Author: Editor (Page 35 of 73)

Just Kids

Poetry by Susan Zwingli

deep summer bursts the wide garden gate
sweet freedom calls us from whitewashing fences
soon, the jilted brush slouches down the wall, bereft
but we take the hill and its warm, tickling grasses
your emerald eyes tracking the tickling path of a ladybug on my arm
she has her secrets, we have ours
race you, yeah! on the count of three?
running, breathless, our legs pumping pistons
laughing, landing double on your banana-seat bike
a playing card clipped to the tires, poppity-pop-popping
my hands holding onto your hips
we think we’re so grown up, you and I
but late-day thunder booms deep in the sky,
somewhere, far-off, our innocence is running out of time
the changing light chases us, softly laps at our ice cream
mint chip for you, raspberry sherbet for me
blushing my lips pink like the lipstick I’m forbidden to wear
I hope you’ll see
you smile, the freckles on your nose a sweet constellation that I want to kiss
when did you become something more
than just a boy I played with at recess?
I’m all of 11 now, one foot in, one foot racing ahead to some map-less place
but maybe today, we can just be kids, lost in the strange and the wonderful
wandering deep along the river bed, fireflies lighting the sweet-smelling rain
fingers and dreams entangled
while our mothers’ hearts are calling us home


Susan Zwingli is a poet currently living in Boise, Idaho. She writes about love, belonging, and loss, as well as the natural beauty of the Northwest, and exploring mystical spirituality. She holds a BA in English from Michigan State University and a Masters from the Portland Seminary (OR).

The Night Nurse

Nonfiction by Joan Potter

“Just slip this under your tongue, honey,” said Margie, the night nurse. She held out a tiny white pill. It was six-forty-five in the morning, almost the end of her shift.

“What is this?” I mumbled. I was feeling groggy and anxious, and the pain in the left side of my chest was still there. I had spent a long night in the hospital, trying to get a few hours of sleep while bells rang, buzzers sounded, the IV needle dug into my wrist, and nurses held long, loud conversations out in the hall.

“It’s nitroglycerin,” said Margie. “It’ll help the pain in your chest.”

I dropped the pill into my mouth, and in seconds my head began to pound. Margie had walked away from my bed and was doing something across the room. My skin prickled, and I was soon covered with an icy sweat. I felt myself becoming lighter and lighter, floating upward into some other world.

“Margie, help me,” I whimpered.

I could see the silhouette of her wide back looming by the door. “Take a deep breath,” I heard her say. Slowly she turned and moved toward my bed. “Take deep breaths,” she said.

She grasped my hand and rubbed my palm with her thumb. “What’s your name? Where do you live? Do you have brothers and sisters? Where do they live?”

I couldn’t answer. Through the fog I heard her voice becoming more frantic. “The doctor…blood pressure…red cart.” Then, other voices. “She’s looking better. She’s getting some color.”

I opened my eyes and saw Margie, another nurse, and a blond woman in a white coat, a stethoscope around her neck, all standing around my bed. “Your blood pressure dropped,” the doctor said. “It was a reaction to the nitroglycerin.”

Margie walked away and I never saw her again.

My hospital experience had started the day before on a Sunday morning. I’d had an ache in my chest since Thursday. It was on the left side, but it was not a sharp pain and didn’t radiate down my arm. I thought I might have been focusing on it too much, and figured it would probably just go away. Company was arriving on Saturday, a couple I hadn’t seen for ages. I couldn’t call and tell them not to come. I had to straighten the apartment, cook, chat with them for the two or three hours of their visit, and then clean up.

But by the next morning the pain – which I’d been trying to ignore all Saturday evening – was still there, dull, but persistent. I knew I couldn’t put it off any longer. I called my doctor, who said I should have it checked out. My daughter lived nearby so I gave her a call, trying to sound casual. She soon appeared at my door and we sped to the hospital.

Before long I was on a stretcher in the emergency room, hooked up to monitors. For what seemed hours I lay stretched out in my cubicle, bells dinging in the background, nurses taking blood, a man x-raying my chest, each activity interspersed with periods of restlessness and discomfort.

Finally a doctor entered, a small, pale, humorless man with glasses and thin gray hair. He told me I should stay overnight and have a stress test in the morning. But all I wanted was to get out of that place, go home, and come back the next day. He managed to talk me out of that, and I was soon wheeled away and put in a room on the cardiac corridor. My TV didn’t work, and all they’d given me to eat was tasteless mushy food. I wasn’t especially worried, just exhausted and annoyed that I had to be there.

The next morning, a couple of hours after Margie had fed me the nitroglycerine pill that could have ended my life, I was wheeled down to the ice-cold stress-test room. I sat with a group of patients, all of us swaddled in blue blankets, until it was my turn to get connected to a heart monitor and run on an increasingly speedy treadmill. My heart was fine, a doctor announced. I was released.

A few days later, during a visit with my primary care doctor, I described the nitroglycerine experience. She rolled her eyes. “You could have had a stroke. At least now you know you have strong cerebral arteries.”


Joan Potter‘s essays have appeared in anthologies ad literary journals, including The Bluebird Word, The RavensPerch, Persimmon Tree, Bright Flash Literary Review, New Croton Review, and others. She is the author or coauthor of several nonfiction books. The most recent is the collaborative memoir “Still Here Thinking of You.”

i touch this ripe tomato

Poetry by Amelia Díaz Ettinger

and marvel at how all things
soften—

his voice muted
to warm embers that avoid
scarlet overtones

and my old hands
carved to rice paper,
skin hulled away from bone

even this butcher knife
is dulled from over-care
now it cuts with tenderness

yes,
time’s own waltz,
mollifies all things

and i applaud these parenthesis
of my mouth, how
they enliven my sight

after all they are the repositories
of elapsed laughter


Amelia Díaz Ettinger is a Latinx BIPOC poet and writer. She has three books of poetry and two chapbooks published. Her poetry and short stories have appeared in many literary journals and anthologies.

A Necessary Pause In Transmission

Poetry by Peter Devonald

Solace has a song for you, waiting, waiting, amongst the torrent.
If you don’t choose a day to relax your body will choose one for you.

Noise corrupts and absolute noise corrupts absolutely,
loud whirr of technology never stops, incessantly, ceaseless,

Instead sit in nature, listen, listen, to bird song and insects
reaffirm connections beautiful and obscure.

Take time to read, enjoy and endure your deeper self.
Be someone else, briefly, brilliant and captivating, memory.

Reconnect with friends, remember, remember, the times before
it all changed with vibrant neon, obsequious pleasures, glinting.

Recall the times before you weren’t connected to the miracles,
when simple pleasures were miracles enough to live exquisite.

You know what you really need, you always did, glimpsed
through endless noise and rain, you saw yourself, standing there.

The noise can wait a week without you, trust me, believe in me,
believe in silence, the seas, sagacious shift to embrace serenity.


Peter Devonald is winner of two Heart Of Heatons Awards, Waltham Forest Poetry and joint winner of FofHCS Poetry Award 2023. He has been published extensively and has two Best Of Net nominations. Poet in residence at HAUS-A-REST. Visit www.scriptfirst.com or https://www.facebook.com/pdevonald.

Blue Jay

Nonfiction by Liz deBeer

A blue jay landed in a planter by my window with something in its mouth. Not wanting to frighten it away, I froze, watching the indigo bird dancing around in a circle —tap, tap, tappity, tap —with what? A peanut?

Why the hell is a blue jay flying around with an unshelled peanut? Google knew: Apparently blue jays adore peanuts. Whole peanuts. In the shell, which they peck open, often gluttonously.

But this blue jay who landed in a planter by my window couldn’t crack the peanut shell. His head shook up and down, trying to puncture the peanut against the plastic planter’s edge: Tap, tap, tappity, tap again and again.

Finally, he turned to face me, peanut still intact. Looked me in the eye and spat out the nut before flying off.

I got up to inspect the planter by my window where the blue jay landed. Nestled among the roots of an almost dead pink petunia lay an unbroken cork-colored peanut hull.

Why the hell did the blue jay leave the nut, supposedly its favored treat? Was it merely a lazy blue jay who couldn’t penetrate the shell of a stubborn peanut?

Or was this a sign, this bird who landed in the planter by my window? A symbol of a guardian angel or my ancestors’ spirit with a message about longevity, fertility, or wealth?


Liz deBeer, an English teacher who resides in New Jersey, divides her time among many passions, including reading, beach walking, volunteering, and experimenting with different writing genres. Although Liz has published primarily in newspapers and teaching journals, she is working on writing YA novels and flash. Liz’s website is www.lizdebeerwriter.com.

The Block

Poetry by Richard Higgins

The keyboard avoids my fingers’ touch
          as if words I need are in its clutch.

My pen sits unused without a care
          and lined notebook pages blankly stare.

Neurons fire on an unrelated task
          ignoring the questions that I ask.

I have a great story here to tell
          but too many memories to quell.


Richard Higgins retired from the nuclear operations business after 50 years and became a writer. He lives in the Detroit Metro area. This is his first published poem.

This April

Poetry by Michael Carrino

Time can be a gentle quiz a dissonant tin drum
          Songbirds are silent

It continues to rain    Every village road is now
          a branch of the river

The past is a vintage red wine
          in some dark cellar

The future might only be
          black grapes

wasting on a vine as another
          ash-stained cloud

creates an illusion    Beyond
          the slate gray lake

every mountain must be burning


Michael Carrino was co-founder and poetry editor of SUNY Plattsburgh’s literary journal, Saranac Review. He has had nine books of poetry published, most recently, In No Hurry (Kelsay Books, 2021) and Natural Light (Kelsay Books, 2023), as well as individual poems in numerous journals and reviews.

Everything You’ve Ever Loved

Poetry by Robin Greene

Forty years have passed, and this morning you find yourself
alone at sunrise—red and orange overtaking the forested
mountain in front of you, as you sit there, as early light
opens the day, turning it into something mutable.

Most of your life is behind you, but sitting there
on that old wicker chair, you hear a mourning dove’s
coo from a distant tree as a murder of black crows
sweeps the sky. Only then, you remember the midwife

lifting your firstborn from your body—his initial cry marking
the next two decades of your life—a life now almost over.
Then, you’re at a hospital, hearing your mother’s labored
breathing as she lies there, covered in white blankets,

mouth open, eyes closed, and you encourage her release.
Forty years dissolve into weightless memory on this chair,
as you realize that everything you’ve ever loved will leave you,
and that the cooing of the mourning dove is not so premature.


Robin Greene is a former English professor and current part-time yoga and writing instructor, living in NC. She’s published five books: Real Birth: Women Share Their Stories (nonfiction Kindle bestseller); A Shelf Life of Fire (novel); Lateral Drift (poetry); Memories of Light (poetry); and Augustus: Narrative of a Slave Woman (novel).

Full Circle

Nonfiction by Sheila Rittenberg

Nose

The first time I really saw it, I was ten or younger, looking into a hand mirror while standing in profile in front of a bigger mirror. My nose. It was hookish. Not just a kink. All of it. Short but bent. Like someone started something and forgot to finish.

I stared and stared. Until then, I’d believed everyone who’d said I was so cute, such a lovable face. And that was what I’d always seen in the mirror. Their praise lifted me in the mornings, tucked me into bed at night.

My sister had a straight, slightly turned-up nose. Not a ski jump. It was trim and neat, like a sweet goodbye or the perfect toast at a party. Flawless. My parents told me I had to be more like her, keep it up, and while you’re at it, be even better! I tried. I was at the mirror every night, searching. Would my nose change? Would it grow as I grew? I daydreamed myself into my sister. Compared my every move in sister terms – boys, friends, athletics. All beyond me. She was older. Teenage older. Cheerleader. Homecoming Queen. Agile figure skater and skier. Girlfriend of redhaired Bad Boy, Johnny F.

I faced up to the mirror always avoiding my profile. But that side silhouette was one of those things you can’t un-see. In frontal view, I was a little Irish girl with big eyes. Sideways, I was Barbra Streisand but without the allure, or the voice.

Mouth

When I was twelve and getting braces, the orthodontist told me my top lip would always look something like an upside down “U.” In the space from the base of the nostrils to the top lip there is a groove, he pointed out, and mine was too short. So my lip, whether I wanted it or not, lifted up above my teeth. My braced teeth.

“Start doing these exercises now,” the orthodontist warned as he showed me how to stretch my top lip down over my teeth, “or you’ll never be able to close your mouth.”

I looked up at him – mouth wide, elastic bands about to snap – and nodded. I didn’t care if my mouth was forever open. My bared teeth would be straight ones. No more taunts of Moose or Hey, Bugs Bunny as I walked the school halls. No more ducking behind opened locker doors.

The nose, the lip, and oh yes, the inclination to pudginess, were a lot to concentrate on. Every day. Between classes. During classes. After school. I walked the hallways, eyes racing from skinny girls to golden girls to those popular girls surrounded by friends and fans. Then home to my sister and the prom date she’d snagged, or the new cheerleading routine, or the simple certainty of her beauty. Her braces were long gone. One look at her and I’d well up. There had to be a reason I was inadequate. I just didn’t know what it was.

Brain

In university, I guzzled from the intellect of others. I, the girl from the suburbs, asked a million questions of new friends with cigarettes dangling from brooding faces. What’s behind Power to the People? Was Marx a good guy? What exactly is wrong with capitalism? We analyzed. We studied. Bob Dylan, Leonard Cohen, every lyric, joints passing freely, the room a sweet musty void. I joined the student occupation to protest faculty racism. Blankets and sleeping bags lay side by side, students strummed guitars, organizers hammered talking points through bullhorns. The world was at stake.

I’d show up at my sister’s in a bright gauzy blouse, torn jeans, beads and bangles, paisley bandana folded across my forehead. She and her blond bob and three kids, dog and harried husband, would’ve fit right into The Brady Bunch. I’d talk about the outrage of government. She was consumed with menus for the week.

The ’60s and You Say You Want A Revolution were calling. And I answered. I tackled slum landlords, drug use in high schools, inferior pay for corporate women. My parents thought I was radical. I liked that.

Heart

Babies. My babes. Now staring into infant eyes made me high. By my late thirties, pediatrician visits and weight gains, gurgles and chortles were all it took to be happy. I made baby food from scratch and talked nonstop to my little ones, explaining the world, even when all they could say was “Mama.” I played peek-a-boo and made goofy faces. I floated. Motherhood was a prize. First Prize. My sister made faces, strained ones, she too young with too much to care for.

I didn’t stare at myself in the mirror these days but I was okay with looking. I enjoyed the curls around my forehead, my skin, silkier than I’d known. I liked my blue-eyed moon gaze. A smile – no overbite – filled my face. All together my look was … well, evidently not so bad. The badass kid checking out groceries looked at me with desire. Same with the wild-bearded gas station guy, and the twenty-something cop who came to bash in my car window when I locked my son inside along with the keys. Maybe they’d been right long ago. Maybe I was cute, so lovable.

My face had made friends with my nose. I no longer tried to be just like my sister, or better. She was still older. I tried not to remind her.


Sheila Rittenberg retired in 2019 and became a member of the Pinewood Table, a critique workshop facilitated by mentors. She became a two-year Fellow at Atheneum, a masters level writing program at The Attic Institute in Portland, OR. Sheila writes short stories and “flash” creative nonfiction.

The Nest

Poetry by Barbara Santucci

For years I’ve watched the towhee build a nest
in the oak tree outside my kitchen window.
She weaves and weaves and never rests
until her home is tightly bound.
Where soon her eggs will lie in a perfection
only this master weaver can create.
Interwoven twigs rest in the branches
ready to shelter the wings of a newborn generation.
In winter, I cup the nest in my hands
and wonder how she knew the composition
that would fashion a home at her breast.

Does this mother know that her weaving
will be the wellspring for her young leaving?


Barbara Santucci has a Masters in Writing for Children from Vermont University and has published three picture books with the W. B. Eerdmans Books for Young Readers. She also has several poems in poetry journals.

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