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The Barista

Fiction by Richard Schreck

With the steady hand of a virtuoso, the barista poured the steaming milk into an intricate pattern of freehand latte art. Lost in the aesthetic, she concentrated on the emerging design oblivious to the crowd pressing into the tiny space allocated to Traditions Bookshop.

As she snapped the lid down and handed off the takeaway cup, she heard a new request—one so seldom spoken that she was forced to consider whether she’d heard it correctly. “I’d like to buy this book, please.”

She lifted her eyes with interest.

Occupying high-cost commercial space in Washington D.C.’s Union Station, Traditions Bookshop had realized her father’s life-long dream of owning a used bookstore. But soon after opening, his health had failed and she had stepped in to take charge full time. In spite of her best efforts, the place had failed as a bookstore. But it had succeeded—with her as barista—as a bookstore-based coffee shop.

The customer handed over a book for purchase. “By the way, I found this between the first two pages.” He held up a folded-over rectangle of paper. “Such a nice sentiment, don’t you think? It gives the object soul.”

Taking both, the barista recognized the paper as quality stationery, apparently a note-card. She placed the book on the counter and unfolded the card. I loved this book, she read above the initials A.M.L. The sentiment struck a chord. This is what she had hoped for their bookstore—being of service to a clientele appreciating and sharing works that had touched them. Suddenly astonished by the sharp contrast with the commercial pressures that filled her life, she fanned through the pages in hope of finding more.

“There’s nothing else,” the purchaser remarked. “I checked thoroughly.” He held out his hand for the card and book.

Ah, he had looked for more notes, too. A kindred spirit. The barista examined her customer more carefully. A man of her grandfather’s generation, he wore a finely tailored and perfectly pressed wool suit. Her mind flashed to old movies and to the refined gentlemen she had encountered there.

She returned her attention to the purchase, reluctant to lose the feel of the volume in her hand. “My father was meticulous about books.”

When she at last handed it over, she inquired, “If you don’t mind my asking, why did you decide to buy this book?”

“Excuse me?” The man stared at her as if at a curiosity.

“People come in for coffee and sip it while standing around thumbing through the books on the shelves—maybe reading a line or two here and there—but they don’t often buy the books.” She paused. “This shop was my father’s dream, he talked about a place where people could be happy enjoying books. His health failed soon after we opened it. The shop is a success. But it’s a success as a coffee shop, not as a bookstore.”

“Does that matter to him?”

“Very much. He thinks he must have done something wrong the way he set up the shop. That’s the reason I asked why you bought a book instead of a coffee.”

The man smiled. “Books make me happy as, it appears, they do your father. Tell me, do you enjoy working in this place? Do you take satisfaction from working here? This whatever-it-is shop? Surrounded by the books you and your father love?”

She scanned the closely packed shelves and a smile transformed her face. With the abruptness of emerging truth, she acknowledged, “Yes. Yes, I do. I like being a barista here. Surrounded by the books we chose.”

He returned her smile. “Then say to him that he succeeded. You can both be happy.”


Richard Schreck is the author of over 30 pieces and a former publication editor for a large professional association. “The Barista” explores a world he is developing in Brain Game, a novel set in Baltimore and New Orleans. Brain Game stories also appear in other magazines. More at richardschreck.com and Instagram @richardschreckwriting.

Laundry Day

Poetry by Lana Hechtman Ayers

Whenever I asked my father
What do you want for your birthday?
he said socks, for Father’s day, socks,
for Chanukah, socks.
The man only had two feet.
What did he need with so many pairs?
One of them always wears thin before the other, he said,
gets a hole at the big toe.

Being a kid with not much money, only the gelt
grandma snuck in my pockets when mother wasn’t looking,
socks fit what I could afford and always fit my father’s feet.
There weren’t many choices back then
just the standard dark drab colors and white tennis socks,
or the fancy argyles men like the dads of my friends wore,
men who dressed in suits for work, not coveralls.
I always settled for navy or charcoal or black
but wondered why not a rainbow or glow in the dark?

Daddy always acted surprised when he opened my gift,
poorly wrapped lumps that I poured my heart into
and globed way too much scotch tape onto.
Just what I wanted, he’d say tearing open with gusto,
holding up the pair of socks like he’d just won an award,
which I wish I actually had given him—
for staying by my side whenever I was sick in bed,
for teaching me how to play all kinds of poker and rummy,
for letting me watch as he worked wood in the basement
to build shelves or repair constant rot around our house.

I don’t know whether there’s a heaven
or if my dad’s back on earth now,
like the psychic told me,
a person in their 30s I may never meet or not know I have.

Whenever I do the laundry sometimes a sock disappears.
I like to think that’s my dad, from out in the cosmos
grabbing one sock at a time so his big toe
doesn’t have to wiggle through the hole
in the Milky Way and be cold.
Some days. the pairs of socks come out even.
Those are the days I miss Daddy the most.


Lana Hechtman Ayers shepherded over 150 poetry titles into print as managing editor of 3 presses. Visit her online at LanaAyers.com. From her home in Oregon on clear, quiet nights she can hear the Pacific ocean whispering to the moon.

A Bird on a Bike

Poetry by Patricia Wallesverd

She wanted to be a bird—

mouth a beak,
arms unfolding into wings,
legs—spindles,
feet—tiny claws.

I asked what kind—
wren, sparrow, finch—

but no—
a hawk,
patient on a pole
or a treetop by the lake,
eyes sharp
for any rustle
in the shoreline weeds,
then a sudden scoop.

What about a pileated woodpecker,
flaming-red crest,
chisel-like bill—
a forest pterodactyl,
twisting through trees
alert.

She said once on her bike,
one flew overhead.
She stopped
to watch it vanish
into a snag of oak and pine.

She rode home
flying down the road—
a bird on two wheels.


Patricia Wallesverd taught high school English in southeastern Wisconsin for nearly forty years. Now retired and living in northern Wisconsin, she writes poems inspired by people, memory, place, the natural world, and the small moments that connect them.

On a Rainy Day

Poetry by Ellen Goldsmith

1
I interrupt
my reading of Phillip Roth on Herzog
to look out on the rain-drenched landscape.

Mid-October, the time of leaves falling.

Yesterday, the light breeze gently ushered
leaves to the ground. Today, they leave
quickly, in abundance.

2
Herzog’s letters, conjectures, dissatisfactions, accusations
fly
unrestrained.

3
In a time of drought,
how comforting
the sound of heavy steady rain.

4
It isn’t until the last page
that Herzog enters
my heart.


Ellen Goldsmith‘s full-length collection Are We There Yet? is forthcoming from Kelsay Books. Left Foot, Right Foot, her fourth chapbook, is an illness and recovery story. She holds an Ed.D. from Teachers College, Columbia University, is professor emerita of The City University of New York and lives in Cushing, Maine.

Sue Belle Road

Poetry by Casey Morris

The shady road unravels north of town.
Its flowered hills exhale. Flocks of grackles
Retrace sunlight in pulses of black down.
Old padlocked barns, unbothered in shadows

Of linden and burnt pine, relive by ghosts
That putter in cobwebbed sties. Long rifles,
Uncleaned and rusted, grieve their Mauser bolts.
A fussy mare in weeds looks round. Idles.

The rolling woods echo with Sunday bells.
What thorny voice among the choir’s psalm,
What longest passion like the angels tell
Lot and his beloved: what was is gone

In twilit vespers whispered down the road,
In summer dark that is lost, that is home.


Casey Morris is a staff writer for Decadent Serpent and Atropos Poetry Magazine, where he’s published reviews, features, and poetry.

To Clare, Whose Name Means Light

Poetry by Ed Ruzicka

I

I see moon’s fingerprint in rills
that spread across black water,
to nudge and lift up lily pads.

I know, I know, that you are brave
and like the rest of our family
never one to hug. Nevertheless
I must do something. Anything. Maybe

place two fingertips to my third eye
because I am old and have become
afraid of seeing into the future.
Hold my fingers there so I become calm again
and close to you as moonlight on dark water.

II

When we were wee, sister
whose name means light,
mom would instruct you
to sit down upon our couch.
Then she’d place me, swaddled, in your arms.
You cooed to me, softly sang
fragments of nursery rhymes
and ditties that you’d learned at school.

Tonight I want to give back.
Not that you need it. You are stronger,
so much stronger, than I ever was.
Yet I would like to lift you.
Hold you, sister formed of light,
the way black waters hold the moon.


Ed Ruzicka’s fifth full-length book of poetry, The Invention of Dreaming, published in early 2026. Ed’s poems have appeared in the Atlanta Review, Rattle, Canary, and many others, and been nominated for the Pushcart Prize. He is president of the Poetry Society of Louisiana.

Clover Season

Nonfiction by Sarah Banks

Backing my car out of the driveway on an early March morning, I spot a single clover pushing through the dirt beneath my mailbox. I’m not surprised. Spring in Mississippi, a two-month interlude between the wet chill of winter and summer’s heavy heat, arrives before the vernal equinox. The air, tinged with humidity, feels cool this morning, though it will warm to the seventies by the afternoon.

When I see clover, my thoughts turn to the elementary school I attended, its play yard covered in emerald, three-lobed leaves each spring. Sometimes, this memory flashes through my mind then quickly disappears. Other times, like this morning, the recollection lingers, my mind holding it in place during my drive to work. Either way, clover conjures an image of that terra cotta brick building with windows lining the classroom walls.


During recess, while my classmates jumped rope and swung on the monkey bars, I would walk out into the field of clover. I’d squint to see where the end of the seemingly infinite, green expanse met the sidewalk. The leaflets rested against the ground, reminding me of a deep green quilt stitched to the earth. The flowers, tiny white pompoms, dotted the lawn. When wind moved across the yard, the clover shivered.

I would slip my feet out of my shoes, resting them atop the soft, springy clover. My hands inevitably burrowed into the green carpet, thumbs resting on leaflets. They felt soft, delicate—easy to tear. Each one held a small, crescent-shaped marking near the center.

In our classroom’s encyclopedia, I’d read that clover seeds can hibernate in the soil for decades, and I wondered if these had grown from seeds buried in the earth before I was born.

I’d often lay on the clover quilt and gaze up at the sky, imagining myself elsewhere. On those days, the sun hovered high, only a few clouds feathering the soft blue expanse. With no trees nearby, the sky opened wide, stretching so far it seemed to continue past the horizon.


By the end of April, the weed covers my entire front lawn. I’m nostalgic when it comes to clover. I won’t disturb it myself, but each week, my yardman mows it down with his lawnmower, allowing the Bermuda grass to show its spikes. By the end of each week, however, clover once again carpets the yard a deep green. It scatters its flowers across the lawn, daring the yardman to cut them down.

I’m unaware that clover can be invasive until my father mentions it.

“Clover will spread as far as you let it,” he says as we stand outside, surveying the yard. “I can spray it with weed killer if you want. That way, the grass won’t die.”

“Maybe.” My eyes drift toward my neighbor’s yard. She’s already complained about the redbud petals that fell from my tree onto her lawn, so I know she’ll object if the clover creeps into her property. Still, I’m reluctant to eliminate it. “Let me think about it.”


One time after school, I stood in the kitchen in front of my mother and held out my hand. In my palm, I cupped the four-leaf clover I had discovered during recess. The encyclopedia stated that the appearance of four leaves, a genetic mutation, occurs in one in 5,000 clovers. Despite my odds, I’d continued my quest to find one, sifting through the clover each day until I found treasure.

“How can we keep it safe?” I asked my mother.

“That’s easy. Watch this.”

She laid the clover between two sheets of parchment paper, then tucked it between the pages of the worn, hardback dictionary she’d used in college.

“Don’t worry.” She gave a warm smile, her eyes earnest. “I’ll hide it on a shelf in my closet.”

In the years that followed, I would sometimes ask her to open the book. I needed to confirm the four leaves still existed, proof that the clover had chosen to entrust me with its secret. Over time it dried, curling at the edges and fading to a muted green, yet the leaves remained attached to the stem.


In mid-May, I stand on my porch, imagining the clover spreading without interference. A smile tugs at my lips until my gaze moves to my neighbor’s lawn, where the clover inches toward her property line. I glance at the redbud standing against my fence, some of its branches—meant to spill over into her yard—cut to blunt nubs by her shears.

A few days later, I call my father.

“Get rid of the clover.”

I feel guilty for transferring the task to my aging father, but I can’t be responsible.


Weeks later, before I leave for work, I stand on my front porch and gaze at my lawn. After consistent treatment, the clover has disappeared, eradicated by the weed killer. I lift my eyes to the pale blue sky dome. The sun edges above the horizon, and the crowns of the pines appear as silhouettes against the pink-gold light blazing on the skyline.

Backing out of the driveway, I see zinnia shoots peeking through the earth beneath the mailbox where the single clover once grew. Soon, pink and yellow puffs will fill the flowerbed, but I am certain the clover will return next spring. And if it threatens to spread into my neighbor’s yard, I know my father, for as long as he can, will be the one to spray it.


Sarah Banks is a nurse living in Mississippi. Her poetry appears in Rust + Moth, South Florida Poetry Journal, Thimble, Autumn Sky Poetry, and elsewhere. Her fiction has been nominated for the Pushcart Prize and appears in Flash Fiction Magazine, Bright Flash Literary Review, and Fiction on the Web.

A Question of Fruits and Kitchens

Poetry by Kira M. Tjomsland

Perhaps we were feeling slightly hungry as we browsed the art gallery,
stopping before an oil-on-canvas
where ripe oranges made a branch bow low,
and you turned and asked me,

“If your kitchen had a fruit theme, what fruit would it be?”

The question exhales, and from it I inhale
the citrusy-sterile smell
of Grandma’s kitchen,
where dish soap stings my nose with the acidic tang
of the towels, of the bowls, of the plates, of the tiles on the wall
all distinctly, blatantly, unapologetically lemon.

Like a candle with a layered scent profile,
I whiff the undercurrents that made their way
into my own mother’s kitchen,
where the hand soap is always lemon, grapefruit, or tangerine
and the essential oils diffusing are always lemongrass or lime.

While I enjoy lemon-flavored desserts
and a wedge of lime in my water,
is it wrong of me to now associate the smell
with the drudgery of cleaning?

Maybe a strawberry or an apple theme
would better suit my counter’s red appliances;
raspberry doesn’t scream “kitchen” to me,
and cherries are an absolute no.

I think of my childhood friend’s new kitchen,
each appliance painted with a different piece of
a colorful fruit salad.
I think that I’m too picky of an eater
to really pull that off.

But as we meander to the next displayed easel
and I think of the dishes waiting for me,
I glance back over at the orange grove canvas
and think maybe that citrus isn’t so bad.


Kira M. Tjomsland is an award-winning author and poet, Creative Writing MFA candidate, and co-founder of Wandering Lights Literary Magazine. In her free time, she enjoys baking as much from scratch as possible. To read more of her work, see her website kiramtjomslandauthor.com and follow her @kiramtjomsland.author.

Dear Dad

Nonfiction by Leslie Lisbona

Dear Dad,
I wonder if you are still 85. Although I’m not sure that’s the age you would want to be for eternity.

I have vague and sweet memories of you in your early 40s. I would wait for you to come home from work. It was the last thing I got to do before going to bed. You would squat down, open your arms, and hug me. I was so excited I could barely stand it. And I made you laugh, mixing up my French and English by telling you, “You are piquey.” Your face was too rough, and I should have said, “Ca pique.” But you knew what I meant, and your laugh felt like a rumble in my chest.

You had your own store by then, Ripley’s, right near the Park Avenue entrance to Grand Central. Ripley’s was small, the walls crammed with electronic equipment. It had a stool that you propped me up on while you and Mom shared a cigarette over my head and murmured to each other in French and Arabic.

Or maybe you are 50 years old. I remember your 50th birthday because I was 10. Debi and I went out to get you a card and a Carvel cake in your brand new car. Debi swung her long hair back as she reversed too fast. We hit a pillar in the garage of our building and the car was totaled.

Or you might be 60. That is when you had Spectra on Madison Avenue, still small but bigger than Ripley’s. Sometimes if Mom asked you for money, you would say, “I don’t have a penny.” I remember feeling confused, not knowing if we were on the brink of financial ruin.

A bit later you had the first of your open-heart surgeries. That was when I realized I could lose you.

I wonder if you and Mom are together again? I wonder what ages you are – maybe you are both in your 60s, even though you died 15 years after she did. Mom wouldn’t like that you married Nina. Debi slipped your wedding ring off your finger in the funeral home. She didn’t want Mom to see it, especially because you never wore one in all the years you were married to her.

Do you remember the trouble you gave me when I finally moved out? I loved my first apartment, on Eighth Avenue and 53rd. I had Aaron then but not yet Oliver. I still saw you every Friday night for a movie, and once a week you double-parked on 6th Avenue near my office and I would hop into the elevator, pressing the lobby button over and over because I couldn’t wait to see you. Sometimes I teased you and said, “Aren’t you glad you had me?” and you would laugh and laugh. Once you knocked on my apartment door at 7am with bagels and coffee. I knew you were missing me. I felt like crying, which made it hard to swallow my bite of bagel. After we ate, I got ready to go to work and you went home to Queens, alone.

Do you know that I am 61 years old and that I haven’t set eyes on you in almost two decades?

Now we live in a different house that reminds me of our house in Queens. We have a dog named Rhoda. Val lost his father a few years ago. We have started traveling together, just the two of us, and it is wonderful. Aaron is 28 and engaged to be married; Oliver is 25 with a serious girlfriend. They work virtually, from home.

This is new: You can work from home now.

I wish I had had that option. I ached for Aaron and Oliver while I was in my glass office in midtown.

Here are some things that have happened since you left:

We sold the Queens house a few months after your death.

Nina died a few years after you did.

Debi and Dorian are grandparents. Debi goes by Nonna like your mom, and Dorian goes by Gido like you. The three of us are close, talking to each other all day long.

Congestion Pricing: You have to pay $9 to drive into the city. It turned out to be a good thing – less traffic and fewer pedestrian deaths.

Electric cars: I have one. I can turn on the heat from my phone before I get in the car. I have a charger in my garage. We are not far from self-driving cars. Actually, I think mine can do it, but I’m not sure how.

I miss you iktir, a lot, especially when something really good happens and maybe an inch more when something awful happens.

Here is a good thing: I stopped working in a bank and now I am a dreamer like you.

Here is a bad thing: October 7. The attack nearly destroyed my family life and the whole world turned against us. I needed you so much then, Dad.

Even though parenting wasn’t your thing, you turned out to be a good parent to us when Mom died. I’m glad you and I had the chance to get close, to get to know each other, to enjoy time together: all those Friday night movies, a few Broadway shows, just you and me. Imagine that.

I love you,
Lozay


Aside from The Bluebird Word, Leslie Lisbona‘s work has appeared in numerous journals and magazines such as The Queens Review, Synchronized Chaos, JMWW, Smoky Blue Literary & Arts Magazine, and Welter. She was also featured in the Style section of The New York Times. She is the child of immigrants from Beirut, Lebanon, and grew up in Queens, NY. You can find her online at leslielisbona.substack.com

Just Don’t Dye Your Hair Green

Poetry by Sarah G. Pouliot

was the last thing you said to me
before grudgingly moving upstate
for your dad’s corporate position.

A decade later, I sit at Fox Lake,
bare feet pressed into Florida’s carpet,
pondering your hatred for the color

of Spanish moss in cypress swamps,
Anoles darting across sidewalks,
the star-shaped fronds of Royal Palms.

My mind fills in the misplaced pieces
of your life like a Rorschach test.
One inkblot portrays you at college,
double-majoring in math and philosophy.

The next, you’ve joined the Navy
and married a juvenile sailor
named Moby, who doesn’t cuss
and sells dried starfish by the port.

I suppose I could look you up
and learn where time tossed you
like the rocks we used to cast across the lake.

But I’d rather imagine
you lounging with Moby,
listening to crooning crickets
on J hooks and the murmurs
of midges orbiting pine—

pointing out how, tonight,
Orion’s Belt is shining faintly
behind those clouds,
if you tilt your head just right.


With a B.A. in English, Sarah G. Pouliot’s stories and poems have appeared in journals such as Cagibi, Saw Palm, Timber, Relief, Ekstasis, and the Rectangle. She works as a nonprofit grant writer, where she partners with philanthropic endowments and foundations to fund initiatives that uplift women worldwide.

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