Author: Editor (Page 7 of 62)

Voices

Poetry by Marsha Howland

A solo artist sings in the
woods close by. Four notes,
a pause, then two and six
(three times). For several
minutes this bird loudly
performs. Then comes a
soft echo from deeper in
the woods. They sing a
duet, back and forth, his
voice growing more faint
each time he flies further
into the thickening trees.
By stages, song and
response move closer and
closer, until it almost seems
there is one voice, one song,
one small triumph in the
eternal progressions of
life. The nature of things:
You find your voice and, if
blessed, find another.


Marsha Howland‘s poems have been published in The Moon issue of The Black and White series, the American Journal of Nursing, and Waves (AROHO). As a senior at Wellesley, Marsha won the college’s Academy of American Poets prize. She had the privilege of studying with poets David Ferry and Frank Bidart.

Fallen Hearts

Nonfiction by Angie Sarhan Salvatore

The hearts drifted from the sky that October, cascading much like snowflakes or teardrops do. Though I requested them, their sight still startled me.

I ask for signs the way people order coffee—without thinking, a habit ingrained over time. Is this the right choice? Show me a sign. Do I say yes? Show me a sign.

This was different. You were gone without goodbye. Desperate for a lifeline, instinct kicked in. Show me a heart if you’re with me, I whispered.

Only three hours later, a heart found me. While I thought the heart might come in the form of a bumper sticker or a billboard while I drove to work, that’s not how you showed up. Instead, the sign came while I walked to my office, shoulders slumped, feet slow, head down. My mind caught up to my eyes a few seconds after I took it in. I turned around to look again. I was shocked, but only for a moment.


I knew if you could, you would send me signs.

Years ago, I visited you at your home in London. I could immediately tell that this place was your heart. You could immediately tell I wasn’t visiting, but rather escaping. I was having an upside down moment in life, and hadn’t figured out how to make it right side up again. You offered me a quiet space to settle and sort things out.

When you asked what I wanted to do on my trip, and I replied I wanted to see a psychic, you didn’t seem surprised. Yes, we would sightsee, and yes, I would fall in love with London returning again and again to stay with you, but the first priority was find someone with answers, since I sure as hell didn’t have any.

I wasn’t sure where you stood with psychics or the afterlife, but as my older cousin, you indulged my request, making an appointment at what I would later find out was a world-famous psychic shop. You accompanied me, which made me feel accepted. I opened up. You understood my need to believe in something beyond me. You understood my need to look for signs.


There I stood, eyes fixed on the beige leaf, misshapen and alone—an offering of hope in the darkness. I picked it up from its stem and it was obvious this folded over leaf was a heart. I choked out a breath. I reached for my phone, took a photo, and gently put the leaf back. Thank you, I said to the sky, to you.

For the rest of the day I regretted not keeping it, not saving it somewhere.

Thankfully, this was the first of many signs to come.

Days collapsed into weeks. The leaves found me, over and over again. These unusual gifts became a trail of breadcrumbs propelling me forward each day, giving comfort and reassurance you were with me. Some bore jagged edges. Others looked like a perfectly crafted cutout, but they all had something in common.

Each fallen heart seemed like a symbol of resilience and I saw reflections of me—torn, scattered, and in full surrender. These delicate offerings felt like tiny miracles, nudges from you reassuring me somehow. I took photos and collected them. I told myself I wanted to preserve the memory, but really I wanted to preserve the proof. I saved them like treasures, tucking them away for safekeeping—tokens to be found sometime in the future, when the leaves might stop appearing or when I needed to be reminded of something more.

In those moments, I saw myself as a woman with a beat up heart, desperately hanging onto beat up heart-shaped leaves, but I didn’t care. Though they didn’t take away the sting of your unshakeable loss, they felt like an elixir to my soul, making the grief more manageable, if only for a moment.

I started painting a small, black heart on my fingernail. All of a sudden, we had a thing going. Death didn’t sever our connection. It just took a new shape.


I went back to London three years after your passing. As I packed to leave, I wondered if I would go by your place, if even to pass it from the outside. The idea simultaneously gutted and lifted me, and so, minutes before I left for the airport I tucked something in my purse.

A place can be a container, filled with a mixture of memories, emotions, and past selves. London held so many versions of me. The sad one. The lost one. The hopeful one. The happy one. It had yet to carry this new version, though. The me-without-you one.

Your son was in town and asked me to come by your place. I think he sensed I needed to be there.

It was exactly as I remembered. The staircase that seemed endless. The artwork you painstakingly picked out, hanging in every possible spot. I thought of how happy you would be that we were there together.

When I had a moment alone, I reached into my purse for my hidden treasure. Your son told me that one day he might have to sell this place, my home away from home. It made sense that I did this then.

I hid a tiny heart-shaped amethyst in the unused fireplace. I placed it with a silent prayer, a thank you for all that you gave me: for your grace, generosity and kindness when I was at my lowest; for your friendship and guidance when I was flailing; and for your faith in me. I thanked you for the signs that still arrive when I need them most.

I doubt that amethyst will ever be found. At least, that’s my hope. I want it to remain in the dark depths of this faraway, sacred spot so that a piece of my heart will always be there, nestled in with a piece of yours.


Angie Sarhan Salvatore is a Writing Professor. Her writing has been featured on The Huffington Post, Tiny Buddha, Positively Positive, Mind Body Green, Rebelle Society, Elephant Journal, Having Time, Herself 360 and her blog: universeletters.com. You can find Angie on social media @universeletters.

Fairytale in Six Voices

Poetry by Norbert Hirschhorn

The Prologue

Once upon a time, a young woman—beautiful, good, true—lived in a forest hut with her poor but honest parents. One day, a Prince came by on horseback & looking out for a bit of mischief, began to court her. Her parents, knowing what could come, tried to talk sense: We’re beneath his station, he’ll break your heart, we need you here, & so forth. But she was ecstatic; it had never happened before, probably would never again. You see, although she was lovely, virtuous, etc., she had a deformity, tuberculosis of the spine from childhood. But she was too happy to think clearly, & the Prince, perhaps a little in love, appeared not to notice. One day he rode up to the little hut saying, Get yourself ready, I want to introduce you to the King and Queen. Her parents, wanting only her happiness, sold their cow, pawned their dishes, mortgaged their little plot so she could wear something decorous, lovely for the meeting. But only one thing, said the Prince. Yes, darling, anything, she replied. When we enter the Royal Court, try to stand up straight.

The Voices

The Young Woman’s Parents (a duet): We were idiots to think this could even be. All that time we deliberately stayed in the forest, away from people, so our daughter would never have cause to be unhappy.

The King: Reginald disappoints. A gadabout, he has never buckled down to study statecraft and the arts of war. So, when he announced he had been taken in by this opportunist with her mincing gait, I was ready to disinherit the fool, send him out of the Kingdom.

The Queen: He is a good son. Headstrong like his father, but a romantic like me. Perhaps it was something about the zephyrs, the honeysuckle, forest trails surprising at each turn. When the King courted me, I too was cloistered, shy, worshipful. I would have liked to have met this young innocent.

The Prince: So imagine how I felt! Well, she was sweet. I thought she was just being humble, not a hunchback. I’d never hear the end of it from my mates, never mind all the goosey gossip. I had some gold coins sent over.

The Young Woman: It was a dream, and so it sweetened my life. I know no one lives happily ever after, especially not in a castle. But if the King had condemned him to exile, I would have gone with him. My parents and I are moving deeper into the forest.


Norbert Hirschhorn is a public health physician, commended by President Bill Clinton as an “American Health Hero,” proud to follow in the tradition of physician-poets. Hirschhorn has published seven previous collections; recently Over the Edge from Holland Park Press, London. Visit https://bertzpoet.com.

Bright Prospects

Poetry by Andy Oram

Free from guile or prejudice, snow
Casts a rarified grace.

It fills the land with crisp equity,
Assured monument to the Earth’s greatest artifice,
The tip in axis that brings us appointed seasons.

Crystal, by breeze-sculpted crystal, fasten atoms
Poised to bestow the promise of
Our existence.

Each waterous orb, spritz of the universe’s most fertile molecule,
Hugs its drop until the Earth’s bias turns once again
So that the crocus and hyacinth wake to its flow.

If you take the snow to you,
If you survey its bright prospects,
Stride into its treasured potential,
Run hands through its sharp intensity,
Taste its porcelain presence,
You can glory in the working of the world.


Andy Oram is a writer and editor in the computer field. His editorial projects have ranged from a legal guide covering intellectual property to a graphic novel about teenage hackers. Print publications where his writings have appeared include The Economist, The Journal of Information Technology & Politics, and Vanguardia Dossier.

Planting Wildflowers by Lake Champlain

Poetry by Christine Andersen

My daughter and her husband
renovated a house on Lake Champlain.
She sent pictures of the expansive view
from their living room,
how the magenta sunset tinged the water,
the way grass was filling in on the slope leading down to the dock.

A few doors down, her mother-in-law is disappearing.
She can’t remember where the silverware drawer is
or how the pocket door slides open.
She tells the same stories over and over
as if delivering new news.
Stares at the lake trying to recall its name.

My son-in-law bought several packages of wildflower
seeds and tilled the ground close to the shore.
He had visions of daisies and Queen Anne’s lace
and an assortment of yellow, purple, and red blossoms
leaning on green stems with bees and butterflies feeding,
the ground firmly set against heavy rain by the tangle of roots.

Wildflowers can bring the outside indoors.
Would perhaps help his mother remember
daisies were always her favorite flower.
How she would set them on the breakfast table
when he picked them for her as a young boy.
They would pluck the petals one by one,
say, “I love you, I love you not,”
always magically ending on “I love you.”

When the daisies grew in clumps,
he carried a bouquet of memory to her doorstep
and handed her a flower.
She haltingly plucked the white petals one by one,
placed them in his outstretched hand.
Whispered in a child’s voice, “I love you.”


Christine Andersen is a retired dyslexia specialist who lives in Connecticut with five hounds. She has published over 100 poems. Her poetry book “To Maggie Wherever You’ve Gone” won the 2025 Jonathan Holden Poetry Chapbook Contest sponsored by Choeofpleirn Press.

Orb

Poetry by Ed Meek

If you too could extrude silk
From your body to weave
A net of fragile filaments
Like gossamer wings
Arranged in a pattern
Of encircled squares,
Strong enough to entrap
Your prey with the aid
Of goo. Would you sacrifice
Your two legs for eight
To hang your clever work of art
like a hammock
between the plants,
Immersed in a world
foreign to man?


Ed Meek‘s book of poems “Great Pond” comes out in 2026 with Kelsay Books. He has had poems recently in Amethyst, Humana Obscura, and The Baltimore Review.

The Little Lizard That Could

Nonfiction by Priscilla Davenport

I’ve spent an hour trying to free the little green lizard. He’s caught between the window glass and the screen. Imagine the gecko you see on TV, but just a baby and in dire straits.

He’s tiny, about two inches long with a tail of similar length. He should be bright green and cavorting among grass and plants, but he has turned a grayish-green camouflage to match the screen he managed to invade but now is trying to escape.

Ideally, the screen is removed by opening the window and punching it out from the inside, but I can’t get the window open. These windows are an aggravation despite their supposed superiority, but they are no match for me today. If I can get the screen bent slightly from the outside, I reason, it will create enough space for the lizard to escape. I take a variety of unorthodox tools to the patio and start trying to bend the screen’s stiff frame. Finally, a garden trowel and a screwdriver prop it open, just enough, at the bottom of the window.

I go inside to watch the lizard work his way to freedom.

He’s at the top of the window. Now moving down the side. Getting closer. There, he’s almost at the opening. Oh no. He stops and works his way back to the top. Does he think the screwdriver and trowel are predators? Speaking of predators, here comes our indoor cat. The lizard’s sides heave after the cat flings himself against the glass. We don’t need this stress. I close the cat in the laundry room.

Back at the window, here comes the little captive again, inching downward. But there he climbs to the top again, and then in a circle. You’re making bad decisions, I tell him. I get it. My mind is a muddle when I’m panicked and battle-weary. But you’re so close. Stop and think. Don’t repeat your defeatist behavior over and over. This is your survival we’re talking about.

If I stop watching, maybe he’ll work it out. Maybe I make him nervous. I’ll come back later and hope he has returned to his rightful reptilian world.

If he’s still trapped, I’ll work on that damn screen again.


One hour later. The lizard is still there, frozen in defeat. You will not die today, I assure him. I take a hammer outside and use the claw to bend the screen’s frame out of its track and into a triangular-shaped escape route a couple of inches at its widest. The trowel and screwdriver drop away.

I go back inside, leaving the tiny creature alone again to figure things out. When I check back, he’s gone. Yes! I pump my fist in celebration and hammer the misshapen frame into a semblance of straight. A hard push gets it back inside the window track.


Six days later. I’m sitting in a patio chair when a lizard startles me by skittering across my lap and jumping to the table at my elbow. This lizard is slightly bigger than the captive. But could it be? How much do lizards grow in a week? The little guy settles on a table leg only inches from my hand, camouflages from green to brownish, and looks at me. I mean, really looks at me, our eyes locking. I talk softly to him, holding his dark eyes with mine. He blinks. I feel as if we understand each other.

He stays, looking around but mostly watching me, until I need to leave ten minutes later. I get up from my chair and turn to say goodbye, but he is gone.

I sit on the patio daily, but my little friend has not returned. An internet search tells me that small lizards like geckos can live for several years even in the wild, so with luck we’ll connect again. I’ll keep an eye out.


Priscilla Davenport has spent a lifetime with words, first as the daughter of an English teacher and later as a journalist and lawyer. Now retired, she spends time writing creatively and supporting animal rescue organizations. A story of hers was shortlisted for the 2023 International Amy MacRae Award for Memoir.

Annual Accounting

Poetry by Sharon Scholl

I wake to find a ray of light
was stolen from the bank of night,
filched in some dark, furtive way
and added to the bank of day.

In due time, day will repent
and by December will have sent
every ray of pilfered light
back into the bank of night.


Sharon Scholl is a retired college teacher who convenes a poetry critique group and maintains a website of original music compositions free for small, liberal churches. Her poetry collections Seasons, Remains, Evensong, and Classifieds are available via Amazon Books. Poems are current in Rattle and RedRoseThorns.

Tree Song: Redwood

Poetry by Joanne Harris Allred

This giant has held its yogi-gaze
for over three-thousand years.
A spiral gash scores the two-foot thick

bark where lightning blazed
through the feathered tiers.
One would need five yard-sticks

to measure its memory’s ring-span,
its top too tall to be seen
from the base where one must stand

humbled. This monolith of deep green
silence began as a dark pinhead, coded
magnificence in profound concentration.

Then, like a black hole, the seed exploded
into a galaxy. For centuries its attention
has stayed one-pointed, each bough

and twig focused right here, right now.


Joanne Harris Allred has three full length poetry collections: Particulate (Bear Star Press, 2002), The Evolutionary Purpose of Heartbreak (Turning Point, 2013), and Outside Paradise (Word Poetry, 2024). She taught at California State University, Chico for many years and lives in northern California.

Like a Tree Planted by the River

Poetry by Rochelle Shapiro

As if summoned by a dream to this bench
along the Mohawk where cherry trees weep
pink and white blossoms that spill into the river,
I hear a congregation of birds:
                                        an oriole whistles and chatters,
                                        a blue jay performs its whispery song.
                                        Hidden among the reeds, a bittern
                                        thrums its low heartbeat like words
                                        that take shape as if spoken before.

This is my cathedral:
a roof of sky, a river edged with sedge,
the swordlike veined leaves of Sweet
Flag, the white bell-shaped flowers
that dangle from the arcing vines
of King Solomon’s Seal,
and the Fiddlehead Fern
that curls like my granddaughter’s hair.


[Author Note: Poem title from Psalm 1:3]


Rochelle Jewel Shapiro has published in The New York Times (Lives). Nominated twice for a Pushcart Prize and Best of the Net, her short stories and poetry have been published in Prism, The MacGuffin, Euphony, The Iowa Review, The Atlanta Review, and more. Find her at http://rochellejshapiro.com, @rjshapiro, and @rochelle.j.shapiro.

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