Author: Editor (Page 8 of 70)

Volcano

Flash Fiction by Robby Sheils

Noel Hammond looked out his townhouse windows to the fractured sidewalk, its bricks covered in ant hills and tufts of beige grass. All of Brooklyn had been dry for a month, and the seventy-year-old grew to believe the bizarre fantasy that it wouldn’t rain until he pitched a new mystery for adaptation.

Amid the drought, Noel struggled to find his next success. He had made a living from his mystery novels, many of which went on to become bestsellers, though most of his success came from production companies buying him out. He had recently written a novella’s worth of pages on a retreat to his lake house, about a boy who fished dinner for his folks and fell in love with the girl in the cliffside mansion. It marked the fastest story he ever wrote, but it ended without a twist. And a movie without a twist seemed foolish, and so Brooklyn remained dry.

Noel recognized that blaming himself for the dry spell was a silly thought. But it was also a haunting one. He agonized over this supernatural burden until his stomach grumbled, and with great reluctance he stepped outside.

The afternoon sun hung high, and the clouds above him loomed massive and ominous. It was the hottest June in memory; every afternoon the sky threatened to break and every night it balled up and looked ugly and never did. All waiting on Noel.

Lost in a brainstorm, he meandered the quiet, upscale streets of Fort Greene. He daydreamed of Polly. Had it really been five years since she passed? Every step down their block felt undeserving. She was the one who pointed out the flower beds, who took great interest in holiday decorations and raved about the font of street numbers. Never Noel.

In the deli, four Hispanic men sat huddled, joking about something. Or nothing. The cold air from the AC snapped Noel back to Brooklyn, and rainless guilt spread across his arms in goosebumps.

He grabbed a ham sandwich and moved along. Home happened to be past an old Episcopalian church, but the heat made him lightheaded and so he paused to stare at the copper steeple, its years worn into a muted patina.

And right then and there the sky made up its mind and broke wide open. In an instant, rain fell in buckets and the road rumbled like a revving jet engine.

Noel ran as fast as his arthritic knees could take him, beelining for a skinny overhang outside a laundromat. A woman, about Noel’s age, and a boy were also marooned. Out of courtesy, they shuffled as close to the edge as the tiny cover allowed. The woman stood tall and elegant, and the boy had shins that marked a lanky and painful stretch of puberty. He held an orthodox paper-mâché diagram of a volcano, complete with a construction paper forest and a bright blue river of churned up Jell-O.

“Thank God for roofs!” he yelled over the slugs of rain, attempting to dodge awkwardness from their suddenly close quarters.

“Ah!” the woman agreed, along with other words that got swallowed in the storm.

“Pardon?” yelled Noel. The rain beat the roof at an alarming speed.

“My grandson! He wants to become a chemist!”

“Aha!”

The woman edged closer to Noel. He could see that when she smiled, like she was now, two dimples peeked through her wrinkles. “What about you?” she asked. Her voice sounded clear and steady.

“Sorry?”

“What did you want to be? When you grew up?”

She stared at him warmly, like an old friend or lover, and the inside of Noel’s chest fluttered in a way it had not in years. He glanced at his shoes and down the road. “An author.”

“Ah, that’s a good one,” she said, looking towards her grandson. “And what did you become?”

Noel rubbed at his knuckles. “An author.”

She laughed with her whole body, beautiful and earnest, and rounded it off with a clap that rang above the rain.

“Have you written anything good?”

“I think so.”

“Are you writing something now?” she asked, turning back to Noel.

Despite years of answering this very question—his agent’s favorite one—it still caught him off guard. Her tone sounded neither critical nor demanding, but honestly curious. It defied business. “Trying to,” he said.

“How much have you got done?”

“The whole thing.”

There was that laugh again.

“The whole thing?” she asked.

“Yes, but it needs a twist.”

The rain toned down to a pitter. The grandson used his pointer finger to do touch-ups on his Jell-O river.

“That’s silly,” she said, dimples showing again.

“No one would buy it,” he said.

“I would.”

The rain had nearly died, and the wet road began to glint. Noel looked at her, straight in her unblinking hazel eyes, and believed her.

“Would you like to get a coffee sometime?” he asked, the words out of his mouth before he could digest them himself.

“Yes,” she said, “as a friend. Could we be friends?”

Noel surprised himself with a smile. Like a boy crushing on a schoolteacher, he recognized the flutters in his stomach as butterflies of respect, not romance. Having someone to talk to—about whatever, about nothing—he missed dearly.

The two brainstormed a café where they could meet, and then said their goodbyes. Noel crossed the road, smelling the sweet metallic rain, and wondered if others would read his story. It was the fastest one he ever wrote for God’s sake, and it may as well be finished.


Robby Sheils is an emerging writer from Portland, Maine, who primarily writes slice-of-life fiction. He spent two years as an editor for The Telling Room, and in 2022 released a self-published novel, Shelley Avenue. He was most recently published in Rock Salt Journal. He now lives in Brooklyn, New York.

a whatever-hair day

Poetry by Miguel Rodríguez Otero

i love to do my daughter’s hair before school,
give it a little brush, loosen the knots
that form during the night, then maybe braid it
so it looks neat and brand-new.

she’s too young to know,
so i explain to her that braiding is not a tie,
it’s more like a bond that can easily be undone
but is meant to hold the hair together,
like us holding hands to the bus,
untangled and brand-new.

as if together was something permanent
or even desirable.

she complains her hair is too frizzy,
but i’d love her to feel that such a bond exists,
that the connection is real and permanent,
desirable, even if one misses the bus
and is late to class.

the bus pulls up and the door swings open.
my daughter grabs my hand, then tugs me along.
i wave good-bye and await the moment
she comes home for dinner,
clothes dirty and hair all messed up.


Miguel Rodríguez Otero’s poems appear in Red Fern Review, Wilderness House Literary Review, Scapegoat Review, Last Leaves Magazine, The Bluebird Word, DarkWinter Literary Magazine, The RavensPerch and Feminine Collective. He likes walking country roads and is friends with a heron that lives in the marsh near his home.

bird dreams

Poetry by Jon Raimon

Waking to bird talk,
I wonder.

Did they wing into
my dreams?

Gather twigs and spring fluff to nest in
my wishes?

I stumble up, feel the fool,
yet sense they are on my side

               with hoots and jests
               coos and kindness.

They gossip and advise,
each note thrilled with care.

Thank you for swooping
into my hopes.

Know I will, clumsy and earthbound
as I am, try to always listen to

your love calls and unexpected tittering,
your joyous racket and grand laments.

Listen skywards, as you warble your way
into daymares and night longings

               a feather touch so light we don’t even know how it heals
               our wounds, soothes our grief

a clarion caw, warnings to feel, to
protect these skylands we breathe in

together,
a revelry we must heed and celebrate.


Jon Raimon teaches writing in Ithaca, New York. He writes along with his students, focusing on poetry and short fiction. His inspirations include his children and students, everything within, and all kinds of rocks.

Chipotle in Adobo

Poetry by Sharon Scholl

Two chilis, three tablespoons of adobo.
I measured them carefully, stirred them
into a pot with the vegetables prescribed

by an old recipe tucked inside
my deceased grandfather’s papers.
The label, Family Recipe, intrigued me.

When the simmering assembly seemed done,
I dipped a spoon, snagged a load, gagged,
and pronounced the dish inedible.

Now I’m on the phone with Mom, describing
my culinary disaster, begging to know
how it all went wrong.

Family Recipe? she snorts. None of us
would touch his concoctions. I swear,
that man had a cast iron stomach.


Sharon Scholl is a retired college teacher who convenes a poetry critique group and maintains a website of her original music free for download. Her poetry collections, Seasons, Remains, Classifieds, and Ghosts are available via Amazon Books. Her poems are current in eMerge and Yugen Review.

Not What I Came For

Poetry by Ellen Roberts Young

I yearned for Lyon, its medieval market,
signed up for a cruise to see what remained
—and discovered Arles, its white stone walls,
Roman ruins, town of Van Gogh, his hospital
garden kept as he painted it, now alive with
sellers of postcards, placemats, prints of his art.
By the old city gate, buyers crowded at booths
of farmers and crafters. That night, as the ship
sailed north, abundant brilliant stars appeared,
Van Gogh’s Starry Night made real.
Days later, Lyon’s old merchant city, its
magic muted by bistros, busy upscale shops
and wet cobblestones, could not match
the delight of nature’s art: that star-filled sky.


Ellen Roberts Young’s third chapbook, Transported, came out in 2021 with Finishing Line Press. She has two full-length collections, Made and Remade (Wordtech, 2014) and Lost in the Greenwood (Atmosphere, 2020). Recent publications include SlantOyster River PagesRockvale Review, and Caesurawww.ellenrobertsyoung.com

Enjambment

Poetry by Clarence Allan Ebert

True Japanese Maple saplings
sprout from innocent seeds of love
wine-red leaves that whisper their purpose
to the wind each new day
when passers-by on a stroll
in sunshine or shade all the same
delight themselves to wander
through a neighborhood unlike yesterday’s.

My poems as well derive a lyric or two
from the whisper of yesterday’s Delight
or Sarcasm all the same on a stroll
gathering one brief then longer verse
undisturbed until voices blow clearer
my purpose in a wind against my brow,
each new thought chooses not to wander,
the stanza’s wing is no longer innocent
breaks off in a twist, unlike Shakespeare’s pentameter.


Clarence Allan Ebert first published a poem in 1977. He writes what falls on his head and revises and revises and hopes one day he might be as good at this craft. He resumed his chair in the parlor to write poetry again during COVID.

The Blizzard

Poetry by Sheryl Slocum

hurls itself
at the storm door
bodies
of snowflakes
shatter

my shuddering porchlight
illuminates
a cacophony
of chipped sparks
glints of rainbow
that whirl back
into seething dark

I sense
a being that waits
just outside
the feeble light

too lovely
and terrible
for flesh
to bear


Sheryl Slocum, a retired English language teacher, lives in West Allis, Wisconsin. Her poetry appears in numerous literary publications, and her book, Leaving Lumberton, was published by Wipf and Stock in 2022. Sheryl is a member of the Hartford Avenue Poets and the Wisconsin Fellowship of Poets.

Blue Sky

Fiction by Darlene Eliot

Unfurl the blanket and sit down. Lie back with your nose tipped to the clouds. Listen to Rainbirds sprinkle water on the grass. Let mist caress your shoulders and cheeks. Watch the bees flirt with open-faced roses. Run your hand over the damp grass. Get up and rush back to the house. Retrieve the Sumo orange you forgot when you ran outside, shoeless and expectant. Rest your head on the blanket. Let the sun warm your eyelashes. Pine and eucalyptus tickle your nose. Run your fingers over the orange rind. Cradle it the way you wish the universe would cradle you, if only for a moment.


Darlene Eliot’s work has appeared in Bellingham Review, Sundog Lit, Epiphany, and elsewhere. She lives in California.

The Poet’s Way

Poetry by Arvilla Fee

Some might say,
I’m in love
with this summer day
.
That’s not the poet’s way.
The poet says—

I lie on my back,
indenting the meadow grass
with contented, contoured bones
as my eyes follow
freshly spun cotton-candy clouds

trailing across a turquoise sky,
as though clutched by unseen hands.
The sun blinks as they pass her face,
serene in her brief respite,
magnanimous in shaded grace.

There’s a low hum in the clover,
golden-brown bees
sticky with pollen and hope,
legs thick with yellow promises
of wheat, corn, and Black-Eyed Susans.

From a distance I hear
the ripple of water,
a river’s ceaseless mission
to join the salty sea
while coddling catfish and reeds.

And that’s why I lie here, the poet—
spine to earth,
a mouthful of clouds,
and blood that runs thick
with honey.


Arvilla Fee lives in Ohio, edits poetry for October Hill Magazine, and runs her own online magazine, Soul Poetry, Prose & Arts Magazine. She is a widely published author and has three published poetry books available on Amazon. For more info: https://www.soulpoetry7.com

The Gift Box

Poetry by Theresa Wyatt

My sister sends me
Charley Harper stickers
for my birthday

and a card
of his painting
Hawk Mountain.

At once the dominant
dark brown owl atop a pole,
staring straight at me, fixates
my gaze dead center – and I reason

the artist knows I’ll shift my glance
to track the blue sky and visually fly
east to west, then north & south
through this calm sanctuary

of whimsical hawks in profile – sporting
tuxedo style, well-dressed wing spans
in black, brown & white stripes
of impeccable spacing,

oh, these striking creatures –
immortalized now in soy-based ink
& magical realism – descendants of raptors,
millennia in the making.


Theresa Wyatt is the author of “The Beautiful Transport” (Moonstone Press) and “Hurled Into Gettysburg” (BlazeVox Books). Her writing follows the tug of history, nature, and art. Her poems have appeared in the Elm Leaves JournalNorton’s New MicroSpillway, and the Press 53 anthology, “What Dwells Between the Lines.”

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