Page 21 of 71

Making Beds

7 May 2025 / Editor

Poetry by Alexandra Newton Rios

I throw the clean sheet up into the air
that my mother bought us
from the United States
to stretch it across the wide algarrobo bed
and as I center the white-and-light gray striped top sheet,
tuck each side along the bed
with the tips of my fingers
because the top sheet has not held bodies,
cradled them across the years
unlike the bottom fitted sheet grown threadbare
and sewed back into life several times,
I think of my mother before she is gone.
I have been doing this a lot lately
and wonder if the memory of her
will remain in the sheet
when I fly it into the air
and let it down on my bed.
Will memory cover me and warm me
when I need to be warmed?
How do we suddenly stretch memories
so that out of the old the new may come?
My mother taught me to fold
hospital bed corners at the end of the bed
holding sheets and blanket together.
I gained a Housekeeping badge
as a Junior Girl Scout.
We are so different.
Throughout my years in another land
where she was born I have only needed
to know she is still living.

Alexandra Newton Rios is the mother of five children and a marathon runner. Nueva York Poetry Press published Poemas de Georgia/The Georgia Poems, one long poem in 34 parts as a dialogue with American artist Georgia O’Keeffe in November 2024.

Julia’s Journal

4 May 2025 / Editor

Fiction by Robert Nisbet

Friday, July the twenty-first.
The journey from Gatwick was easy enough. Placid, six hours or so. But after an hour or two, I became aware of the couple across the way from me. They were mother and daughter, by the sound of it, and very English, genuine countryside types. You could almost picture them in tweeds, tramping along bridleways, accompanied by Basset hounds, the mother with a headscarf. (Whoa. Slow down now, Julia. That’s the feature writer in you taking over. You’re on holiday.)

It seemed that the girl might be disabled in some way, it wasn’t quite clear how. They were kind and cheerful people though and I’d quite liked having them across the way, even though we’d only exchanged a few words. But when we landed in Hamilton, our aisle had to file out very, very slowly in their wake. Clearly she had some problem.

The airport was hot, so hot, so humid, but Harry, meeting me, said, That’s Bermuda in July. We’ll get a thunderstorm tomorrow at three. Yeah, sure, I said, but he said, No, that’s our climate, babe. It’s so, so predictable. Honestly. It gets hotter and hotter, humidity building, for just three days or so, then …Whop … a cloudburst and it’s cool and settled again.

Saturday the twenty-second.
Harry was right enough, the heat this morning got desperate and at ten to three, we dived into a spacious café, everyone in sight did. We had a grandstand view, the wide street emptying, then, as he’d said … storm.

And it deluged, oh, it hammered, across the empty street. I think I was impressed as much as anything. Then I looked and saw, just across the street … Oh hell, where was Harry? … loo or somewhere … but look. Oh God. It was the mother and daughter from the plane. They can’t have been told, they were out in it. They were almost … well, not almost, they were … staggering in the weight of the water, the force of it. The girl’s disability was very clear now, her posture was wildly uneven, but the mother just stood by her girl, got her close to the wall, steadied her, trying somehow to fend off the storm.

Then, just as I’d started yelling for Harry and he’d wandered into view, three waiters ran out, into the sheet of rain … and dear God, even our eyes could barely penetrate it. They went racing across from the café, gathering in a bunch, a shield, and helped keep the daughter steady.

Five minutes and the storm had gone. Like that. Storm. Bang. Bermuda. And the waiters led them back, the mother, the daughter, back in to the café, gave them a chance to dry, then said, Let’s get you tea. Traditional English, with buttered toast.

Robert Nisbet is a Welsh writer who had many short stories published in his native land, before switching to poetry in the 2000s. Many of his poems have appeared in both Britain and the USA since then, and he is now switching back to shorter fiction.

Unbridled

1 May 2025 / Editor

Poetry by Rachel Beachy

When the horses run, they run
wildly without pre
amble – the gates open
the gun sounds
they go as if their lives depend on it
and they do
They were born so they walk
and they walk so they run –
I used to find it remarkable, how at two years old
they could be their fullest force
then I watch you at the same age,
your short legs carrying you
down
the
hill
as close to flying as falling
and so free you do not fear the difference.

Rachel Beachy lives in Kentucky with her husband and children. Her poems have appeared in Ephemera, Freshwater, The Orchards Poetry Journal, The Rising Phoenix Review, Sky Island Journal, Steam Ticket and others. Her debut collection “Tiny Universe” will be published by Kelsay Books.

Good Night, Jasper

27 April 2025 / Editor

Poetry by Brian Christopher Giddens

At the end of the day, I go downstairs to where Jasper lays sprawled across the cushions of the couch he claimed ten years ago when he first arrived, shaking with fear, pressing himself into a corner against the armrest. But now he knows the nighttime ritual: he stretches his legs, rolling to the side to expose his white-fur chest. I perch on the edge of the couch, rubbing his belly, his eyes open, still not fully trusting, my touch gentle, slow, as Jasper doesn’t like surprises. One final rub and I move to the kitchen, the treat jar. With the clang of the pottery lid, he rouses from his bed for three small biscuits, gently taken one by one from my fingers. I walk to the stairs, stop on the landing, turning back to see him standing near his bed, watching me. “Good night, Jasper, be a good boy,” I say. His deep brown eyes stare back, as if he’s saying the same thing to me, making sure I’m on my way, before returning to his couch and an undisturbed slumber.

Brian Christopher Giddens writes fiction and poetry from his home in Seattle, where he lives with his husband, and Jasper the dog. Brian’s writing has been featured in Sequestrum, Litro, Roi Faineant, Raven’s Perch, Hyacinth Review, Rue Scribe, Glimpse and Evening Street Review. His work can be found on https://www.brianchristophergiddens.com/

Sestina for a Beloved Son

24 April 2025 / Editor

Poetry by Alice Collinsworth

I start the journey to see him before dawn, a long stretch
of interstate highways and two-lane roads to follow,
traveling alone a long distance with only the voice
of my mapping app for company. I turn
on the radio for a while, looking for distraction, but time
passes slowly nonetheless. I turn it off again. Straight

ahead is the entrance ramp to I-35. “Drive straight
for 148 miles,” Google instructs me. This stretch
is well known, comfortable, traveled many times
to class reunions or family gatherings in Kansas. “Follow
the yellow brick road,” as they say there. I turn
my mind to autopilot and talk to myself, my voice

rising above the hum of the tires; the only voice
answering is the one in my head (not always on straight,
I admit, muddling conversations). I can turn
that inner voice off sometimes, but not today. It’s a stretch
to engage with it, honestly, but we reminisce together. I follow
a red Peterbilt to Wichita, making good time.

From there it’s a less-familiar route, traveled only a few times,
northeast to Kansas City to see my son. His voice
on the phone had sounded so earnest, beseeching – so I follow
the compass of my heart, though our relationship was never straight-
forward. There were years we barely spoke, long stretches
of distance and silence. He has reached out now, so it’s my turn

to make the effort, to reach back. We had issues, but he’s turned
out so very well, and I yearn to be there now. This time
I’m determined to connect, to build that bridge. I stop to stretch
my legs and buy coffee at a truck stop, where the cashier’s voice
reminds me of my own late mother – a strait-
laced woman if there ever was one, who followed

her Bible’s rules doggedly. One of the rare, true followers
of Christ, she called herself. “You must turn
from your evil ways,” she would admonish my son. “Strait
and narrow is the gate, you know.” She railed at him so many times
that we stopped going to her, stopped calling. I don’t want my own voice
to sound like hers. Love needs to bend, to expand, to stretch

and embrace. I follow the guidance of the GPS and not my mom this time,
turning onto the last highway that leads to the voice of my dear son,
heading straight to him, stretching out my arms.

Alice Collinsworth worked in journalism, writing and media relations during her career and is now happily retired with her cat, Cookie, to keep her company. Her poems and stories have appeared in several online journals and local collections. She has won numerous awards in regional contests. She lives in Oklahoma.

Photo by Vinandita Karina Nabilla on Unsplash

The Basket

20 April 2025 / Editor

Nonfiction by Bonnie Demerjian

has followed you everywhere, like a faithful dog, overfilled with things too useful to be filed where, perhaps, they’ll be forgotten, or thrown away to later regret. There are other things, fit for no category or home. Here is a slip of paper with the name of the plumber who’s not in the phone book. Who is anymore? The postal tracking slip for that package to your sister. You learned the hard way about keeping these. Raffle tickets bought in hope, expired, and baggage tags that traveled to La Paz one spring and Florence one fall. User’s manuals which will surely be consulted since everything breaks down sometime. There are vaccination records for cats and dogs long gone. You have their photos, but it’s so heartless to throw away these chronicles of their bodily care. Where else to keep her crayon drawing of a hummingbird once it’s migrated from the refrigerator door? At the bottom, a jumble of business cards for window glass, car repair, and a name tag on a string from your high school reunion. On it, a photo, you at seventeen to remind you of who you were. Are? Then, a penny, a bullet, and three keys to forgotten doors. It’s not big enough to contain a whole life, but what vessel could?

Bonnie Demerjian writes from her island home in Southeast Alaska in the Tongass National Forest on the land of the Lingit Aaní, a place that continually nourishes her writing. Her poetry has appeared in Tidal Echoes, Alaska Women Speak, Pure Slush, and Blue Heron Review, among others. Read some of her earlier work on The Bluebird Word, to include her flash nonfiction essay Three Scenes in Sunlight.

Baby Mama in Autumn

17 April 2025 / Editor

Poetry by Laurie Didesch

For my Mom

The radiant light intensifies the blue sky. It filters
down from on high. Baby Mama and I are walking
through the kaleidoscope of colors. Baby Mama

stops awestruck. With hand to mouth, she points
to a fiery maple tree and a sunburst locust with
golden leaves. Excited, she declares, I’ve never

seen such beauty. What has happened to these
trees? The day is bright and clear in contrast to
her memory. But this moment offers a glimmer

of hope that all is not lost. Baby Mama can still
experience wonder—the pure simple joy of a
child in a moment of discovery. She reminds

me that regardless of our plight, we can still
celebrate life. We rarely stop to notice the new
in every moment. She sends a message despite

her dementia. We need only look with fresh
eyes to experience delight. However, I still
mourn her illness and it’s devastating effects.

Baby Mama and I head home. We both have
a skip in our steps knowing that the mist some
times lifts and gives us a glimpse of eternity.

Laurie Didesch has poetry appearing or forthcoming in Ibbetson Street, The Comstock Review, The MacGuffin, California Quarterly, Third Wednesday, Young Ravens Literary Review, The Ravens Perch, and Stone Poetry Quarterly, among others.

Yokwe!

15 April 2025 / Editor

Nonfiction by Linda Petrucelli

I spot my friend Malia among a squadron of women wearing flowery muumuus, shooing flies off a table laden with breadfruit. She’s invited me to the groundbreaking for a Marshallese community center and my husband Gary and I have just arrived at their out-of-the-way patch of volcanic real estate. I had helped Malia find support to take over the property and I anticipate being welcomed as a VIP, Pacific Islander style.

When she sees me, she waves.

“Yokwe, Leenda!” She is small-boned, with hair to her waist, a Polynesian Munchkin.

Malia is part of an exodus from the Marshall Islands who have migrated to Hawaii, refugees of rising sea levels and the health impacts of US nuclear testing. “Yokwe, Malia!” I repeat, recognizing the greeting, but not exactly sure what it means. We meet under a popup canopy flying turquoise, white and orange balloons, the colors of the Marshallese flag.

Gary, who has accompanied me for moral support and chauffeur services, is quickly dispatched to the crowd of men setting up folding chairs. Then Malia shows me a bolt of cloth which she cradles like a baby.

“Put this on now.”

“Excuse me?” I take a step back.

“You put this on now.” She presents the folded fabric with two hands. “Marshallese dress. Beautiful.”

Even after twenty years, I’ve never felt comfortable wearing the flamboyant frocks of my adopted home. My standard dress code is a black tee and jeans. But there is no escaping my plight. To refuse this gift would be insulting, so I relinquish the last shred of my autonomy, step inside a makeshift lean-to where the bathroom is located, and lock the door behind me.

Wild panic surges and my tee sticks to my skin like damp carbon paper. I unfold the dress and hold it up against my body. The Mother Hubbard, hand-stitched in the vibrant colors of their flag, appears to be an XS, suitable for a woman my size twenty-five pounds ago.

I strip down to my sports bra and briefs, then poke my head into the neck opening, sans hook and eye, snap, or even a button, and pull down as hard as I can. The seam stretches a little and my skull pops through, turning my hair into a fright wig and scraping my prominent, non-Marshallese nose.

Right around this time, Gary has graduated from folding chairs and is now in charge of grilling the ribs which, for a vegetarian, is a challenge.

With the dress bunched around my neck, I bend over to locate the sleeves. I squeeze my limbs into the tight pathways, two freighters navigating the Suez Canal, and immediately cut off the blood supply to my arms. If I was reasonably assured that I could get my perspiring body out of the dress, I would have called it quits and returned the gift with profuse apologies. But the patriotic straitjacket leaves me no choice, and I begin tugging the fabric hipwards.

When I strain the cloth over my haole butt, the material is so taut, I have to cross one thigh over the other to inch it down. What should be a flowing shift, on me, has become a slightly obscene, skin-tight shroud. I look like a Beluga whale wearing teal and tangerine.

Gary, now concerned by my absence, texts me: They want me to sing with them. Where R U? But the message never arrives. No cell service.

When I finally emerge, I mince my way into the daylight, hoping I will be able to breathe soon. Applause greets me and a cadre of Marshallese women appear to salute the flag I’m wearing. Malia whispers, beautiful, and adorns my forehead with a cowrie shell head lei that, due to my cramped posture, drunkenly tilts toward my nose.

I wish I was able to get into the spirit of things and enjoy myself. But I nearly fell over when I posed for photographs shoveling ceremonial soil, the garment interfering with my balance. And then there was the problem of sitting down and attempting to consume any quantity of food or drink, especially liquids. I’m sorry not to have fully appreciated the Marshallese haunting, acapella voices, their massive hospitality and joy. But I find joviality difficult when I wear a tourniquet from the neck down.

I sit next to Malia under the shade of a monkeypod tree and lean against her shoulder. “Remind me what Yokwe means.”

“You are a rainbow.”

Later, as we’re about to drive home my husband tells me, “Hey—nice dress!” I lower my rear end onto the car seat, swing my hobbled legs inside, and reach for the seatbelt. A rip sounds from under my right armpit. He asks me, “Don’t you want to change first?”

Finally, Gary puts the key in the ignition and the motor roars to life. He looks over at me, grins, and says, “Yokwe!”

“Shut up and drive,” I tell him. “I’m so over the rainbow.”

Linda Petrucelli’s essays have been nominated for a Pushcart Prize and Best of the Net. Her work has appeared in Parhelion, Barren, and Permafrost, among others. She’s lived in Hawaii for the last twenty years. Read more at: https://lindapetrucelli.com

The Sound of the Rain

12 April 2025 / Editor

Poetry by Steven Deutsch

My grandmother liked nothing
better than to walk in the rain.
On days when most were calculating
how best to stay dry while getting from A to B
she would don her old gray raincoat
and even older brown umbrella
and walk a few miles down Church Avenue
past a hundred store fronts
to nowhere in particular.

She never wore a watch
and I often wondered
how she knew to turn back
or if she always would.
It would not have been that hard,
it seemed to me,
to find a better place to live.
I watched for her,
as if the watching were a magnet
to draw her back home.

I only walked with her once.
At first, I blabbered and struggled
to keep up—my stride
half of hers.
But I soon settled, realizing
the sound of the rain
didn’t need the accompaniment of my voice.
That very wet March Day
she took me into one of the corner candy stores
that dotted our path
for a burger and vanilla malt.
Grandma had tea with milk and sugar.
The trip back was half as long
and twice as quiet—in the best way
I could imagine.

Steve Deutsch is editor of Centered Magazine. He has published six poetry books of which Brooklyn was awarded the Sinclair poetry prize by Evening Street Press. He has been nominated for Pushcart Prizes and the Best of the Net.

Midnight Music

10 April 2025 / Editor

Poetry by Tracy Duffy

Like a…rat-a-tap-tap
from the drummers—drum
goes the night-time, in the forest
like the crickets—hum
Chiming in, the hooting
of the owl at night

set the tempo, set the tempo
to the music, midnight

Neon shiny stars
grant the stage, its light
the rattle—ssh, – rattle – ssh
of a sliding snake
and the dripdrop, dripdrop
of fish into the lake

set the tempo, set the tempo
like the drummers-drum
Hum…hum…hoo
Ssh…ssh…shey
Drip…drop…doo
Tempo Set

Tracy Duffy writes poetry while taking a gap year from a lifetime of work in medical cosmetology. Earned BS in Organizational Management while raising a family. Published in Bacopa, Writers Alliance Gainesville; P’AN KU, BCC Student Literary/Arts Magazine; Tiny Seed Literary Journal; Open Door Magazine Labyrinth; Anti-Herion Chic; Passage: The River.

The Bluebird Word