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Just Another Ordinary Magical Day

Poetry by Barbara Wiedemann

In the month of June in Moab
the temperature easily reaches ninety-five.

But in the nearby La Sal Mountains
it’s cooler, maybe seventies.

But still it’s a surprise to see inches
of freshly fallen snow on the tree-shaded trail.

The fluff floats down from the aspens
so buoyant, balancing in the air

like dust motes or snowflakes
before gently touching the ground

joining the white already there—
like snow        only not snow

but tiny seeds transported by cottony fluff.


After a career in academia, Barbara Wiedemann, the author of Following the Snow Leopard (Kelsay Books, 2005) and four poetry chapbooks, spends summers living in her van in the mountains of the West, her only companion her energetic blue heeler. Her poems focus on the natural world.

Girls Who Smoke

Nonfiction by Xinyi (Mel) Song

Julie was clumsily unwrapping a pack of Kent No.4

… in the back alley outside a 7-11 in Shinjuku, Tokyo, when I saw a man with long, dark hair in a black cardigan unwrap his adeptly under the streetlight. He knocked the box on his palm, and one cigarette fell accurately between his fingers.

Julie’s fingers were slender, pale. She delicately held the cigarette, took a drag, and coughed into the air. I laughed at the way her nose wrinkled up when she tried to spit out the bitterness in her mouth.

“Why do people torture themselves with this?” She asked with her eyes squinted.

I didn’t have an answer. People torture themselves in various ways. As I traced the shifting grey line on her face – half of it dipped into the darkness, the other half looked tender under the moonlight – I felt a glare from behind. As soon as I turned around, it dissolved in the street’s yellow, fluorescent light.

My friend Chrissy was busted smoking

… in the girls’ bathroom in a Chinese high school, but we all knew she wasn’t a smoker. It was during class time when the principal walked in unexpectedly and found Chrissy and another girl whispering, giggling, and bantering in the stall near the windows.

The principal dragged them outside. Without much hesitation, that girl took out a box of cigarettes. They received detention for a week for smoking. No one ever asked why the box’s plastic wrap was still intact, or questioned why the girls didn’t smell like tobacco but like peach gloss. That was the story they decided to tell, a story less threatening to the school.

Chrissy offered me a cigarette

… outside the airport, two years after graduating from high school. We were flying back to college. She was going to Vancouver, and I was flying to New York. She offered me a cigarette, and I took out my lighter. She laughed at me, saying,

“I thought you hated smokers.”

I did. I couldn’t breathe in the clouds of smoke in the room where my father and uncles used to play mahjong. I was told it was a nasty habit for girls but a rite of passage for boys. But there wasn’t much I could hold on to growing up, so I was beginning to fidget with a cigarette in my hands. A habit might be bad in the eyes of onlookers, but it doesn’t betray you; it doesn’t ask you to change. I was moving from city to city, country to country. Trying to hide the Chinese accent, trying to love who I was supposed to love, trying not to be so different. Smoking is like a safe but moldy blanket for grown-ups.

Julie took her last drag

… while the cackling sound of the burning cigarette echoed in the alley. There was no one around us anymore. I could hear the stub rolling towards the direction of that long-haired man’s silhouette.

She took a deep breath, exhaled, and mumbled,

“I don’t understand the appeal of smoking.”

“It’s ok,” I said, taking over the cig from her, finishing the rest. It tasted like honey peach.

We walked back to our hotel in silence. Our shadows lost in the lights that were like a bright mist. It was 1:00 a.m., but the city was shrouded in a halo. I wanted to tell Julie how I felt, when I smelled the soft scent of tobacco radiating from her icy earlobes. In my hesitation, she threw away that pack of Kent No.4 and swore to never touch it.

She probably wouldn’t have known then how many cigarettes we’d gone through the night, in a few years, when she told her mother about the girl she was in love with; I probably wouldn’t have known then how much I wished that night in Tokyo was longer, when I learned that the girl wasn’t me.


Xinyi (Mel) Song is a bilingual writer. Born and raised in Sichuan, China, she moved to the United States for college and is now based in Boston. Her writing explores family, womanhood, and identity. Her essay, “Everything Is in the Meatball Soup,” is forthcoming in a Pangyrus food anthology.

a dying world – bombers returning from a Blitz on London 1940

Poetry by Sarah Das Gupta

Blue September skies suddenly slit open;
bombers streaming, screaming overhead.
Even the rooks stopping their raucous gossip,
seek refuge in the avenue of already coppery beech.

The Junkers are returning from the Blitz on London,
casually dropping remaining bombs to lighten the load.
They fly over the downs and Kentish hop fields,
heading for the Channel ports and then the open sea.

Unharnessing his team of chestnut horses,
the ploughman takes refuge in a stand of oaks.
Patiently they wait, swishing the flies off wearily,
familiar sight to generations in the cemetery nearby

In the fading light, they turn the ancient furrow.
Their hooves spark as they plod up the flinty lane.
They fade to ghosts in the lengthening shadows.
New sources of power have begun their reign.


Sarah Das Gupta is a writer from near Cambridge, who is interested in history and often uses historical background for fiction or poetry. She is also interested in the folklore of Eastern UK. She has been nominated for Best of the Net, the Pushcart, and a Dwarf Star.

Post-Opus

Poetry by Guadalupe Palos

It’s 3:42 AM when I finally get to sit down,
Does the rain reach your roof too?
Our used-to-be shared roof watches me
pretend you are alive sometime, somewhere
else. Why won’t God let me know the you before
I was born? I saw your toddler smile weeks
after your passing for the first time, your
self showing in sepia tones. I think
heaven is a space where we can see each
other in all years. I could isolate all that is
your continuation inside of me and give it
back to you as a gift, where my toddler smile
and your toddler smile can be under one
roof again.


G.L. Palos is a poet who has lived in desert cities for over half of her life. She has a Bachelor’s in Religious Studies and has since entered and exited various service-based fields. Love, consciousness, nature, her current nonfiction read, and beauty inspire the majority of her writing.

Airy Kiss

Poetry by Diane Bier

We will meet you at the mountain top—
where the eagles soar and the hawks land—
the land the ravens know. Unearthing the trail
beneath the dogwood trees—we’ll follow
their petals on the wind. We watch for black
squirrels and red foxes, gather daffodils,
tumble over heart rocks, all signs of you.
We climb, your mom with, a long processional—
backpacking a picnic feast and all the dogs you
never met so you can kiss them one by one.
Stumbling over words, breathless prayers fade—
like ombre butterflies releasing sorrow.
You bestow an airy kiss as we stand
greeting you with daffodils hand in hand.


Diane Bier is a binge reader who always has a book or camera in hand. She has an MFA from William Paterson University where her writing reflects her passion for social change. She resides in NJ with her family and dog where she enjoys gardening and walking.

The God of Small Moments

Poetry by Lara Lehman

What is the point,
if not this?

To stand, leaning
on the unmade bed,
this quiet January morning.

You stopped
for a moment
to play with the cat.

…A bit idly, now.
You both feel a
second sleep coming on.
You see it in her eyes.
Time for rest,
Not time to fight
.

The air is cool.
The sun is white.

And there is no reason
not to celebrate this day
by taking your naps now.


Lara Lehman is an award-winning teacher and writer now in her West Coast era. Recent work on craft will appear in The Writer’s Chronicle and The Artisanal Writer. She reads for Broad Ripple Review literary journal and contributes to Medium.com @thestorydoctorisin, while steadily completing her novel on the Salem Witch trials.

Pastor and Pasture

Poetry by David Ehrenman

The color of the harvest,
Sunset crowns the laborers
Rewarding earth for hours
Endured before night’s herald
Says “rest,” enforced by darkness.
Purpose unified will now
Disperse—the centralized sun
Cedes skylight to scattered stars.


David Ehrenman is an Australian-American poet currently working for a study center at the University of Minnesota. David earned Highest Distinction in English at the University of Virginia, and his poetry has appeared in Ekstasis Magazine, The Journal of Undiscovered Poets, and The Mythic Circle.

As a Hummingbird

Poetry by Emily Persichetti Schuster

I saw you today
With my first breath of canyon air
You were there

Meandering down the wide gravel path
I saw you as ferns
Edging against the trail

Gazing up at the brilliant cloudless sky
I saw you as a row of evergreens
Lining the rim of the canyon

As the river guided our hike
I saw you as the sparkling stream
Skipping over rocks on the valley floor

The softness of water shaping the valley
With years of patient persistence
Forgiving firmness

And I knew then this is where you belong
I wondered if you’d ever had a chance
To visit this heavenly place

Later, as the sun dipped behind the mountains
I saw you as columbines
Growing straight out of the cliff faces

Taking root in rock
Until I realized you were still the river
And those flowers were me

And I knew then I was here because of you
That so much of who I am still holds pieces of you
Guiding a path I can’t always see

You even came home with us that night
And perched in a tree in the backyard
As a hummingbird

Posted in the highest branch
Watching over my little boy
As he played on the slide and the swings


Emily Persichetti Schuster’s poetry and short fiction is published in Beautiful and Terrifying: Tales and Visions from the Edge of the Uncanny (Elderfly Press, 2026) and is forthcoming in Allium, A Journal of Poetry & Prose. She lives in Athens, Georgia with her partner and their two kids. Find her on Instagram: @empschuster_creative.

The First Raspberry

Poetry by Meredith Escudier

The first one, not purple but pink
not yet luscious, but lovely

the promise of sweet abundance
of a backyard crop-to-come.

My grandson spied it,
seized it, plucked it,

placing it like a prize
on the tip of his finger

because just the right size
to snuggle into a raspberry’s insides.

Look, Grandma, the first one!
Together we inspected and admired it,

our forerunner raspberry,
rosy precursor, ephemeral elder.

Would he eat it, offer it, save it
for later, nibble away meticulously

tiny bit by tiny bit…or instead
gobble it up, here we go, let ‘er rip?

He surveyed his treasure
just a little longer, still safely perched

on his dancing index finger then
jubilantly (whoosh) popped it into his mouth.

He swirled it about as it released its juice,
his 5-year-old eyes crinkling and creasing

and with a catch in my throat,
I got a passing glimpse

of my last little grandson
far off into the future

on a day when an old man
yet relishes a raspberry.


Meredith Escudier has lived in France for over 35 years, teaching, translating, and raising a family. She writes about French language and culture, food and music. Her latest book – Play it Again, Jacques – features 20 French singer/songwriters who have accompanied and enriched her life over the years.

Contentment

Poetry by Nancy Kay Peterson

Late August hint of fall hides in
the pulsing breeze, scented dusty green.
Each time the wind pauses, the sun asserts
its waning summer strength, toasting
the back of my flannel shirt.

We two sisters stand on the foot bridge that
spans the dry creek between our parents’ house
and garden, silently shucking corn.
Soft silk threads tear away easily
from ears stunted by drought.

Cob tips have broken through
their green shells. End kernels
not gnawed away are mahogany colored.
We snap off spoiled ends,
toss them over the bridge rails.

Remaining bright yellow half-cobs
fill bags to be carried inside
and cooked within the hour.
My hands are sticky with milk,
the sweet smell of new corn.

I could do this forever.


Nancy Kay Peterson’s poetry is in The Bluebird Word, Dash Literary Journal, Earth’s Daughters, Last Stanza, RavensPerch, Spank the Carp, Steam Ticket, and Tipton Poetry Journal. She co-published Main Channel Voices: A Dam Fine Literary Magazine (2004-2009). She authored two chapbooks, Belated Remembrance (2010) and Selling the Family (2021). See www.nancykaypeterson.com.

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