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The First Raspberry

Poetry by Meredith Escudier

The first one, not purple but pink
not yet luscious, but lovely

the promise of sweet abundance
of a backyard crop-to-come.

My grandson spied it,
seized it, plucked it,

placing it like a prize
on the tip of his finger

because just the right size
to snuggle into a raspberry’s insides.

Look, Grandma, the first one!
Together we inspected and admired it,

our forerunner raspberry,
rosy precursor, ephemeral elder.

Would he eat it, offer it, save it
for later, nibble away meticulously

tiny bit by tiny bit…or instead
gobble it up, here we go, let ‘er rip?

He surveyed his treasure
just a little longer, still safely perched

on his dancing index finger then
jubilantly (whoosh) popped it into his mouth.

He swirled it about as it released its juice,
his 5-year-old eyes crinkling and creasing

and with a catch in my throat,
I got a passing glimpse

of my last little grandson
far off into the future

on a day when an old man
yet relishes a raspberry.


Meredith Escudier has lived in France for over 35 years, teaching, translating, and raising a family. She writes about French language and culture, food and music. Her latest book – Play it Again, Jacques – features 20 French singer/songwriters who have accompanied and enriched her life over the years.

Contentment

Poetry by Nancy Kay Peterson

Late August hint of fall hides in
the pulsing breeze, scented dusty green.
Each time the wind pauses, the sun asserts
its waning summer strength, toasting
the back of my flannel shirt.

We two sisters stand on the foot bridge that
spans the dry creek between our parents’ house
and garden, silently shucking corn.
Soft silk threads tear away easily
from ears stunted by drought.

Cob tips have broken through
their green shells. End kernels
not gnawed away are mahogany colored.
We snap off spoiled ends,
toss them over the bridge rails.

Remaining bright yellow half-cobs
fill bags to be carried inside
and cooked within the hour.
My hands are sticky with milk,
the sweet smell of new corn.

I could do this forever.


Nancy Kay Peterson’s poetry is in The Bluebird Word, Dash Literary Journal, Earth’s Daughters, Last Stanza, RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009). She authored two chapbooks, Belated Remembrance (2010) and Selling the Family (2021). See www.nancykaypeterson.com.

Madari/Maternidad

Poetry by Alexandra Newton Rios and Artwork by Narges Anvar

The language of a young bird
is flight
the preparation
the take off
the planing, gliding, soaring
flying alone and with others
singing, singing, singing.
The language of motherhood
has been a giving
the gestating
the carrying from far away distances
to give each child what each may need
to begin on her own to reach her dreams.

As a mother you were no different.
You gave and gave to a little
yellow-bellied quetupi who had fallen
from his nest in a thunderstorm
onto your wooden doorstep –
umbral in Spanish word as a threshold to more –
as if it were your child
only the little yellow-bellied quetupi
had been an unexpected gift
to feed and shelter until it could
take hold of its life
and be free as we all are free
to be our best
for this world to fly.

Giving is not so easy
to keep silent when necessary
to think of others and not yourself.


[Note: Madari in Persian and Maternidad in Spanish mean motherhood in English. Madari/Maternidad is a joint project between Rios and Anvar as mothers about motherhood. Rios writes a poem and sends it to Anvar who paints an answer back. The painting featured is titled “Quetupi” using acrylic and lace on handmade paper.]


Alexandra Newton Rios was raised in New York City, holds an MFA in English from the Writers’ Workshop and MFA in Translation in Comparative Literature from the University of Iowa. Nueva York Poetry Press recently published Poemas de Georgia/The Georgia Poems, one long poem to Georgia O’Keeffe. Mother of five children, she ran the New York City marathon in November 2025!

Narges Anvar is an art & design teacher, artist, and graphic designer. She received her BFA and MFA from Parsons School of Design. She lives and works in New York City with her family. Together with her husband and two daughters, they enjoy creating art, playing musical instruments, going on hikes, and snowboarding!

Burying the Watchman

Poetry by Allan Scherlen

My foot sinks
and snow crunches softly
before Charlie’s tombstone.

Beneath snow far below,
the deceased night-watchman
lies buried.

My boots filled with snow
as I read the headstone
of the watchman;

the stone was short, thin
and almost
submerged in snow.

His sister, poorer than Charlie,
charged the cost of his tombstone,
too expensive for her cleaning wage;

the etching was delayed,
written too shallow to read,
devoted to Charlie’s night work.


Allan Scherlen is a poet and librarian at Appalachian State in NC for twenty years. The mountains have inspired him. Poems have appeared in many journals including The Bluebird Word, Azahares, Appalachian Journal, As the Crow Flies, Progenitor, The Hong Kong Review, and Galway Review. Read more at https://scherlen.squarespace.com/.

Next Time

Poetry by Brian Christopher Giddens

If I were to be granted reincarnation,
and the powers that be asked my opinion,
I’d choose to return as a Zinnia.

The flower dazzles in late summer,
when the earlier blooms are on life
support, parched and fading. The stem
stands tall and sturdy, not easily swayed
by a late season rainstorm. And the burst
of primary colors, whether orange, purple
or the sunniest of yellows, demand applause
from even the most cynical of gardeners.

Yes, bring me back as a Zinnia. Grace
me with a short, but brilliant life.


Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in The New York Times (Tiny Love Stories), PassagerThe Bluebird Word, Rabble ReviewHyacinth ReviewRoi FaineantAmazineGlimpse, and other publications.

I Want to Be Kinder to Myself

Poetry by Arvilla Fee

less like frozen snow that crunches underfoot
more like tender purple blooms of crocus,
their heady scent perfuming sun-warmed air

less like bare branches scraping windowpanes
more like robins hopping through new grass,
red chests puffed out with sacred song

less like blue lips, shivering in winter’s shadow
more like buds bursting green from apple trees,
a kaleidoscope of tulips reflected in my eyes


Arvilla Fee lives in Ohio, edits poetry for October Hill Magazine, and runs her own online magazine, Soul Poetry, Prose & Arts Magazine. She is a widely published author and has three published poetry books available on Amazon. For more info: https://www.soulpoetry7.com.

Wonder Makes Me More Alive

Poetry by Carolyn Chilton Casas

How is it possible two juvenile
cottontails know how to play leapfrog?
Through the window, spellbound
I watch as they run back and forth
across our lawn jumping over each other.

On the other side of the road, young alpacas
are sporting first haircuts.
Like wet cats, these animals
look so thin without their plush,
camel-colored and chocolate brown fur.
They remind me of the bendable Gumbys
we played with in grade school.

And this morning, after an early rain,
I witness vultures perched
on the tops of telephone poles
and eucalyptus trees in the distance,
wings spread wide to dry their feathers.

I can’t remember a time when my body
didn’t vibrate with curiosity.
As a young girl the woods called to me
and despite being cautioned,
I was lured to explore,
gathering birds’ nests and walnut-sized,
broken blue shells left by their babies,
digging up arrowheads,
discovering flowers I’d never before seen.

My heart holds a tenderness for living things.

To exist on this fascinating Earth
without a full measure
of reverence and wonder
would surely be a life half full.


Carolyn Chilton Casas’ poetry has appeared in journals such as Braided Way, Grateful Living, and One Earth Sangha and in anthologies including The Wonder of Small Things and Thin Spaces & Sacred Spaces. Her website is www.carolynchiltoncasas.com, and her newest book of poetry is Under the Same Sky.

More than pretty wings

Poetry by Mackenzie Kelley

Often,
when the wheel beneath me spins
faster than I can run,
I think of the butterflies, the monarchs.

Born of earth and leaves,
stayed roots and hollow stalks,
no one could guess a destiny bound in the sky.
how limbs of silk and thread, tiny masters of physics,
would some day
take reign of winds.

Sometimes,
collapsed on the floor,
a ragdoll of tired limbs,
I think of planes that master air,
fragile wings that keep company with hawks,
how millions of snowflakes together can bend trees.

of what we could learn from butterflies
if only we admired more
than pretty wings.


Mackenzie Kelley is a Virginia-based writer with a love of nature, animals, and all things wild. When not writing, Mackenzie is hiking with her dog, baking something chocolate, or cozying up with a novel.

What the Dog Knows

Nonfiction by Pippa Storey

It’s a sunny midsummer’s day in New Rochelle, on the edge of Long Island Sound. A couple stroll into Hudson Park just ahead of me, their lanky white mutt prancing excitedly around them. They climb the flank of a promontory overlooking the bay, then separate and stand a ball’s throw apart.

Slowly, teasingly, the man draws back his arm, watching the dog quiver with anticipation. He pitches toward the woman, and the dog catapults in her direction. She catches his shot neatly with both hands, barely a pawbeat before the dog reaches her. Then, grinning down fondly, she returns an underarm lob, and the dog bolts off again.

Back and forth they throw, the dog racing eagerly between them. But there’s no ball! It’s all a charade. Nevertheless, the dog is completely enthralled, ears flapping in the wind as he gallops across the grass.

Just a conditioned response, my mother will later surmise. But I can see—from the adoration in the dog’s upturned face, the frenzied wagging of his tail, his rapturous joy in their laughter—that he understands: the game was never about the ball.


Pippa Storey grew up in New Zealand, studied in France, and now lives near Hudson Park in New Rochelle, New York, where this interaction occurred. For more of her writing, digital artwork and videos, please visit pippastorey.com.

In the Same Foggy Outline

Poetry by Eugene O’Connor

Dawn broke not early
but as usual, though the sun
will not shine today.

Some things merely
are unwilling to shine,
to glow, to experience
anything but hoary light

filtered through clouds
over gray water. But enough
for Matisse to have worked
day after day for years

painting the blocky spires
of Notre Dame, so recognizable
in the same foggy outline, each
of a slightly different color

as the day’s light changed
or else the artist’s vision
seemed to fail, but for
an inner sight or just a glimmer

of something else before night fell
which would scarcely be relieved
by the feeble street lamps
to create a different light.


Eugene O’Connor lives with his husband in Columbus, Ohio. His poems have appeared in the arlington literary journal, The Avocet, The Comstock Review, Connecticut River Review, Mead, OASIS Journal, Poetry Pacific, Pudding Magazine, and elsewhere. His chapbook “Wanderer at the World’s Edge” was published by Blue Light Press in 2022.

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