An Online Literary Journal for Poetry and Flash

Tag: life (Page 6 of 7)

Meeting

Poetry by David Goad

There was a time
I took the train to see you in the outskirts of the city,
And from the gray
Disjointed sprawl of life,
You formed somewhere just beyond the line –
Past black and white
Nooks and crannies
Framed in trash along the tracks –
In the world’s singular course,
there comes the hammers, the ties,
The earth piercing nails
Laid by dead hands of men
Whose sweat formed the communion
Of your light
As you waited
Under the crooked streetlamp.


David Goad is an attorney who currently lives in Washington DC. He resides with his lovely partner and little puppy, Pennie. When not working, David enjoys writing poetry that touches on the nature of memory and the human experience in the modern world.

Next Stop

Poetry by Alexis Pearson

I drop down into the
underneath of New York
City
where stairs wear toil
like magic tricks –

where devotion is absolved
of its commitment
to disaster
to us
to everything –

the men in suits,
women in long jackets
that tempt stained concrete
with their reaching
and the homeless man
hunched over
as if he must bear the
troubles of each passenger –

what do these skyscrapers know about
clouds
and salvation,

the dirt of the ground
and dimly lit newspaper
stands, the
quiet blue of stoplight
dwellings and crosswalks

the contemplativeness
manifested on strangers’ faces
as if there is too
much going on in city
windows to ever fully
understand what unfolds
along walls and
inside doorways,

but still we try –

the subway lurches,
people move
quickly on the concrete,
I forget that my feet,
too,
can take me places,
as I wonder
where they are all
going
and why.


Alexis Pearson lives in Minnesota where it’s cold most of the year – perfect writing weather. She enjoys a good cup of coffee and will read just about anything. She has been published in Upper Mississippi Harvest and Sonder Midwest, among others.

Inventory of the Night

Poetry by Travis Stephens

Frog noise
cloud breath, dew’s silent
steady approach, The dog
snuffles, stretches long legs
out of her bed, yawns.

Potato plants
push back against the dirt
as corn reaches for
the smallest bats who
dash from pond
to tree line
but never near the road.
Who has seen
a bat hit by a car?
Radar love.

Traffic noise
beyond the range of
headlights so only the
sloppy snarl of tires on
asphalt
A quiet after.
A trickle of water,
sigh and sorrow.
Maybe an airliner, maybe not,
and all those faraway
stars.

Last item, the march of
morning from stage left.


Travis Stephens is a tugboat captain who resides with his family in California. A University of Wisconsin-Eau Claire alumni, recent credits include: Gyroscope Review, 2River, Sheila-Na-Gig, GRIFFEL , Offcourse , Crosswinds Poetry Journal, Gravitas and The Dead Mule School of Southern Literature. Visit him at: zolothstephenswriters.com

lament

Poetry by Nicholas Barnes

when you stopped
               looking at ladybugs

like they were miracles

               like they shouldn’t be there

but they somehow were,

and you started looking
               at them like …

i’ve seen
               a million of you before,

that’s the day you died.

that’s the day you stopped
               loving yourself.


Nicholas Barnes earned a Bachelor of Arts in English at Southern Oregon University. He currently works as an editor in Portland, and enjoys music, museums, movie theaters, and rain. His poems have been accepted by Mortal Mag, Barzakh, and Something Involving A Mailbox!, among others.

A Collection of Three

Poetry by Philip Davison

For Instance

Dents in cars
red ivy
enormous trees,
you don’t want to
miss these
when out
buying sausages
or looking for love.


The Living of a Life

There and back
is the sum of it,
though that can’t be confirmed.


Celebration

Planning a play date
with her best friend
over the phone
she says –
‘The first thing we’ll do
is put on our masks and hug.’


Philip Davison lives in Dublin. He has published nine novels. Quiet City is his most recent work. He writes radio drama, has written two television dramas and one stage play. He co-wrote Learning Gravity, a BBC Storyville documentary on poet and undertaker, Thomas Lynch. His poems have appeared in various journals.

To Old Grass and Weeds

Poetry by Darrell Petska

Sap-shorn and light-forsaken,
quashed by winter’s boot

you wait, underground exiles
spending summer’s store
till earth’s cold armor chinks.

Old friends, lend us once more
dreams of sunny surfeit and green delight.
Rekindle our faith that spring winters
snugly in bone as in root:

though shoot and flesh till different fields,
life seeds one urge to rise and thrive.


Darrell Petska is a retired university editor. His poetry and fiction can be found in 3rd Wednesday Magazine, First Literary Review–East, Nixes Mate Review, Verse Virtual, Loch Raven Review and widely elsewhere (conservancies.wordpress.com). A father of five and grandfather of six, he lives near Madison, Wisconsin, with his wife of more than 50 years.

This should’ve been an Urdu ghazal instead

Poetry by Uday Khanna

While being buried I thought why spare me space for breathing,
I should’ve been wound in white and cremated instead.

Waking has taken up the place of life,
I should’ve been nostalgic for a time which passed me by instead.

Living has come disarmingly too fast lately,
I would like a stern word instead.

Someone asked me how I write so beautifully of terrible things,
I should’ve been a keeper of chopped meat instead.

I was named ignorant far too many times,
I should’ve been left blissfully unaware instead.

I keep meeting myself on different horizons for novelty,
The mystery of time is repetition instead.

This circle tells me I’m merely a handful of mistakes,
I should’ve been a fistful of wasted sperm instead.

Soon poetry will become unattainable,
I should’ve gone back to plucking flower buds instead.

O poet, you’ve spent all your life seeking to write about an ungrateful ant,
You should’ve stepped on it instead.


Uday Khanna is a research scholar currently pursuing his MPhil from the University of Delhi. His research interests lie in the fields of postmodernism, media theory, cyber-culture, and 20th century short-story genre.

The Single Story of a Latinx Pinocchio

Poetry by Amelia Díaz Ettinger

1.
My Puerto Rican aunt in North Carolina, lived in pearls, three-inch heels, and illusions.
There is bigotry for blacks, but we are white.
And yet a woman stopped her car at my aunt’s Corinthian columns
How much do they pay; I can pay you double.
The Gucci suit and diamonds was no shield.
Still, my aunt, mi tía, insisted; “ignorance vs. prejudice.”
(A PhD from Columbia in New York assured her notions had to be right).
What’s the difference?” I asked.
Don’t be impertinent.

2.
A woman with puffy bleached hair, and a ‘T’ shirt of compassion says,
Tell me your hardship story,” empathy fills her eyes, and I almost laughed.
I know what she wants, but living in a palace surrounded by cultured men would unhinge
what she expects and I am tired
half a century of talk. I want calm, and I want peace, and I want somehow to fit
in this olive brown skin, so I gift her;
Born in a shack without water or electricity. It was the slums, el barrio.
She tearily pats my knee, my father in his grave protests, ‘Remember Caruso and Barcelona’,
he says and I silence him, so I swallow memories in surrender
and I become the Latinx Pinocchio.

3.
It is easy to release a single story,
harder to pretend virtue,
so I talk in a soft voice,
when pain blinds me in anger.
And I work harder,
three times, five times, a billion times,
knowing it would not be enough
I still will be the sleeping effigy
under a large sombrero.
Above all entomb lust under a blue tarp,
along with my ambitions,
my culture, mi gente,
and my nose grows long,
but I can’t bury the rhythm of my hips,

4.
I can accommodate, I can give and I will take, will sigh after I cry, and smile until I make a grimace, but when my children are denied— yes— then, I will justify this constant view,

I will lose my temper.
Time after time, my children were told:
You can’t write Hispanic in these forms.
What do you want? Some sort of privileges?
You are white
I see the pain each time they denied
my part in them.

Now, my grandson is too young to understand,
“Yes!” he screams, “she IS my Nana,” Confusion in his eyes.
To me, carrying them in my arms:
“Where did you go to adopt these children?”
“Tell me the truth, are they adopted? Or are they albino?”
“No! You can’t possibly be their mama!”
This I cannot give.
Here I draw the threshold.
I will cut this wooden nose to spite my face.


Amelia Díaz Ettinger is a self-described ‘Mexi-Rican,’ born in México but raised in Puerto Rico. As a BIPOC poet and writer, she has two full-length poetry books published; Learning to Love a Western Sky by Airlie Press, and a bilingual poetry book, Speaking at a Time /Hablando a la Vez by Redbat Press, and a poetry chapbook, Fossils in a Red Flag by Finishing Line Press. Her poetry and short stories have appeared in literary journals and anthologies and have received honors and awards. A new full collection of poetry will be released by RedBat Press in the fall.

My Youth

Poetry by Jeana Mahan

Waiting by the water
a girl stands
round belly and barefoot

She’s afraid that it’s cold
or a shark
will bite at her ankles

The fear will follow her
while she lives
or until she’s sixteen

Why doesn’t she just jump
push her now
before the mud takes her

It’s life or death for her
her toe dips
she lets out a brief yelp

The water did not win
she lives on
though the sharks circle her


Jeana Mahan lives in Los Angeles, California. Her fiction has previously been published by Maudlin House.

Benthic:

Definition- the flora and fauna found on the bottom, or in the bottom sediments, of a sea, lake, or other body of water

Poetry by Johanna Tollefson

Then a realization— Underwater plants need sunlight to breath,
                                                   just like any other plant. You might think

this is a metaphor, but it’s just a fact. A fact like in her fantasies,
they are both fish. Fish have fish problems. Every day is swim
                                                 or swim away. You might think

this is a metaphor, but it’s the truth. The ultra-violet rays of the sun
spear through waterbodies. Waterbodies is the correct term for all bodies
                                                of water, saline or fresh. Flowers and fish

are both easily killed off by phytoplankton. Phytoplankton accumulates,
grows thick in silty water, they are microscopic. In the scope of things
                                              what else is the absence of sun but the end?

What else is beginning but a breath of fresh air and you the fish? This is benthic
living— A root in the mud soil. A fish to clean the water air. A sun to breath
                                             light. And you, a metaphor for a rock at the bottom of a pond.


Johanna Tollefson is a writer of poetry, fiction, and nonfiction, currently getting her MFA from Minn State, Mankato. She is new to the Midwest, hailing from Idaho and Oregon, but is settling into the long winters and humid summers. She loves all things sensory and is also growing a recipe resume which she loves to use on guests.

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