Author: Editor (Page 7 of 70)

The Farm, Three Months After Dad’s Death

Poetry by Claudia Kessel

Paint chips off the deck
Bare feet smear sun across wood
A melting of hours

Orange, nameless barn cat
slinks between blue hydrangeas
Day drifts to evening

Something splinter-sharp
slices August’s humid breath:
Cicada vibration

Trucks speed the backroads
Launching from lily to lily
bees zip across faces

Black walnut fingers
release twittering sparrows
Limbs curtsy in wind

My son collects eggs
from the white-rimmed chicken coop
His life has not changed

Abandoned silo
Mourning dove’s alto lament
Swallow’s coloratura

Mulberries scatter
Stain the gravel indigo
Wasps inspect new jewels

My fingers trace keys
of his Baldwin piano
Ivory absent of his broad thumbs

Only when I sing
alone by his piano
do I un-trap myself from myself

Sunset’s greasy smudge
Not necessarily happiness
Neither unhappiness

Green dappled stillness
No one in particular
loves me today

In his gray armchair
at dawn, with coffee and cat
Scent lingers in cloth

Slippers empty of feet
A cane leans against the chair
How much of him in me

My body breathes here
in the home of pine and glass
he dreamed, built, and died in


Claudia Kessel works as a grant writer and musician in Williamsburg, Virginia. Her poetry has been published in Richmond Magazine as a finalist in the 2021 Shann Palmer Poetry Contest, awarded by James River Writers, in the 2024 Poetry Society of Virginia anthology, and in various literary journals.

For the Eastern Bluebird

Poetry by Danita Dodson

She cleaves the quivering air,
her wings spun from prismed light,
feathered at the meadow’s hem.
We script her joy as weightless,
crown her myth against the dark,
watch her wake the sleeping sky.
What we forget in our dreaming—
her days are edged with struggle,
with hunger, with starlings’ theft.

A mother seeking a hallow home,
she nestles where rot gives room,
cradling life in shifting shadows.

Still she returns, undiminished—
fledgling-feeder, hope-bringer,
tracing rites on warming winds.

She finds her way home at dusk,
tastes the thaw on the earth’s breath,
sounding the spring’s first song.


Danita Dodson is the author of three poetry collections: Trailing the Azimuth, The Medicine Woods, and Between Gone and Everlasting. Her poems appear in Salvation South and elsewhere. She is the 2024 winner of the Poetry Society of Tennessee’s Best of Fest. She lives in Sneedville, Tennessee. More at danitadodson.com.

It’s the Kind of Thing

Poetry by Melanie Faith

if I wrote it you might
not believe me, but I’ll
write it anyway.

For a second, I mistook
riffs of an electric guitar
on the radio
of a passing car

for a stray cat or kitten
and looked up
from my book
for a tail and a lean cat needing care.

The breeze held ice and calm
and September hope in it,
though still plenty of August
in the sun, in the hot pink
of potted deck geraniums. It wasn’t

the velvety electric blue,
nor the soft ebony
of a dress, nor the yellow almost green
said to bring happiness,

but it did: the root-beer brown butterfly
with buff and dun and a patch of white
like a paintbrush smudge
on its one wing, as if made with

too-wide bristles and wrong for the job—
with flowers not a foot away, he landed
on my right kneecap
of my soft green velour pants—even when

I moved just slightly and uncrossed
my crossed legs, he kept his perch
astride my kneecap. Antennae, black
buggy eyes scanning sideways

as I studied him
wings at rest, he stayed at rest on me.
It is no small thing to be chosen
by a child or a gown person as a confidant,
as a particularly close friend, is no small thing.

To breathe out, to breathe in
watching a brown butterfly
with a white smudge like perfectly imperfect
paint and the music floating over and
the morning radio as a song ends,

another song begins. Was it five minutes
or twenty or a touch of eternity
until the butterfly
lifts up and away again?


Melanie Faith is a poet, writer, educator, photographer, and frequent doodler. Learn more at melaniedfaith.com. Her craft books for authors through Vine Leaves Press offer tips on numerous genres. Her latest poetry collection, Does It Look Like Her?, follows Alix, a forty-something artist and the famous painting of her.

Spent Water Balloons

Poetry by Antonia Albany

      scattered
                                  across

       the                                          lawn,

splotches of water dry on the super-heated driveway,
laughter lingers as kids head inside
to Mom’s call,
“Dinner. C’mon in.”

He turns once more to gather what’s left:
the bike on its side,
the baseball bat and wiffle ball,
a jump rope with bright pink handles.

Sunday evening settles.
Work and school wait
just beyond the night.


Antonia Albany is a retiree and author who lives in Northern California with her tripod kitty, Kali.

On the Cusp of Spring

Poetry by Stacie Eirich

She walks the river slow, savors
the soft touch of air and glow
of sunlight on her skin. Listens
to the rush and ripple of water,
watches squirrels climb trees and ducks
forage grass for worms. Feels the gentleness
of the coming spring, a space
in her mind, heart, lungs, womb
opening for it, welcoming it.

She leans into
this brightness, inhales—time blooming
into bursts of birdsong and promises
of what the world can still mend
and create anew. This season
of beaming gold, of riotous laughter,
of gentleness, of tenderness. Care-born
from love, love for windswept wings,
branches bright in April’s light.

Winter’s shadow trailing behind
the cusp of spring, gathering
to carry her—into buoyant light, into a song
brilliant with hope, burgeoning with wonder
promising this time
will be softer, this time
will be easier.

She begins to believe this might be true
as she walks: listening, letting what we feel come
then releasing it, letting the glow
of sunlit cyan waters, the slow burn
of gold and blue and green settle
into her, allowing space
for spring to crack open
like a robin’s egg, breaking open
joy, beginning anew.


Stacie Eirich is a mother of two, poet and singer. Hope Like Sunlight (Bell Asteri Publishing, 2024), is her memoir benefitting St. Jude Children’s Research Hospital & Ronald McDonald House. Her poems have recently been published in The Poetry Lighthouse, Soul Poetry, and The Amazine. She lives in Texas. Read more at www.stacieeirich.com

On Trust

Poetry by John Zedolik

The rabbits will remain to be counted
upon the evening lawns, satisfied
in sweet clover, some even splaying
hind legs, if I deign not to walk this dusk,

having scratched the itch to stretch
my only legs this recently departed bright
afternoon, for the evenings will repeat,
I do believe, beyond this pleasant one

though one should not assume too much
in this world of inconstancy, a spinning top
whose force might fail—yielding a stop
with no return and return of what circles

or has done so, bringing the bunnies out
to hop and munch under the cooling sky,
I aver without seeing, relying upon precedent,

a wise mentor—never yet—let me down


John Zedolik has published five full-length collections: Salient Points and Sharp Angles (2019, WordTech Editions), When the Spirit Moves Me (2021, Wipf & Stock), Mother Mourning (2023, Wipf & Stock), The Ramifications (2024, Wipf & Stock), and Lovers’ Progress (Wipf & Stock). All these collections are available on Amazon.

Answering the Owl

Poetry by Russell Rowland

Young campers, school resumes!
A photo online shows you roasting hotdogs
on sticks over a campfire.

You’re only ten years old in this world once.

You may never roast hotdogs
over an open fire again—but will remember
that sizzle and first bite many times,

as when faced with a surprise quiz on fractions.

You’re blossoming now,
like asters, mums, and ubiquitous goldenrod.

In a way, you’re annuals, in a way perennials.
In a way, you’re springtime
in autumn. We who love you are just autumn.

Say there was an owl overnight
at the campground, asking who cooks for you,
who cooks for you-all.

If you were awake, you could have answered
the owl: We roast hotdogs now—

we’re learning to cook for ourselves, thank you.


Russell Rowland’s work appears in Except for Love: New England Poets Inspired by Donald Hall (Encircle Publications), and Covid Spring, Vol. 2 (Hobblebush Books). His own poetry books, Wooden Nutmegs and Magnificat, are available from Encircle Publications. He is a trail maintainer for the Lakes Region (NH) Conservation Trust.

The Great Bear

Poetry by John Grey

He sits on a rock,
legs and arms folded
before him
in the last rays of daylight.

His brown fur
ruffles like prairie grass.
His eyes scan slowly,
see nothing more
than what he feels himself to be.

Such power, such strength,
held in at perfect peace –
if earth and heaven ever needed
a dividing line…

Any moment now,
I expect him to growl.

But my Buddha scratches instead.
Fine…so he itches…
that means something.


John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and Tenth Muse. Latest books, Subject Matters, Between Two Fires and Covert are available through Amazon. Work upcoming in Paterson Literary Review, White Wall Review and Cantos.

A Small Memory

Poetry by Carolyn Chilton Casas

Some winter evenings, snow piled
against the door, my mother would open

the living room sofa bed in our one-bedroom
clapboard surrounded by woods

for us to watch TV, warm popcorn
in a blue plastic bowl, my infant brother

determinedly crawling over the blanket
to reach the treat. She taught me

to bite off the harder kernels
he couldn’t chew with just my front teeth,

place only the soft, milky pieces
in his baby bird mouth. Each time, he flashed

his big infant grin, making us laugh
over and over with abandon.


Carolyn Chilton Casas’ poetry has been published in multiple journals and in anthologies including The Wonder of Small Things, Thin Spaces & Sacred Spaces, and Women in a Golden State. More of her poetry can be found at www.carolynchiltoncasas.com and in her last book, Under the Same Sky.

Squirrel Ladder

Nonfiction by Kelly Kolodny

Cat hair piled up on the old shaggy carpet. The sturdy pine coffee table, built by my younger brother when he took woodworking in high school, was topped with several years of Better Homes and Gardens. A persistent stale odor wafted around furniture and throw pillows worn thin. As I sat with my parents in the den of their small ranch-styled home, week after week, I felt fatigued and overwhelmed. We had reached a point when important decisions needed to be made regarding their care, resulting in changes for them and how they would spend their remaining years. Sensing my worries and stress, their long-haired rescue dog, Caleb, often put his head in my hand. Their five cats gathered around me, bidding for my affection. Noises from outdoor feeders reminded me of my parents’ sense of protection and care for the natural world. Changes in my parents’ lives also would result in adjustments for the outdoor wildlife they supported.

Mom’s stroke occurred a few years before dad’s heart attack. Not physically visible, the stroke was a fog that rolled in and changed her interactions with others signaling something was not right. A cancer diagnosis and dementia followed. When dad had his heart attack, the doctors were unsure they would perform surgery since he was in his mid-nineties. He told them he had a family who cared for him, a garden that needed tending, and a will to live. An orchestra of voices from dad’s extended family persuaded the doctors to move forward with the surgery.

Like many seniors, my parents’ social security covered less and less of their living needs. When they became ill, I began to sift through their finances and started to understand the full extent of their fragile economic circumstances. To help, I brought groceries each week—canned tuna, bread, apples, bananas, crackers, and pre-made meals they could heat up in the microwave.

Weekly visits followed a similar routine. Unload food. Try to complete some household chores. Talk. If I was less stressed, I might have understood more clearly what my parents shared during those moments. Personal memories and life lessons were offered that later became cherished gifts.

During one visit, I remember Mom walked into the kitchen to get a drink.

“Do you want something to eat, Kelly?”

“I’m fine,” I replied.

“Oh, come look who’s in the bird feeder. It’s Timothy.”

I pulled myself up from their tattered brown couch to look at the feeder and set my eyes on Timothy, a good-sized squirrel with a fluffy tail curved into a half-circle. He filled his cheeks with seed as he rested on the edge of the feeder. Soon Timothy was joined by another squirrel. Traveling up a narrow wooden ladder my dad built, the squirrels easily reached the rectangular feeder at the window level. Enchanted with birds, my parents equally were taken with squirrels.

Feeling bold, I questioned mom about their care for squirrels.

“Some people try to keep the squirrels out of their bird feeders. They want the birds to have the seed.”

I had an idea of the response I would receive and was not surprised by it. Dressed in her Sears sweater and loose blue jeans, mom cast me an indignant look.

“Not us. We love squirrels. As a matter of fact, several of them live in our attic.”

I was not taken aback by this statement. When I was at their house, I heard noises coming from the attic which none of us had entered in years. Aware that squirrels were not helpful for the upkeep of the house, I nonetheless appreciated my parents’ care for them. They had formed a relationship with squirrels. They watched them through the kitchen window and noticed their expressions as they ate. They talked with them. The ladder was a bridge connecting my parents’ lives, filled with family, pets, and regular medical appointments, to the natural world.

“Mom, how do you know the squirrel in the bird feeder is Timothy? Can you tell them apart?”

“Not really. We name all of the squirrels Timothy. We want them to have names. Naming is important. But it would be hard to remember all of their names, especially at our age.”

Naming, similar to building a ladder, brought them closer.

After gazing out the window for several minutes, I watched mom as she sat down beside dad on the couch. Lucy, one of her feisty orange cats, burrowed into her lap and mom instinctively kissed her. Caleb slept at my parents’ feet. My parents were not ready to let go of their independence. They still had some things to share with each other and their family. We needed to continue caretaking in this manner for a while longer.


Following his heart surgery, dad stayed home for two years before he died. Mom’s dementia progressed to a point where she no longer remembered her husband died. She couldn’t recall her grandchildren’s names. When we moved her into a nursing home, we divided the pets so they were kept safe and in the family. Caleb became my dog, sitting beside me in the evenings while I planned lessons and graded college papers.

My brothers, their wives, my husband, and I spent months cleaning out and painting my parents’ home in preparation of selling it. During one of my last visits, I walked through every room. It was old, clean, and empty. There was nothing left, except the feeder and the ladder which I eyed when I looked out the kitchen window. Since the feeder no longer contained seed, Timothy did not visit. This bridge was broken—though the lessons connected to the ladder carried forward.


Kelly Kolodny is a professor of education at Framingham State University in Massachusetts. She has written a variety of academic articles and books. She also has composed book reviews for the Southern Literary Review.

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