Month: October 2026 (Page 1 of 2)

On a Rainy Day

Poetry by Ellen Goldsmith

1
I interrupt
my reading of Phillip Roth on Herzog
to look out on the rain-drenched landscape.

Mid-October, the time of leaves falling.

Yesterday, the light breeze gently ushered
leaves to the ground. Today, they leave
quickly, in abundance.

2
Herzog’s letters, conjectures, dissatisfactions, accusations
fly
unrestrained.

3
In a time of drought,
how comforting
the sound of heavy steady rain.

4
It isn’t until the last page
that Herzog enters
my heart.


Ellen Goldsmith‘s full-length collection Are We There Yet? is forthcoming from Kelsay Books. Left Foot, Right Foot, her fourth chapbook, is an illness and recovery story. She holds an Ed.D. from Teachers College, Columbia University, is professor emerita of The City University of New York and lives in Cushing, Maine.

Sue Belle Road

Poetry by Casey Morris

The shady road unravels north of town.
Its flowered hills exhale. Flocks of grackles
Retrace sunlight in pulses of black down.
Old padlocked barns, unbothered in shadows

Of linden and burnt pine, relive by ghosts
That putter in cobwebbed sties. Long rifles,
Uncleaned and rusted, grieve their Mauser bolts.
A fussy mare in weeds looks round. Idles.

The rolling woods echo with Sunday bells.
What thorny voice among the choir’s psalm,
What longest passion like the angels tell
Lot and his beloved: what was is gone

In twilit vespers whispered down the road,
In summer dark that is lost, that is home.


Casey Morris is a staff writer for Decadent Serpent and Atropos Poetry Magazine, where he’s published reviews, features, and poetry.

To Clare, Whose Name Means Light

Poetry by Ed Ruzicka

I

I see moon’s fingerprint in rills
that spread across black water,
to nudge and lift up lily pads.

I know, I know, that you are brave
and like the rest of our family
never one to hug. Nevertheless
I must do something. Anything. Maybe

place two fingertips to my third eye
because I am old and have become
afraid of seeing into the future.
Hold my fingers there so I become calm again
and close to you as moonlight on dark water.

II

When we were wee, sister
whose name means light,
mom would instruct you
to sit down upon our couch.
Then she’d place me, swaddled, in your arms.
You cooed to me, softly sang
fragments of nursery rhymes
and ditties that you’d learned at school.

Tonight I want to give back.
Not that you need it. You are stronger,
so much stronger, than I ever was.
Yet I would like to lift you.
Hold you, sister formed of light,
the way black waters hold the moon.


Ed Ruzicka’s fifth full-length book of poetry, The Invention of Dreaming, published in early 2026. Ed’s poems have appeared in the Atlanta Review, Rattle, Canary, and many others, and been nominated for the Pushcart Prize. He is president of the Poetry Society of Louisiana.

Clover Season

Nonfiction by Sarah Banks

Backing my car out of the driveway on an early March morning, I spot a single clover pushing through the dirt beneath my mailbox. I’m not surprised. Spring in Mississippi, a two-month interlude between the wet chill of winter and summer’s heavy heat, arrives before the vernal equinox. The air, tinged with humidity, feels cool this morning, though it will warm to the seventies by the afternoon.

When I see clover, my thoughts turn to the elementary school I attended, its play yard covered in emerald, three-lobed leaves each spring. Sometimes, this memory flashes through my mind then quickly disappears. Other times, like this morning, the recollection lingers, my mind holding it in place during my drive to work. Either way, clover conjures an image of that terra cotta brick building with windows lining the classroom walls.


During recess, while my classmates jumped rope and swung on the monkey bars, I would walk out into the field of clover. I’d squint to see where the end of the seemingly infinite, green expanse met the sidewalk. The leaflets rested against the ground, reminding me of a deep green quilt stitched to the earth. The flowers, tiny white pompoms, dotted the lawn. When wind moved across the yard, the clover shivered.

I would slip my feet out of my shoes, resting them atop the soft, springy clover. My hands inevitably burrowed into the green carpet, thumbs resting on leaflets. They felt soft, delicate—easy to tear. Each one held a small, crescent-shaped marking near the center.

In our classroom’s encyclopedia, I’d read that clover seeds can hibernate in the soil for decades, and I wondered if these had grown from seeds buried in the earth before I was born.

I’d often lay on the clover quilt and gaze up at the sky, imagining myself elsewhere. On those days, the sun hovered high, only a few clouds feathering the soft blue expanse. With no trees nearby, the sky opened wide, stretching so far it seemed to continue past the horizon.


By the end of April, the weed covers my entire front lawn. I’m nostalgic when it comes to clover. I won’t disturb it myself, but each week, my yardman mows it down with his lawnmower, allowing the Bermuda grass to show its spikes. By the end of each week, however, clover once again carpets the yard a deep green. It scatters its flowers across the lawn, daring the yardman to cut them down.

I’m unaware that clover can be invasive until my father mentions it.

“Clover will spread as far as you let it,” he says as we stand outside, surveying the yard. “I can spray it with weed killer if you want. That way, the grass won’t die.”

“Maybe.” My eyes drift toward my neighbor’s yard. She’s already complained about the redbud petals that fell from my tree onto her lawn, so I know she’ll object if the clover creeps into her property. Still, I’m reluctant to eliminate it. “Let me think about it.”


One time after school, I stood in the kitchen in front of my mother and held out my hand. In my palm, I cupped the four-leaf clover I had discovered during recess. The encyclopedia stated that the appearance of four leaves, a genetic mutation, occurs in one in 5,000 clovers. Despite my odds, I’d continued my quest to find one, sifting through the clover each day until I found treasure.

“How can we keep it safe?” I asked my mother.

“That’s easy. Watch this.”

She laid the clover between two sheets of parchment paper, then tucked it between the pages of the worn, hardback dictionary she’d used in college.

“Don’t worry.” She gave a warm smile, her eyes earnest. “I’ll hide it on a shelf in my closet.”

In the years that followed, I would sometimes ask her to open the book. I needed to confirm the four leaves still existed, proof that the clover had chosen to entrust me with its secret. Over time it dried, curling at the edges and fading to a muted green, yet the leaves remained attached to the stem.


In mid-May, I stand on my porch, imagining the clover spreading without interference. A smile tugs at my lips until my gaze moves to my neighbor’s lawn, where the clover inches toward her property line. I glance at the redbud standing against my fence, some of its branches—meant to spill over into her yard—cut to blunt nubs by her shears.

A few days later, I call my father.

“Get rid of the clover.”

I feel guilty for transferring the task to my aging father, but I can’t be responsible.


Weeks later, before I leave for work, I stand on my front porch and gaze at my lawn. After consistent treatment, the clover has disappeared, eradicated by the weed killer. I lift my eyes to the pale blue sky dome. The sun edges above the horizon, and the crowns of the pines appear as silhouettes against the pink-gold light blazing on the skyline.

Backing out of the driveway, I see zinnia shoots peeking through the earth beneath the mailbox where the single clover once grew. Soon, pink and yellow puffs will fill the flowerbed, but I am certain the clover will return next spring. And if it threatens to spread into my neighbor’s yard, I know my father, for as long as he can, will be the one to spray it.


Sarah Banks is a nurse living in Mississippi. Her poetry appears in Rust + Moth, South Florida Poetry Journal, Thimble, Autumn Sky Poetry, and elsewhere. Her fiction has been nominated for the Pushcart Prize and appears in Flash Fiction Magazine, Bright Flash Literary Review, and Fiction on the Web.

A Question of Fruits and Kitchens

Poetry by Kira M. Tjomsland

Perhaps we were feeling slightly hungry as we browsed the art gallery,
stopping before an oil-on-canvas
where ripe oranges made a branch bow low,
and you turned and asked me,

“If your kitchen had a fruit theme, what fruit would it be?”

The question exhales, and from it I inhale
the citrusy-sterile smell
of Grandma’s kitchen,
where dish soap stings my nose with the acidic tang
of the towels, of the bowls, of the plates, of the tiles on the wall
all distinctly, blatantly, unapologetically lemon.

Like a candle with a layered scent profile,
I whiff the undercurrents that made their way
into my own mother’s kitchen,
where the hand soap is always lemon, grapefruit, or tangerine
and the essential oils diffusing are always lemongrass or lime.

While I enjoy lemon-flavored desserts
and a wedge of lime in my water,
is it wrong of me to now associate the smell
with the drudgery of cleaning?

Maybe a strawberry or an apple theme
would better suit my counter’s red appliances;
raspberry doesn’t scream “kitchen” to me,
and cherries are an absolute no.

I think of my childhood friend’s new kitchen,
each appliance painted with a different piece of
a colorful fruit salad.
I think that I’m too picky of an eater
to really pull that off.

But as we meander to the next displayed easel
and I think of the dishes waiting for me,
I glance back over at the orange grove canvas
and think maybe that citrus isn’t so bad.


Kira M. Tjomsland is an award-winning author and poet, Creative Writing MFA candidate, and co-founder of Wandering Lights Literary Magazine. In her free time, she enjoys baking as much from scratch as possible. To read more of her work, see her website kiramtjomslandauthor.com and follow her @kiramtjomsland.author.

Dear Dad

Nonfiction by Leslie Lisbona

Dear Dad,
I wonder if you are still 85. Although I’m not sure that’s the age you would want to be for eternity.

I have vague and sweet memories of you in your early 40s. I would wait for you to come home from work. It was the last thing I got to do before going to bed. You would squat down, open your arms, and hug me. I was so excited I could barely stand it. And I made you laugh, mixing up my French and English by telling you, “You are piquey.” Your face was too rough, and I should have said, “Ca pique.” But you knew what I meant, and your laugh felt like a rumble in my chest.

You had your own store by then, Ripley’s, right near the Park Avenue entrance to Grand Central. Ripley’s was small, the walls crammed with electronic equipment. It had a stool that you propped me up on while you and Mom shared a cigarette over my head and murmured to each other in French and Arabic.

Or maybe you are 50 years old. I remember your 50th birthday because I was 10. Debi and I went out to get you a card and a Carvel cake in your brand new car. Debi swung her long hair back as she reversed too fast. We hit a pillar in the garage of our building and the car was totaled.

Or you might be 60. That is when you had Spectra on Madison Avenue, still small but bigger than Ripley’s. Sometimes if Mom asked you for money, you would say, “I don’t have a penny.” I remember feeling confused, not knowing if we were on the brink of financial ruin.

A bit later you had the first of your open-heart surgeries. That was when I realized I could lose you.

I wonder if you and Mom are together again? I wonder what ages you are – maybe you are both in your 60s, even though you died 15 years after she did. Mom wouldn’t like that you married Nina. Debi slipped your wedding ring off your finger in the funeral home. She didn’t want Mom to see it, especially because you never wore one in all the years you were married to her.

Do you remember the trouble you gave me when I finally moved out? I loved my first apartment, on Eighth Avenue and 53rd. I had Aaron then but not yet Oliver. I still saw you every Friday night for a movie, and once a week you double-parked on 6th Avenue near my office and I would hop into the elevator, pressing the lobby button over and over because I couldn’t wait to see you. Sometimes I teased you and said, “Aren’t you glad you had me?” and you would laugh and laugh. Once you knocked on my apartment door at 7am with bagels and coffee. I knew you were missing me. I felt like crying, which made it hard to swallow my bite of bagel. After we ate, I got ready to go to work and you went home to Queens, alone.

Do you know that I am 61 years old and that I haven’t set eyes on you in almost two decades?

Now we live in a different house that reminds me of our house in Queens. We have a dog named Rhoda. Val lost his father a few years ago. We have started traveling together, just the two of us, and it is wonderful. Aaron is 28 and engaged to be married; Oliver is 25 with a serious girlfriend. They work virtually, from home.

This is new: You can work from home now.

I wish I had had that option. I ached for Aaron and Oliver while I was in my glass office in midtown.

Here are some things that have happened since you left:

We sold the Queens house a few months after your death.

Nina died a few years after you did.

Debi and Dorian are grandparents. Debi goes by Nonna like your mom, and Dorian goes by Gido like you. The three of us are close, talking to each other all day long.

Congestion Pricing: You have to pay $9 to drive into the city. It turned out to be a good thing – less traffic and fewer pedestrian deaths.

Electric cars: I have one. I can turn on the heat from my phone before I get in the car. I have a charger in my garage. We are not far from self-driving cars. Actually, I think mine can do it, but I’m not sure how.

I miss you iktir, a lot, especially when something really good happens and maybe an inch more when something awful happens.

Here is a good thing: I stopped working in a bank and now I am a dreamer like you.

Here is a bad thing: October 7. The attack nearly destroyed my family life and the whole world turned against us. I needed you so much then, Dad.

Even though parenting wasn’t your thing, you turned out to be a good parent to us when Mom died. I’m glad you and I had the chance to get close, to get to know each other, to enjoy time together: all those Friday night movies, a few Broadway shows, just you and me. Imagine that.

I love you,
Lozay


Aside from The Bluebird Word, Leslie Lisbona‘s work has appeared in numerous journals and magazines such as The Queens Review, Synchronized Chaos, JMWW, Smoky Blue Literary & Arts Magazine, and Welter. She was also featured in the Style section of The New York Times. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. You can find her online at leslielisbona.substack.com

Just Don’t Dye Your Hair Green

Poetry by Sarah G. Pouliot

was the last thing you said to me
before grudgingly moving upstate
for your dad’s corporate position.

A decade later, I sit at Fox Lake,
bare feet pressed into Florida’s carpet,
pondering your hatred for the color

of Spanish moss in cypress swamps,
Anoles darting across sidewalks,
the star-shaped fronds of Royal Palms.

My mind fills in the misplaced pieces
of your life like a Rorschach test.
One inkblot portrays you at college,
double-majoring in math and philosophy.

The next, you’ve joined the Navy
and married a juvenile sailor
named Moby, who doesn’t cuss
and sells dried starfish by the port.

I suppose I could look you up
and learn where time tossed you
like the rocks we used to cast across the lake.

But I’d rather imagine
you lounging with Moby,
listening to crooning crickets
on J hooks and the murmurs
of midges orbiting pine—

pointing out how, tonight,
Orion’s Belt is shining faintly
behind those clouds,
if you tilt your head just right.


With a B.A. in English, Sarah G. Pouliot’s stories and poems have appeared in journals such as Cagibi, Saw Palm, Timber, Relief, Ekstasis, and the Rectangle. She works as a nonprofit grant writer, where she partners with philanthropic endowments and foundations to fund initiatives that uplift women worldwide.

The Long and Short of It

Nonfiction by Mary Lewis

It is exhaustion and euphoria. You often think you’ve figured it out only to discover more layers. Plot twists are a recurring theme.

It is tiny fingers grabbing tiny toes. It is the squawk that jolts you from sleep. And the soft sigh you hear as you pat, pat, pat. It is crawling out of the room, holding your breath, don’t make a sound! It is snuggles and belly laughs that are contagious.

It is extensive conversations in an unknown language. Neon rainbow tutus, action figures and playdough with all the colors mixed together. It is elaborate “shows” in the family room. It is walks that are short, but become long because someone needs to be carried. It is peas up the nose and stitches. It is Go Fish and fights about wearing tights. It is the feeling when you lift your face and sun hits your skin.

It is conversations about outer space, why, and what’s for dinner. Longer walks that become even longer because you have to go back for a Band-Aid and the bike has to be carried. Sports and friend dilemmas. Pick-ups and drop offs. It is forgetting about the poster board for the project until Sunday at 9PM. It is equal parts exasperation and admiration.

It is conversations about everything and nothing. Dating and dances and driving. Curfews. It is waiting up, worrying, wondering. The door opening that jolts you from sleep and the soft sigh as you kiss a forehead. It is Uno and fights about emptying the dishwasher. It is planning, choices. It is preaching and lessons learned. The jokes are on you, but you treasure those laughs. It is heart swelling, tears in eyes, so proud. It is pain, and it is joy.

It is so much joy.


Mary Lewis is a Behavior Analyst who stopped analyzing behavior so she could write about her own. Her poetry has been published in Maya’s Micros and Scapegoat Review. She loves French fries, her family, and the feeling she gets when the words fit together just right.

My Father’s Love Letters

Poetry by Laurie Miller

Cleaning out my mother’s apartment after her death.
So many things will be thrown away or donated.
I have no room for anything, even though I want everything.

I want to hold objects that might not mean much, but I’ll know
She once touched them, and they meant something to her.

I walk through the apartment, opening closets and drawers.
In the hallway cabinet, I see what I assume is a photo album
Or a scrapbook.
I drag it out and sit on the couch.

On the front page is a handwritten list in faded blue ink in
my mother’s elegant and meticulous handwriting.
#1, then the date, beginning in 1942.
The list goes on to over 300 entries.

She numbered letters. So many letters. All of them are from my father.

My parents met on a blind date.
My mother was 26, considered “old” to still be single. Almost a spinster.
My father was 31 and in the army.
Sparks flew, as did my dad, when he reported to the Army a few weeks later.
Landing in Oklahoma.

I opened Letter #1 and blushed.
My father was telling my mother that he’d rather be making love to her
than be in Oklahoma.

My dad????
I knew they loved each other, but
I rarely saw them hug or kiss.

I couldn’t stop reading.
I was witnessing their courtship.
Well, at least his side of it.
He told her when he went to the movies on the base.
He loved movies and would say when one was “swell.”
Or a “bomb.”

He told her when he went dancing at the USO.
He was a superb dancer, adept at the foxtrot, Lindy Hop or a waltz,
and would have a “swell” time.
But none of the girls held a candle to my mom.

He was such a romantic!
He’d tell her he’d been a “good boy.”

He’d tell her when he went to a Sabbath dinner or Passover Seder.
He and the other Jewish soldiers were treated differently by the other soldiers
And citizens in Oklahoma.
He tried to ignore it and keep his faith.

He went overseas and kept on writing.
The anti-Semitism among the troops got worse.
Nothing “swell” to report, except
counting the days until he could return home to “his girl.”

A year after he returned home in 1945, my parents were married.

I took the album home, and over several weeks I read every letter
I put them in order in acid-free sleeves.

I wanted my son to read them. He would learn about the
Grandpa he never knew,
as I learned about the father I loved and missed so much.

The movie buff. The charming dancer. The man of faith. The wonderful writer. The man who was smitten by the girl back home, and stayed smitten for 47 years until his last breath.

He was really swell.


Laurie Miller recently retired after 30 years as a grant writer, raising funds for foster care advocacy, the arts, and college access. Her work appeared in Vestal Review and Purrseverance: Inspiring Stories of Cat Resilience and Hope. Laurie lives in California with her husband and senior pets Ruby and Snickers.

Jules

Nonfiction by Clint Martin

Kerri called. Said she found a kitty. Curled up all cup-sized. Asleep in a flowerpot of all places. No other kitties were around. No mama cat either.

Kerri scooped up the white and ginger calico kitty. She carried her into the nail salon. No one inside knew who the kitty was. No one knew where the kitty came from.

Kerri carried the kitty home. Kerri began making calls and sending texts. She called her sister, my wife. Kerri asked if we were interested in giving the kitty a home. No, my wife replied. But…

Kerry brought the kitty to my wife. My wife took it to her mom, Sheila. Sheila is in her seventies and lives all alone. She has a bad hip and forgets a lot. Maybe a kitty will help, hoped my wife.

Sheila loved the kitty. Named her Gigi. Sheila watched Gigi explore her little apartment. Watched her investigate the bedroom…the kitchen…the living room. Watched her interrogate loose white papers and brown paper bags.

But soon the kitty became a bit too much for Sheila to handle. The litterbox was too low. The food bag too heavy. But most of all the kitten was too energetic. Gigi wanted to play when Sheila tried to nap. Gigi needed food and wanted attention while Sheila was trying to remember.

Two weeks later, my wife carried the kitty out of Sheila’s apartment. My wife brought Gigi to our house. Gigi was going to be our son’s cat. Jack said he would be responsible for the kitty. Said he’d clean out Gigi’s litter box and pick up her toys. Said he’d give her food and water and lots of love. Said the kitty’s name was no longer Gigi. Gigi’s name was Jules.

Jules spent her first two days in Jack’s room. She ate on his floor. She slept in his bed. The first time I met her she was propped between his two pillows. She was sitting up straight and tilted toward the big pillow on her left. She looked like a shy toddler leaning into a parent’s leg. She saw me stand at the doorway. She watched me wave. She noticed when I entered the room. Then she stopped looking at me. Then she stared at the yellow dog by my side. Jules stared hard at Maggie. Stared and stared and arched her fuzzy back. When Maggie’s muzzle got too close, Jules spit a little kitty hiss.

Two days later, Jules was no longer afraid. And no longer spending her days in Jack’s room. Now she was in the living room. And the hallway. And the dining room. And on the stairs. Like furry lightning, she sprinted into Jack’s brother’s room. Then our room. Then the basement, the bathroom, the garage. She explored the underside of all the house’s beds and any closet not completely closed. Little kitty scurried beneath the couch, the dresser, the table. She strutted on top of the desk, the plant stand, the chair. When she did get tired, Jules slept behind my head while I wrote on the couch. Or she stretched beside my wife as she read in the recliner. Back awake, the kitty pawed plants, papers, and pens. She batted the blind’s cords, the shoe’s strings, and the rug’s tassels. Jack’s tiny cat sprang from doorways, dove under laundry, pounced from behind curtains. She rubbed against the legs that walked into the kitchen and sang hungry songs in little mighty mews. And every so often, content kitty counted time in repeated rhythmic purrs.

After a few more days, Jules no longer spent her nights in Jack’s room either. Last night, she fell asleep between my right shoulder and my wife’s bent back. At some point, she moved to snooze atop my wife’s involuntarily shared pillow. Unfortunately though, Dara woke up with a closed throat and puffy eyes. Dara started her day with a stuffed-up nose and itchy skin. Symptoms that have been happening more and more all week.

My wife loves cats. Really loves the kitty. My wife does not love her allergies. She’s been getting allergy shots for years. The shots help with the grass and the dog. But they do not help with cats, she explains. Loud enough for Jules to hear. My wife won’t say it, so I say it for her. Dara deserves to breathe easily in her home. Dara doesn’t deserve to live with a stuffed-up nose. Or watery eyes. Or scratchy skin. The kitty doesn’t know what any of this means.

Kerri called. Her husband’s cousin is on his way over. Tommy doesn’t have allergies. Tommy is taking the kitty. Now our house will be back to normal. Back to a quiet summer of an old dog and two teenagers who stopped sprinting down the hallway and hiding under the bed a long time ago. Now the house will be quiet again. And in that quiet, for a while at least, there will be a great big kitty-sized hole.


Clint Martin lives occasionally in Iowa but mostly in Kentucky. When not writing or teaching, Clint enjoys meditating, identifying the birds in the backyard, and learning about cool things like plants and space. His work has appeared in places like Kenyon Review, Sagebrush Review, The Write Launch, and Motherwell Magazine.

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