Tag: Mary Oliver

When I Revisit the Nature Preserve and am Among the Trees, in Autumn

Poetry by Stacie Eirich

In thanks for the verses poet Mary Oliver gave us, a lifetime of paying attention & being astonished

I am sitting in the same space, on the same bench

       surrounded by trees and branches, leaves and berries

              and patches of sunlight — as I did six months ago in early spring.

 

The hum of cicadas, chirps of birds above, a hawk circling

       overhead, limbs of branches stretching tall, leaves rippling

              in light breeze, air shuffling, still warm yet cool enough not to sweat.

 

The distant rustle of cars on roadways beyond, whirr of air traffic

       infrequent, chirps louder, longer, insistent as the pour of sun

              through blue and green, as the fly who keeps interrupting my sack lunch

 

of potato salad and grapefruit, as the rise and fall of the cicadas’ song

       which lasts the day — crescendoing and decrescendoing

              as the hour lengthens.

 

A leaf floats in ripples to the thatch covered ground, nestling among bits

       of branches, brown and tan and sprouts of green, sticks

              and stumps and pinecones peppering this sanctuary.

 

Stillness and shadows descend, clouds covering the light, coolness ascending.

       I wait for the sun to swallow the shadows, to peek out again and bathe

              the sky, the trees, the ground, me — in warmth, but it does not come.

 

Instead, I’m left sitting with stillness, with my heart

       waiting for light, watching as it creeps out to shine — first, on purple berries

              perched upon so many branches, then on a brown thrush

 

of ground, patches lighting like connected stitches of quilts.

       The golden glow is mottled, flecked in patterns, almost

              reaching me.

 

I lean in, I hear Mary Oliver’s voice saying “Pay attention. Be astonished.”

       I hear her reciting “When I am among the trees” and another voice saying

              “We are all here for a brief time — a moment…” 

 

What is this moment, and why does it matter? I ask myself questions

       I don’t have the answers to. I ask myself why my child lives

              when others do not, have not, will not.

 

I hear a friend and helper saying I carry grief and hope

       together, praising me for it. I wonder how it is I earned such praise, I

              who write poems and sing songs and sit in nature, listening. 

 

The hawk circles slow above, wings spread, a majestic being

       with laser eyes, killer instinct. My worth feels small

              in comparison.

 

Smaller even more so than this earth and sky and these tall, bending

       and connected, old and strong, resilient trees surrounding me.

              Their lives large and infinite, their growth a thing slow, supple — amazing.

 

To feel the swell of the same breeze, a hitch of breath

       in the same air, the same canopy of light (or is this peace?) as they do

              is a moment to embrace, to give thanks, to realize a blessing of tenderness.

 

The blessing of tenderness in just sitting, breathing, listening

       to chirps and chitters and hums — just being. Stillness

              only interrupted by slight motions…the twirl of a leaf, the crawl

 

of an ant, the light of an insect on a branch, the moment

       my pen rises and falls

              across the paper — softly dazzled, quietly alive. 


Stacie Eirich is a mother of two, poet and singer. Hope Like Sunlight (Bell Asteri Publishing, 2024), is her memoir benefitting St. Jude Children’s Research Hospital & Ronald McDonald House. Her poems have recently been published in The Poetry Lighthouse, Soul Poetry, and The Amazine. She lives in Texas.

Not Mary Oliver’s Linden

Poetry by Diane M. Williams

Mary Oliver drove through Linden,
Alabama, and wrote about hulking birds
of prey in a field outside of town.
I wonder what led her to that southern
town that I forsook years ago.
Now, years after her death,
it’s much too late to ask.

Yes, I remember black vultures
descending on rotting carcasses,
shiny summer grasses of field and roadside.
But my Linden, Alabama, is not
the detached visual image of Mary Oliver.

Girl, age twelve, brother and two sisters,
Damn Yankees from up north,
Dad trying to make a go
as a dairy farmer in the Alabama Black Belt,
Mom a hospital nurse.
We didn’t know to say yes ma’am no ma’am.

Summer whipped the sultry farmhouse,
tarantula mother birthed her babies on my bedroom wall,
black widows nested in abandoned buckets,
our home a tired reminder of neglect—
peeling paint and broken shutters,
our lawn a field of weeds,
Lombardy poplars loftily ringing the crescent driveway.

We sang wild dewberries into our pails
uncaring of copperheads and scorpions,
danced across meadows bringing cows in
for evening milking,
trudged gleefully two miles in sticky knee-high grass
brushing off ticks, sweat bees, grasshoppers
to the town swimming pool,
splashed away our poverty
with kids who didn’t know.

Girl, age twelve, I dreamed
the “Wayward Wind” with Gogi Grant
got kissed by a snot-nosed boy in a haystack
rocked with Elvis in the jailhouse on late-night radio
wept finding my dog dead in a roadside ditch
practiced French words with my Jersey heifer.

Passing through Linden, Mary did not know
that in that field where vultures
hovered and gorged themselves
lay the remains of my childhood,
the tattered fantasies
and memories of Girl, age twelve.

The forlorn house and tumble-down barn
long ago torn from the landscape,
now the ghosts of the Lombardy poplars
sing to the restless wind.


Diane M. Williams taught college French for many years, then joined the creative team at UT Knoxville as an editorial manager. Her poetry has appeared in One Trick Pony, Bluestem Magazine, Monterey Poetry Review, Black Moon Magazine, and The Avocet. Her poetry collection, Night in the Garden, appeared in 2020.

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