Tag: colors

Colors

Nonfiction by Jill Sisson

At first I think it’s a blemish on the kitchen wall, high in the corner where my soapy sponge can’t reach. Then I see it’s a resting moth, sleeping like a small golden leaf waiting to awaken at the end of the day. To search for another dusty-winged soul, to pull the future into their soft reach.

The purple-haired sophomore in my 4th period class, another solo soul.

And the senior who smashed his hand into a table, his hot-pink cast messy with signatures as he strategically fails three of his classes. The future is not something he wants. He’s not ready to fledge; the white-walled world is no refuge for his Muslim/Mexican blend.

Dark is not the worst place to be, with the espresso-brown soil of Earth, with ancestors’ songs and permanent dreams, the ones I keep close to the campfire when I travel away. Away to where the stars gleam. Where bats and coyotes have their say.

It’s mid-morning when an admiral butterfly tastes the rim of my blue plastic cup, as though the caffeine from breakfast or the salts from my fingers fuel her day-long flights of black, white, and stripes of gold. A twitchy chipmunk bounds toward my picnic table, eyes alert, his tail like a wind-tossed weed. The rush of wind high in the boughs, like a river bending our lives.

Dear Mom,

We’ve had our hard times, but I saw a double rainbow late this afternoon.

They used to say that rainbows are the arcs of hope, that God graced our flooded lands with a hoop of colors to save us from despair. Did you get the Billy Graham book I sent you?

There are rainbows everywhere. I keep taking photos of them. There’s one I took for my blog, a tiny rainbow skating across an insect’s lost wing caught on a spider web. (A rainbow on a wing on a web.) And those beautiful rainbow-streaks up in the cirrus clouds—can you still see those? I think they’re called sun dogs. Colorado used to get a lot of those compared to here in Oregon. My friend Tracy (she’s earning her PhD in marine science, you two never met) doesn’t believe in hope, but she studies tiny mollusks that glint like rainbows under her microscope. I guess I’m saying there’s always reason for hope if you look hard enough for it.

Anyway, Happy Mother’s Day, Mom. Call me when you can. xoxo

In loving memory: Alzheimers, January 24, Weld County Colorado


Jill Sisson is a naturalist and educator from Oregon’s Willamette Valley. Her writing is situated in that sweet spot where the everyday overlaps with the ineffable. Western settings, stretching from the Colorado Rockies to the Pacific Northwest, backdrop most of her written work. She has been published in Emerge 24.

I Believe in Purple

Nonfiction by Sherri Wright

I believe in purple, the perfect blend of blue and red. A mixture of cool and calm,
hot and spicy. Negotiating between red’s passion and anger, and blue’s bravery and wisdom, purple finds grandeur and dignity.

Purple needs just the right balance of pigments—too much red turns into muddy
maroon, too much blue takes on the look of a bruise. Too light and it gets girly like a princess, too dark it becomes like the uniform of authority or the wings of a purple emperor butterfly that feeds on rotting flesh and human sweat.

Originally purple was produced by crushing shells of rare sea snails, extracting
mucus and exposing it to the sun. It took over two hundred thousand mollusks to produce an ounce of the dye. So this “Phoenician purple” was expensive and in short supply – only available to the rich and royals. It came to be associated with wealth and pretentiousness. Roman emperors used it for their robes but forbade its use by citizens. The penalty was death. Only in the 1850s did a synthetic purple pigment become widely available. Rich and royal as purple is, democracy is blessed with an abundant supply.

I believe purple is an essential element of human wellbeing. Purple draws on all
the senses. Think sweet sour purple plum, fragrant April hyacinth, supple velvet robe, purple martin’s throaty chirp and creaky rattle, last arc of the rainbow, the amethyst’s crystal clear healing power.

I believe that nothing can go wrong when you are wearing purple. No podium is too scary when you stand up there in a magenta linen sheath, a lilac silk blouse, a tiny amethyst stud. Even under the most somber black suit, lavender underwear can save the day.

Purple is a lesson in moderation. Drawing equally from feminine and masculine,
earthly and spiritual. Purple doesn’t shout, purple whispers softly, waits for you to take it in.

You do not choose purple, purple chooses you. The “Violet” in your first box of
Crayolas. Iris blossoms you picked walking to school. Petunias printed on the feed sack your mother sewed into a skirt. Your grandmother’s gladiolas. The grape jelly beans. The lilac you hid under your pillow and made a wish. A belief in purple is as powerful as Sunday school.

Ubiquitous, omnipresent purple. You can find it everywhere. But one thing is true. There has never been, never will be, too much purple.

I believe in purple.


Sherri Wright‘s work has appeared in The Bluebird Word, Delaware Beach Life, RavensPerch, and Quartet. Kelsay Books published her chapbook “Winter of My Life.” Bay to Ocean Journal nominated her essay “Braiding Sweetgrass With My Daughter” for a Pushcart Prize in 2025.

Calling Out for Color

Prose Poetry by Kathryn Ganfield

Through the dirty, double-paned windows, screens blackened by a box fan that perches there five months of the year, I see snow poured out blue as gas station slushees or abandoned bottles of glacial electrolytic drinks. But when I open the back door, call out hoarsely to the dog, the snow is not blue after all. Not a bit blue, not even a little. Snow is mauve by the seasoned cedar fence, the fence we always meant to stain, but now seven years have gone by, and the weather beat us to it. Snow is black from puppy paws. Snow is divots and sand traps and even a mangrove back by the barbecue grill and the shade garden where, slicked green, the hosta leaves are a fitted sheet under a snowy duvet. And finally, eyes adjusted to winter’s light, I see the snow for what it is. Not white or blue or any of these colors, but, of course, a color sent south from Canada. The color of goose down—sharp, curling and cold.


Kathryn Ganfield is a Minnesota-based nature writer and essayist. She was a Loft Literary Center Mentor Series Fellow, 2023 Paul Gruchow Essay Contest winner, and a two-time Pushcart Prize nominee. Her words have been published in Water~Stone Review and Creative Nonfiction, among other journals. Find her at kathrynganfield.com.

© 2026 The Bluebird Word

Theme by Anders Noren — Up ↑