rooms where he lay on his bed and listened to the radio. He loved to listen to jazz guitarists such as Jimi Hendrix and Eric Clapton. He longed to be like them.

One evening he had an ice-cream as well. Afterwards he felt bloated and decided that he should go for a walk. Without noticing, he found himself away from the docks in a strange area. He was about to go home when he noticed that he was outside a pawn shop. In the window was a solid body guitar and amplifier for sale for a hundred dollars. It took him two days to pluck up the courage to go and buy the guitar, but once he had bought it, he only put it down to work, eat and sleep.

Jeffrey discovered that he had a talent for the guitar. Within months he was playing many of the pieces he heard played by his favourite musicians. As he played more confidently, he played his music more loudly. He didn’t need to worry about disturbing his neighbours as he didn’t have any after dark.

On the day that marked Jeffrey’s tenth year with the firm, his boss planned a party for him after work at the office. It was a Friday. Jeffrey had never had an alcoholic drink but was persuaded by his colleagues to have a beer and then another. He liked the feeling the alcohol gave him and became more talkative. He told his colleagues about his guitar. One of them suggested that Jeffrey get his guitar and they all went to McGinty’s along the road. Friday was ‘Talent Night’ at McGinty’s.

Well-oiled by five beers, Jeffrey stepped confidently up to the microphone and played and how he played. He was a virtuoso on his pawnshop guitar. The crowd in the bar stopped drinking and talking and just listened. Jeffrey played until he was exhausted and very drunk, a condition that seemed to have little effect on his guitar playing ability.

Jeffrey woke the next day with a massive hangover. As he gradually surfaced, he discovered several things. Firstly, he didn’t really like alcohol. Secondly, he had left his guitar at McGinty’s and finally discovered that he had an agent. According to what was written on a folded McGinty napkin, his agent was a Sue-Beth Combrink. He did vaguely remember her. By that evening he felt somewhat better and made his way to McGinty’s where he was greeted fondly by the bar’s patrons.

Jeffrey asked for Sue-Beth. The barman explained that Sue-Beth was a ‘lady of the night’ and wouldn’t be in for another hour. When Sue-Beth arrived, she went straight up to Jeffrey and greeted him with a kiss. She was a blousy blonde nearing her ‘sell-by-date’ in her profession. Sue-Beth sat a bewildered Jeffrey down in a booth and explained that as his agent she was going to put him on the map on the local music scene. Jeffrey just said nothing and listened. She told him that one of her clients was a music promoter who had a loving wife who would not like to know about her, Sue-Beth.

The next few months passed in a busy blur for Jeffrey. Sue-Beth paid for new clothes for Jeffrey, who now did three gigs a week at McGinty’s and had stopped being a shipping clerk. She enrolled him at a gym and personally cooked all his meals, healthy meals. Sue-Beth took him to a dentist who removed all his front teeth and replaced them with implants. The new Jeffrey was trim and good looking, and his fans loved him. She also applied pressure on the music producer and in less than a year Jeffrey had two albums in the US Top 40.

Jeffrey was making a lot of money, closely controlled by Sue-Beth. She did however allow him to buy himself a 1968 Ford Mustang. It was black with white upholstery and its chrome gleamed. Jeffrey loved to drive it fast. One night he took the Mustang onto the freeway. He was going along the straight at well over the ton and approaching a curve. He took his foot off the accelerator, but it remained depressed. The accelerator cable was stuck.

The police found a dead Jeffrey in the mangled remains of the Mustang. It had missed the curve and hit a large tree on the road verge. Sue-Beth was momentarily upset but quickly consoled with a hefty insurance payout. She continued to live, wealthy, but at least Jeffrey died healthy!


Mike Paterson-Jones is a retired chemistry professor living in the UK.

Pilgrim

Poetry by Rob Lowe

I like clocks, and books, and music,
Things which structure the way forward,
Are signposts and dwelling places.

Map-reading living is my hobby;
But exploring the nature of being
Requires a compass of faith.

I am waterproofed with hope,
My thoughts are warm but breathable;
I am well-equipped for the journey.

And when at last the sun goes down
After a walk through mountain terrain,
I pitch a tent of morality.

I have no home, nor family,
My friends are birds and beasts and trees;
They talk to me nightly.

I saw a harvest once, of people,
Crowded on a plain below;
And in the midst there was a steeple

And what tolled from its Sunday bell?
There is no lasting peace until
Religion consists of poetry.


Rob Lowe has written privately for many years, but only lately started submitting pieces for publication. Typical work can be found in recent issues of Lucent Dreaming, Libretto, Seventh Quarry, Aromatica Poetica, and some anthologies. He lives in Milton Keynes in the U.K.

The Clock

Poetry by James Blears 

We bought the clock when I was ten, two or nine,
I just can’t recall, but it had a fine chime.

I do remember it ticking day and night, all in all,
Tutting, like a maiden aunt, perched on a table, in the hall.

But as minutes and months and years went by, it’s time keeping,
Became slack, then a joke and finally a downright lie.

It lost respect by losing time, so no one consulted it any more,
For when it promised it was three O clock, it was past time for a tardy tea
At well after half past four.

And then one day with its hands at noon,
Not a moment too soon, and not that far from our front door,
It’s pulse just ceased, and it was no more.


James Blears is a British journalist based in Mexico City since 1992.

Surprise on the Tollway Enroute to New York

Poetry by Carol Coven Grannick

Indiana, you surprise me:
in the rain, a painting unfolds
of clouds outlined with your gold brush
as if placed in for effect
and clouds from brushes
dipped in grey and swiped across
the sky, shaping the rhythm
of breath as it flows
over the open land
gazing at burnished corn stalks,
food gone for feed
and under the signature of the grey brush
a quiet low-hanging pink
that begs to be seen as beautiful.


Carol Coven Grannick is a poet and children’s author whose novel in verse, Reeni’s Turn, debuted from Fitzroy Books in 2020. Call Me Bob, a nonfiction narrative in verse, will be a 2022 Oprelle publication. Her poetry has appeared in a wide variety of print & online journals.

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