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Winter

Poetry by Jeffrey Sommer

As trees go bare
As days grow dark
I look toward winter
When the snow will start

Soon the grass stops growing
Roses bow their heads
Stray cats are sleeping
In the flower beds

Then the snow clouds form
The sun goes to sleep
Farmers cover their crops
And shelter their sheep

When at last the snow comes
I rummage through the shed
Where I keep the shovel
And my rusty old sled

Before the sun breaks though
Until the snow begins to melt
I go sledding down the hill
To remember how it felt


Jeffrey Sommer enjoys writing poetry on social issues as well as relationships between people and the environment.

December’s Eve

Poetry by Kersten Christianson

I dream of dark crow
night, stars or snowflakes shimmer
their wan-lit path down,

down, down to wave-tossed
sea. Three weeks yet ‘til Solstice
when we turn a left

on a pitted road,
put ear to the ground, listen
for returning light’s

arrival. My skull
rattles from so much darkness,
echoes a tuneless

song. Split the wood, add
the tinder, build the bonfire
to welcome the sun.


Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

The Original Real Housewife of New Jersey

Fiction by Jim Parisi

The trouble started when my father said the spaghetti and clams looked like cat food. My mother said he was a real comedian and should be on “The Tonight Show.” He scooped mounds of spaghetti onto her plate and asked, “How about this? Is this funny?” She told him to stop being a pain in the ass. He kept adding spaghetti to the pile. She warned him to cut it out or there was going to be trouble. 

I focused on twirling spaghetti around my fork. My younger brother made slurping noises as he shoveled spaghetti into his mouth. I flicked a piece of clam into his hair. He whined for my mother, who was busy spitting words at my father.

“That’s it. I’ve had enough.” She slammed her hands on the table and pushed herself out of her chair. “Get out of the way, Bobby.” I was confused about what I was getting out of the way of, but I did as I was told. 

She yanked up the table. It landed on its side where I had been sitting. Plates, cups, and utensils clattered across the small dining room floor. Rivulets of Hawaiian Punch and Shop Rite cola coursed their way through mounds of spaghetti, clams, and salad. 

My brother yelped. I stared in disbelief at what had been my dinner. My father started to say something but stopped when my mother glared at him. “Come on, boys,” he said. “Let’s leave your mother alone for a few minutes.”

My mother grumbled in the dining room while my brother and I sat on the floor of our bedroom, watching “I Dream of Jeannie” reruns with our father. Major Nelson’s slapstick efforts to hide Jeannie from Dr. Bellows seemed more grounded in reality than what I had witnessed. I asked my father if we should help clean up. He said, “Let’s let Mom have some time to herself.” He told me to change my pants; they smelled like clams.

After putting on my pajamas, I crept out to the dining room as the “F Troop” theme blared behind me. The table was in its usual place; the rest of the room betrayed no signs of the wreckage. 

My mother was mopping the kitchen floor. “I’m almost done. Then I’ll come talk to you and your brother.” 

“Are you still mad because I hit Mikey with a clam?”

She laid the mop against the stove. “No, Bobby, I’m not mad at you. Your father was in a mood and did something that made me angry, and I lost my temper and went overboard. It’s the Sicilian in me.”

“Do I have Sicilian in me?”

“Half as much as I do. You’re lucky.”

“What’s the rest of me?”

“Neapolitan. So maybe you’re not so lucky.” She smiled. “I’m kidding. But I’m sorry for making you upset.”

“But this girl Denise in my class—”

“I know that Denise. She’s got a mouth on her.”

“She said her parents had a fight, and her mother cut up her father’s clothes when he left the house, and he had to move, and her mother has to work all day, and she comes to school with a key on a rope around her neck.”

“Cut up all his clothes? That woman’s something else.” She squatted to look me in the eye. “Daddy’s not going anywhere, except maybe the doghouse.”

“Where’s the doghouse?”

“Ask your father in a few days.” She put her hands on my shoulders. “Don’t worry, kiddo. Everything’s going to be fine.”

“But when I told Denise that we were having spaghetti and clams for dinner, she said clams were stinky and she was going to make macaroni and cheese out of a box all by herself when she got home. Then she called me a baby when I told her I didn’t know how to do that.”

“You tell Denise it’s not because you’re a baby, it’s because you’re Italian.” She ran her hands through my hair. “I’ve got an idea. Want me to teach you how to make macaroni and cheese out of a box?” She reached into the back of the cupboard above the counter. “I bought one a couple of years ago in case we had an emergency and I didn’t have any sauce in the fridge.”

She filled a small pot with water, placed it on the stove, and let me turn on the burner. Then she called to ask my father and brother if they wanted something to eat. My father yelled, “How about leftover spaghetti and clams?”

“Your father’s a real laugh riot.” She helped me tear open the packet of cheese powder. “I don’t understand why people eat this garbage. How hard is it to make a real cheese sauce?” It sounded hard to me, but I kept my mouth shut and focused on stirring.  

After declaring the pasta to be al dente, she poured it into the cheese mixture. Then she stabbed the macaroni with a fork and took a bite. “Not bad. Now you can tell that Denise to go pound sand.”

The four of us sat around the dining room table, eating the dinner I helped make. With each forkful the lingering aroma of clams and cloyingly sweet Hawaiian Punch grew fainter. My parents laughed as my brother speed-talked his way through a story that none of us could follow. The table remained upright.

“That was good,” my father said. “Almost as good as your spaghetti and clams.”

“Back away from the table, Bobby.” My mother pressed her lips together—in what I hoped was a smile—and shook her head at me. I stayed in my seat. 

“A regular Rodney Dangerfield, your father thinks he is.” She continued to look at me. “Someone let Johnny Carson know we’ve got a real comedian in the house.”


Jim Parisi is a freshly unemployed editor who lives in Washington, D.C., with his long-suffering wife and their sweet but highly reactive boxer-pitbull mix. His flash fiction has appeared in FlashFlood Journal and The Good Life Review.

Perfect Day

Poetry by Susan Wolbarst

The day unfolds
in its own sweet way:
sunny, highs
in the mid-seventies,
light breeze. Zero
chance of rain.

Its slow perfection
savored
by coastal retirees
breathing deeply
exhaling thanks.

The most ambitious
get some steps in,
or re-pot baby
tomato plants from
the greenhouse.
The rest of us

sip coffee on
the deck and,
due to bad habits
we cannot shake,
read newspapers
on our phones.


Susan Wolbarst is a newspaper reporter in rural Gualala, California. Her poetry has been published in Plainsongs, pioneertown (pioneertownlit.com), Naugatuck River Review, and other journals, as well as in the anthology Alchemy and Miracles: Nature Woven Into Words. A chapbook of her poems, It’s Over, published in August 2025 (Finishing Line Press).

Reflection

Poetry by AJ Saur

When the 7 a.m. sun suddenly
beams your windshield, you may discover

yourself in the back window of a city bus
a great deal more serious than you knew.

Perhaps it’s not surprising considering
how you flew out of the house without

your morning coffee, without a goodbye
kiss, without a single word shifting the new air.

Now, thanks to traffic, you’re inching
toward yourself, cautious, uncertain

of this one who acts in opposite
at every turn. Enlightened, block after

block, by the set chin, high cheekbones,
those steely eyes spanning

the distance from a someone so thoroughly
other you catch yourself, for a moment, wondering

where he’s headed on this average Wednesday
and, if you flash a smile, will he follow?


AJ Saur is the author of five books of poetry from Murmuration Press including, most recently, Of Bone and Pinion (2022). AJ’s poems have also appeared (or will soon appear) in Abandoned Mine, Front Range Review, Glimpse, The Midwest Quarterly, Muse, Third Wednesday, Willow Review, and other journals.

Blue June, Slight Breeze

Poetry by Brian Builta

At the Stapleton concert I become
one clap after another, a whooo,
a dervish of hollers and whups,
a disembodied scream. This happens
on occasion. As the fatherless son
and the sonless father, Father’s Day
is a trigger, my poor poor daughter.
Sometimes her father goes missing
right in front of her, missing his chair
and sprawling on the arena floor.
So far, I’ve always come back, so far.
Truth: incarnation is overrated,
yammering emotions running amuck,
saltwater on the cheek, thunderclap
weighing down the chest. My little
private tornado feels so good, so
delightfully destructive and harmless.
Of course, next day I’m a truck-flattened
squirrel. Energy has its consequences.
Stapleton can only get you so far
before the gravity of the empty letter jacket
in the hall returns, reminding your life
is now angry bees rising from bitter honey,
where the best therapies are leaves
murmuring free from any standard-issue tree
as long as there’s a breeze.


Brian Builta lives in Arlington, Texas, and works at Texas Wesleyan University in Fort Worth. His poetry has been published most recently in Freshwater Literary Journal, Meridian, and Red Ogre Review. More of his poetry can be found at brianbuilta.com.

Temptations

Fiction by Fabiana Elisa Martínez

I never told you about the onion soup. How I craved it and how I came to abhor it. You asked about my aversion to white towels. This story is less sinister, though. I was never again able to approach a table displaying that dish since that late September in 1940, when ironically that was the only meal I would have, even if the crew had served it for breakfast. At first, I attributed the inexplicable craving to my permanent state of surprise and elation, to the waves of adrenaline swaying in my heart just as I recreated and foresaw the intrepid, ardent nights your grandfather and I were waving under the changing sky. The new constellations prying through our second-class porthole were not the only elements transitioning during our trip. The breeze had also dropped its autumn cloak once we passed the Canary Islands, and even its salty flavor preannounced the spring I would meet in Buenos Aires.

But my craving for onion soup did not respond to the changing parade of hours as we moved steadily into southwestern waters, and I detached myself from Lisbon, as Sarita’s polka-dotted handkerchief, waving her newlywed friend goodbye, faded in my memory. This was not the typical Portuguese onion broth that my grandmother used to prepare to enhance the flavor of our meager chickens in the Alentejo. This was a French dish your grandfather described to me with every atom of elegance and bad accent he could produce. I don’t remember it well. A brownish, thick, and sweet concoction, crowned by a golden piece of fried bread drowning in the golden magma of melting cheese. I wonder if my obsession with the soup sprouted when your grandfather decided to stop talking to me in my language and resort to Spanish so I would be ready for my new life. I sensed a change beyond the salty air.

Anyway, after the two first weeks of waves, wet recliners on a crowded deck, and late dinners in the second-class dining salon, I only wanted to have onion soup. None of the other delicacies tempted my appetite: the roasted meats, the yellow beets, the abundant selections of chocolate cakes and bonbons that were always sliced and tried before by the silent first-class travelers. That third week of my honeymoon, the boat took revenge on my happiness, and a stubborn sickness pushed away the new bride’s effusiveness. The tides in my heart were replaced by a whirlpool of vertigo that only the caramelized onions in the soup seemed to appease.

“Come on! We are wasting the music,” your grandfather would say pulling my arm while I resisted, anchored to my chair, and regarded the musicians with a hooded apologetic look. “I cannot dance, all is moving under my feet, darling,” I muttered every time, covering my mouth with a white napkin preluding an inelegant accident. I marked my muffled words with inappropriate hiccups more proper of the inferior classes sleeping already in the belly of the boat. Your grandfather always thought that a rumba, a cha-cha, or a tango never danced was a waste, an irretrievable killed opportunity. Perhaps due to my sickness or because of his metropolitan nature, he did not hesitate to ask any other available young lady. His young Portuguese wife could not understand the urgency of a handsome gentleman who knew how to play the keyboard of women’s spines better than all the Cole Porters they might be in love with.

The sea continued to rock us, the sky, the carefree dancing partners of your grandfather, and my uneasiness until we approached the new city. I had been told that it would look like a mix of Paris and New York inside a kaleidoscope. I had created in my mind a golem-like landscape with parts of big metropolises that I did not know. As tempted as I was, I tried to spare the image I fathomed of any lacy sections of Lisbon. But the sky got dark and darker, and when I was able to climb to the deck under the call of multiple sirens, I just saw a black, pervasive cloud of smog, factory chimneys, and an immense port. The countless accents of the arriving immigrants seemed to leave their print on a carpet of soot.

I craved one last time the sweetness of the onion soup, as a melancholic smile followed my vision that onions can also make you cry when you think about them. My husband was showing the profile of his city to his dance companion from the previous night, a Dutch beauty who did not understand a word he said but looked at him with the same awe that I felt when, only two months ago, he had rescued me from a broken shoe at the entrance of the café A Brasileira.

Our boat, my crib of love and dizziness, docked at three o’clock on a grey Friday afternoon. By then, I knew that the black cloud was an omen, that your grandfather was a spoiled soul in disguise, and that the real vessel had always been inside me. I was rocking your mother and half of your soul, my child, in her. All maternal grandmothers cuddle half of their granddaughters in their bellies like Russian dolls marching in a revolution of cells. I followed all the wrong temptations, and I am happy I did. You come from a sea of insane love, a broken map of constellations, and the breeze of an unknown hemisphere. You come from me.


Fabiana Elisa Martínez authored the short story collections 12 Random Words and Conquered by Fog, and the grammar book Spanish 360 with Fabiana. Other stories have been published in Rigorous Magazine, The Closed Eye Open, Ponder Review, The Halcyone, Hindsight Magazine, Libretto Magazine, and the anthology Writers of Tomorrow.

How the Poems Land

Poetry by Kersten Christianson

We share the wind in this early morning hour,
the new leaves of the Japanese Maple, crimson,
skin-soft, fibrillate in genial breeze, fluctuate
in tandem with fish kite, murmuring wind chime,

and to the south, a poet friend meanders her rocky
shore, her dogs advance and retreat, loop to follow
each new scent revealed by tide and temperature,
while she gathers words among popweed, shell

debris. Poetry exists in breath, without formula.
Its thoughts gather like sea foam, words emerge
with the surface and bob of harbor seal’s head,
its eyes scanning shoreline, until poetic lines

land in a whisper-whoosh of baby waves shuffling
into the space between. The spring has been a dark
October, rain repeated by rain, yet the leaves green,
red-breasted robins frolic, the poems need writing.


Kersten Christianson derives inspiration from wild, wanderings, and road trips. Her newest poetry collection, The Ordering of Stars, will publish with Sheila-Na-Gig in fall 2025. Kersten lives in Sitka, Alaska. She eyeballs tides, shops Old Harbor Books, and hoards smooth ink pens.

The Brightest Stars Burn Fastest

Fiction by Richard Gotti

Your oil paints and soiled rags, my unfinished story. Your newspapers in plastic sleeves, my underwear limp in the dryer. Your cats on the kitchen table nibbling the birthday tulips we forgot to bring. Your daughter at her father’s house crying to go with us. The new moon rises.

We drive east eating turkey sandwiches, the moon roof open to the March-chilled air and Etta James singing How Deep is the Ocean— the ocean we’re seeking this first weekend of spring. Then the Cape Cod Canal’s charcoal waters, white-veined from lights on the Sagamore Bridge. On Route Six four lanes dwindle to two. Dunes grow. Suddenly harbor lights glister beyond like blue stars scattering light in the invisible turbulence.


Richard Gotti’s short fiction has appeared in Chautauqua, Literature Today and The RavensPerch. A finalist in the Lost in Words international fiction contest, he co-authored the nonfiction book, Overcoming Regret. His plays have been performed in New York’s Hudson Valley and Finger Lakes.

Hood

Poetry by Shaymaa Mahmoud and John Brantingham

My people immigrated here
from a little town near Nottingham Forest
and in the high romance

of childhood, I decided
that I must have Robin Hood’s
blood inside me

whether Robin Hood existed or not.
And if he did, I suppose I do
and probably the sheriff

of Nottingham and Little John
and whatever heroes and villains
and royalty and peasants,

and I suppose none of this matters.
This was just a boy dreaming
that he could be heroic,

and I don’t want to be a hero
anymore. My dead whisper to me
that to be quiet and kind is enough.


Shaymaa Mahmoud and John Brantingham are a father/ daughter writing team with hundreds of publications and over twenty books between them.

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