Author: Editor (Page 53 of 62)

before the sky

Poetry by Ken Cathers

you sit on the handlebars
I’ll pedal like crazy

we’ll be a great fabled bird
on a dirt road journey

hang onto the wind
my little one, hang on

nothing can
catch us now

we will be home
long before

the sky can open
and crush our joy
          with thunder


Ken Cathers lives on Vancouver Island off the west coast of Canada and has spent much of his life working in the forest industry. He has been writing for several decades and has seven books of poetry. Several poems have appeared in Impspired (England) and the MacGuffin (U.S.).

The Greeting

Poetry by Leslie Dianne

I stop time
with words
and images
I shake
loose
sleepy syllables
and let them nudge
the atmosphere
I fill this space
with myself in another shape
and I am letting you know
that the
flicker of joy
that passes in the breeze
and tickles your memory
that gravityless pull that
makes you want to fly
is me
in a different form
greeting you
saying hello


Leslie Dianne is a poet, novelist, screenwriter, playwright and performer. Her work has been acclaimed internationally at the Harrogate Fringe Festival in Great Britain, The International Arts Festival in Tuscany, Italy and at La Mama in NYC. Her poems appear in Noctivant Press, Moida, Treouvaille Review, Constellate Magazine and elsewhere.

Someplace Else

Poetry by Valerie Valente

Snails line the slick pavement
like a stagnant post-office queue
They probe the damp air
with gelatinous horns
as if they would enact
a slo-mo battle with the mist

I veer gingerly around them
as they forage in scattered directions,
blindly heading
someplace else
My eyes scrunch tight and I grimace
as I hear the inevitable
crunch of my misstep
A wayward journey swiftly ended
by the grime-laden sole of my shoe.

I pause to contemplate
my habitual direction,
a path so repetitiously followed
that my muscle-memory
just pulls me along
I point my face skywards,
feel the mist upon my cheeks,
and reverently turn towards
the silver moon’s beacon
With a tentative step
I abandon all direction,
blindly heading
someplace else


Valerie Valente’s first love was poetry; she has been writing since the age of nine. Valerie has self-published two children’s stories. She is now launching a creative writing workshop business, Kist Creative, which she hopes will expose people to the joyful, therapeutic benefits of tapping into their imaginative energies.

Sweeter Than Your Name 

Fiction by Josephine Greenland

She can taste them as she puts the jars on the shelf. Plush blueberries, sweetened with sugar, exploding on her tongue like a thousand desserts. Her best batch yet, too good to be eaten, too good for the stale biscuits on the table. They could belong in a shop, in those shiny glass jars—gherkin jars she waited for the family to finish. Washed and scrubbed, to erase the brine residue. Polished so the glass can be used as a mirror. Labelled and dated, Blueberries by Ruth, July 1932, in a longhand rivalling her father’s.

‘Aren’t you done yet?’

Another face in the glass, battling her for room. Blonde and bright where she is red-haired and dull.

Mary, apple of father’s eye. Faultless, no matter what she does. ‘You promised you’d play with us.’

Us. Mary and the merchant’s daughter, who eats store-bought jam with a silver spoon, who makes Mary forget where she belongs. Ruth motions around her. ‘I have to clean up.’

‘Then let me taste!’

‘I’m saving the jam.’

‘Why?’

Because of the sigh of an empty purse. The smoke and liquor on father’s breath. The snatching of their savings when he wants more. The curses, the bruises. The suffering no mother should endure.

Ruth goes to the sink. ‘Because butter and cheese are running low.’ Mary’s been away too long, she wouldn’t understand why they can’t buy more. ‘And mother loves it.’

Mary’s eyes flash. ‘I bet father hates it.’ She edges up to the cupboard. ‘No one cares about your jam.’

Like a bird taking flight, she leaps and grabs two jars. Empties them out the window as Ruth rushes to pin her down. Their screams, like their bodies, twisting round each other.

And swarming over the jam outside, the ants.


Josephine Greenland is a Swedish-British writer from Eskilstuna, Sweden, with an MA in Creative Writing from the University of Birmingham. Her debut novel, Embers, was published by Unbound in 2021. She has won and been shortlisted in five writing contests, and had work published in various online and print magazines. 

Upwellings

Poetry by Chris A. Smith

The wind is wild and self-willed,
and I mark its passage through the trees,
shaking them like marionettes,
the neighbor’s rainbow flag snapping with each gust.
High-pressure systems, temperature inversions,
ocean upwellings, the Bernoulli effect—
the language of meteorology fills my head.
Still, there’s mystery in the wind’s rough grip.

Next to me on the couch a sleeping cat,
an ouroboros of fur, snoring lightly.
I scratch behind his ears and,
still half-asleep, he flexes his paws,
his tiny motor rumbling to life.
He’s warm, and smells of sleep,
whiskers twitching, eyes dancing behind his eyelids.
I watch the trees tremble, and try to imagine his dreams.


Chris A. Smith is a writer in San Francisco. Though trained as a journalist–he’s reported on topics ranging from African acid rock to killer asteroids to revolutionary movements–he also writes fiction and poetry. Find him at chrisasmith.net.

Jukebox

Poetry by C.T. Holte

Most nights, I am a jukebox.
Tunes play from the stash in my head—
               doo-wop to Debussy,
               Bach to Beach Boys—
chosen by a mysterious mechanism
and repeated as many times
as the system specifies:
               no Next button,
               no Mute switch,
               no Off to let me sleep.

The selection varies:
last night, the top hit
was Mozart’s Ave Verum Corpus,
               reprise of a piece I had sung recently
               at a choral workshop;
tonight, perhaps a favorite or two
               from American Bandstand
               or Casey Casem’s top forty countdown.

Music and memory are amazing gifts,
even at the price of sleep interrupted
by random hours of Deck the Halls
at any time of the year.


C. T. Holte grew up without color TV and played along creeks and in cornfields. He has been a teacher and editor, and now migrates between New Mexico and a tiny New Hampshire cabin. His poetry is found in Words, California Quarterly, Months to Years, Pensive, and elsewhere.

Paperboy

Poetry by Cosmo Goldsmith

From my bedroom window, overlooking
this tableau stillness of sheds and fields,
there is movement below
among the avenue of chestnut trees.

A paperboy ghosting through stippled shade,
luminous orange postbag strapped tightly
across his thin shoulders, first job perhaps,
so young he seems, restless and impatient,
eager to complete his round on schedule,
and keep in check the heavy tread of time,
those allotted hours and binding routines.

This is the crossover point he has reached
where suburbs give way and the fields begin;
a whole future unfolding before him
in misted prospects of treetops and hills.

And all I can do is watch and observe
from the opposite end of the telescope,
from the shrinking lenses of my vision,
for all my outlooks are gently receding.

The world out there belongs to him.


Cosmo Goldsmith is a ‘semi-retired’ English teacher with a passion for all forms of creative writing. He has taught in both the UK and Greece and still divides his time between these two countries.

The Swinger

Poetry by Carl Hubrick

Although traditions have we many
and technical skills beyond compare,
despite our thoughts and ideas aplenty
stored in computers everywhere,
’tis best at times to just remember,
and to ourselves gently remind,
that following us close in evolution
swings the chimpanzee with his
bare behind.


Carl Hubrick has a Bachelor’s in History and English and post-graduate diplomas in teaching, including teaching the Deaf. He first worked in the television industry as a director and later in teaching. His teenage novel Target for Terror (2008) is still in use in many New Zealand schools today.

Crumbs

Poetry by t.m. thomson

Maybe the woods are on fire with green.
Maybe wild violets pepper the ground
in the March-cool air. Maybe leaves hang
from rain-drenched branches slick

with October or maybe snow’s audacity
coats ground & breath. Maybe regardless
I choose to sit in a broad-seated swing
pump my legs & sweep back & forth

scraping soil & coming face-to-face
with sky. Maybe I slow-kiss dawn & savor
afternoon & trust twilight, staying out
as long as moon & wearing a red dress.

It would be lovely if women would dance
below me. They could wear red as well
& shout encouragement at me & Glee
would rule the day & night.

Laughter & off-color conversation
would raise temples from mushroom
& moss. Surely the gods of the forest
would hear & come slithering/hopping/

soaring with heads raised & noses
twitching their curiosity at our offerings
of stirred leaves & shuffled snow
revealing black seed & apple rind

shards. We are but crumbs of cosmos
ourselves—why not blaze woods
with the green of our voices, shower them
with ahhh, shiver them with Yes?

(inspired by Niels Corfitzen – “Swimming Between Clouds,” 2021)


Three of t.m. thomson’s poems have been nominated for Pushcart Awards. She is co-author of Frame and Mount the Sky (2017), author of Strum and Lull (2019), which placed in Golden Walkman’s 2017 chapbook competition, and The Profusion (2019). Her first full-length collection, Plunge, will be published next year.

October Baseball in Mississippi

Fiction by Mathieu Cailler

The pitcher for the hometown Jackson Prairie High School has just given up a two-run shot into deep right. A curveball that got away from him. He knew immediately from the sound of wood on leather, a perfect pop. The scoreboard tiles flip, heavy, like a vintage alarm clock, and he studies the cocky toss of the bat from number 22, end-over-end, till it settles onto manicured grass; then watches the stride of the batter as he turns first and second, causing soft puffs of dirt to rise from his cleats then settle. The pitcher allows himself rage, doubt, pity for the entirety of the batter’s lap around the bases. But, as soon as 22’s left heel scrapes the rubber of home, the pitcher treats himself to a heavy pour of amnesia. He takes a breath with his whole body, feels the tissue of his lungs fully deflate and rise again. The next batter—Langston McFee, a lefty, a powerhouse with scouts in the stands—strolls into the box, rubs his toe in the dirt, spits accurately. The pitcher collects a new ball from the catcher. High on the mound, sixty feet and six inches away from terror, he reads the signal from his teammate. He nods. He licks his fingers. He fires up his knee, juts his shoulder—every fastball a new beginning.


Mathieu Cailler writes poetry, fiction, essays, and children’s books. His work has appeared in publications including The Saturday Evening Post and the Los Angeles Times. Author of six books, his most recent–Heaven and Other Zip Codes (Open Books)–was winner of the 2021 Los Angeles Book Festival Prize.

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